Transcription
[clears throat and cough] [music] Um, um, um, um, emulate the taste of like, like non-chicken nuggets. [music] >> So, these nuggets are made from chicken, but they're made to emulate the taste of non-chick [music] nuggets. Dope. Oh, that's much better. [music] >> Edit all the blather out of your videos because my time is very precious. >> Oh, that's fire. Make it less teal and more cerulean. Sure. >> Replace your background with something more fun. The cold void [music] of outer space. Let's boost that sound quality. Emily, the taste of non-chicken nuggets. Emily, the taste of non-chicken nuggets. Dope. >> It needs more style. Well, it needs more clips, more gifts, more, more. Well, I might have made it too gnarly. [music] Welcome. Descript 2011 is kicking off with Marcelo and Aaron. We are going to take your video editing skills to the next level. Marcelo, what's up, man? >> How we doing, Aaron? How's your day? >> Yeah, can't complain. I get to, I get to hang out with you virtually and teach people how to use Descript. So, it's a good day in my book. >> There we go. Can't go wrong. Good way to, good way to end the, uh, the year before holiday break, right? >> Yeah, absolutely. And come back committed to making more videos. You said you would in 2025. I don't know if you actually did, but 2026, you're going to make more videos and we're going to help you make them look better. >> It's the New Year's resolution we're going to keep this time. >> Yeah. Yeah. In the, in the chat, give us an idea. What's, what's the first video you're going to make after this webinar? It might be later today or next week or after break. What's the first video you're going to make? >> I think mine is going to be just a food review from all of the leftovers I hopefully and probably will still have. Aaron, what about you? >> Yeah, that's good. Um, I mean, I make videos every day and most of them in Descript. I have for years. But, uh, I'm going to edit a podcast and then clip it out and then I'm going to make a video about how I edit my podcast. >> Very cool. So meta. You got to make a video about making a video about making a video. >> Yeah. The challenge I was given was to try to edit a whole, it's about 36 minutes. There's three speakers. Can I edit the whole thing with the chat interface instead of the transcript or the timeline? >> Which is one of the topics that we'll see you demo today. So, if you're here to see what can Underlord do, what's AI look like as you make >> videos in your workflow, we will definitely get to that. >> Uh, the biggest thing is if you're tuning in today and you can't stay the whole time, we will shoot you the recording when it's done. So, don't worry, you'll get to see everything as a follow-up. And the topic today being 2011, colleges now are like 10,000, but we're old school. The idea is if you've used the tool or you have some background in video editing, if you know what a timeline, a waveform, a handle are, just the basics, this is for you. Uh, if you're going, what's a transcript versus a timeline? Descript 101 is for you. And we don't want to waste your time. Those are on our YouTube channel. We just did one last Tuesday. You can go check it out. That's the where are all the buttons and what do they do and what's the basic terminology. This is the more I want to make better videos and do things with them and export them in different ways. That's the 2011 topic which Marcelo's going to demo that and show you everything. It's live. We are not robots. I promise. It's, it's Thursday, December 18th. This is, this is not one of those on-demand webinars. I hate those things. [laughter] [snorts] So, let's, uh, let's get into it. I'm Aaron. This is Marcelo. I'm just kind of the MC here. Marcelo's doing most of the work and going to show us three-quarters of our time will be his screen in the app. How he is editing videos and making them sound and look good. And then here we go. I found my button. So, if you're somewhat familiar with Descript, one of the cool things about it is it's more than just recording. It's more than just editing. It's more than just publishing. It is a place you can do a bunch of things without changing tabs or apps. You can do screen share type things like product demos, uh, educational ones where you're explaining instead of just sending a message. You can do all your recording for podcasts and YouTube. You can clip those. You can use it for marketing. If you can imagine it, we can probably help you use it in Descript. Uh, if you're in the chat, those are going to pop through to us. We'll even put some of your questions on screen. So, YouTube, X, LinkedIn, we're live everywhere. So, make sure you use the chat for those comments and questions. Like we said, we'll send you the follow-up. And there is a help page that has walkthroughs on all of these features with screenshots so you can go back at your own pace at help.descript.com. One ask from us is that you scan this QR code. It is a two-question survey. It will take 30 seconds. It's longer to pull out your phone and scan it than it does to fill it out. I promise. Just so we can see, did you find value in what we did today? And what can we do to make it better? What are future topics? We would love your feedback. We will also put that up at the end. So, if somebody came in late or you lost that tab, you don't have to hit send on it yet, but scan that with your phone so that at the end you can. Here's the agenda. We're going to do a quick overview of key features. Where are those layouts and interfaces and buttons? Uh, and then we're gonna do a bunch of editing live with Marcelo. And then you're gonna ask questions and we're gonna answer them. That sounds good. And you're ready to be more in the advanced side of this the spectrum than the beginner Descript 2011. Here we go. So, we want you to to leave after this hour understanding what is Underlord. It's our AI assistant agent. You can call it whatever you want. And and what does that do for me? When would I want to do it versus still do things manually and not entrust that to the AI tool? How can you use scenes and layouts? Basically, a template that you can apply to anything and not have to drag it around and make it look the same every time. It makes it easy and fast and it always looks good. And then don't be afraid of the timeline. So, if you're one of those people who says Descript has a timeline, it's kind of hidden for a reason, but there's this little triangle and you can drag it up as far as you want. We don't want you to be afraid of that and you won't be by the end of this. So, let's talk key features. And we're going to go fast because this is stuff that you probably know. But one thing that makes Descript unique is the transcription. If you drop in a file or record in the app, you're going to get a transcript. It's going to label the speaker. It's going to basically look like a Google or a Word doc on the side of your screen. And you can use that to do a lot of your editing, but that's not the only way to edit. Once that's transcribed, you'll get a view like this. So, Randy is the guy in the frame there. That's the video preview. But then on the left where you have the slashes and the text, that's the text-based editing view. There is no timeline. There are no waveforms. And if you highlight the text and hit delete or change a word there, it changes the video and audio that's attached. So if you can edit slideshows or Google Docs, you can edit your video, no problem. Layouts, like we said, are just a way to make your scenes repeatable. So, you can use the same background, you can frame the person the same, you can use the same on-screen text, you can use the same, uh, colors and fonts. And once you see how to save that and name it and put it in a place you can find it, that's key. You can make any video scene look the same again just by clicking add that layout and it'll snap everything in place and make it on-brand exactly how you want it. The next one is our AI tools. So besides Underlord in the chat interface, we have some that are in the form of buttons and you can say, I just want this clip to sound good or look good or generate an image or a video to go in here. And we're going to demo a bunch of those with Marcelo here momentarily. And then Underlord, you'll see there's the little happy robot icon in the bottom right. That's the, the chat-based interface. And it can do a lot of the things that are buttons in the look good and sound good menu, but it can