Jain 108 — Flower of Life vs. “Daisy of Death”, Vesica Pisces, Golden Ratio, DNA & the Torus

What if the universe has a blueprint, a living code that turns chaos into form? An actual geometry written into water, stone, even our DNA.

I actually learned sacred geometry in the jungle. He walked away from a prescribed life into rainforests in remote islands where spirals fell from mang trees and numbers spoke without words. 40 years later, his thesis is simple and incendiary: the language of God. Mathematics is the language of the creator.

The patterns we wear on pendants and build into cathedrals aren't decoration. They're instructions. At the center of his work is a doorway, two circles crossing: the vesica Pisces.

This vesica Pisces, this symbol of the eye of God, it contains root 2, root 3, root 5, golden ratio. It's so fundamental and that's why I call it sacred mathematics. And with it, a controversy. Some call the flower of life distorted, inverted, even dangerous.

I've been upset, like I said, over the decades that the Kantics group call this the bloom of doom, the daisy of death.

Jane disagrees. He says the cosmos breathes in five, that the golden ratio is the pulse of creation itself. My philosophy, my whole life's research is the key to the universe is the golden ratio.

Today we go there. Flower of life versus its critics, the vesica as the eye of God, hexagons and pentagons inside DNA, toroidal fields, and why the most viral idea of all might be that we've misunderstood the numbers we trust most. This is the Omni Geometry Podcast with your host Gustavo Castanire. And today we sit with a true original, Jane 108.

Welcome, Jane. Lovely to have you here. I've been following your work for quite a while and you were one of the first people that came to mind when I wanted to dive deeper into this topic of the power, the nature of the flower of life, the golden spiral, Fibonacci sequence. And before we get into that, for those viewers who might not know you, tell me a little bit about yourself and how did you arrive to this big mission that you have? You've been teaching over, researching over 40 years, right?

That's right. Yes. It's been a journey.

Mathematics, sacred geometry. How did you arrive into this mission? And what is your mission?

Okay. So, I'm going back in time now. So, it just takes you back to your childhood. But I grew up um with a Lebanese family. Both my parents are from Lebanon and they escaped a wartime situation. Came to Australia, worked hard, ran a business. So, I grew up in um supermarkets. We built shops. So, I was packing shelves and adding percentages. So, I was always doing mathematics in the shop and calculating prices. And then, but my father was a builder. We built the shops. So, I was a bricklayer by trade and a concretor. So, we would have to be on site and calculate um okay, imagine the size of your room and you want to put a big concrete slab. Well, you we could calculate the length by the breadth. 5 meters by 10 meters, that's 50. And it has to be 100 millimeters. Say that's about um 0.1 of a meter. So, 0.1 of 50 is uh so you need 5 cubic meters of concrete. So, and then to build a house, to get the corners right, I'm in a room now, I've got four corners. You had to use a brick gauge. So, we had a stick and to make sure there's 30 bricks here and 30 bricks there, you had to mark a stick to the millimeter, like 80 millimeters a brick and 10 millimeters cement. 80 and 10. So, 80 bricks, 80 for the brick and 10 for the cement, 80, 10. So, everything was very fine detailed. It's like being an architect. So, I sort of just grew up on shops, building sites. I'm still a bricklayer now. I I've got a rainforest property. I live in a beautiful jungle rainforest and I'm always um building. It's part of my activity to keep my mind not boxed in with computers and um yeah. So, I I'm an outdoor person. I love working. And but so, but I because I grew up in a very restricted Lebanese life lifestyle, I um I had to leave home. I I renounced a medical career because my father wanted me to be a doctor. But I knew that my calling, my true calling was to see the world. And um yes, I I renounced medicine and I traveled the world and I ended up living for two years near New Guinea with Aboriginal people, no food, no money, just infinite food on the on the islands before New Guinea. And I watched how water would flow and I'd see patterns or I'd be under a mango tree and is that the way the leaf falls down, it was a spiral. So, I actually learned sacred geometry actually in the jungle in the >> living remote for two years.

That was one question I had for you. Were was that the moment in time where geometry went from being something purely mathematical, logical into something sacred or metaphysical? Remember that that first experience where >> the realm of sacred geometry, even if you didn't know the term sacred geometry, but sacred geometry entered into your field of consciousness.

Yeah. The word didn't exist then. And so, so my issue was when I was 18 and I was studying very hard to become a doctor. I got like in the top 2% of the stud. I loved math. I was loving trigonometry and algebra. And um but the problem was that by the time I got to university, I I felt like my mind was going to explode from too much information, like everything that I knew was from being told to me from parents and from teach. So, the reason why I had to escape >> I literally at the age of 20, I gave away everything I owned. I literally gave away my car. I had a huge music collection. We had LPs in those days. I gave away everything I owned and I just hitchhiked um thousands of miles up to the Torres Strait. And it was it was like I needed to know who I was because as you know, the definition of sacred geometry, who who am I? Where did I come from? And I only had an artificial view of the world. It was very pedantic and academic and and I couldn't take any more learning. I was like, say studying psychology and there's no I mean, I love psychology today, but the thing is, I couldn't take any more book learning. So, I I literally had to strip myself of everything, of my whole identity. I guess, yeah, it's an identity crisis and it's still an identity crisis now. Who are we and why are we doing this? And but I'm an original thinker. I think what after 40 years, I realized that the best thing I ever done in my life, my best stories was when I lived on these islands. I I lived on five islands near New Guinea.

Wow.

For example, like what would we go fishing for example in their boats and one day the um the the the the the chief of the island, every island only had 100 families, not many people. One day they caught a dugong. It's like a bottlenose. It's like a dolphin but with a big club nose.

So, the so we called they they caught a dugong and then they woke up the whole island at dawn and said, "Look, we're cooking it under the ground on rocks and everyone will come and share a piece of the dugong." I was vegetarian then. I've been anyway, so I wouldn't eat meat. But the chief of the island, they loved me so much. I used to have long hair down to my bum and I looked very feminine >> for some reason because they hated white people. But for some reason, being Arabic, I wasn't an enemy. So, they almost adopted me.

Oh wow.

So, we're eating the dugong and I wouldn't eat a part of it. But then the chief came up to me and said, "Please, I insist. I insist that you um have a piece." And out of kindness, I had one piece. And it was like eating sushi or something so soft it melted in my mouth. And I had a blissful experience. And I said to him at the end of the breakfast, I said, "What what part did I eat?" He says, "You ate the embryo?" So, they gave me the embryo of the dugong. And if I I won't be able to show you now, but I've got another how power another PowerPoint where all the pictures that I drew for the next 10 years were all pictures of um half human, half dolphin. A lot of the murals that I've done, I'd love to show you another time or I could send you a photo of it.

So, there'll be pictures of Jesus on the cross, but he's got a dolphin tail. So, I think what happened by eating those stem cells, it kind of purified my body, but it changed my consciousness.

So, I've got a lot of stories like that where I was innocent, naive, completely green, unfiltered, and I was having experiences that ultimately led to what we're talking about, DNA, consciousness. And then I realized that imbued in all of that, there was a sacred mathematics. And in fact, the only ma the only textbook that I had with me when I hitchhiked and gave away everything. You know the tarot card, the fool? You got a broomstick with your possessions in a bag.

That that was me sort of >> following a butterfly ready to fall off a cliff. And I had so many experiences where, you know, some tribes tried to put a spear through my body. They just I had spears flying through my >> Wow. >> um pass me that could have killed me. Or I slept I camped on other sides of the island where they said, "Don't sleep there because there's crocodiles." So, I did all this stuff that I would never do again.

Well, I'm glad they didn't kill you.

But the one book that I had was an architectural book. I must have been in an op shop in far north Queensland and I found one book on um architecture and it was very nerdy. And it showed a picture of that when you roll a wheel on a line. There's a line and you roll the wheel at track and you trace the path of the curve, you get kind of like the golden spiral. It was called the involute of a circle. I didn't know what that was.

But I started studying um a full mathematics textbook with logarithms and trigonometry and rolling circles and pi. But I realized that I must have had a natural love for mathematics. It was an uh an inquiry. I I believe now, I think why I was doing that was um I believe that all languages are sup are superficial. That the language we speak now will change in 2,000 years and I think there's 300 languages in the world and thousands of dialects, but the one thing that won't change is mathematics.

Yes.

And and that's room for misinterpretation. Right. It's >> exactly. Yeah.

Beautiful. And the ultimate mathematical code, which we're going to be talking about later, is the flower of life. And that's why I'm really excited to have this conversation with you because we want to go back to pure principles. What creates >> the universe, you know, what is eternal? What >> Yeah. What what's in our geometry of the body? And >> beautiful.

Love your story. Fascinating story. How from childhood you were immersed in mathematics in architecture with precision laying bricks, then, you know, you talked about this, you know, different stages of being a renunciate, right? First, you renounced medicine, then your possessions, then you also renounced meat. You know, it's a theme in your life. And now, uh, as you point out, you keep doing that as layers, I imagine, of the ego, of these identities, self-contracts that we have. But, yeah, we're here to talk about mainly the flower of life because >> yes >> in the late 1990s, uh, you know, this whole notion of that the flower of life might be somewhat distorted or uh reversed, um, came about. It it became really popular until this day, you know, the the reason I I was very interested in this topic is because, you know, for context, I I post a lot of artwork um from Omni Geometry and the One Mandala app, where we use, you know, the flower of life, Metatron's Cube. And once in a while, I get a comment, you know, "Oh, that's the daisy of death." And, you know, I've been hearing that for years. And then I thought, you know, I haven't found information or a population of experts really dissecting this and see if there's any validity to it. There's any truth, or it's just a misinterpret, misinterpretation, misconception. And so when I thought about interviewing people, you know, three people came to mind, you know, Nasim Herman, uh, Robert Edward Grant, which I already interviewed on this topic, and you're and you.

Yes.

