Transcription
I don't know Elvir, Jovan, all respect to them, but I personally haven't listened to that, you understand? I've listened to more rap. Yes, I've listened to more rap. Yes. And for me personally, that was the golden era. You understand me? Now, if you ask someone else who is 40 years old, a little older than me, for example, they might say that Elvir Jovan, you understand, that was the best, and that might be the best for them, maybe the best, I don't know, Vrčak for someone, you get it? Yes. But for me personally, that era was like that, and for everyone. Now, for example, kids who are 18 or 19 years old today, maybe the golden era, the golden era was Two Bons, Tas, Urban Records, Gorilla. Do you understand what I'm telling you? Mhm. Tasko commented earlier that everyone sees that golden era differently, brother, I don't know, everyone would write on their story, they would probably write about the golden era for the time they grew up in and what they listened to. Well, I agree with that, and I assume you know about these younger generations, when they are 40 years old, they will talk about this time, what happened now. So that's what I want to say, you know, whether as us, as the entertainment industry, in interviews, I've noticed we constantly talk about not having stars, not having this, not having that, we complain all the time. Is that the right way? I've noticed that many artists degrade themselves in interviews with that very conversation, saying that there are no stars in Macedonia, that the only star. Come on, let them not be stars, as a word, it's bad. I don't know. I, for example, don't respect it. Okay, broad meaning. Star. Let them be, I don't know, artists who make good music, whom people listen to, who sing, you know. But I don't know how to explain it when someone says that in an interview. Well, no, there isn't. Then why are you making music? There is. There isn't. That there isn't. Don't make music if you think you're not that. You're not in. Sorry for interrupting you, I'll forget what I want to say, that in our country, simply, a red carpet is missing. We don't have as many red carpets as we lack music videos and songs. Everything is missing. And earlier when you asked what your opinion is about the Macedonian scene, I think the whole scene is working halfway. Nobody is working 100%. And that is visible in the music videos, on stage, in the songs, and in the energy. I think, do we know how to be stars? You know, many factors are involved, many conditions are missing for us to be stars. Preparations are missing, a red carpet is missing, a way of living like a star is missing. Many years are probably missing. What we are trying to do now, what you are trying to do with the awards, with Macedonian music starting to be supported. If this continues for the next 10 years, because everything comes to us five years later, ten years later, I think we will reach a status where we have our own stars. Serbia has them, we can't lie. I think that's the only way. There is no other way. There is no other way. There is no other way. But the time has come when new generations must do that. Because it's clear to all of us how the old generations function. On friendship and acquaintance and favors. Yes. I am not based on reality and facts. Tose was a star. Tose was absolutely a star. However, after that moment, if there were a place to appear, a place to even have a problem and solve it, I'm talking about having a story in the public, about things happening. I want to play a video of your performances in Bulgaria and comment a little on this topic, why what happens to you in Bulgaria doesn't happen to you in Macedonia. What happened in Kisela Voda is an municipal event, really. So it's not a performance by Two Bons, and we were there, and Slavey, and the municipality itself attracts people, and all that. But let's look at the video first, because what you experience in Bulgaria these past few years, it's at some new level, some very unattainable level. And now, I think, I have a feeling that in Macedonia, there is no perception of that. I think they have no idea, and, damn it, the media pay attention to many more unimportant things. We all get caught up in fornication and low passions. We don't focus on what is art, and it's simply the nature of show business, and okay, we've come to terms with that, but this is a move worthy of respect. We can watch the video and then we'll comment. Before we play it, I'm interested, and now, what the viewers are watching, and after the podcast is over, write your opinion on this topic in the comments. Why are they always looked down upon, as you said, those yellow press, gossip, immoral people, rumors, and we don't want to watch quality