also explain things. It can make edits for you. And you'll see some fun use cases of Underlord, which we think of as a co-editor. It's not going to do everything for you, but maybe some of the stuff you don't want to do or don't know how to do, it can give you ideas or do it for you. You can also generate media. So one thing a lot of people don't know about Descript is if you want to use Sora or Kling or Google Vo, you don't have to go to different platforms to generate that media, images or videos, but you can do it right in Descript and say, drop it on my timeline, put it in the scene. And there's no copy-paste, download, upload anything like that. We even have some pre-made video styles. You can get help with your prompt if you don't feel comfortable prompting, prompting that generative video. There's a little wand button that will help you improve it and make it more specific. So, you can do all of that right in Descript. And then there's the timeline, which is one of the big focuses. You'll see on this view there are the scenes and there's a little thumbnail there. That's just another way to edit and gives you a little bit more control than doing it with the transcript-based editing. If that is scary to you, we will make it less scary by the end, and we promise you won't be intimidated when you drag up the timeline view. So, with that, let's get to it. Marcelo, what do you got for us, man? I'd love to show you. Let me share my screen. What we're going to look at first is we're going to look at like what we call the baked cake, right? So, we're going to look at what we're going to be working towards. So, I'll share about like a 40-second video first to kind of see what we're building towards and then we'll break down, like Aaron mentioned, feature by feature, piece by piece, the building blocks to get us to that baked cake. Let me share my screen. Let me know when you can see this. Yep. Cool. All right. So, we're just going to play this back. And again, this is what we're working towards. >> Hello everybody. My name is Marcelo. I'm a customer support manager here at Descript. And I'd like to teach you a little bit about Descript today. Today we're going to learn about what Descript is and how to share that info with your friends. First up, Descript is a text-based editor. That means that Descript can edit video and audio based on transcribed text rather than waveforms or a timeline editor like other systems. Descript could also generate an AI version of your voice with our AI speaker feature. After you've generated AI speech, you can export your video or audio to the platform you so choose. I post my stuff over on Spotify for my weekly podcast listeners. But that's all. Thanks for tuning in. Have a great rest of your day. Cool. So, there we saw a couple features that were called out. We saw usage of a couple of default layouts. We saw some placeholders being used. But now, let's get into actually editing this bad boy and seeing what this looks like in practice. So, first things first, we have here my raw video. We saw earlier me, uh, dolled up with all of our layouts applied, my green screen enabled, studio sound and eye contact and all the all the fixings. But here's what it looks like before I get into editing. Right here I am in my old kitchen, uh, with some pretty extreme room echo. Um, but I have my full transcription here on the left-hand side. Now, like Aaron mentioned, this is a 2011 session, so I'm not going to be going over basics like text correction or regeneration, right? Um, we're going to jump right into like the meat and potatoes of utilizing scenes and layouts. So, um, I want to talk briefly about, uh, what scenes are and layouts are because, like I said, I'm not going to talk much about text correction, but just to reiterate, scenes and layouts. Scenes are these periods of time throughout our session. Layouts are the visuals or like a visual template that you can layer on top of that. So, one of the first things that I want to do is break up this content into segments or chapters or markers, however you'd like to think about them. Stylistically, what I'm going to be doing is in the ch, in the script, I'm clicking shift and the number three on my keyboard or like the pound sign to add these markers inside of my script. These are going to help me break up this content into like an intro, chapter, and outro sections. This is just something that I do visually to help myself kind of break things up a little bit further. But one thing that we can do right away is now introduce scenes. Uh, Aaron mentioned this earlier, but to introduce a scene into your content, you're going to hit the forward slash on your keyboard. Once I've clicked the forward slash on my keyboard, we'll now see this little thumbnail here in my script. This will allow me to change the layout or the visuals. At that point, I'm going to break this up into a couple of scenes here that make sense. So, here I'm saying, "Hey, my name's Marcelo. I'm going to talk to you about Descript." That's probably where I want a new visual. So, I'm going to add a scene there. Uh, and I'll just go through and manually adjust the scenes here. We'll do another one at outro. And then here at the section as well. Cool. So, you'll notice as I am adding each of the scenes here, each of these forward slashes, these thumbnails appear inside of my script. So, these are our visual indicator for scenes. You'll hear us say like the script is as easy to edit as a Word doc. You can think of it as also as easy to edit as a slide deck. So, here are the slides or the thumbnails of the scenes that show up as I progress through my video. Now, let's say I want to change the visuals here. When I select that, I'll see layout above. Let's go ahead and click on layout. And we're going to see a couple different ways to alter the layout of the visuals on screen. Now, again, layouts are our, uh, visual templates, per se, again, that you can apply to a scene to alter what is shown on screen. We have some default layouts here. I'm using the layout pack. My, my honestly my favorite one. The Helsinki blueberry dark is actually that and the Berlin Carrot Dark. This is just like a Marcelo thing. Really quick, the Berlin carrot dark and the Helsinki blueberry dark are visually the coolest too. But I'll work with the Helsinki blueberry dark one. But if I click see layouts here now, I can see a breath of layouts that are of the style that I want, uh, and that have some of this like framing of the visuals, uh, ready to go for me. So, here I'm going to scroll down and maybe find one that's just like an intro or a title card. Here's a good one here. Large intro. So, if I click large intro, this is now going to apply to my content. And as you saw immediately, it's updating the script on screen. So, all of Descript's default layouts have dynamic text built in. That means we're going to be able to read the transcript. So, when you're recording or importing, we're transcribing that text. We're using that transcription to smart fill the content here on screen. So, with like one click, I have given myself a pretty clean intro, centered text, and it's autofilled for me. Just to play that back so we can see what that looks like. >> Hello everybody. My name is Marcelo. I'm a customer support manager here at Descript. >> There's even some animation built in, so it's like coming on screen nice and clean. But yeah, Aaron, what, how do you think about that? Is it, I don't know if I'm using your favorite layout packs, but if you have an opinion on layout packs, now's the time. >> Yeah. Um, I mostly start with one of the pre-made ones to get inspo and then I'll go customize either the font or the color scheme. So, say you liked this style, but instead of the Helsinki blueberry, it's orange or green or something. >> Um, but what's cool is you find one that you like and save it. You never have to make it again. >> Absolutely. Yeah. So, like one thing that we're going to look at right now is how to reuse these in the future. So, with Descript, like we're a non-destructive tool or an additive tool. The great part about that is like you can start with a Descript layout and customize it to your heart's content. Like Aaron mentioned, if we wanted to alter something that's shown on here, we can absolutely do so. I like that blue, but let's say this font, like, is not my vibe, right? So, if I wanted to, I can select the font or select the text on screen, click on the font here, alter this font. So, let's just go like