And so, thank you so much for accepting the invitation because I know that you have, you're very well-versed in mathematics, sacred geometry. You've have taught people from all around the world, not only adults but children, right? You have the um, you have a book or a course for children as well, right?

Yeah, I've written 30 books. Um, basically my books are all about um, before I go into the books, I actually brought out Nasim Haramein in 2011. I brought him out about 15 years ago. Oh wow. And to Byron, to where I live in the Byron Bay. And um, it was packed out. No one, it was packed out and I I shared my database to get him to talk. I I talked with him as well. So, so we go way back. So, I was a because I've got a network here and I was the only one here really teaching sacred geometry. So, we brought him out. But basically, I have written 30 books and a lot of my books, over a year, I would write a book and just, someone like yourself, like we're researchers, in all my research notes on the golden ratio or the Platonic solids, it would become a book. So, I had 30 books, but they were considered to be like 300 pages for adults. But and then one day, I had an epiphany about seven years ago. I had an epiphany that my job for the next few years was to write to reduce all those esoteric books, like the ones behind me, but bring them down to the level of a teenager.

Oh wow.

So, I've got a pro. So, I've been called Mathematics, The Mathematics.

That's the one. Kids. So, so people think of me that I just teach children, but that is my focus. So, I wrote six books >> as workbooks where the kids don't, they don't, I don't just give them the flower of life. I get them to draw it and and and learn information about it. And same with the golden ratio. So, I wrote six workbooks. And then what happened, what put me on the world stage was when COVID happened about five years ago. I was teaching all around the world. I was like, actually, I was in Germany and France, all around the world. I reached a point where that hard work, it I I got to to the point I wanted. But then COVID came along and took away everything. So, we had to rebuild ourselves. So, my daughter, who was with me, Asia, >> um, she's 34 now, but >> she said, "Dad, why don't we just film everything? Like, put it up on YouTube, get." So, luckily, I'd done those six workbooks, and each of those workbooks became an e-course, an online course of 10 hours of information.

Fantastic.

And so, so we're we're now known as the Jane 108 Academy. So, I I always wanted a physical school. I never, I did always pray that every child in the world should be studying sacred geometry in every language of the world. And this was pre-internet. So, you got to be careful of what you say or think of because I created a global school, but it's digital. It's not me barefoot under a tree teaching 30 beautiful kids who are eager to learn. So, I'm not complaining, but AI now, you can push a button with AI and you can get every language in the world. So, we're at a remarkable precipice of um knowledge, but there's also caution where this knowledge and technology is going. So, at the moment, I'm just sitting on the fence >> with the direction of where this is going. So, I'm watching it very carefully.

Absolutely. I I resonate with that notion of I am optimistically cautious of the emergence of AI. I mean >> yes, we can we can use it to our advantage and >> if we use it right, it could be the biggest blessing of humanity and >> exactly. >> Things like geometry, you know, it it could it could help people uh understand better mathematics and geometry and apply it in the real world for technologies. All right. So, let's dive deep into this um controversy or or kind of opposing views between the flower of life. And to just give some context, you know, they often argue that certain sacred geometries like the flower of life or Fibonacci spiral, there are inverted codes.

Yes.

60 angular rotations. uh according to the people who believe this, they limit energy flow, right? But to me, it doesn't kind of make sense because you see this 60-degree rotation as a fundamental angular value in hexagonal symmetry, right?

That's right.

In nature, in snowflakes and honeycombs and and >> even the flower of life when you look at the flower of life >> it's hexagonal. There's that hexagonal or the six sides of the traditional flower of life. Yeah. And I'm glad you brought that up because I over the last 20 years, I've been receiving emails constantly like you, saying, "I've just been studying these Kōlānic and the crystal spiral." Yes.

Work of Ashana Dean and all the teachers around them. And I've I've been disturbed by it. I don't want to be negative, but the thing is, I can't, it's my duty as an educator to say, "Okay, what's it all about?" So, I've read all the PDFs. I've studied everything for decades and I still can't get my head around it. My body doesn't resonate to that to say that the golden ratio is a distortion and that it's disharmonic. I Yeah, because the the go the my philosophy, my whole life's research is the key to the universe is the golden ratio. So, what I want to lead up to is if we can identify and locate the pulse of the universe mathematically, the golden, the divine proportion in the traditional flower of life pattern, which is the vesica pisces.

Um, so we begin with two circles that overlap where one circle goes through the center of the other. So, it's kind of like a union, like a Venn diagram of the divine circle intersecting with the human circle. So, we we are in a divine connection with the above and the below, everything. So, if we can locate that there is a golden ratio in the flower of life, which no one has ever talked about. So, I'd love this opportunity today to show um, to just give a little introduction on the flower of life and then lead up to the mathematics. I just don't want people to shut down when they see a bit of um algebra or mathematics, because let's go.

The language of God. Mathematics is the language of the creator, you know, so >> absolutely. So, yeah, let's go through the motions. I know you prepared um some slides for us >> to discuss this topic. So, jump in and take us through that journey of understanding these mathematical codes, their power, their meaning, and how can we relate to them in our lives? How can we use them to our advantage? Uh, because that's one of the most, the the thing that I'm most interested in is how can these teachings, if I were to embody them, right? Whatever you teach, how would my life change?

Right?

And how could, you know, my reality uh be different, better? So, I'll give you the floor. Go ahead. You can share the screen.

I can share screen. And so, I'll just start off with a little introduction. Part one is just going to be a little bit about the ancient origins, which is all a bit of eye candy about how it appears in Egypt. Most people know this already.

Part two is going to be a little bit about um, an a very simple little epiphany I I found in the flower of life >> which has got to do with the number 144. It's a code. And part three is the essential bit about the main diagram. So, this diagram that we have here at the top right, that's the most important psychoactive diagram. That's the one diagram that's showing that two circles uh intersect one another in the golden ratio. And I'm I'm going I'll talk a little bit about that later. So, um, but to begin with the flower of life, we need to talk about the component that actually generates the flower of life, is the vesica pisces. And then from the two circles, we get the um six circles, the six around the one. It's all, it's all basically golden ratio mathematics. So, this is the main diagram. Yeah. And I just wanted to acknowledge that this is not my diagram. I found it from a theosophical society. And this person, author down here, called John Mikash and John Arioni. They redid this diagram and showed all the algebra. I'm not showing the algebra, but basically, the if the blue line is one, the diameter of that inner circle.

Uhhuh.

The red parts are 618. So, that's like, so the golden ratio is like, if my whole arm is one, um, the small part to the larger part is in the ratio of one is to 618. So, 618 is the divine proportion. And the fact that that exists inside the vesica pisces means that every diagram, whenever we see um, so whenever we look at the say, the flower of life pattern like this >> it's actually showing us that every component of the flower of life is actually in a divine proportion, but we need to see the mathematics of that and we need to prove that. Um, yeah. So, I I I've been upset, like I said, over the decades that the Kōlānic group call this the bloom of doom, the daisy of death.

And um, it's been bothering me. So, I've had to sort of do a lot of thinking because my whole life's work, as you know, I mean, is I've been talking about the torus.

The torus, the ability to turn ourselves inside out, which is about the fractality, you know, that if we're going to find out who we are, we have to understand vorticity. And so, so the torus is based on um, the mathematics of pi as well. The the formula for the torus involves pi squared. So, everything, just a circle, when you look at the circle, it's pi, basically.

And >> interesting enough, Gelantic science does teach about the basic Pisces in >> yes >> if I remember correctly, for them, it's a very powerful code with 12-dimensional frequency. Now, I didn't know this, that you can find the golden ratio in the vesica pisces. So, that piece of information right there tells you that the vesica Pisces, which is, you know, it's you can go all the way to cell division, right? One cell divides and you get the vesica Pisces. It's like the the beginning of life. Such a powerful code. And there you have the golden ratio, that connection to me again speaks to this is something that is harmonious, that it's sacred. But go ahead and and >> because the torus and all this research that we know about the torus, in the 1920s, they were already talking about the torus as the possible geometry of the proton. It wasn't just the Sims, it goes way back in the 1920s. Thought the world scientist was saying that the fundamental particle was based on the torus. And um, and so for this group to call it the poison apple, I mean, that's really painful to hear that the torus is a poison apple. So, I think they've really crossed the line there. And I think it's our duty to show another lens that it's actually sacred. Um, yeah. So, when you said that you've, we all, this is the diagram you would have known that the vesica Pisces is in red. If you draw another circle that touches the four corners of the rectangle here. So, there's that shaded area. That's where it makes the golden ratio in that yellow line here. So, if this is one, the radius of the circle is one. Well, this part here is 618. So, again, that's another diagram that I knew about. And that's why we can say, yes, the vesica Pisces is the fundamental building block of all creation. It's the mother of all form, the blueprint of life. And it does contain, in fact, it contains a root of two, there, it contains a square root of three in the altitude of the mandola. Mandola means apple, I mean almond. It's got root five, is the double, the diagonal of the double double square is root five. So, this vesica Pisces, this symbol of the eye of God, it contains root 2, root 3, root 5, golden ratio. It's so fundamental. And that's why I call it sacred mathematics. Um, see, when I say mathematics, people shut down. But and so, people love sacred geometry, but I want to be proud to say that this is sacred mathematics. It's a language of God. It's nothing to be afraid of. So, when we see um, the flower of life. Now, I just to show you um, most people know that um, like that's the flower of life, but we call it a three frequency because it's got one, two, three petals to each side. But there are other ones. So, there's diff, there's different types of um, flower of life patterns. If there's just one petal there, it's like the seed of life. This is like the the seed of life where there's six circles around the one. Then we can have two petals. But this one here has one, two, three. So, technically, we call it the three frequency. Three frequency. And it's hexagonal, which means that's the shadow of a cube. There's a, this is like a cubic crystal. Even like when we look at um, say, a quartz crystal, if you count the number of sides, you got one, two, three, four, five, six. So, that that cubic crystal is what allows us to communicate from your laptop to my laptop. Um, the the atomic structure of quartz >> um, is based on the cube.