things. Here's a specific question, because I've tried the same thing, and it's always like that. They will watch more about some, I don't know, immoral situations, some scandalous gossip moments, rather than talking about prosperity, about success, how to achieve success. Here's a question from me, just give your comments, let's watch the video of how it is in Bulgaria, then we'll come back. Magic, I'm coming like a gorilla, I don't need it, I've remembered, remembered [applause] tonight, look for seeds for my [applause] no chase, give seeds for [music] and from me, I don't need one, let's keep a sound for both Bons and Burgas. Maybe don't annoy us [music] have a nice evening. So, really, in these videos, you feel the moment of stars. What is your treatment? I'm interested in Bulgaria. Let's make a comparison. Is it possible to do that in Macedonia? Everything is possible. I believe in that, that everything is possible. In Bulgaria, we literally have the treatment of stars. Simply, all we have received is love and support. We haven't had any problems. And we've been singing there for four years in a row. We've toured all of Bulgaria. Yes. Since 2020. Yes. I think there are only two or three cities left that we haven't visited. Everything we've received has been love and support, and we've realized that actually, the people of Bulgaria don't hate us, they love us and welcome us with open arms. I don't know how to tell you. They rejoice in every success of ours. You don't feel that here, and all this is happening despite the political situation between Macedonia and Bulgaria, which, frankly, I wouldn't delve into. It's not understood much. You are young guys who are coming out, who are not interested in politics, only in music. You understand? Art and politics have nothing to do with each other. So, to see young people there. I believe that people rejoice more in others' failures than in their own success. Absolutely. I agree with that. Those are facts. I have, you know, the feeling I've developed. It's easier for us to rejoice in failure because at that moment we admit our own failure, and it's easier for me to say, well, he's not successful either, so what if I'm not. Hey, how many views do you have, brother, you understand me? Like, well, they're not doing well either, so it's good if we're doing well. It's good. What is a very important factor for success, to rejoice in someone else's success with your own success. When we learn that and transform that complex into a healthy complex, not a complex of the type, okay, he's not doing well, and I'm not doing well either, I'm weak, but rather a complex of the type, look, he's doing well, I can too. That's how you only achieve results, because no one has shown such values in Macedonia, no one has valued them, and until they raise their awareness on these topics, I don't understand you either, frankly, let me clarify a bit what, uh, hats off to the guys, I know them from the song, that era, I'm 28 years old. Bravo, brother. Look, look, Laki. As Kun said earlier, first, realistically, if we talk about it, first, there aren't that many discotheques here to sing in as much as you can sing. You know, at the beginning, realistically, when you succeed, the first few years you can sing everywhere. You have an accessible price. You have an accessible price, you can sing everywhere, literally, brother. You can invite me home. When I release my first two songs. You understand me? After that, when you raise your price, not everyone wants you to sing. You can't sing in a cafe, for example, everywhere. You understand, maybe somewhere. Do you, do you lack being a bit more current with your stances, with your appearances on Instagram, with a lot missing, what is the problem with you, for example, specifically, I've heard from many people that Two Bons are more listened to and more current in Bulgaria than in Macedonia. Why is that so? Well, they can say that, but the Spotify statistics that I have on my phone are not like that, you understand? I can't be more listened to there, brother, in no case. I mean, home is home, really. You might have a lot of fans there, but the main fan base is Macedonian. We just need to distinguish one thing, that Sofia alone is a city of two to three million people. And we are a country with a maximum of two million people. Yes. They are big. I mean, generally, not just us, wait, let's not forget that I think we have a lot of people who listen to us from Serbia, from Bosnia, from Croatia. We have performances in Croatia. Belgrade, Serbia, I think is our second city on Spotify. We are listened to everywhere. Yes. Belgrade is first for us. I checked earlier. Yes. Sofia is third, second, and Bulgaria is crushing it. Yes. Belgrade