here. I think that was, was that was Wingdings. Let me put a real font. Cool. So, like here's an Impact font. So, now I've set this to whatever font I so choose. I can adjust the size, the color as well, any effects. So, if I wanted to add some visual effects on top, but now the important part with scenes and layouts is now I can save this scene as a new layout. So, we'll, uh, we'll adjust some other, like, elements on screen in a second, but I do want to touch on really quickly saving this for future use. So, there's a couple different ways that we can save this layout. What I'm going to do is I'm going to right-click here on the thumbnail in the script. You'll see a couple different options here for the scene, but at the very bottom I see save scene as a new layout. I'll click on here and then on the right-hand side where the properties panel usually is, I'll see the option to add layout. So, here is where I'm going into naming. So, let's just call this webinar blue. I'll create or select a new layout pack. So, here I'm going to create a new layout pack and we'll again just call this webinar. Here I can select where this is being saved as well. So, if this is a private, uh, layout pack for myself or if I want to share this on the drive so other editors like Aaron can grab this for their use. Let's click create. And then here I can select my scene type. This is like a label. So, I can, you know, like when, if I have multiple scenes or multiple layout types in my layout pack, I can label them here. This for me is an intro. So, I'll just label this intro and then I'll click add. And now here on the bottom right, we'll see this like adding to layout pack. So, now I'm creating a layout pack for my future use. And again, this can be shared with drive members or kept privately if I want. But very quickly, I'm going from like just a, a, you know, my standard unedited video to breaking out these into chapters or scenes and then applying layouts or those visual templates over top and then saving them for future use. >> Yeah. And then we get an idea of why is there the little thumbnail on his transcript now that he's changed that scene to have a totally different layout. You can tell when it gets to the word today, it's back to the raw video style and there's no Helsinki blueberry with the the title on it. >> Exactly. And now with this layout, let's pick another kind of layout that that has maybe, uh, something more specific. Let's see if I have. Yeah, here, here's a layout pack that I have that could be useful. So, here is like this layout pack that I've picked has my title card, my job description, uh, and then on the top right here, we have a placeholder. So, some layouts are built with placeholders. Uh, these placeholders can either be, uh, media, as we can see in the top right here, a media placeholder, a screen placeholder, or a camera placeholder. Here I have just a media placeholder. But what you'll notice when I select this media placeholder is that there's an option to add or replace the media here. If I click add media, now I have the option to replace that placeholder with a piece of content that I can pull from my computer, from the current project I'm on, or other projects that are in my library, even stock media. Here, I'll select project files. And then here under my assets, I'll click the Descript logo because I'm trying to swap this out with the Descript logo. At this moment, I'm talking about Descript here. So, really quickly again, I've applied a custom layout that I pulled as well as replaced a placeholder with my company logo. So, this could have been, you know, like any company logo or an image of the application I'm talking about. Um, but just to show this now with a couple of clicks, let's look at what my intro looks like. >> Hello everybody. My name is Marcelo. I'm a customer support manager here at Descript. And I'd like to teach you a little bit about Descript today. Today we're going to learn about what Descript is and how to share that info with your friends. >> First up, >> so that's again a really quick, uh, intro piece. Now, one last thing I want to mention about scenes and layouts as well that you might have noticed is in between the scenes, there's some animation on screen, right? There's the animation of this text appearing, then there's the animation of that disappearing, and then my name and title and the Descript logo appearing on screen. But Marcelo, you didn't click any animation button. How did that get there? Well, all of our layouts have, uh, what we call smart transitions built in. Smart transitions, you can be seen here on the properties panel. But what, what smart transitions are is just an automatic way for elements to be brought on or off screen or move on screen, uh, easily and automated with that transition. So, instead of me selecting like the Descript logo and saying that appears from the right-hand side to the left-hand side or, you know, fades to black or anything like that, Descript automatically sets a couple of transitions to move things in and out of a scene. But the biggest thing that I just mentioned there is that transitions are based on scene. So, if we have scene one to scene two, the transition is moving elements that were on scene one that are or are not present now on scene two. So, again, here the smart transition is the little blue banner appearing from the bottom, uh, of the screen and the text appearing. >> Hello everybody. My name is Marcelo. >> Then this, the next smart animation is those two disappearing and then the other elements appearing on screen. >> Descript today. Today we're going to learn about what Descript is. >> Right. Anything else on there, Aaron, before I look at a couple of the AI tools that you mentioned earlier too to maybe clean up some of this audio? >> Yeah, I was going to say you can turn off smart transitions, but unless you really want to fine-tune how those things move, it looks choppy without it. And I think of smart transitions as a fill-in-the-blank. So, take the scene before and the scene after and smooth out the differences. It's just a fill-in-the-blank tool. >> Yeah. And I personally use it 95% of the time because it's just faster than me going in and trying to pick different transitions. >> Yeah. And we will also look at animating individual elements when we get closer to the timeline piece. But I just wanted to show like with layouts because there's a lot of elements on screen at once rather than manually manipulating each one, you can do a bulk, like auto transition between them. Cool. Now, in that original video, um, we had a different background and my voice sounded a little bit, uh, you know, less room-y. Um, so let's look at how we can fix, uh, some of the audio and the background. Now, we mentioned AI tools earlier. Um, one of my favorite AI tools is a feature called Studio Sound. Studio Sound is a background noise removal and vocal enhancer tool. If I turned on Studio Sound, this is going to drastically improve the quality of my voice. When you heard me earlier, I was in an echoey room because I was in the middle of moving, so there's not a lot of stuff to catch my voice. Um, but the room was had like a very bouncy tone. Um, it doesn't, you know, bode, bode well for like my audio engineers, uh, that are listening potentially. So, here is again the audio without Studio Sound and then we'll listen back with Studio Sound. >> Hello everybody. My name is Marcelo. I'm a customer support manager here at Descript. And I'd like to teach you a little bit about Descript today. >> So, you can hear an echo in the room and even like the wooden chair that I am on kind of creaking a little bit. Now, let's listen back with Studio Sound applied. I'm going to turn on Studio Sound here in my properties panel and we'll take a peek at this. >> Hello everybody. My name is Marcelo. I'm a customer support manager here at Descript and I'd like to teach you a little bit about Descript today. >> I think that's night and day as an audio engineer. So, but, uh, yeah, that's like with Descript again, super, super basic, one click to get that applied. Now, we'll look here at the properties. One thing with like a 2011 that I would say is with Studio Sound, you have the ability to increase or decrease the intensity of the effect behind the, like, behind the curtain. When you apply Studio Sound, we're making a second version of your file with the effect at 100%. So, this intensity knob allows you to blend the original and the, like, fully affected