Yeah. And then, but then we might get bigger. You can keep extending the flower of life to like this one here. I got from Bali when I um, in my early 20s. Um, my first trip overseas besides Lebanon. I did go to Lebanon twice with my family, but on my first trip alone was to Bali. And I came back, >> everyone was using these mats. This is like a food mat that you put your plate on. And it's so old. It's a bit dirty, but it's got one, two, three, four, five. So, this is called a five frequency flower of life. But you can see >> whatever the golden ratio means, as you know, it's about the aesthetics of beauty. It's an appreciation for the naturally beautiful things. So, for for me to collect this at in my early 20s was because I was naturally attracted to this flower-like pattern. And it's emanating six petals, but there, but this, I believe, contains the universe. It really does.

So, before you proceed, you when you start first talking about the vesica Pisces, you mentioned something, you said the word psychoactive.

Psychoactive. Yes, that's right.

Can I was very intrigued by that. Can you tell me a little bit more about that?

Yeah. Um, when I when I think a diagram is very, very like critically important. Um, because I work a lot with children and I don't use words, I use diagrams. So, I've always been researching what are the most potently active diagrams that if children can read a book and just learn from all the geometries and the diagrams, and it changes their consciousness. That makes them appreciate the, it makes visible, say, the invisible world.

Um, I would call that psychoactive. Like, even like a snowflake, when we look at a beautiful snowflake, we know it's hexagonal, but I would say that the effect that it has on our consciousness reminds us of the invisible world. So, that's what I mean by psychoactive.

It it does make sense. That's been my experience looking at these codes or mandalas that if I concentrate in the center and and let the the frequency of that come into my consciousness, I can enter certain altered states of consciousness. And there's even places in the world where part of the medicine is for you to look at a mandala if you have certain ailments or disease. Please go to the doctor and they give you herbs, but also, you know, look at this mandala for you to receive healing. So, beautiful. Thank you for sharing that.

Yeah. And this is another diagram where the golden ratio um, when we extend more circles around the vesica pisces, just a few more critical arcs or circles, we see it's all in the golden ratio. The length AG divided by AB. Mhm.

Is the golden ratio. But yeah, so we want to know also that if the vesica Pisces creates the flower of life, does it create all the polygons? So, we can see it creates the triangle, it creates the square, it creates the double square root five lengths. It creates the hexagon. So, we know all that's in there. The pentagon's missing there, but the pentagon is a symbol of the golden ratio. Mhm.

So, we could say that the essence of the pentagon, the fire ratio, is in there. But man, because I'm a builder, I've come from a background of building. I've always been fascinated by architecture as I travel the world. So, we all know this basic shape of the Gothic arch. So, we can see here in Germany, at the Cologne Cathedral, if you look at every single arch, it's a segment of that mandola.

Half that. Yeah. So, so we know it's all there. But why did the master builders, they all used it? Like, why do the old images of Jesus show the Messiah emerging from this yoni-like shape, portal? It's an opening. It's something sacred. For for this to be as the cover of a biblical text, it's showing that the secret teachings, the book that Jesus is holding, is sacred knowledge, and he's emerging out of the um, vesica Pisces. So, I love that. But we also need to see where does it appear in nature. So, we, I guess my only example would be is that we see it in um, intersecting ripples of water, the interference pattern.

So, then we get to um, the the most fundamental thing that we can do. The reason why I like this diagram is that there's a few teachers on the planet who who are averse or ignorant of the number six and they only talk about five is alive. There's only the golden ratio and the key is a pentagon. And they've got a complete aversion to anything hexagonal, as if it's something evil. And I won't mention any names. But um, but I, my my job as is like, I'm just a very naive teacher. I'm just saying, we need the five when we need the six, because the cross-section of DNA, the reason why the DNA is here is that the cross-section of the DNA molecule um shows pentahexa. It shows the pentagon and the hexagon. So, we need all these building blocks or the letters of the alphabet to make creation. So, the six is sacred because only um, this is what I get five-year-olds to do in my workbook. So, if we have a central circle >> um, if we have a central circle, we know that six other circles can be drawn around this. So, you could have six coins. Give a child seven coins, put one down and say um, "How many coins can go around a central coin?" That is one of the m first primal inquiries into the nature of who we are, is just how many coins. And if it's if it happens to be six, then we know we're onto something really special. That that's part of the the universal structure. So, mo most people have seen the in the beginning, we had the one, two, three, four, five, six. So, this is obviously the the key to the story of creation in the Genesis. And on the seventh day, which is in the center, uh, the Lord rested.

So, the Lord rests on the seventh day.

Wow.

Yeah. So, and then we see six. Okay. We see in Australia, we have eucalyptus pods.

So, this is really common here. So, so why does nature arrange six seeds in that kind of configuration? And snowflakes are in this pattern. In fact, the word crystal in the old Greek means ice. The cris, the crystal. Even the word Christ, as Jesus, Christ, as the word ice, has got to do with the memory of water. Um, yeah. So, there's that diagram I was talking about, the six around the one, which happens to be the key to nanotechnology as well. The the this conversation we had at the beginning, that we're on the precipice of an AI revolution, and it's about the consciousness. We're not, we're not focused on the device. We're more focused on the consciousness of the inventor, because their consciousness is what imbues the AI or the technology. So, this is the carbon 7 molecule that, as you know, again, it's doing the hexagonal lattice. I mean, the again, it's the invisible. We can't see this with our naked eye, but we can see that it's a fundamental component um, in in the building game. This is what we call chicken wire. If I was to build a chicken coop, and we have that mesh, it's exactly in this um >> we call it chicken mesh, but it's also like a key to the structure of the invisible world. And we're looking at one atom thin. This is one atom thin. So, it is incredible this knowledge, you know, like, so we can't argue about the magic of six, but it has to be married with the magic of five, which makes the soccer ball shape. That's that Archimedean solid. The truncated icosahedron has um, is based on the five and the six, because we're going to look at three-dimensional flower of life patterns where it's all hexagons, but the, there's no natural shape where the whole um, the whole sphere is based on hexagons. It can only happen when there's a pentagon in in um, tiled next to it. So, there's just more hexagonal patterns that you can see. The Giant's Causeway in Ireland. This is just lava as it contracts and melts. It naturally forms this hexagonal geometry. So,

The reason I show this is because that's how I teach children. Children need to see evidence of this in the natural world.

So, this is the atomic structure of quartz crystal. Perfect packing. There's no gaps. It's efficient. It stores the memory. The hexagon is efficient. Um, the cross-section of this ruby is hexagonal. So, this is natural. Um, I go to a lot of crystal gem shows and I found this perfect structure. This is in my collection, but it's perfectly um hexagonal.

Wow.

It's called dravite. I hadn't really heard of dravite, but I know it as a tourmaline, brown tourmaline. And the difference between like, what's the definition of a crystal versus a rock? I mean, a rock doesn't have the symmetry or the repeating order. So, when we see symmetry, we get really, well, I guess as a pattern hunter, I get excited whenever I see symmetry. But I never knew why I, you know, that symmetry is psychoactive about what we were talking about. There was something that affected my psyche when I saw the symmetry in nature or even a a picture.

So, if the golden ratio is, if we draw a line from this one edge here through the center of the other, like the figure eight, two spheres, I've got this diagram here. So, I decided, so even though I'm holding a cube, um, I'll just share the screen here. I'll stop share for a sec.

Okay.

So, so when we look at any model, if we look at this cube, it's just the eight cell. When and you suggested that in our bio-genesis, we were one cell, two cells, four cells. We were at four cells, we were a tetrahedron. And then at eight cells, we were a cube. But another way, another way of expressing this cube, and if we, if we get it right, if we get the right, you'll see the hexagon if I line up the >> yes >> I haven't done this to, yeah >> it's almost almost there >> anyway, but another way of looking at the cube is eight spheres. So, at eight spheres, we were a cube. But I numbered the cubes one to eight and I done them in such a way. So, I'm holding one and eight is nine. They're opposite pairs. Six and three is nine. I'm holding six and three is nine.

Right?

Four and five. All the opposing pairs are nine.

And I added up all the faces. If I added up all these numbers on the six faces, it all adds up to 108. So, that's what I mathematically I add up. What's 1 + 2 + 5 + 6? But that, and there's a top, there's six sides. Add it all up, it's 108. I've got this whole cosmology about the number 108. But I'm just saying that the diagram that I showed at the beginning, from that point going through the center of this and through there's a golden ratio going from, if that's like the figure eight, there's a golden ratio going through every connection where two circles are tangent. So, I'm holding something that's purely a divine proportion. And I could do it with um, the this is Buckminster Fuller's, the 12 around the central one.

If I took out the central sphere and just compressed it, I'd get the icosahedron, which is >> basically this shape here. So, so this icosahedron is formed when we take out the 13th central sphere, compress the 12, and we end up getting these 12 points on the icosahedron. So, basically, it gives you another idea that if we looked at say, there's a misconception actually. I was just doing an Instagram post on the star tetrahedron. People think that the star tetrahedron is inside. In fact, I've made an error over the years saying that the star tetrahedron is inside of that, and it's not true.

It's suggested in there, but it's actually. So, there's eight spheres, but we actually need 14 spheres. If you look at this beautiful, this zone tool, zone tool gave me a whole collection of these models. But look at the, you need this geometry. There's 14 connectors here to make a pure star tetrahedron. So, this diagram here is actually showing you that the true star tetrahedron is made of 14, but they're all tangent. All those spheres are touching one another. So, basically, what it's doing, it's just showing us that um, everything we know in the Platonic solids and sphere packing, we'll call it sphere kissing or sphere packing. It's all golden ratio. There's no question. It's, Yeah.

So, so this brings us back to the flower of life as the fundamental creation of all things. So, these are all more complex complex models. So, my vision is that if we have all this sacred geometry on the glass and the sun shines through that, it's projecting that hologram into your space. So, these geometries are space clearing devices. So, I made 40 designs and I only printed a hundred of each. And and the reason I'm talking about this is that this geometry here, the flower of life, sold out within the first two weeks. I I I should have printed 10,000 of them.

