Transcription
In the 1960s, a German engineer set out to improve a quiet little baroque [music] practice instrument. He was thinking about bock harps, accords, early keyboard music, but somehow what he built ended up defining the sound of the 1970s funk scene. That sound wasn't part of the plan.
Ern Zacharias worked for Honer, the harmonica company, and he was fascinated by the Clavacord, a soft, intimate keyboard from the 1700s. The problem was it was a bit too quiet for the modern world. So he electrified the idea.
He kept real metal strings, but instead of hammers, each key pressed the string directly against a metal fret. Magnetic pickups turned that vibration into a signal that you could crank through an amp. The result was tight, percussive, almost biting.
Run it through a wah pedal, and suddenly this refined Baroque experiment became a groove machine of the 1970s. And that's how we got the clavinet.