version of the file. So, if I want to retain some of the room echo so it sounds natural, I can decrease the intensity from 100 rather than keeping it at full. And then my other favorite AI tool, real quick, is here under green screen. Uh, green screen, exactly what you think it does. We all know what green screen is. We've been around Zoom probably long enough, each of us. Um, green screen removes the background. So, here I'm by default in a black background. Um, but here's where I can, similar to our, uh, ad at the top of the hour, enter myself into the cold void of outer space by pulling something from the stock media library, uh, and putting that as my backdrop or more specifically, like what I have here, uh, an image of the actual Descript application. If I move this to the back, I am now here in front of the Descript with my green screen. So, again, really quickly, I'm going from an unedited video with no audio cleanup to something with an introduction that can be reused across multiple videos and quickly, uh, adjusting placeholders to show my, my company's logo and the application on screen. Let's play back for like two seconds. >> Hello everybody. My name is Marcelo. I'm a customer support manager here at Descript and I'd like to teach you a little bit about Descript today. Today we're going to learn about what Descript is and how to share that info with your friends. >> Cool. So, again, quickly, audio's cleaned up. We have a background or we're getting closer to that baked cake we saw earlier. >> Uh, Aaron, anything on there before I look at Underlord? >> Sorry. I, I was going to say just in a couple of minutes, anybody who's done video or audio editing more than in the last year >> goes, "Wait, to get that you'd have to know how to animate. You'd have to have an actual green screen. You'd have to have a really nice mic to sound that good. And then like in post, you'd have to edit the audio anyways." And the idea is you can sound like you have a thousand mics and you can look like you know how to animate and have a fancy camera without you haven't even opened the timeline yet. You just [laughter] click two buttons. So, I think one of the powerful things for you 2011 people is you get that impostor syndrome of like, wow, I'm not a video editor, but I keep making really good videos. And that's exactly what we want you to feel when you use Descript. >> Absolutely. Um, one thing I want to show as well is, uh, the, like, co-editing portion of the 2011 piece. So, and I want to look a little bit at how, like, Underlord can help us. Um, here I've showed so far a little bit like the manual way to do a couple of things, uh, and as well as some of our AI tools, but let's incorporate Underlord, our AI editing assistant or co-editor, uh, to help us out here. So, uh, what I'm going to do is, like, similar to how I would interact with an LLM like a ChatGPT, I can ask Underlord to take some actions for me. So, earlier I split things up into chapters. I had like my intro, my chapter one, and my outro. Um, but I'm going to ask Underlord now to do the scene cutup for me. So, I'm just going to ask, "Hey, Underlord, can you please cut up this video into a few scenes so I can apply cute layouts? I want cute layouts. That's why I'm using that Berlin carrot dark. I really think the Berlin carrot's like a really cool vibe. Like we do some cool, uh, layouts. And for those of you that, um, have some requests or like would like to see more layouts, our feature request board that I'm sure we'll put a QR code up at some point for, or something like that. Um, but if you have like layouts or styles that you want us to, you know, look at, please let us know. Like, we, you know, we're, we're always looking for input there. Yeah. >> Um, and as I've been talking, we can see Underlord here is adding those scenes or those forward slashes into my script here. And it's also applying layouts, uh, to those scenes. So, here it's like denoted a couple different spots, but we can already start to see the AI take action and apply some layouts like a title card on the left hand or like a description on the left-hand side, um, and some other layouts that'll be going here. One thing as well with Underlord is that it'll give you a breakdown of what actions it is taking and the progress of those. I think those are pretty, pretty solid, uh, things to have in a co-editor because I don't know if you've collaborated with people, but getting no communication is not great. So, having some feedback here between yourself and the AI, at least getting a peek behind the curtain to see like what, you know, it's thinking or doing, um, is extremely helpful, at least in my editing techniques. >> Yep. And it's cool because it can see those markers that you put down. It understands that context. >> Absolutely. So, like here I put this marker as an outro. It picked an outro layout for me in this context. Right. So, here all I would need to do is jump back in and input my social handles. Um, but here it is giving me the feedback of like, hey, I've split your video into like five scenes. Here's the five sections. And then each scene should have a distinct layout. And you can easily customize them as you want. So, here, here's the one that I had earlier. Again, I can use my placeholder and replace the media with my Descript. Easy peasy. Here I can adjust the text on screen. And then same idea, I'm getting captions and smoothing animations as well as my little outro reel. Um, but again, pretty, pretty solid with Underlord. Just wanted to call some of that out. Uh, anything else you, uh, have any ideas for there before I look at some timeline editing? >> Yeah, I, I think the big thing with our viewers for they're going, "Okay, you did all the same stuff manually, but you know what you're doing and you have an understanding of these concepts, but it took you like five to 10 minutes." One of the things you have to think about with Underlord, it's like, when do you walk versus ride a bike versus drive? Because walking is free, but you probably don't walk everywhere. >> So, you'll find things that you go, "Yeah, AI could do this for me faster while I'm in a different tab doing something else versus I want complete control over that." The other thing I find with Underlord personally is it comes up with stuff I wouldn't have thought of. So, I use it as kind of a creative partner, and I may not like everything it does, but it gives me good ideas that I'll reuse on my own later. >> Yeah. I think one example of that, like under the AI tools section or Underlord, if you're just like asking for, uh, like clips or highlights or even like standout moments, like after we're done with this webinar, I'm sure someone at Descript will take this recording, put it into Descript, very meta. Thank you, Aaron, in advance for doing this. Um, and then using the create highlights or asking Underlord to find highlights at, like, you know, standout important moments of this, right? You can use it as a collaborative partner because, you know, I, Marcelo, after doing the session, I don't want to watch me talking back for one hour. I'm not, you know, I'm not going to remember. Sometimes I black out and I just wake up after the webinar is done, so I don't know what I said, right? Um, and I don't want to have to go through and listen to myself again. I'm maybe going to ask AI to aid myself a little bit there. Or like myself, I was a freelance podcast editor in the past. I'm never going to open a timeline again and look for filler words manually. I can have an AI read a script and do that now. And that is just phenomenal for me as an individual. So, yeah. >> Yeah. Don't you love when people say, "I'm sure someone will do that," and you're like, "That someone is me." >> That is abs. Yeah. That is most of my career is being like, "Cool, I'm learning. I'm going to do that right now." >> Yeah. Shout out, uh, Trevor and Alex are with team Descript in the chat. Trevor's one of the people that'll be helping me edit this later, I'm sure. So, appreciate you, Trevor. >> Both of them really solid. Shout out to both of you dudes. >> Yeah. All right. Tight. So, um, we looked at, uh, some manual adjustments in the script area. We looked at some manual adjustments here in the scene editor. We looked at AI tools and Underlord picking up some heavy lifting. Uh, now I think it's time we jump into some timeline and, uh, look a little bit further there. How's that sound? >> Yeah, let's do it. How, how do you even get the timeline up? I