Transcription
All right. So, I jumped ahead a little bit for the sake of time in the film and just to get to the point. Right now, we've just left the scene where um, you know, he makes his breakthrough. She accepts the dog, aka him, and uh, you know, they sit down, they eat, they eat uh dinner together and and um, he basically tries to break her down and try to figure out why she doesn't, why she does not fully accept a Caucasian man. She says that she has a preference, that she's not prejudiced, and he responds back that he believes that her preference is to be prejudiced. So, right now, she's in her home uh going over her work, and he's about to come in and and make another major breakthrough. But, we're going to pay close attention to the dynamics of their relationship, especially with the dog, and where he takes her on their first date.
All right, just to show you that the screenwriter subconsciously is aware of the world of the so-called Caucasian man because we see how she sets the date. [Music] Remember before she would not even allow him into her into her home. Now she beckons him in. I let the guys go early for the holiday, so I'm going to head off, too. Okay. There's just one thing. You're coming with me. Why do we have something else to buy for the yard? No, we're going hiking. Just a day trip. Nothing major. Are you asking me out on a date? Notice he didn't ask her where she'd like to go. He told her where they're going. In other words, he's going to pull her into his world. I'm asking you to go hiking. Well, then the answer is double no. I don't even like hiking. Heads or tails? Who in their right mind would go out and eat like this? I mean, what is the point? Don't look down. Look up. Look at the mountains. Look at, look at the mountains. Right. That's where he's from. I'm looking for rattlesnakes. Don't worry about rattlesnakes. The mountain lions eat most of them. Very funny. You hear that screeching eagle, you know, a lot of times and and let me just, let me just pause it here cuz I, in history uh, when you go into history, when you go in a lot of symbolism, like I said before, often times the Caucasian man is closely affiliated with the dog. He also closely affiliates himself with the eagle because the eagle along with the with the goat is an animal that is uh acclimated and accustomed to the mountains. All right. Now, this screenwriter and the director subconsciously put the eagle and mountains in the film and and the dog in a film to highlight their alignment with the Caucasian man. All right. Did they do that to send any type of message? Yes. Part of it willingly and part of it unwillingly. But just to show you that in order for the black female to get with the Caucasian male, she has to go follow him. He does not follow her. You see that? Now he's walking about 20 steps ahead of her. They're supposed to be on a date. Should not, shouldn't he not be holding her hand? See, he left her down there by herself. Now he's giving her a tour of his of of of his ancestral homeland. Oh, he finally grabbed her hand cuz he has to lead her through the caves. [Music] and uh, you notice how they panned around to the woods during the Middle Ages. And I've spoken on the Middle Ages before in a couple of videos offhand and I had a few people that tried to dispute what I'm saying. During the Middle Ages, and I'm going to uh do a series on it eventually, during the Middle Ages, the Caucasians who who were pushing uh who were pushing westward from the caves of central of western Asia, they were known as wild men. All right? Because they would be out in the woods and in the forest naked with hair growing all over their body. They were known as wild men during the medieval time period. You can go ahead and Google the wild men of medieval Europe and it will show you the so-called Caucasian men. All right. They uh, they push, they push westward from the caves of central of uh of western Asia or the far eastern Europe like the borderline. And they pushed westward through the forest. And like I said, they were butt naked. And we're going to, I'm going to show you that later on. But they were known as the wild men. [Music] No so-called racism, just true facts. [Music] See, he's opening her world. He's bringing her into his world. [Music] Get into my hair. You mean your helmet? I'm going to kill you. Swear I didn't see it coming. [Music] That was a big moment. That's where he gets his breakthrough, right? In the narrative of the film, he actually gets to, you know, he actually has his breakthrough by uh revealing the black woman's, the one of the black woman's main weaknesses, so-called black woman's main weaknesses, which is her hair. All right. So, now he's uh, of course, he sealed the deal. Uh, so, now he's going to ask a very, very important question in this film. Or I shouldn't say in the film, just in general and part of breaking down the psyche of the so-called black woman. And it's going to reveal a lot of things, a lot of uh subconscious thoughts and