is ahead. Yes, it's first for us on Spotify. Yes. And the Spotify moment, currently, things have changed a lot with the streaming. The situation has changed a lot. They are switching. Yes. And that's very good for us artists because Spotify pays more than YouTube. And it has changed because, for example, let's say you'll say, right, earlier we were talking about 2019, 2020, 21, like, let's say Joker, the biggest hits, right, 25 million, 30 million, Colombia, Joker, we haven't had as many monthly listeners as we have now, you understand? For example, two days ago, we had 220,000 monthly listeners on Spotify, our Spotify channel, which for a Macedonian artist, even seems unrealistic. We follow statistics a lot, especially Toni. We've divided things a bit. I'm more of a studio guy. He works in the studio, he handles the business part a bit more. Because I also produce and make beats. We've simply divided them. He gets bored of making beats all the time. He simply uses that time to do other things. Let me ask you directly, what is your stance, for example, on the fact that you have never received a Golden Ladybug? Well, I personally will say that I think we deserved it. That's my stance. I think we deserved it, that we should have. But that's their thing, it doesn't affect us, frankly, I'll tell you. We don't care about awards, but we hate injustice and something that isn't right. You know, someone can't receive an award for hit of the year or most viewed video, and I had that that year, you know. Simply, I don't have a specific opinion, I literally don't care, but like, be realistic. I'm asking this because, whatever they are, Bubamara is a benchmark in Macedonia for a manifestation and for success and for all that. However, uh, do you feel a moment of being degraded by some group of people who don't want to acknowledge your success? Brother, maybe they don't like that style of music, and they don't want to promote it. I understand, it doesn't matter. We have felt degraded, and definitely, that's exactly why. I, for example, am a person who doesn't care what genre of music you make. I don't even care if I like it. If it's successful, there's something to it. You're good at something. I don't care if it's for my ears or my soul. The people choose it. Give it to the people. I received the most comments on this topic when I did the manifestation. Bubamara comparisons. I immediately posted a status saying that I absolutely respect their work. I have criticized it from the aspect of giving awards to whoever. However, you can't criticize something as bad if it has lasted for 30 years, and absolutely my motive, and the biggest one, if I continue to do that, for next year, everyone who deserves it should receive it. Exactly. Now, I don't believe that, let's say, these things happen in Bulgaria. Here, you tell me, I think those things happen everywhere, brother. It's not just me, I think awards are given not just awards, as an award. But, for example, rappers there get media attention. I haven't inquired that much yet, to be honest, I have no idea. I don't know if anyone does, let them write in the comments. It's possible, it's possible, but I don't know exactly now, I can't say. Yes, honestly, I think Krisko has received many awards, I'm sure. 100%. You know what we should emphasize? That regardless of whether we post on stories or publicly, on any social network, we don't pretend to be patriots or for the country or anything. But when I think about it, we are perhaps some of the biggest brand ambassadors for Macedonia. Because I go to other countries, I sing in the Macedonian language, and people know my songs without knowing the language. There are fans, brother, from accent. There are fans from the Balkans, I don't know if you remember, they used to write us comments like, "I'm learning Macedonian because of you." Like, in Zagreb, they sang my songs, they sang my songs from Adasha in Sofia and all over Bulgaria, in Belgrade, in a language they relatively don't know. You know what annoys me? Here's a comment now. "Turn off the internet, it's gone like Greece. Return the sponsor's car." That's Macedonia. I mean, not to sit on a podcast and prove. And now when I say it like this, you sing in Macedonian, you give everything. Imagine what would happen if you just sang one song in Serbian for it to be heard throughout the Balkans. You understand? I organized a manifestation seven days ago, which you all know how difficult it is to do. I mentioned it very well. I have 4 million views this season on the entire podcast. Respect, you understand, 4 million views in Macedonia, and here we are doing it. Here, Stefan, from tomorrow, will turn it off. The podcast no longer exists. Two Bons will no longer