haven't seen it yet. I'm new to Descript. I, I only do the transcript-based editing. >> Great question. So, there's a couple different ways. So, like I'm going to say this a thousand times, but like, all roads lead to Rome, some of the scenic route, some of the fast pass, but you can do a couple things with Descript. So, one way to view the timeline on the top left of our screen, we're going to see the view button and then here we can choose to show timeline or hide timeline, including all of the zoom in and fit, uh, features. Also, here at the bottom of the screen, we have the option to resize the timeline by this little arrow that appears right above the play button. Or if you love keyboard shortcuts, I'm hovering my cursor above this. I'm on a Mac, so that says Command. If you're on a Windows device, I think that's Control, I believe. And I have not used Windows since like probably '08, uh, earlier. My bad. Um, but you can also resize it from that way. But I'll just click and drag up to show it first. Now, there's a couple different views of the timeline. So, I'm going to go through each view of the timeline before we touch anything in there. Um, view one for the timeline is what we lovingly call the scene timeline. This is going to be the same thumbnails I see here in the script, but as progressive clips in my timeline. So, here my first scene lasts for about seven seconds. So, here I see in a, like a, essentially a summarized timeline view. Think of this as like timeline light, right? We're just seeing just the scene or like the, the summary of the clips. The exact same thing I see here in my script area. We'll also see here these little purple, uh, annotations. These are the markers that I have here in my script. So, if you are starting to see some similarities, one thing with Descript, like now that we're looking, you know, we're kind of looking at it backwards, we're looking at text first and then timeline. But a way to look at Descript, like a way to view the same media in different ways, right? I can review the, my video with the text on screen. I can with this scene timeline below or this expanded timeline with all these clips individually laid out. When I select something, I can delete it. When I select something up here in the text, I can delete it. But it's just different ways to like visualize the same media and interact with it in different ways. I've, I've said a couple times and even in our 101 sessions, like you can get granular or you can get hands-off. The timeline is the furthest granular you can get, right? Uh, but yeah, so again, here is this, like a bridged scene timeline. Sorry, I'm going to go on a couple tangents while we get on timelines because my whole career is timeline editing. So, yeah. Um, but here is again that a bridged or like that scene timeline editor. Now, on the right-hand side, we'll also see this storyboard view. This storyboard view shows things as like slides in a deck. So, instead of showing a timeline with the duration of time that each slide takes, this shows them as individual cards like I would see a slide presentation and a little preview playback bar here. So, I can kind of skim through the duration of that. This is, these two views are like a lot better for people just getting introduced to the timeline who might be scared of seeing like all the tracks laid out, but they do want to kind of see that familiar, you know, like layering or timeline at the very bottom of the screen. So, again, we have our scene timeline, sorry, our timeline, basic timeline view, and then our storyboard view. Aaron, do you ever use this, the storyboard view? I like showing this to sometimes to people who are like, "How do I get my slides into Descript?" And I'm like, "Here." >> Yeah, I do. Actually, what I think it's best for is copying layouts because totally >> the transcript is nice to have, but sometimes you go, "Hey, see the one from scene two and three? I also want that on five." And in this linear layout where they're all on one rail or line in chronological order, you can just right-click and hit copy and hit paste and it'll lay out that scene exactly like you did before. So, if you're, if you're working on a one-off project, I do this a lot where I go, I'm not going to save this layout for future things, but within this project, I want to reuse that scene. That's where I think the storyboard view shines. Just copy and paste across scene layouts. >> Yeah. And then also here we can, like, see those other controls, including copy, paste, resetting scenes, saving scenes, new layouts. And then here in between each of these thumbnails, I have the option to insert a scene or add a transition. So, here is where I can include specifics. If I wanted to do a smart transition, cool. But if I wanted to do a manual transition, I have the ability to do like crossfade or my favorite transition in the application, the star wipe, which visually looks the coolest. Um, but here you can also select smart transition if you so choose. For those of you that don't know, click star wipe. It looks like the movie Hot Rod. It's hilarious. I love it. Um, but yeah. Uh, and then same idea here in this other view. We have the similar controls where in between here, we have the ability to insert scene as well as add trans, edit transition. So, instead of having to go to the properties panel on the right-hand side, we have those same controls here in the timeline. Cool. All right. Now, let's look at the scary version of the timeline. Just kidding. It's not that scary. Here's the full expanded timeline. So, for people that have seen other video and audio editing tools before, this is what you would traditionally see in a timeline editor. If you've been in iMovie, Adobe, Final Cut, whatever your heart desires, this is the kind of the vibe, right? So, like I mentioned [clears throat] earlier, these are just like the timeline is just a different way to visualize the same media. So, here in our video preview or our scene editor, I have this blue square, this text, this, uh, caption, and then like my video. I see that same thing represented in the timeline. I have my rectangle. And when I select that element in the timeline, it is also highlighted here in the, the, uh, scene editor. So, I can really tell what I'm selecting. So, I know for sure I'm grabbing the right thing. And then I have all of these additional pieces of content here. Now, one thing to talk about the Descript timeline that is different from other timeline editors is the way that we order tracks. At the very bottom of the screen, we have our script track. The script track is the content that we are pulling this script from. So, since Descript is a text-based editor and we rely extremely heavily on human speech, uh, we have your anchor track or your bottommost track being your script track. So, whether it's you talking or AI speech that's generated or, you know, the host of a podcast that you recorded talking, the human speech is going to be on this bottommost track here. Any of these other elements on top are going to be the visual components that add on to that human speech. This could be again, these rectangles, uh, these shapes, these logos, or this could also be background music, uh, sound effects, anything like that. But that's all going to be here in the timeline. And again, the bottommost track is your, your speech track. And then anything above here in the layer lane would be add-ons like background music, background images, and so on. Now, let's look at what we can do with these clips in the timeline. So, up here on the top right of the timeline, you'll, uh, just to the left of these, uh, view tools, you'll notice this dropdown. [snorts] This is our advanced timeline toolbar. This allows you to adjust clips in the timeline by hand. And we'll go through each of these tools now. So, from top down, we have the select tool. This is exactly what you think it is. It is the selection of an element to move around. I can click and drag things to my heart's content. This is the default button for the timeline. Again, it is the select tool and it is the A key for my keyboard shortcut. Uh, next, we have the hand tool. The hand tool is a little
bit easier. This is for if I have a long uh video. This is just uh helps me scroll through my content a bit faster. So, if I don't have like a two-finger option to click and drag around on my trackpad or mouse, I have the hand tool to scroll through my content pretty quickly in large. That's the H key on your keyboard.