Know it'd be a rich, but the fact that of all the geometries out immediately was the flower of life. It's like, so you and I could say, "Hey, that must be in the mass consciousness." People don't realize how powerful it is, but they resonate to it unconsciously. It speaks to their selves or something. You know what I mean? So, that taught me something. Even though that was a commercial thing on selling stickers, that was the one that blew and that amazed me. But it does make sense that we gravitate towards the flower of life because if it's the building block of creation, it's within us. It's in our DNA, in ourselves.

Yes. And it's just a reminder of where we came from, the essence of creation. And it doesn't surprise me that it can have that effect of clearing a space.

Yes.

Right.

And the these also the geometric forms, they emit their frequency, but they're also in my understanding, they can hold frequency. So, you know, you drawing one or creating, designing one, the intent you put into it can >> then become exponential through that code. Do you resonate with that?

Yes. Yeah, very much. And I've been doing a lot of thinking about conscious intention. And I um, for for those that are new to sacred geometry, my I would say that we know that the power of focus is the key to manifesting. But a lot of people are still asking for what they want.

And so, what I'm trying to say here is that when you start saying, "I want to build a school," what the brain is so cosmic, it's actually saying, "Oh, so you don't have a school." So, you're telling yourself you don't have it. So, when you're praying to the universe, don't ask in words. Don't speak. Just visualize that you already have it. So, if I, let's say, 30 years ago, I have a vision. I want to build a school. I don't think, "Oh my God, how am I going to get the money for the land and then to build it?" If you worry about the how,

Right. So, to bypass that negativity or the limitation, you visualize that you're you're there in the classroom and there's there's 100 children that have come from another school to study with you. So, you're just there in your passion teaching. And so be it. It is done. It hap, it somehow the future comes, tricks the mind and and becomes the present. So, my thing about manifestation is don't ask because it means you don't have it. Visualize that you already have it. Um,

Yeah, because wanting keeps you in the wanting state, right? It's the lack, you know, "I want" is like you said, "I don't have it now."

Right? I need. And then when you visualize,

The brain cannot distinguish uh the imagined reality from the actual reality. And so, you kind of collapse those quantum waves into existence. Um, my teacher >> uh, that I had, taught me something also that is different from visualization and it's using wonder. And so, his name is >> yeah, it's Alan Harriet. And he taught me how to use a wonder statement for the purpose of manifestation or embodying a state. And basically,

What he said was that when you wonder, right? It's like creating a void because wonder is open-ended, right? Visualization, you are consciously visualizing something. So, there's certain limitations. I mean, you can visualize as much and as grand as you like, but you're actually constructing something within the mind. But with wonder, it's open-ended. It's kind of infinite. And so, he would use the wonder statement saying, for example, in the example of the school, "I wonder what it might be about >> building >> or being or having the school." And then that creates an an inner void. And then the universe loves to fill that space.

Yeah. And then it leaves room for the unknown because sometimes when it, when we're manifesting, right, we we might have an idea. It might happen this way or that way. But when we leave it open-ended, then we allow that higher self or the universe to manifest in ways that we cannot even imagine.

This is the part two of my three-part uh discourse on the flower of life. This is obvious material. This is um architectural revelations where we see the flower of life everywhere. But this is not a building, but this most people know the flower of life from uh Leonardo da Vinci's uh Codex Atlanticus.

So, he was drawing this about 500 years ago. Beautiful, detailed psychoactive diagrams. You got the seed of life there, and it becomes really intricate how he's um developed it. So, I mean, I'm trying to get >> There you have the pattern of seven again, right? The the piece and then the hexagonal.

Yep. Carbon 7, C7. And so, so as you know, I mean, um, flower of life is in every culture. And that's what I love about this. This is not just in one area. This is everywhere.