make music, and the same person who wrote now will sit like an idiot and watch Mister Beest only. Or you'll watch, I have no idea, you'll watch some Turk, Albanian, Serb, Bulgarian, I have no idea, and you'll be the one who says that we have nothing in Macedonia. That's the contradiction that we, as a people, constantly create for ourselves. But in principle, support from the people in every branch is the most important for a story to be carried out. Right or not. And the same person says nicely, he's here to watch you, to relieve frustrations. Brother, maybe someone is just joking, they're bored, and they're writing stupid things. Here's a nice comment. That's the kind of people we are, we wait for the smallest mistake to start spitting. Yes. And that's the greatness of a successful person in show business, which they have to deal with. Everyone will wait for your mistake. In the previous podcast, we said that failure is awaited much more than success. From the aspect you mentioned, it's much easier. I say to myself, if Stefan isn't doing well, it's okay. I'm not in his place to say, look, he's doing well, go for it, I'll do this, I can. I have hands, legs, a brain, I'm healthy, alive, I can. And I believe that in Bulgaria, no one will tell you that Two Bons have fallen. They don't bother, not Bulgaria, not Serbia, not anywhere have we received that treatment. We have only received treatment like big stars outside of Macedonia. And here too, I think, and here too, I think we have received it. Yes. Do such comments only come from people? Most likely, it's just that we are a smaller country. Those are the possibilities here. You understand? You know, and sometimes you reach the peak, and we are a bit of a frustrated people. We can't escape that. Let's ask you a few questions from those who are currently watching us. Why don't you talk about Zibomb, the album came out, and why no feature with them? Well, we had an attempt last year, I think, in the studio, to make a song. No, no, we had a whole album ready last year. Yes. But we thought the sound was outdated and decided to make a new one. Somehow, we didn't see Zibomb in this story we were building. We saw our kids more, who are in Gorilla. I'm not saying it won't happen, it's just that, you know, when I say, simply, everything we wanted to do in this period, we've done. Later, we'll see how things unfold. What kind of energy do you have for their music right now? Respect, they are good rappers, what is it, have you heard the new album by Elde Pistoleero? Realistically, Pistoleero is crushing our rap scene. That's for sure. They will remain rap icons forever. Are they crushing it right now? I don't know. I really don't know who is crushing it right now, but they will remain icons, legends forever. Honestly, we grew up with them, brother. Absolutely respect. I grew up with their music. Respect. Some of the best hip-hop artists in our country. For me, I'll go back to, you know, I asked two questions. It fascinates me, you know, how quickly success is forgotten in Macedonia, how quickly bad things are forgotten. And how we can't wait for someone to, every miracle that happens, for someone to fail. How we can't wait to eat shit and gossip, instead of creating a good story. I don't know why that is. You performed at Krisko's concert. Tell me a little about how that came about and whether what Krisko did is possible in Macedonia. He sold tickets for two or three arenas. I think two, out of 16,000 tickets, out of 32,000 tickets. With those numbers in this country, I don't know if it's possible. No. Look, in relation to the population of Bulgaria and Macedonia, realistically, if he sold 32,000, to be at the same level of success, the concert should be at the same level with four or five thousand, because they are, for example, I don't know how many people they are, eight or nine, I don't know how many million they are, approximately, and we are two, so now I don't know exactly, not to mess something up, I don't know, 5-6 thousand tickets, to be at the same level. When you performed there, what was the feeling of performing in front of such a crowd? For the first time in my life, I faced such a machinery when it comes to concerts. Very precisely planned, very megalomaniacal, cool, as it should be. I think people honestly need to see that story of his life. You come on stage, and the stage shakes from the screams of the people. I don't know how to tell you, there was no need to play the music. You just come out, they scream, and there are 16,000 people, brother. I mean, we have experienced maybe more, I don't know where we were then. Strumica, open air, but like this, in a closed hall, it's a completely different feeling. The hall doesn't shake. You