You'll never accidentally drag a track or an asset to the wrong spot. That's what I use the hand tool for is like don't mess anything up, but navigate.
Yeah, exactly. I think that the biggest thing is is making sure that you're not clicking anything accidentally, especially if you're jumping back and forth between these tools. What Aaron just mentioned is huge because next we'll look at the blade tool, right? Um here, if I think I have the selection tool and I have the blade tool and I just click around, oopsie, I'm cutting up all of my clips and I'm new to the timeline and oh my god, Marcela to the what am I doing? Right, this looks daunting. Don't you don't have to do all that, right? The hand tool allows you to make sure that you're like moving around just across the content but not affecting the content.
Um, but to again to show the blade tool, the blade tool is where we can cut something if we want to cut a piece of content uh into multiple clips or cut something early. So, let's say here, like for whatever reason, I want the descript of my scene for whatever reason. In the uh timeline with the B key selected, I can use the blade tool to cut and wherever I click my cursor, there will be uh the the clip will be split into two pieces. So here now I can affect this clip independently. I'll click the A key on my keyboard to back to selecting. And now I can click this and like delete that from my content.
Now there's another way I can do that as well and that's with the range tool. So instead of cutting something and making a selection, I can also select a range of a clip and then click delete on my keyboard and I've removed that as well. And finally, one last way to do that is the trim tool. If you just this is this is happens automatically. So you don't have to click a keyboard shortcut for this. But if you hover your cursor over the end of a clip, you'll see that my cursor becomes like an arrow pointing left and right and then a bracket in between. This is the trim tool. If I click and drag, this will allow me to trim quote unquote the clip and by either extending it or trimming it backwards. So three different ways to kind of cut that content. Again, I can B blade tool, I can Range tool, or I can trim tool.
Cool. And how how did you undo the blade massacre of 2025? [laughter] Some of us have all done things where we're like, whoa, whoa, whoa. You said Dcript is a non-destructive tool, which was a great example of you're not going to break anything. You can always revert. How did you undo that?
Yeah. So, um, like I said earlier, descriptives is easy to use as a textbased editor or like a word doc, right? So, I'm just using command Z, the undo button on my keyboard. And like I said, there's a couple different, uh, roads that lead to Rome. So, let me show you two different ways to do that also. Um, but here under the file menu, we have uh, edit, undo, and redo. And then also, uh, if you've if you've really gone down the rabbit hole and you need to go back quite a bit, um, here under file we have our version history. And similar to a word doc, you can see the version history of this project. You can see who did what when. Uh and most importantly, uh I can say, oh my gosh, 30 minutes ago, I didn't know about the blade tool. I can go back then because I was safe then.
Yeah, I'm going to I'm going to use that all roads lead to Rome thing like five different times. That's my that's my favorite tagline in all my demos. Um, all right, cool. And then lastly, I just want to show the slip tool. The slip tool is the weirdest one to explain. Um, and only makes sense to people first try if they have already used another video editor. [snorts] Um, I'm going to add some audio so we can kind of see this in action. But the slip tool allows us to have content be at a certain length and then the slip tool allows us to slip inside or like slip around uh the the inside of that clip. This is like hard to to verbalize. So, I'm just going to show you in action.
But what I'll do here is I'll say, for example, this video has exactly uh what is this? 7 seconds worth of an intro song. So, like here's my intro. Hello everybody. My name is Marcelo. [music] I'm a customer support manager here at Descript. Cool. There. That's mad loud. So, I'm just going to bring that down a little bit. But that's the idea is this song happens for 7 seconds. Now, I know that I only have 7 seconds to play music. I don't want the first 7 seconds of this song. I want 7 seconds somewhere in the middle of the song. How would I find that 7 seconds in the middle of the song? The easiest thing for me to do is carve out how long I want the clip to play. And then with the slip tool, which is the Y key on my keyboard, I can slip around this song so I can find the appropriate like 7 seconds I need in the middle of the track. And when I hover my cursor above here, I also see where the song like what duration it's playing from. So now this clip starts at 6 seconds and plays until 13 seconds. If I slip further, it now starts at 11 seconds and ends at 18 seconds inside of the song. So again, hard hard to explain without showing an example of this, but the slip tool again allows you to slip around uh like a predefined duration of a clip, but the in but the internals of that clip get to move.
Erin, how's that an explanation?
No, that's perfect because think about the other way to do it. All roads lead to Rome. Here's the way longer one. You could drag it out till you find the right spot with the trim tool and then drag the front back. try to get it to seven and then move it over with the select tool and that would take you ages, you know, three different tools and probably 10 or 15 different clicks at least. Whereas if you just hotkey the slip tool and slide through, especially a lot of the tracks will have dead space at the beginning or the end and you want to time it with a moment or get rid of the the silence that you just slip and slide right through there.
Yeah, I think this one literally does have like dead silence for the first like two seconds of the song. So yeah, right here we can see like a gap in the waveform.
Yep.