So, um, I won't go through

all the countries. I'll just I've highlighted a few. The most famous one, as you know, um, the most famous one, as we know, is in um Abidos, where it was, we assume, only laser could have um etched it into that ceiling there. That's the most special one. I love mystery that we can't explain this. So that's in the temple of Osiris, Asarion, um, or they call it the tomb of Osiris. I mean, so we know that um, this is where, when I was talking about the three-dimensional flower of life. This is another whole thing I'd love to, I'm not going to talk much about it now, but my colleagues um, Elena Dan and Dan Willis, they're looking at um, the alien connection to geometry and star systems, how they use the three-dimensional flower of life. So, that's a really big subject. I won't go there now, but that's an impossibility to draw. Like I said, we need to have the the soccer ball shape with a pentagon. That's all hexagons, but but they've had to fudge the petals a bit to make it appear like all hexagons, but that's not a true diagram. I'll talk about that later. But basically, the most powerful symbol is from the foo. I think it's more of a lion dog or foo dog. And it's about protecting sacred knowledge. Um, I think what's his name? Jamie Janver, a friend of ours. uh, he um, took this photography. He's gone around all these sacred sites and I just love the way the claws are protecting this three-dimensional flower of life. It's almost >> clearly don't see that in person with my wife and it is >> Oh, you saw? Yeah. Oh, you're lucky. I've always wanted to go. I'm planning to get to China. I don't know why, but there's something drawing me there. But how large is it when you saw it? What's the size of that roughly? Um, I I cannot honestly vividly remember, but it was quite large, like I cannot, my memory is not that exact, but yeah, it was quite large. >> Okay. Yeah. So the forbidden city. So then this one's in Turkey. Flower of life in Turkey. I got a couple of diagrams of this to show the actual room. >> Um, yeah. And this one's in India and in Spain. >> Oh, in Spain. >> The three frequency Iraq at the gate of Ninevea. So, we've got this. I think this one now is in the Louvre Museum. I think a lot of this got destroyed, but um, this one's now in the Louv Lou. >> Then in Israel, there's a lot of flower of life in Israel. You've got you got a lot of Hebrew writing here, but this is everywhere in the Middle East. And I like this image of the broken flower of life because this is what we're talking about, our symbolic conversation is that the flower of life is the key to sacred geometry, but there's people teaching that like it's um, it's disharmonic. So I just threw that in, but that's in Msada. Um, yeah, so this is a a little section here where I discovered um, we know that this is the oldest code in the universe and it's the architecture of existence, but I wanted to, I I count everything. I'm I'm sort of like a child and when I look at the flower of life >> um, I want to count everything because I understand how, you know, vibration actually becomes structure. So when I looked at this, this is actually the, it was actually this chart here, but I've reversed, I've made it negative. I don't know why I did that. But if you look at, if you count all these um, so we know this, if you count all the petals. I mean, that's obvious. Everyone would count the petals. They say, "Yeah, there's 90 petals in there." >> That's obvious, but no one's ever thought >> to count the negative space. We don't look at the negative space. And I did a Zoom interview with Michael Evans who showed that when you look at a tetrahedron, I don't have his models here somewhere, but when you look at a tetrahedron, imagine if all those straight lines were concave, they were curved like convex or concave, and you'd see another whole geometry of curved space. So um, so if you could imagine that in 3D, he's got another whole cosmology based on curved space that there is no such thing as straight lines. But when I counted all the curved triangular negative spaces in there, there was 54. So I thought the actual components of all of that, 90 plus the 54, 90 petals and 50, 90 petals and 54 triangles sums up to 144. So, >> so then you can say, well, what's so special about 144? So, I wrote it here. I'm I'm more interested in the reciprocal of 144. I'm in my library here behind me. >> I've got all the works of Bruce Cathy. >> Okay. Um, and this is what Bruce Ca, Bruce Cass is the guy that revealed, he was a commercial pilot in New Zealand and he revealed, um, he he got his child's um, uh, basketball and and he he had observed some UFO activity as he's flying from Auckland and and flying around New Zealand. He observed craft that just made a sudden dash across the sky. So he started plotting all these points and he, if essentially gave us the layline line grid and the the number 144 pops up a lot. But what he does is that he takes, so 144 has got to do with 144,000 nautical miles for the speed of light because you you might know the speed of light in miles per second. It's 186,624. >> Or we could, or the square root of that is 432. There's a lot of buzz around 432 squared is the speed of light. >> But same with the pyramid angle. If you take the angle of the pyramid, if you take that pyramid angle here, not on the edge slope, but on the um, this midpoint of the base, the slope height of the pyramid is 51.84. If you convert 51.84 degrees into minutes and seconds, you multiply that by 60 and 60 again, you end up with 144,000. >> Oh, wow. >> So the speed of light is embedded in the angle of the Chops pyramid in Giza, or David Serida calls it Giza. It's not Giza, it's Giza. >> But but the work of Bruce Cathy um, I met him before he passed away in Brisbane. Uh, he's one of my mentors. I've got all his books. Um, he said, let's look at the reciprocal or the inverse of light. So the harmonic of light is 144,000 nautical miles of grid arc per second. You drop the zeros, you get 144. >> We take the inverse. So on your calculator, you'll get, so 1 divided by 144 is 0.0069444. So what we can do is drop all the fours or round it off to five. So he wrote a whole book called um, Harmonic 695. This book >> and he's basically saying that you can't just drop an atom bomb. There's no such thing as just dropping an atom bomb and it'll explode. That's the myth to keep everyone in fear that, oh, we, if you um, contradict us, we're going to drop a bomb on you. So don't, don't touch us. An atom bomb can only be dropped at certain times of the year when the sun is directly above. And so when they dropped the bomb on Hiroshima, the plane had to be circling for a few hours until the sun was right at the midpoint. The n the zenith, there was a trigonometry that happened. It was all algebra and trigonometry. You had it has to be calculated when a bomb will detonate. That there's no such thing as, and he revealed all this stuff. So they destroyed his work cuz he, he was revealing too much information. And this is all just from discovering the grid around the planet. But his main harmonic was 695. So you're, so in harmonic maths, which they don't teach, and I'm trying to teach that to my students, we're allowed to drop all the zeros, but we're also allowed to slide the decimal to the right to make a number bigger. But if you slide the decimal to the left, the number gets smaller. So that sliding of the base 10 decimal is an act of connecting the micro and the macro because that sliding of the decimal connects the small, the small and the large worlds. So when we slide the decimal here, we get 694.44, which is 695. So he wrote a, so what he's calling this, if this is the inverse of light, it must relate to gravity. So in the, if there are 144 parts in the flower of life, the inverse of that is the gravity constant. So I'm just trying to show that this simple structure of the flower of life contains the harmonics of 144, but its inverse is also a connection to understanding how important the flower of life is. He called it the pulse of the universe. So you can't buy these books now. The CIA bought up every single book of um, Bruce and destroy >> and they've all been destroyed. So, if you went online to get Harmonic 33, which is my favorite book about the atom bomb, >> Uh-huh. >> it's probably worth $1,000. Last year, it was $500. So, if there are any rare copies of Bruce Cathy, people buy them up and destroy them. They don't want this information out. >> Wow. >> But, um, but I met him. He's a beautiful man. And one of my teachers in Australia, he's devoted his whole life to setting up a community based on his work. Yeah. So um, that was just a little side track about the 144. So if, I mean, if the flower of life didn't didn't have 144 parts, we can't talk about this kind of stuff. But it's kind of suggested >> that the this is the frequency of light and gravity. >> But it speaks more to how much information and how much power is in this symbol. >> Yes, that's right. Yes. And that's the thing that we could spend hours, days talking about. It's it's harmonics. It's and all the way to the from the vesicopises to the flower of life and all the information that can be found in that, all the way from the cells in your body to the atomic bomb. >> It's fascinating. >> Yes. So I only mentioned the atom bomb because everyone I know is in fear of a nuclear war and that's a scop. There is no such thing. >> I've never heard of this before. >> Yeah, there's a whole book on it called Harmonic 33. That's his main book and he, that's why anyway, they approached, I mean, I met Bruce Cathy and I spoke with him and he told me that they approached him and they wanted him to work with the secret agencies, with NASA and all that, and they said, we'll give you everything if you work with us, but he refused. That he died a very poor man because he knew if he shared his knowledge in the wrong hands, with the wrong consciousness, we're actually retrograding in our evolution. So he's, I just wanted to mention his name because he was a pure soul, a real scientist. And he was, he wasn't really a mathematician. He just nutted it all out. He just drew lines on the kids basketball to work out. He started finding all these squares and geometries around the planet. And we hadn't about lay lines before. That is so beautiful because it shows you how the simple act of curiosity can draw you to deep wisdom that you don't have to be this genius or mathematician with a PhD. That just simply using curiosity, drawing your imagination, you can draw in from that information that is contained in the holographic code of the universe itself. Um, thank you for sharing that. I've never heard of him and >> it's fascinating information. >> And and I also wanted to ask you a question just while I have this rare opportunity to talk with you. Um, >> yes, >> you um, I met you because um, I I'm in love with your omniore geometry that you created here. And um, the reason why this is important because when I showed the 12 around the one before >> the copper the copper circuitry around here is is this shape, the 12 around the one. So >> so you're looking at the cube octahedron, but it's based on four great circles or four hexagons actually. So if we look at the cube octahedron >> Mhm. >> If we look at the cube octahedron in straight lines, this is the same shape, but you've done it as curved geometry. Now, this cube octahedron is a fractal because it's the only, it's got 24, another big, another big number like one by the number 24. This has got uh, 24 edges and 24 triangular vectors. So, if where I'm putting my finger, there's a triangle. >> There's 24 triangular vectors that are all touching the center. You can't really see it, but I'm sort of touching an equilateral triangle. If you count them all, there's 24 vectors. But this is the only known shape in the universe, which I'm relating it back to what you've created here. This is the only known shape in the universe that um, if I took the radius, I'm holding like a matchstick, whatever that length is, we'll call it one unit. Mhm. >> This is the only shape in the universe where the internal radius is equal to the edges. That means that the inside, the radius is equal to the outside. So that's what fractal >> right means, inside outside are the same. But there's no other shape. If you, if you picked up say, a cube >> and said from the center of that cube to that point is a radius, from the center of the cube to that >> that distance, which is half of two, which is 0.707 or something, it's not equal to the one there. There's no other shape that can do that. So this cube octahedron done a spherical geometry is this. And um, I I saw you on Instagram, you were spinning this. I'd never spun this before. >> No, but it wasn't me. I I um >> So who, who's? Okay. I thought that was your your creation. >> No, no. I I found it. I find it fascinating. Now I want to find the person who who've done it. But >> Okay. So I thought it was you. I'm sorry. But >> because it's called omniore. So I was confusing omniore. >> Okay. Okay. >> Geometries. But anyway, I'd never spun it before and I saw it for two seconds on an Instagram post late at night. And what he done was he spun it. I'd never spun it before. And if you look at this, there seems to be, if you look at the inner spiral, there's the spiral goes as it's going up, the other, the internal spiral is going down at the same time. >> I see it. >> I don't know if you can see that. >> I see it. I see it. Yeah. Yeah, I can see that. >> I hadn't seen that before because I've had this sitting on my shelf for years, but I never, no >> never to put it on a string. So this is again, this is all golden ratio because the vector equilibrium, the 12 around the one is got that golden ratio in the two sphere tangent. So yeah, I just thought, okay, so I'll have to give credit to