know, when you see so many flashes, brother, 16,000, and plus Krisko had a trick with bracelets. So with every ticket, I think people received fluorescent bracelets, and through some tablet or whatever, they change colors. They change colors as they want, to each person, you understand, and it was very cool. You know what it means, whoever raises their hand, it lights up, you understand? And it lights up as Krisko wants. In my opinion, for the Balkans, that was done with world standards. It looked like a Treviso concert, but in a European way, somehow in a Balkan way. Very, very cool. To do something like that in Macedonia, are you afraid? It's not fear, but I think it's not time yet. He did it for how many years of Krisko's existence? Well, a lot, I don't know. Krisko probably has a 20-year career, you know, it's not a little, 20 years. We'll definitely do it when the time comes. We're not planning, the plan is to have a concert in Skopje, maybe next year. We were supposed to do it this year. Something, when the podcast started, we talked about that. We will definitely do something next year, 100%. Our plan is to sing at rallies, there will be such a crowd. Erko, even at a rally, there won't be such a crowd, brother. It's a lot. I mean, regardless. You can, brother, sing in squares, have a crowd, but you know that people who are bored might have come to squares, to pay for a ticket for you. Let me ask you that. Has any party offered you anything now? Elections are coming, do you have any offer to perform at a rally? Yes, honestly, and look, we are artists. You can tell me tomorrow, what is your price. It's my birthday. Come sing for me. That's my job, brother. I don't see anything wrong here. It doesn't mean I support someone or don't support someone. It's simply our job. Do you think the people will understand that? We were just talking about it. If it happens, we'll talk. Honestly, I'm not even interested. Here's our stance. You are there for the people. We are literally there for the people. For the people who will come for us. Of course, and for the people who invite me to sing for them there. Well, damn it. We earn from that. That's our job. Always the cold. Serbian-Croatian-Bosnian is more appreciated than ours. Do you agree? I don't agree, and yes, and no. Well, I don't agree, brother. I don't know how I felt that you are the strongest in your own country, regardless of who comes here to sing, you in the neighboring disco, he has no tickets, you have tickets. You understand? So it's not like that. You just need to be current, to work. That's it. I don't accept such stupidities that something from abroad has become more popular. No, you're not working enough. You need to strive to release good songs, to make a hit, and you'll see how yours will be valued. I have a question from, from, from what I put on Instagram. Why aren't you interested in new artists? I asked them once. They don't even want to hear. In the last podcast, we talked about that topic, right? I think it's not that we're not interested, but look, you know, on what principle we work. If we like something, we'll notice it. That's it. It's simple. That doesn't mean you're not good. It simply means I choose whether you are suitable for my production, whether I can handle it, whether I can promise you something and fulfill it. If I can't, and I think you belong to another production, somewhere else, or I see that you're doing well on your own, freely. But not just that. Yes, exactly what Kuna said, I think it's very important for an artist to send you many songs. Absolutely. Absolutely. So you can't send one song and for me to feel your skill, you know. And for me to say, hey, this is good. You know, like, hey, top, let's go. You understand, I want, in the last podcast, right, we talked about that topic, how we went to Slatkar, to Zhelez, we went with 128 demos. So, 128 demos, now, they weren't complete songs, maybe 60-70% were just choruses, some verses, they weren't fully finished, but they were with material, and there was a lot of material, brother, a lot of material, you understand, and you have time to listen to that material and realize if there's something in these people, if you bring me 100 songs, you can't, you know there's something or there isn't, you understand? Mhm. You can't send me one song and listen, okay, now what should I listen to from one song? I have one song, I don't want to release music. If I have 20 songs, then I'll release music. Because from one, what is this, let's say, like a pop singer, I have one song, now I'll make it here and there, this one made it, and that one made it. I have one song. No, brother, we rappers have 20 songs and we choose whether to release one or two. That's