insecurities that the so-called black female has. And you're going to see her react in a way that, in in the subsequent scenes, you're going to see her react to his request in a way that really reveals how much she worships him. Can you take this off? What do you mean? I mean, it's not a wig, right? But it's not your real hair. He's actually telling her, "Look, I'm I'm with you cuz I like black females. If I wanted a woman with this type of hair, I'd be with a white woman." That's basically what he's saying. And you know, the interesting thing is I've heard a lot of black females try to imply that black males are the ones that want that have them wearing weaves. Uh, when you look at the timeline of so-called black history in America, the so-called black man was the one who encouraged the black woman to wear her hair in afro during, you know, during the mid-60s into the 70s. It was the black female who made a will, a willful decision to start wearing weaves in the late '70s, following behind people like Diana Ross and and other uh, so-called black feminist women who linked up with the so-called white woman. That's where the popularity of weaves comes from. It does not come from the so-called black man. But now this, the Caucasian man just asked her if he could take it out and we're going to see what happens. I can't believe you just asked me that. I'm sorry. I'm just curious. It's a weave, if you must know. I thought you dated black girls. They have real hair. I have real hair, too. Underneath? Yes, underneath. So, what? They just, they sew it in. Something like that. Notice she asked, she said, "I thought you dated black girls." She, he said they had real hair. So, that's that's obviously a thing that he does. Uh, he likes to, he likes his character likes to conquer black females, but that, but they left that hanging. They did not address that issue in the film. You know what? I think you should leave. This isn't going to work. I don't, I don't know what I was thinking. It was a really, really stupid mistake. Now, please go. Well, because I asked about your hair because of everything. And furthermore, effective today, I will no longer be needing your services as a landscaper. Like I said, landscaping is a um, is a metaphor for him reinvigorating her soul, bringing vibrancy back to her soul. All right. All right. Now, she's meeting up with her friends, the same ones who claimed that they were all looking for uh, strong black men. And she tells them that she slept with the white landscaper, the Caucasian landscaper. And of course, they ask, they ask her how he was in bed. She says that he was phenomenal. And now they're going off congratulating her. And now we're going to see what she says. It's over. It's over. It was a one-time thing. In fact, I fired him. Kenny, you did what? It was never going to work. Well, of course not, fool. You don't have to marry him, honey. All you're doing is just having some good old-fashioned sex for once in your tired Saturday life. You need to. Don't they represent the 42% that they claim um not going to get married? I wonder if that 42% has to do with the fact that, you know, they're sleeping with with 42% of the men on the planet Earth. Anyway, now we're going to see she's going to the hair salon. Remember, she's not taking the man seriously, but she's going to totally change her hair to please him. Take it out. [Music] When she said take it out, look, the uh, her black hairdresser let out a big sigh, like a big exhale, like, "Wow, you're doing that?" Yeah. All right. All right. What you do to me? Now, remember I stated that the um, that the Caucasian man, his his job as a landscaper is metaphorical, right? Because what a landscaper does is uh, he cleans up, he redesigns, he reinvigorates the environment. That's his role in her life and you know, for her soul. The garden is metaphorical for her soul. So now let's watch what happens as their relationship blooms. It's going to be a reflection of her garden. [Music] Watch this. Oh my god. Wow. Crying. This is just incredible. It's, it's everything I ever wanted. You heard that? She said it's everything that she ever wanted. It's not, she's not talking about the garden. She's talking about in a man in her life. You understand? This film came on at a time when there was a major push to promote black females dating white males. All right? With the implication that the so-called Caucasian male could provide things that the black male was either unable or unwilling to provide. That's why we see the constant theme of of of vibrancy, of enlightenment, of this man bringing vitality back to her life, which was dead. The uh, you know, one of the main motifs or themes that gets promoted about black male and black female relationships is that they are redundant and that so-called the black male does not get it right. So this white male is cast as a figure who gets everything right. Right? He does nothing wrong. He makes no mistakes. Right? He's perfect. That's the theme that's being pushed here.