Omnicore. I'm sorry about that. >> No, no, no. I love it, but fascinating um structure and >> so my whole house is full of geometry. I'll just turn this around. So, I don't know if you can. So, I've got shapes everywhere. >> Oh, wow. >> To the ceiling. I've just extended my library with the renovation. So, I've got a light coming in from the sky >> and yeah. So, um, just wanted to be fully immersed in it. That's just my room, but the whole house is like this. So, I don't, I've just got like a four bedroomed room house and there's stuff hanging off the ceilings everywhere. And because by having these hanging up, there's a moment when you just stare at a geometry and you see something that you've never seen before. >> Yes. >> So that's what I love about that moment of discovery. That's what I teach the children. I don't just give them the flower of life or the vector equilibrium. I get them to pull it apart and to discover it and come to their own realization. >> Love it. Yeah. And have that direct experience. >> Okay. So I've got one final chapter. I call this one part three. So this is, this was all just an introduction to get to our discussion about if the golden ratio is truly within the flower of life, which we know it is. It's irrefutable. >> Then this is a contradiction to the claim by certain group of people who call this the daisy of death or the bloom of doom. So I don't often like talking negative about anyone. So I'm not going to be negative. I just want to show that what we, what I understand of the flower of life is so sacred that >> it's it's an insult. I feel insulted when someone calls this the bloom of doom. So I just want to show first that if we look at the harmonics of the circle um, I'm going to show how the the golden ratio is in the triangle, the square, the pentagon, hexagon, everything. And and these all fit inside the circle. So the harmonics, whatever the circle represents to you, we could say it's like unity consciousness. It's a forever. We can't actually calculate the circumference perfectly. But I believe that everything about the circle contains the golden ratio because the circle creates the flower of life. So I just want to, I'll talk about that and um, then I'll talk about um, the the kantics bit. So it's not overly focused about it. >> So um, again, we're looking at a 3D flower of life. This was from um, a colleague, another colleague of of ours called Rich Jarvis, who I'd love to meet. Have I'd love to have a conversation with Rich. He's he's taking, he's doing all these amazing animations and you can see that. So, we know that it can't all be done with hexagons. But the illusion of seeing the vortex, the emanation of the vortex is beautiful and it's symbolic of the journey home to the stars where there's no beginning, no end, turning ourselves inside out. So, we start off with, we started off with the vesica Pisces and then we realize that nature's true law is perfect packing of six around the one. So there's the six around the one in the flower of life. So, so what you're really looking at is a circle there and a circle there. So that's like the figure eight, but there's three axes. There's the the figure eight there. There's one, two, we got three axes, which as you know, is the XYZ creates the cube. Okay. But in the circle, the first shape to ever form is a triangle. So this is like father, mother, out of their, the love of >> the, yeah, so out of their love, father, mother, they create a child. So the child is the trinity, is the fertility, it's be. But did we know this is not my diagram, but we know that if we take the midpoint of any two sides of the equilateral triangle and extend it to the circumference, the ratio is one is to 618, or if this is one, the longer line is 1.618. So straight away, as soon as you've got a triangle in the circle, we're in, we're in the, the divine proportion. So, in my personal um, I do a lot of the algebra behind all of this. I, there's there's a whole page of algebra to prove that. And that's what my gift is. I love, I love doing all the proofs. And um, but there's a guy called George ODM from the Hudson River area. He um, he showed that if you had the cube, I might have a diagram. Let me just see the next one. I'll just see. No, I don't have his cube, but he's got a diagram of a cube >> which is square with the sphere around it. >> So, George ODM did this this discovery. But if, if he can imagine a sphere around here, so from, so from the center of the cube, so from the center of the cube to the point and to the circle, to the sphere, there's a golden ratio of the cube in the sphere. Right. I actually need a diagram of it. I may have it somewhere. But oh, this is all the mathematics here where you're using square roots and laws of numbers and Pythagor. What I should say about here is that if, if someone wants to study sacred geometry, my advice would be, we know that the num, there's two gems. There's the the golden ratio is like the diamond in mathematics, but the gold, or no, the golden ratio is the, is like the gold, but the diamond in mathematics is the Pythagorean 345 triangle. So to be able to prove that this is all golden ratio, we need to do a bit of 3 squared plus 4 squared equals 5 squared and rearrange and, you know, and that's, that's what I'm good at. That's my gift. So that's why I'm saying you can't argue with this stuff. It's 1.618, 618. >> And and you know, by showing this stuff, there might be a 10-year-old child who sees this and says, oh, I'm going to create an electronic circuit board based on that stuff where all the electrons are free flowing, or there's no friction, you know, by, so by, I feel that the, like you and I, we're like farmers and we're just throwing the seeds out and and we're not not attached whether the seeds grow or not, and we don't know who they're going to go to. But my vision is that some 10-year-old student or child is going to >> find this seed and and nurture it and um >> so we know, so what I just showed you there was that the triangle in the circle >> or the tetrahedron in the sphere has golden ratio, but so does the square, but not in the whole circle, but in the semicircle. So that square in the semicircle >> is a golden ratio. And then we've got the, we know the pentagon is all golden ratio. >> Mhm. >> So there's the double um, I'm obsessed about the double square because you and I know that the formula for the golden ratio is, it's a mystical thing. It's 1 plus the square root of 5 divided by 2. But we don't know what the square root of 5 is. So I've I've made a really important revelation based on this double square in the circle because the distance from that corner to the opposing corner is root 5. >> Again, Pythagoras theorem, 1 squared plus 2 squared >> gives 5, but that's root 5. And if we know 5, we can calculate, we can translate the algebra of 1 plus 5 divided by 2 into a picture and it turns out to be the true value of pi. It turns out to be golden pi, not normal traditional pi, but golden pi. Because my my major discovery in my life by looking at this material is that I've turned the formula for phi into a psychoactive diagram and that's at the end of this presentation. >> Beautiful. >> So, so we know that the triangle, the square, but now we've got the pentagon. That's probably a good image of what whatever fractal means. >> This is fractal. We can't explain it in words, but there it is. So, that's another sticker that I've done. That's another decal. So imagine children sleeping in their room and they've got that on their window and the moon is shining through this psychoactive diagram and it's imprinting their dreamscape with 1.61803398874. So I often do a lot of chalkboards um because I'm dyslexic. I'm very dyslexic. I need to do things big. So I can't just work on a small size. So that board there would have been against, you know, against my bookshelf here. And once I've sketched out this information, I'm just showing that the triangle, the square, and the pentagon and the hexagon are all golden ratio. And then I draw the golden spiral for the children. And they love it and they learn a lot about it. But this diagram here, this is this is um, if we've got two squares, we're going to put a circle, a unit circle in the, the diameter of the circle is one. But look at the golden ratio when you draw that diameter, that that length there is root 5, right? But the way it cuts the unit circle is in the divine proportion. So if this red line is 1, the diameter of the circle is one, but this red line is 1.618 and this smaller segment is 0.618. So everything about the circle sitting upon the two double squares, which generates the golden ratio formula, it's all 1.618. You could also have three squares like that and draw a circle touching the four points and suddenly you've got the golden ratio. I'm just trying to say that it's in everything. >> Everything. Yeah. Yeah. Yeah. >> Universal. That that's what, in fact, just to summarize who I am. I've spent my whole life, 40 years of research, trying to show that the golden ratio is in every structure that and if it isn't, like, is it in the 345 triangle like we've got 3 squared plus 4 squared, 3, 4, 5 um, I haven't proved it, but someone else has shown that it, there is a golden ratio in that. I want to show it's in everything. So we saw this diagram at the beginning where the double square here that generates root 5. The circle that goes around these four points intersects the vesica Pisces in the golden ratio. So if AB is one, then we know that OJ is OQ is 1.618. So e, so I alone, because I'm dyslexic, even though I see that diagram that someone else has done, I will still spend days drawing it myself because by drawing it, that would be another >> advice to young students, keep drawing and reproducing diagrams by hand, especially as we go into AI world, universe, the more that we read books, collect books, draw diagrams, um, write by hand. I mean, use ChatGPT, but don't become addicted to it. Find that balance. So, I do these kind of, I've got like thousands of diagrams like this that, and as I'm drawing it, I get more insights. Um, when I, I traveled to America three times. I met Bruce Rolls. He's another mentor. He wrote a book. I should, I do have his book here somewhere. I don't know where it is, but he wrote an amazing book and he does all the mathematics. So, because we're talking about the vesica Pisces um, I'm able to reproduce again, he's he's got all the mathematics. I I've had to study, but I can reproduce every segment of the vesica Pisces. So this is flower of life, but we want to >> with have X-ray eyes and analyze what's the area of that sector in the mandola, the area of this curve, that straight triangle. In fact, we want to know the square area of the mandola. That's probably the most important thing. Inquisitive, I want to know what's the area of that mandola to the whole circle, like we're looking at sacred ratio, eternal design, it'll never change. So I spend weeks, weeks and weeks dreaming and analyzing and pulling it apart. So the ratio of that mandola to um, one circle is um, 2.558. Is that what I've got? The ratio of the circle C. So the circle C here, this section. So one of these circles, the area is pi, which is 3.14. And I want to know the sacred ratio of that eye of the Oh. Oh, sorry. >> Okay. >> I've just got to go back to play. I touched a button. So, I want to know what's the sacred eternal ratio of that eye of God there to the whole circle. So, 3.141, and I calculated the um, mandola to be 1.228. You divide it, you get 2.55. So it's not a number that rings a bell. So in my um, dictionary of harmonic numbers, we know that 2.6, 2.618 is the golden ratio squared. >> So it's close to that. So the reason I do all this research is that I'm trying to find that, oh, the area of the mandola to the circle is five squared. It's a golden ratio, but it didn't hit that mark exactly. It's just 0.1 off it. So, I I sweat over this stuff, but I've got it 500. >> So, I've got a 5,000-page dictionary of all sacred numbers. So, maybe next year when we have another chat, I'm I'm going to release the world's first dictionary of sacred geometry, which is really going to be my legacy. If I died tomorrow, the one thing that I will leave is a, it's called Harmonic Stairway. It's a dictionary of all of Bruce Cathy's harmonics, your harmonics, everyone's research put together, and it's a book where I acknowledge all the researchers and authors. So, this this is a tribute to Bruce Ross, who I met. >> I I'm a big person about >> giving acknowledgement to who re, no one's discovered anything, but the some people have spent their whole life researching something. So, we just want to acknowledge their passion and their time. Okay. So this is phi in the um, vesica Pisces, the golden building block of the seed of life. So this is really the diagram. All of this introduction was >> I would come back to the beginning. >> Yeah. So this is the one diagram that if we could submit this to the kontics crystal spiral group and say, look, the reality is this is sacred mathematics. The vesica Pisces infuses every geometry in the world. >> Please honor, please let's honor this vesica Pisces, mother of all form, the father of all structure, as to something that we should be revering. And I call it like God mathematics. So, so the, so the diameter of the circle is one. >> ED, that means EF is 0.618, so is CD, or that means CE, this longer line is 1.618, 618. And this all started off from the unit circle. So, so what I like about this is that if this is one, AB is one, so is this radius is one, one, one. We've divided the vesica Pisces into three parts. One, one, one. And that's a beautiful thing because when you look at the the decimal of a third or 2/3, a third is 0.333 and 2/3 is 0.666. So these harmonic values, 333 and 666 are embedded in this uh creation. So I'm calling