how we function, and they should know that. What is written in the comments. The songs that are in our production have the same principle of work as we have here. When, for example, Insert came, he came with demos that I hadn't heard such a sound before. Yes, I'm talking about a lot of demos, I can't be ignited by something now, and it sounds stronger than us or someone else. A demo needs to be something authentic, it needs to be something authentic, but he didn't have demos, he came with finished lyrics, with beats, he recited them, who had the confidence, at how old was he then, 18, maybe younger, maybe even younger. He came, played beats, and rapped them in front of us. We were like, and he recorded two songs in half an hour in the studio. Do we, as a people, have the awareness to give a chance to new artists? It's very difficult, people, I see it from the outside, and it surprises me. Well, brother, maybe they're not trying hard enough. It's not the people's fault. I always think that we artists, and they shouldn't always blame the artists. Because I know, I was in a certain period, like in '16, I also said, Zhelez is to blame, Slatkar, no one is to blame, brother, I am to blame myself. If I don't release 20 songs this year, brother, here's a clear example. Kun and I released a lot of music in 2019, maybe we released 20 songs a year. That was unrealistic. Do you think all of them were successful? No, it's crazy. Well, here today, Chaos has a million. Banknotes, labels, your song that you like very much. How many views does the song have? 800, 900, a million, I don't know, I haven't checked. Five, six years ago, seven years ago, at that time, we released, we released. Now, seven years have passed, maybe the songs have 4-5 million, but back then they had a million, 800, 700, you understand? And now, after that, you release the seventh, eighth song, and it makes some difference. Let's say Gorilla, you release it, for example, with, you understand me, with Krisko, it makes some difference, it makes 10 million, 15, 20, you understand? After that, you release Freak, it has a million. You release, after Freak, Joker has 25, I don't know when. You release Colombia, after Colombia, we released 10 songs, we had a million, you understand? It doesn't matter. No, absolutely. I've always said that our work is very similar. You make one podcast, you have 300, 500,000. You have podcast 2, 300. That's what I want to say with these numbers. That you just need to work, brother, you just need to work, to release music, and if someone comes to you and says, I want to be part of your team, they can't come with one song. Simply, they need to come with a lot of material, and don't look at someone else's yard, look at your own and work on your own. Toni says, hats off, Two Bons, I'm 40 years old, and I like your style, and I always have it playing in the car. Car, here's Nijo. Uh, the guys are proof that persistence and hard work will one day pay off. Greetings, team. Greetings, Nijo. Greetings. Greetings, brother. Excuse me. Can I have a Love Cocktail, please? Love Cocktail. Okay, don't hit it. And I'm not helping there yet. Wait, let's see what they say. How long have we been here? An hour. What are you saying? How quickly time flies, and we're continuing like this, a Love Cocktail tonight. And what's happening, they're mentioning Music Awards Serbia. Why weren't you invited again? What's the situation with you in Serbia? But we've never been to Music Awards. How come you weren't? We weren't at Music Awards, brother. At Music Awards, brother. Yes, it's the same for me. Yes. Actually, it was this. We weren't at Music Awards. Meg Awards. M Awards, I think it was last year. We were at, make a song now with Cypher, it came out. How did that collaboration go? Well, according to the views, it's super, top. We haven't tried it in the field to know, to tell you honestly, we haven't had the opportunity to sing it. The principle measure is how the song performs in the field. If the people sing it, then you know it's a hit. Lately, that's the most important thing for us. Because there are songs, brother. For example, I'll take Teta Tet with Milica Todorović, it had 6 million views, I play it at a performance, it's silent. You understand me? Uh-huh. And you have a song with 200, 300, 500 million, and everyone sings it. So, don't let the views be such a measure. They aren't. For example, take Candy, we have it in the video because it's divided, half of us are in the picture, half in the video. It doesn't matter, let's put the five or six that are in the video, seven million or seven, it doesn't matter. Joker has 25. Candy is stronger than Joker. Candy is sung more than Joker non-stop, brother. And Joker is like the