Yeah. Cool. So I know the timeline seems daunting, but that's all that's that's all the there is for the timeline. It's some advanced timeline editing tools like we saw here. Uh it is those a couple of bridged versions of the timeline. But again, it is not as scary as one would think. But I like like we have said a couple different times, multiple roads lead to Rome. So, I don't want anyone to think that they need to go to the timeline for for a specific action. There's some buttons that you won't see anywhere but the timeline. You don't you're not going to see the trim tool anywhere but the timeline cuz it's only used there, right? But all in all, with Descript, there is not often times where you need to go to the timeline or need to use the text editor or need to use this uh scene editor here. There's a lot of different ways to achieve the same tasks. And I think the the most important thing is everyone familiarizing themselves with the tool so that they can choose the path that works best for them or whatever you know they get like hit into a roadblock with one workflow they know how to work around another. We have a support team to help out for that. But these sessions are meant to like you know strengthen the that mental muscle for y'all to make sure that you can work through things. If you do in fact hit up against a block or you know you get freelanced by someone new who recorded totally differently than you expected before. We have different ways to approach the same media.
Yeah. So, are you ready to demo some stuff from the YouTube chat?
Yeah. Um, I was just going to show just really quickly export. So, just so everyone can see how to get things out of Descript. Um, really quick, uh, you can uh export to uh a timeline editor. Some people that know about the timeline want to go to other timeline editing tools. So, I just wanted to call out that we have when you're done with your content video options to export to socials like YouTube. But if you're going to go to another platform like a premiere or a final cut or like an audio engineering suite like a Final Cut or sorry a Logic Pro protools or Audition uh you can select any of those export options here and descript can be part of that workflow instead of an end to end again if you're incorporating some other like timeline style tools. But yeah, that's all for me.
Yeah, perfect. Um, so LTN Yoda from YouTube said when highlighting basically AI or filler word removal not coming out perfect. Could you show how in the timeline we edit that like in the waveform and what what's a natural gap for like silence where it's you know the.5 versus 7 and how that might look say for social media versus a a long form podcast that it's okay to have some of those pauses.
Yeah, totally. So um so the question here is like okay I do like I do filler word removal and it maybe cuts into a word. How do I bring that back? And then also like hey there's how do I add a gap like you know maybe the the pacing is too quick. How do I how do I you know bring some human breathing back into this uh content.
So
exactly
uh this is where I would say you can use the trim tool for the timeline editor. Right. So here in the timeline I have a of a cut between these two words. If I wanted to bring back some content right like this let's say filler word removal has happened and here is the filler word that's removed. I can use the trim tool to restore or contract this portion of media. So instead of like undoing like clicking undo on my keyboard to figure out what like you know filler word it was, I can go down to my timeline and just pull this out and extend this and I'm adding in here this media that was cut. Same idea is if it's not cut enough like this gap here was retained, I could use the trim tool to pull this back and remove any additional uh media there.
Now, if I want also to add in like a larger gap, like I I need some more time, like some breathing room, I can also rightclick in the timeline and add what's called a gap clip. By default, gap clips go for about 5 seconds, but you can adjust that in the properties panel. Um, or with the trim tools like we've been showing here. So, if I click add gap clip, here is a 1 second by default gap clip. I can adjust this. I can use my blade tool and cut this up like we showed earlier. Um, but that's how I would introduce some artificial gaps. Uh and then uh the option again to restore or contract from what defaults like filler word removal would cut.
Yep. And once you use the timeline LT and Yoda, you'll see those waveforms are basically syllables and when it's flatline, it's quiet and you can start to get a feel for what's natural for you given the medium.
Um like socials, it just you can be a little bit more punchy. Like I as a consumer of a lot of short form content, like come at me 2x speed. I do not mind. But like in a long form YouTube content like I I also consume a lot of like those like um long form like think piece whatever content you it's it's natural to have some breathing some some contemplation right and that's visualized here in the timeline by each of these words having a word alignment. Uh so like the word choose covers this section of the timeline but this f.5 second this is like me thinking or breathing. This is what we can see this denoted in the timeline as here's where I said this word here's where I took a breath. here's why I said this word and so on.
Yep, I'm the same way. One of my least favorite things about long form is when they're super harsh with their cuts and they take out filler words and there are no pauses. I cannot listen to a 20 or 30 minute video or podcast where it's it's like Tik Tok style editing but
Yeah. No, that's that's just a Mr. Beast video, right?
Yeah, exactly. [laughter] Okay, we we have another great question about exporting from [snorts] James Hicks in the chat. What's the what's the use case for exporting descript web link versus to YouTube or local download?
Great question. Yeah. So, um just so we can see it on here on the top right of descript and then we can export as a descript web link. What is a descript web link you might ask? It's kind of like uh up to you uh whether it's um parsed by search engines or private but think of it like a YouTube or Vimeo video that you're ho that descript is hosting. It can be indexed by search engines, kept private, or added to only members of a drive. But the reason I would publish that is like one of those three reasons, right? Maybe I don't want to use YouTube or Vimeo. I'm in the future and I want to try new tools. I can host my videos with a descripted web page. Or let's say I'm like I have a website that I want to embed videos on, but again, I don't want my content scraped by YouTube's whatever algorithm. I can create a descripted web page and use the embed links to share something there. Um, also, uh, if I just want to go back and forth and I'm not ready for the video to be published yet. Let's say Aaron's my boss and I'm an editor and Aaron's like the reviewer, right? So, like I'm doing this I'm doing this whole edit and I'm like, man, I really hope Aaron likes this. How do I share this with Aaron? Aaron's not an editor. Aaron does not want to open up the script, but Aaron wants to see my content. So, I could publish a the script web hosted video. This will load and then I'll get a URL that I can send to Aaron. Now Aaron can take this link, look at this video, and leave comments on it like a YouTube video, right? And I can get uh like edit comments back and forth from Aaron without Aaron having to figure out what descript is, right? Aaron's my busy boss. Aaron doesn't want to do anything like good within the script. So Aaron can just give me comments on the side that I can take back and edit. So again, think of it either like a web hosting or as like a collaborative uh kind of export. So just hosting it on the web temporarily, but yeah.
Yeah. I mean, Marcel [snorts] and I used this feature yesterday. I had a video and and one of the things I think about is I don't want to download it, then take the local file, drop it into email or Slack or wherever I'm going to send it. I just want to send Marcelo a link and say, "Hey, preview this."
And like here's here's what that looks like in the end, right? Here's my script. Here's my transcription on the right hand side for Aaron to follow along. Here's my content in the middle. And then here, if I wanted to, we can do a comment like I was showing earlier. Cut this. And I can go back and forth with Aaron or a member of my team. Yeah. Anybody there?
Yep. Similar to how people, you know, Loom used to be the way to do that. I want to show a quick screen share. If you're using Dscript, just do it as a as a web export. Uh, ready for the next question?