this the fundamental diagram because I I just wanted to mention that if anyone wanted to know more about the flower of life, I did about five years, a four years ago in 2001, I did my first um ecourse on flower of life and it goes for like six hours. >> Absolutely. The link and put it in the description for anyone who >> So what we're doing today, this is a little bit more advanced because I didn't, when you're doing webinars and courses, it's for beginners. You don't mention all this math because people shut down. But I wanted to thank you because you've given me an opportunity to get out something that was really important to me is this diagram because I've never talked about it. But I want to show where this came from. It actually came from the Theosophical Group from India. That's so I'll get to that in a minute. Um, so as I was saying, I spend a lot of my time researching all the the hidden mathematics behind that and you got to study things called secants and intersection of curves and formulas. Okay. So this is the origin of that diagram. It came from India >> and it was a group called Theosophical Society, like Madame Blavatsky and Annie Besant. They were the theosophists like a hundred years ago. Um, I have another mentor called um, what's his name? He wrote Occult Chemistry, a 500-page book. It's in my library here. Occult Chemistry by Leadbeater. Charles Leadbeater was a teacher of the Theosophical Society's friends of Madame Blavatsky and they taught all this cosmic math that where it goes back to 5,000 years ago. So, so, so here we have um, the the circle, whatever it is, universal unity consciousness. It's the void. It's the one. >> And and most people talking about the origin of creation, there was a creator. It's not a he or a male god. It's a, we'll call it the father mother god of creation, the creator. And and the creator wants to know who it is. So the creator made a copy of itself. It said, I will duplicate myself to see who I am. So father, father, mother, source makes another copy of itself and its identity or consciousness is in this point here. So we call it, so Lea called it the Brahman, the Pradhana, that's the potential of becoming. So we haven't, we're still in the void. So the, so what what's happening is that so now we were one consciousness, but now we want to make extend our consciousness. So that cross is really important. That's the descent of consciousness, the emanation into the physical world. We're going from the spirit to the earth, symbolically. What father, they're spinning a web and they're saying, I want to see who I am. So we've made a copy of ourself, which is kind of like fractal in a way. It's a, it's not a fraction, it's actually a duplication. >> So they want to, so God, father, mother God wants to experience himself, herself, whatever it is. >> And suddenly we have this kind of like figure eight. So when you look at this figure 8, what you're really looking at, just on a 3D model, is let's say we have the torus. I'll just grab my torus. So, so when we have the torus, we want to say, how was this created? I was just saying that when we look at the torus, we're looking at this figure eight. >> Because you notice that a lot of people on their business cards, they say, I'm a cosmic healer or whatever. I'm a Reiki master, and they they always have that figure eternity symbol. So the figure eight is is the like the eternity symbol. I want to show where it appears in the torus. >> So if you have that SL, we mean a lot of children have the slinky. >> Slinky. Yeah. >> So we know that when we join the two ends of the slinky. >> Mhm. >> It's such a, so we get that torus shape. But if I was to cut the torus in half, it's called a transverse slice. So if I get the torus and cut it in half, I'm looking at the figure 8. So this is that diagram. So really, when you say you're a Reiki master, you're saying I am a part of the creation of the universe. My creation is part of the toroidal field. So I just wanted to show the 3D, but really the torus, it's not just a 3D sphere. It's an imploded sphere. That >> that vortex here. It's almost like a fourth-dimensional >> sphere. I would say that the torus is a fourth-dimensional construct because all around the torus here, you can see all these rings, these >> there's manyions and millions of circles that make >> the imploded sphere. >> Yes, >> I'll go back to that diagram. This is the most important diagram because basically we're looking at two tangent circles, which is it's in the flower of life. When when we look at the flower of life, we can see that it's not just six around the one, but you can see two tangent circles everywhere. So this is the guts. This is the heart. This is the most sacred component of the flower of life. And so we put a cross, we divided it, it's the quadrice of the circle, which is another important thing where we square the circle, but this this symbol of the cross in the circle is a symbol for Earth, but it's used by American Indians. It's the sacred um hoop, you could say, of the American Indians, the cross. We extend a line from this point um down through the center of the below one. So I draw a line from that end of the cross, the left-hand side of the cross, right through the center >> and suddenly I'm I've got the golden ratio. That's where the golden ratio is in the figure eight or the two tangenting >> circles. This is where the one became the two. And symbolically, if the one became the two in our cosmogenesis, this is kind of when we're separated from God source or consciousness. So that's why we all feel we're like lost souls or who am I, where am I going, and why is there chaos? But it's a reminder that even though we don't know where we're going and who we are and where we came from, there is an innate golden geometry in our being. Like even though we can't see it, there's a divine proportion. So, so this distance here, the diameter of that circle is one. But it works out that the distance from here to that side of the circle is 0.618. So 0.618 is to one, or if this is one, this is 1.618. And another important number is the distance, if this is one unit here. >> Mhm. >> Um, no, sorry, this distance. Yeah. Um, so this distance here from here to there is 0.5, which is half the radius, plus 0.618 is 1.118. So in harmonic maths, we can call that distance harmonic 11, which has got a lot to do with the magic square of the sun. All the numbers in the magic square of 6x6 all add up to 111. But this distance here is half of the diagonal of root 5. So if 5, the diagonal in the 1x2 rectangle is 2.236, that's the square of 5. Half of root 5 is 1.118. It's just a very critical number that not many people are talking about. But it's all within this geometry of father, mother, spinner web. But I just want to acknowledge that I first found this diagram in the book called The Secret Doctrine. Actually, I had it to show, but it's on my other table. >> Okay. I might even have, so then I've done a chalkboard of this. But the reason, so once we take the midpoint of that um 0.618 side, half of 0.618, the reciprocal of five, we call it fe um, we we're going to do another geometry from here, just by knowing half the midpoint of this distance. >> And what it does, it creates the decagon. So we take that distance of EF or AF here and we get our compass and we and we trace that distance around that circle and we end up with a decagon. >> Now the decagon is important because it's the cross-section of the DNA molecule. Somehow this diagram, which is all based on two tangent circles and golden ratio, is the next step to creating the perfect decagon. And there's that root 5 diagram. When you look at, put three circles together, you've got >> the ratio of one to two, which is in music, that's the musical octave. >> So that musical octave, which is the doubling sequence, 1, 2, 4, 8, 16, 32. This links the binary doubling sequence with the golden ratio, and it's all imbued in the flower of life. So I think I've got DNA. Yes. So because we created the decagon from that one chord that connected the two circles of creation, we're now creating the cross-section of DNA, which is double pent or decagonal. So the c, so imagine you're walking up um, so I'll just show it here. If we're walking up a spiral staircase, we've got two counter, we got two counter-rotating fields. But if I stopped halfway and I said, I'm going to cut the double helix and stop and look at the geometry, this is what we get here. We get the hexagon joined to the pentagon. So everything about DNA cross-section, the way the genetics of life rearrange its geometry, it's all in the pentagon, hexagon, which is the soccer ball shape. It's what Bucky called the Bucky Ball 60 geometry. The shape of shungite crystal is a bucky ball. But what joins the middle is a gold. What the zipper in the DNA molecule that allows DNA to separate is not just any rectangle. It's a golden rectangle. The ratio of that zipper in DNA is one is to 1.618. So everything that's sacred is already in there. So, >> so if I wanted to look at the the DN uh, the decagon, the inter, the external angle of the decagon, it happens to be 144 degrees. >> So there's, and you'll see that these sacred numbers just pop up everywhere. >> Beautiful. >> Also, if you drew the five-pointed star, you could see that there, there is a 144-degree angle here. I'm showing it down the bottom there. >> Mhm. >> If you skip one point and look at the angle from one point to the next successive point, it's a 144-degree angle. So all of this is suggested in the harmonics of the pentagon. Yeah. So um, and oh, there's um, there's the book called The Mathematics of the Cosmic Mind. So this is one of my teachers called um um Charles Leadbeater. He actually left India. He he grew up with all these mystics, but he came to Australia on the western side, called Perth, and died in Australia here. I don't know why, but maybe he was setting up another Theosophical lodge or something. >> But um, I've met a lot of all around Australia, just when I first started teaching about 20, 30 years ago, I went all around Australia and the only people that really accepted my work was the Theosophy group. So people like, not Charles Leadbeater, he'd passed, but the people who were running the lodges, they would get like, they would pack it out. They would get 300 people. It's a free lecture. They just wanted people like you and me to talk about the mathematics of creation, bit of eye candy and shapes. Yeah. So um, they that they were the ones that supported me because they understood the, the Theosophers understood that there was a lot more mathematics that these were geometrical gems. >> So anyway, he passes and um, we I go all around Australia still and I still teach at these lodges. But there's that diagram that he introduced. So there's that diagram here, but done in a modern way on a modern site. There's another group called cutthenot.org, and they show you 100 different ways how the golden ratio can be derived from intersecting circles and tangent circles. Just a closing note on this diagram is that um um, we're talking what's important is is we're coming up to a thing called the three-dimensional flower of life. And I was saying that you can't just have all hexagons. The hexagon doesn't create the flower of life pattern. >> Mhm. >> So what we've got here is that the the only way that where all these nodes are actually touching the sphere, the only way it can happen with hexagons is with occasional pentagon. So there's a, so this is an Archimedean solid. And this is the diagram. This is where I got that information of >> father in a web. So there's a whole chapter like this is real sacred mathematics. It's the origin of creation. Um, everything. It's it's a very um, just so it would have started off um, so it starts off with the two circles, the nature of differentiation. This is where creator sees itself. The one becomes the two. So this was our primal separation from God, and we we're spending the rest of our life trying to come back to where we are and who we are. And this is all full of golden ratio pentagons. This is one of my most sacred books. I so if anyone can, it's probably out of print, but if if you get hold of this by Gordon Plumber, and just while I remember, we're talking about the three-dimensional flower of life. Yes. The hex, the hexagon can't tile the sphere in space where every hexagon, every perfect hexagon must be touching the sphere. >> The only shape that can really do it is there's all the hexagons. We've got the pentagon there. >> So this is one of 13 Archimedean solids. So every edge is the same. It's called Bucky. This is the carbon carbon 60 Buckminster Fuller predicted atomic structure. um well well ahead of his time, he predicted and scientists are all talking about quasi crystals and nanoparticles. This is the key to nanotechnology. um it's called carbon 60, but um I think it's because it's got 60 nodes. um but so as an Archimedean solid, if you touch a vertex, you say there's a pentagon, hexagon, hexagon. So I would call the soccer ball shape 566, that's to identify what it is. But that's the key to like the true 3D flower of life. You need the golden ratio to make perfect symmetry. >> So like I said, this was Buckminster Fuller's C60, the the key to nanoparticles. This is the structure of Shungite crystal that purifies water. If you're traveling around the world and you're in a third world country, you should always travel with Shungai, which is that atomic structure, and it'll purify water. But my friend Marshall Leford, so I communicate with him, but I haven't met him. But Marshall sent me this book and he used this whole diagram that we just talked about. That fundamental diagram of the flower of life is is here. There's remember that one critical line going from there. >> Yeah. And it goes through the center of that circle and down.