cherry on top for that era of music. I like the new song they've made. The song is called "Radi reda" (For the sake of order). I mentioned it earlier, but I didn't ask you where and how you came to the situation to make a song with Barbara, and I really like that moment. Because Barbara, realistically, has everything to be a star. I've told her a million times, her looks, and her voice, and her figure, and she knows how to perform it, all of that, realistically. And "Radi reda" is perhaps the best from the first part of the album. Yes, definitely. From the album, it happened spontaneously, like everything happens. I don't know, I don't remember how we met, there was some excitement around her, then, well, Toni will tell you that, I don't know, brother, I don't remember exactly how we got to that conversation. I know we were in the mood like, let's make songs with Macedonian artists. Greetings, Barbara, donate 5 euros. We wanted, during that period, we talked with Kun about making a Macedonian album, only, actually, at that time, the song with Zibomb also happened, at the same time, everything happened, brother. We wanted to make an album, that was our idea, strictly with Macedonian artists, strictly with Macedonian artists. We had a song, right, with Gigovska, and I don't know exactly how the conversation went, I guess it was that period, Barbara won at IDJ, right, or what place was it, second or first, I don't remember, she didn't win, but she was second, which is still huge. So she released some good songs, released hits. In principle, you know, when we function, now it occurs to me, we have a song, and I say, this girl will stick here, this artist will stick very well. Then we also made it with Laze, right, "Radi reda," and we talked with Laze, and he said, make the chorus so that Barbara can sing it, you understand, because you can only do that with producers like Laze, for example, now I don't know how to explain it. Laze is a king. No, Laze is the best producer. Laze, he plays a song, for example, by Barbara. He plays Barbara's song, listens, and says, ah, I hear the intonation, and Barbara will fit here. She will fit well on this song, time. You understand me? Which not everyone can feel. Laze, in short, for me, it's like working with AI. I tell him what I want, and I get it in the same second. Only a human is better. They told me that the guy is very busy. That's the only problem. No. Brother, everything that is good is busy. Absolutely, that's how it is. And we understand that and we never push him. Absolutely, that's right, brother. And we love him from the bottom of our hearts, great respect to our brother. The greatest to our brother Lazar. Okay. And what about Chapter 2? And you said there would be a Chapter 3, will there be a Chapter 3? I, you know, we haven't talked between us. He was on vacation, he returned a few days ago, and I have an idea for it to be Chapter 3. Now, you should release something. Wait, I have an idea for it all to be in Chapter 2, and for us not to bother with this project anymore. That's my idea. And I have an idea to divide Chapter 2 into two parts, to be Chapter D and Chapter 3, because it's too, too demanding. Write in the comments whether you want them to go with just Chapter 2. You know, it's starting to get to me. No learning. People, it's too demanding to put everything into one part like an album. Everything should have a sport. I think Chapter D and Chapter 3. Chapter 2 and Chapter 3, I beg you, and it's very difficult for our health. I'm logging in, but it's also very difficult, brother, when you release seven, eight, nine songs at once, people don't have the stomach to endure the whole thing. Do you know how difficult it is for you to gamble away your songs? Maybe there's a hit if you released it as a single, it would be a hit. But when you put it in an album, you understand me? For me, the song with Tayzi is an unseen hit, and it has a bad mix master there. It doesn't matter, it's a technical problem. It's not our fault. Something went wrong during export and during this, and we were so tired. We only had two or three hours. I told you here, something is not right. Yes, yes. Yes, yes. I remember. There's an option, you know, I'm telling you it's a hit, you put it in, you put something else, like this. Yes, yes. There's an option to change it. So, it's very good that there's such an option. So, we'll put a new, better version. We apologize. Chapter 2, Chapter 3, will you do it in one or two? I'm for. Come on, everyone write in the comments whether you want Chapter D to come out in one version or Chapter A, whether you want us to release a part of a song, and you just tell us that. Wait, put likes. Likes should be pouring in, 240 likes. So.