Hit it. Yeah.
Okay. Uh, Allid Ford 4455 says, "Can you mask out faces with a blur?"
Oh, good question. Yes. So, um, let me share my screen. So there might be a little bit specific to do this, but you there's not one button to mask someone's face. There's two things that you can do. One is under effects there is a glass blur. Where do we put it here? Either film grain, zoom blur, or pixelate. So you can blur anybody out this way. Um, but let's let's just just say like pixelate for right now, right? I can pixelate this like this entire frame. Or if I wanted to do like a regional thing and just like cover the person's face, I can get a shape, put some level of opacity on this, so like make this kind of like pass through and then also add like a film grain or some additional layer on top. So I can mask it in multiple ways. This is kind of like a shoddy way to do it if you want to just do like regional. Um, but again, like a a solid way to do that would be from either the blur options here or pixelate.
Yeah. And you could do the opposite. You could blur out everything except what you want someone to focus on. Or your email address showed up in a video you don't want people to see. You could blur just that region out.
Yeah. The amount of times I've used the the blur to make sure that my phone number doesn't get leaked like during demos is is immeasurable, but yeah.
Yeah. Um, okay. We got another question in the YouTube chat. Hit it.
Train your brain by that's a long name, but train your brain asks, "What's the best way to adjust audio?" For example, for audio effects using audio or layer audio, the problem is that simple audio adjustments do not reflect the decrease in volume that you want. So maybe when you added that music, how are you typically adjusting audio levels between like your video track versus your audio track?
Yeah, great question. So like one like a couple different things is uh one I can just visually see which track is louder and quieter based off the waveforms here in the timeline, right? So like my track me speaking at the bottom has a higher peaks and valleys in the waveform showing signaling to me the editor that this content is like louder. Now what I can do as well is here in the properties panel when I have properties selected if I click on the clip it will show me the audio level as well. Um, so I can click on my clip I see it's I'm at 100% audio. I click on click on the music clip from earlier and I can see the audio is at 40%. I can also mute uh tracks here from like this layer screen. I have the option to mute or solo tracks. So, I can control that a little bit here. Um, but if I want more granular control, I would have the element selected in properties and then I can adjust audio here.
Now, if if people are looking to make sure that like like if audio is leveled, like if things are equal, there's a couple of effects that you can apply um both pre and post. So, under audio effects, we have uh where is one for the main speaker, you have the option to lower audio of other layers. This is called ducking. It used to be called ducking in a script and is called ducking in other tools, but here it's called lower audio of other layers. So, if I turn this on, this will automatically dip any background music that happens behind me. So, I don't have to think too much about like manually adjusting like like I said with smart transitions earlier, right? Instead of selecting each thing to animate individually, like I can turn on one audio effect and instead of having to decrease the audio of all effects that happen, it will do that automatically for me with one setting. Um, so that's one uh way to control it. But again um with the properties panel selected is how I can see my audio levels and then matching them here. Um, but upon also like export you we have an audio leveling uh thing. So everything should be level upon export. Again just depending on if you have these settings turned off or on but yeah.
Yeah. Here's another audio question. I I see detach audio option. Can you explain what that's good for? How you use detach audio from Dr. Deepoo on YouTube?
So great question. So, detach audio uh appears in any any video that I have that has video and audio. I have the option to detach the two. Why would I want to do that, Marcelo? Well, the answer could be one of a couple things. One, um I might want to replace my audio, right? I might want to swap out like a better version of me speaking. Um I might want to swap out the video. But you're noticing maybe as soon as I'm starting to say these things, there's other ways to do that in Descript. So detaching audio and video inside of like inside of other editing tools that might suffice but we saw ways to change layouts and visuals really easily. So like what is detach audio and video for incript and primarily I I have been using it as like a way to fix audio and video sync issues if there are any. Right? Sometimes I'm using some more professional gear even though we show today how to like doll up uh a more basic video. Sometimes I'm using my pro mic and like a nice 4K web camera. Right? Um, and with that it's overloading my computer a bit. Sometimes the audio and video might get out of sync. So I've used detach audio to correct the offsync from Eddie video and audio before. Um, also you have that same kind of control here with this AV off sync offset button. Um, so again multiple reads lead to Rome. There's a couple ways to do the same thing, but how I have used detach audio. Um, before we had scenes and layouts was to change visuals, but now we have that. It's mostly for troubleshooting and adjusting.
Yeah, if we have time, um, we'll make sure we get you a multicam example. Marian Wellington, who's asking. Uh, we don't have multicam in Marcel's project right here. So, we want to demo that and we'll make sure we'll put some posts out on social media that show that as well. Uh, but that's also a good suggestion for future webinars is how can you use multicam layouts and automatic multicam screen sharing, things like that. We'd love to hear that feedback in that QR that uh Erin showed shared earlier. So please if you uh can give us feedback. This session exists because of that feedback and future sessions will exist because of any following feedback. So thank you in advance for that.
Yeah, we'll make sure that we get get you there. Um Mary and Wellington F1. So, speaking of that, if you did not have a chance to grab this QR code from the beginning, you made it through the hour, your video editing muscle should be ready to go on your own now that you've seen Marcelo Flex his. Please take 30 seconds and answer those two questions so we can make sure we create webinars that are helpful for you. And if multicam was one of the things you want to see demoed, that could be a whole webinar in and of itself, uh, if you wanted it to be. So, that's great feedback to leave. If we didn't get to one of your questions or there's something you're hoping to get out of this 2011 session you didn't get, throw that in the two question feedback from this QR code. But we are excited for your video editing skills to be on a new level. We want to see what you make. If you're posting things on YouTube or social media, tag us, find our accounts, DM us and say, "Hey, I made my podcast or my YouTube video with your tool. We love to feature those." Uh, and if you have ideas and feedback, you can also reach us on those channels as well. But Marcelo, we appreciate you toughing it out the last week before the holidays and keeping it keeping it real with the live webinars. We didn't have to use a robo Marcelo that was pre-recorded or AI generated or something.
I would never. I'm real to the bone. AI can't reproduce me just yet.
Yeah, definitely. [laughter] It definitely cannot reproduce your mustache because we tried yesterday.
Yeah. No, I Yeah, that's a different subject.
Cling. Cling failed. The hair physics. Excellent. The mustache persistence was terrible. So, I'll stop making you laugh. But thank you everybody for joining us on this Dcript 2011. We can't wait to see what you make. We will catch you on the next one. Peace and blessings. See you next time.