To the edge of the other. But there's the one is to 618. That's all I'm trying to say is that it's so simple. I can't emphasize how simple this is and how fundamental it is.

You've made an excellent point and and you have shown us that it can be found pretty much everywhere.

Well, we can't argue with this. It's irrefutable. So, um if anyone wants to challenge you and me about these diagrams, well, we welcome the debate because if if the golden ratio wasn't in there, then we have no standing. And and I understand that this was fractured harmonics, but this is perfected harmonics. And um it's it's the key to what I would call the future science. So I just wanted to acknowledge um Marshall Lefforts, if you're watching this, thank you for posting this book to me. Um and and and when I saw this diagram that you used from the Theosophical Society, I was so I knew you were on track. That's my litmus test to see if someone's telling the truth. The fact that he was aware of that, which is fantastic. And it's it's in everything. That's really what we're saying that one circle, one coin can have six coins around it. We've got there's that cross and there's the golden ratio going from here through to there. It's it's all throughout this matrix.

And it's interesting the word matrix. It's like the mother, the maternal, the the word material, the phys spiritual versus the material. So the mother of creation is the is the matrix. It literally means the womb.

And when we talk about the womb, we're talking about the mandola in the vesic pisces. So

so we must always acknowledge that

God is father, mother. That diagram, father, mother, spinner web. There is no father, he man sitting in the sky with that's all just an implant uh scop. So we need to acknowledge that creation god is everything the um so when we pray we don't just pray to a he we pray to father mother god creator that is inside of us and is in all things it's in everything so so because it's it's actually interesting that even when we pray to a god I'm not comfortable with that because I feel like we're praying to something that is external to us

so This is probably a bit of a radical statement, but I try not to use the word God, I accept that we're looking for source and creation, the origin of creation, but so long as we recognize that we are a part of it. And yeah, so there's nothing really external to us, it's it's so maybe the vesica Pisces symbolically reminds us that if I'm one circle and creation is the other circle, we're intimately

entwined. And I think that's why we all love everyone in the world loves flower of life. It's um and and if you look around our area or I meet a lot of travelers coming to Byron Bay from all around the world, they're all wearing the flower of life. So this jewelry that people wear, it's a pendant. The most popular pendant in the world today and for the last 20 years, it hasn't changed

is the flower of life. It's still

prevalent. Um there there's that diagram I was talking about. Remember when I said that inside the circle we had an equilateral triangle and this dude called George ODM um he found the golden ratio in the triangle in the circle which is really the tetrahedrin in the sphere. Well here it is in the cube.

So um so what I said before was wrong. I said if you go through the center of the cube through the vertex that's wrong. Thank god I got the diagram. If we go from So here's the cube. So now the correct story, George ODM's diagram. If we go from the center of the face

Mhm.

through the center of another face. So I'm going I'm going to draw a line from that center to the neighboring center.

I draw the line and we extrapolate. It's a big word, but I think extrapolate. we extend that line

from B to C where it touches the sphere.

So in 3D now we So this is not 2D but in 3D if we have a sphere and the cube inside one line shows the golden ratio that AB to BC. So it's in space as well. So now we're talking about five is not just in the linear it's it's in all these three-dimensional

geometries as well. So that's a very rare diagram, but I just wanted some people have been talking about it, but no one's acknowledging the source. I believe it's George ODM who did this in the 1980s.

And if we're talking about the square and the circle, now we might as well talk about the mystical quadrice of the circle to make the circumference of the circle. So in flatland, the square and the circle can have equal perimeters and equal areas. But in 3D we can make the volume of the cube equal to the volume of the sphere. And the only way to do that is to um make the radius of this sphere equal to 618. So there this is the one distance there. There's one by one square. But if we look at that 618 segment of the golden rectangle and make that our radius. So only phi can make the cube and the sphere equal. If the cube is the earth and the sphere is the heavens,

only the harmonics or the subharmonics of the golden ratio can make heaven and earth equal. That's another whole powerpoint.

It's not my work. This is thanks to the work of Scott Onstot. Scott Onstot. Um these are all masters and I just love acknowledging um these people. Um and somehow it connects to all the Egyptian mathematics that if we looked at if we said what's the is that my next diagram? If we looked at the volume of the sphere if we looked at what's the ratio of the volume of the cube. So if the volume of the cube to the sphere it's um 528. It's it's 52 8%. So So we've got a sphere. We'll call it 100%. Right. Uh-huh.

Volume of the cube is much smaller than the volume the volume of this cube. So I'm always looking at sacred ratios because these are eternal constructs. So if if we know that the volume of the cube is 100% or 100 parts

the cube is 52 it's 52.8%. And that 528 of a meter is called the cubit. So the Egyptian yard stick that measured everything was 0.528 of a meter. We call it the Egyptian cubit.

Um I don't have the diagram for that, but there's a lot to explore in the cube and the sphere. If we're looking at the square and the circle

and and that's why we're interested in the 3D flower of life, because that's the next um dimension, you could say. We're not just interested in 2D. We want to start exploring space and time. So this is why it's important in the world of physics. But just back to 2D, we know that the flower of life therefore contains square of two, square of 3, square of 5, square of 5 contains the pyramid maths as well. If we look at the mandola, even the chops pyramid, that 51.84 angle is generated by the mathematics of the six around the one. It's all it is. the six around the one, the vesica pisces.

So, it contains everything. That's all I'm um and this is um I'm following the work of Elena Denan and Dan Willis. Um they're kind of like cosmonauts. They're getting downloads from extraterrestrials and star beings and and they're talking about all the stuff we've just talked about. So when I study other researchers, it's kind of validating, you could say,

right,

that this is important information, but all this geometry has been infused into what what's called the um what do you call this? The um oh we this is that Marcel Vogal crystal. So I've got one here. I'll show it later when I unshare the screen. But this m this I work with a healing crystal which has got the 60° angle at the top. So at the top here is a 60° angle.

Mhm.

It's a hexagonal pyramid. And that 60deree angle is active. That's the male part. And the feminine part that's been shaved and cut to fit the pyramid angle. So that bottom angle is the angle of the pyramid. 51.84 degrees. That's the feminine receptive. And they have, if you extrapolate these lines of the 60° and the 51, they meet not at the center. Um, this is them here. This is Alana Denan and Dan Willith who I'm communicating with at the moment. And they're talking about the 3D flower of life in space and time. Right? But just going back to there's an important diagram in the Marcel Vogal crystal. It's all based on Pio electricity. When you squeeze it, you know when you rub two crystals, you get a light.

Well, when you squeeze this pyramid, not in the center of that shaft, but at at a a fraction below at the golden ratio point of that line, you get a certain pio electricity. So, this is the future crystal size where we can give energy out through the 60°ree the flower of life. That's the giving energy out like a laser beam to put energy in or if we use the other end we're pulling energy out like if someone has a cancer or a tumor we pull the energy out. So this is the future integrating all this flower of love 60° and the pyramid angle this is where we're all going and and Tesla Nola Tesla did talk about it this as well but I won't go there because that's another chapter. So I just wanted to conclude that um this is a bit controversial because I've I've attracted a lot of um outrage that I've redefined pi which is the relationship of the circle to the square. I believe that pi there is a golden pi called 3.144 not 3.141 because I believe that every part of the circle

Mhm.

every part of the circle every geometry in there that polygon 3 4 5 6 it's all based on the golden ratio. So I believe that the harmonics of pi the circle must be based on must be based on the golden ratio. That's my claim. That's and I just I did a one minute interview. I did a one minute

um video on this coming up. But there's a chalkboard showing

the See that circle in the middle, the yellow circle.

Mhm.

See how there's a square around it? That's a unit square. So we would say that the circumference of that circle is 3.141 pi.

But I'm going to show that this the hump circumference of that yellow circle. The reason it's yellow is because it's golden ratio. Gold. It's golden pi. And um I get that by dividing um four the value of four divided by 1.27 which is the square root of five. But I I so there there's my hand drawing. This is the the blueprint for the this if this is true it's going to change all of technology. So instead of having cancerous mobile phone technology and towers, if we change the value of pi which is disharmonic to something that's in alignment with the codes of creation, this is the new symbol for it because the symbol for phi is vertical. The square root of five is 1.272. What that means is um 1.272 times itself or squared gives us 1.618. So that's called the square root of five. I call it the golden root.

The golden phi. Anyway, but when we divide it by four into the square, we get every part of this diagram of the circle is based on 1.618 subharmonics of phi. So that red circle there is the translation. So if I take this distance one, we know that the formula for phi is 1 plus 5 / two. So this diagram is translating the formula, the algebraic formula into a picture. So we go 1 + 5, that's the diameter of I've set the diameter of the circle to be roo 5. 1 / 5 / 2 gives us that point there on the circle, that red circle. And if you do it from any angle 1 + roo 5 oh 1 / 5 wherever we go we get millions of dots that make the circle and the the the circumference of that circle is 3.144. It's 4 / 5. So um I've made a decal of this. So I'm saying that this is the future science and it's going to create a better technology. So, can I just quickly show you? You might not have to include this in your

I'll just play it. I think it's a minute, but it'll show what I've created. Okay.

I'm really excited to be sharing with you the first geometric proof to show that the traditional value of pi 3.141 is actually deficient and that it should be a little bit more. The true value of pi, which I'm calling golden pi, is 3.144. And the reason why we're calling it golden pi, as in golden triangle, golden rectangle, golden ratio, is that we take the the formula for five, phi. We know it equals 1 + the roo 5 / two. But we need to know what root five is. So here's the unit square in blue. That's one one by one. But when we double the square we have we now have a square a rectangle 1 by two. So the diagonal from there to there is called roo 5 according to Pythagoras theorem. So now we can translate or convert this ancient cosmic formula 1 plus roo 5 / two. So we go one this is one unit plus the root five the diagonal. We take the midpoint because there's the two. That means we take the midpoint of this whole section and we end up with a point there. If we do it again, there's 1 + 5 / 2 is there. And we realize that the locus of this geometric formula is the circle. So we just discovered that the pathway to pi is actually phi.

Wow. Thank you for sharing that.

Yes. So I just wanted to So what I've done is I've created the that's just a geometric formula a proof that's a geometric proof. There's there's also algebraic proofs that will blow your mind from other people who've worked with NASA that this this is launching a whole new area and it's all based on the harmonics of the circle and which it sort of links back to the flower of life but it's I'm obsessed about the harmonics of the circle but I've lost a lot of friends and status because I'm counter I'm counterproofing the tra because no one can show you how they got pie. They're using computers and they're using the wrong way of thinking.

But if anyone can disprove what I've just shown you there, it's just glorifying the golden ratio. I turned the formula into a picture called the golden cross of pie. Yes. So,

so interesting that people are willing to lose a friend for the sake of exploring the unknown. That's the foundation of science is questioning things even things that uh we think are set. If we think that there's nothing more to learn or to discover, then we stop growing. So I salute you for for having the courage of of going and exploring that and and going in to see where it leads you and and what made you discover and the implications of of it. If it's true, this is this is how civilizations evolve.

It changes everything. It changes everything.

Thank you so much. I can see how passionate you are about this.

Thank you. And I'll just end on this diagram. So if this is true,

um I'll just end on this one picture. This would be my final picture. If we're talking about the harmonics of the circle, which

to you and I represents unity consciousness, we recognize that we are part of a greater whole. There is no ego. There's no separation. Finally, the circle unifies all of us together. So I just wanted to end on that note was my that was my conclusion this diagram. So so thank you for allowing me to share my ideas about the circle and um I hope this inspires people to question everything. Yeah,

absolutely. I think it will. Thank you so much. It's been a pleasure

and I look forward to meeting you