Very good evening, ladies and gentlemen, be very welcome to Calamity. I am Selvit, I am the creator of Ordem Paranormal, and Ordem Paranormal is an RPG, it's an improvised series. One day, my friends, we create a story in real-time together. I am the narrator of this story. I created all the monsters, enigmas, mysteries, all the problems that I throw at them, and each of my friends created their own character, and they improvise and deal with the situations that I throw at them. I am very anxious and very happy that this day has finally arrived. Calamity is finally among us. A little disclaimer at the beginning: this is the first time Ordem is in person, and obviously, we took all the necessary measures. All sessions will be completely tested, everything is very careful, all the production behind it, wearing masks, everything is perfect. That said, before we begin, I have a warning: Calamity is not like O Segredo na Floresta. Ordem Paranormal or Desconjuração is an unpredictable RPG. Anything can happen. Even I don't know where this story will end, and it's very important to keep that in mind as things happen. Before we go to the opening, I want you to imagine a completely dark room. It's inside an old wooden house. The interior of this room is completely messy, with a lot of things thrown around, burnt paper everywhere. You can't see clearly what anything is because the windows are sealed, and it's very dark. But in the corner of this room, there's a woman with black hair, around 40 or 50 years old. She's crouched, trembling, with deep dark circles under her eyes, as if she hasn't slept for many days. She's desperately watching the door. It's as if at any moment something terrible would happen. And finally, she hears slow footsteps on the grass in front of her house. He's here. She covers her ears desperately. She can't take it anymore. She knows what's going to happen. She can't stand it anymore. The footsteps stop in front of her door. The worst of all things is about to happen. Only one thing can be heard coming from behind this door: "Mommy, let's go."

[Laughter]

[Music]

The paranormal doesn't come into our reality easily, or at least things should be that way. Entities from the other side can be invoked by fear, and many are willing to use their hidden powers to achieve their goals. All stories need an end somewhere. Someone waits anxiously, but it's not for the end that this story begins. Today, our story begins in a place far away, on a small road in the interior of Mato Grosso. A paranormal investigator arriving from Italy waits inside a van until she reaches the marked location to meet the rest of her new team. After a turbulent journey, the van arrives at its destination, around 5:30 PM. The sun has already begun to set. At the meeting point, the other people should be waiting for you, but when you get out of the van, you only see one man standing next to the lamppost. Gabi, please describe your character to me. Karina Leoni, my character. 1.80 meters tall, brown hair with a blue streak that stands out. She wears mostly black leather clothes. She is 23 years old and has many tattoos visible on her arm, and you can see a little on her neck through her collar. Perfect. You see, right next to this lamppost, a short man waiting for you. Felps, please describe your character to me. Rubens Nal. He's short, has curly hair, a bit curly, but he has his hair tied back, he's more comfortable, right? As everything happens, he wears a flamingo or chicken necklace, depending on what you call it. Ah, because he's short, he's a bit fearful, but he's simple, very simple. You two were instructed to find another agent in this place, someone named Balu. Balu, but he's not here. You are seeing each other. I turn to Plínio, the driver. Thank you. You see this guy with a mustache, a beard, a plaid shirt. He turns everything on. Okay. Okay. I'll go then. He turns it on, he leaves, and abandons you. I walk towards Rubens. I extend my hand. Nice to meet you. Hi. Hello. We weren't expecting another person. Karina. Yes. Didn't he come with you? Ah, no. Plum brought only him, me, and him. Ah, you came in this environment. You are next to a house that you know is the address of a couple who has interesting information for your investigation. But on the other side of the street, there's another house, a bit older and worn down, and in the distance, you see a larger wooden house. Do you know which house it is where we will find the people we are waiting for? I haven't seen anything about it. We can walk. Do you think it's better to wait here for the other agent, Balu? Do you have his contact? No, no. I'm going to ask you both to make a perception test, please. How much intellect do each of you have? You have an intellect of three. Three. So you roll four dice, which is one die plus your intellect, and Karina rolls two perception dice, please. Take the highest value. No, you have to roll the D20. Four dice. You have so much. You have three. Literally the smartest man in the world. The whole world. Take the highest. 17. Choose the highest. You take the highest. 20. 20. You instantly hear a commotion coming from the house, coming from the house next to yours, almost as if people were fighting. You hear sounds of that and a laugh. I heard it. I rolled 17. Ah, how much perception do you have? Five. You heard that too? Yes. Don't you think it's rude to interfere, but we came here to solve something, didn't we? I don't know. Could it have something to do with it? Ah, let's knock on the door then. You go first, please. I'll go first. I'll go first. Okay. You head to the front door. Uh-huh. Uh-huh. You walk to the front door. There's this little porch. Hum. And you go through the door and arrive here. You knock on it. What time of day is it now? It's 5:30. A little past 5:30. The sun is setting. The screaming is still going on inside. You are hearing a commotion. Some metallic noises. It even seems like some kind of fight is happening. People are fighting in here. Is there a doorbell? There's a doorbell. I'll ring it. It doesn't work. I take a step back. While it rings, you notice, Karina, that the door is ajar. Hum hum. No, I'm not going in because it's rude. I'll just knock on the door. I, I, I want to look from afar, through the crack, you know, not open it, but look through the crack. You see a living room. It leads to another door. There's a small TV next to it. You see a rug, a sofa. I can only see over the top. Yes. You see that there's another door. It's open, but it's... sorry, it's closed. It's also ajar, a bit more open than this one, but you don't have an angle to see inside. I'll give it a slight push and knock on the door. Excuse me. You go in. As you push the door, as you get higher and higher, you hear laughter and an old man saying, "He's going to eat all my cheese." Cheese. I don't think they're in danger. Really. Cheese. Excuse me. As you knock on the taller door, you see a slightly plump woman, about 50 years old, wearing an apron, her hair tied back. She has dark skin. Oh, you are the police officers. Sorry, a man already arrived here. He's eating all the things from the kitchen. Wait, come in. Come here, Ridim. You're from the police, and he's coming in. You're not, right? You don't do that around here, right? Hum. No, no. Ah, hum. I, I, I leave my hand kind of to the side, near a small knife, easily accessible. I enter slowly, looking around to see if there's anything. You enter together. I'll go behind you. I'll go behind. Upon entering, you encounter two other people in the kitchen. You see an older, slightly hunched man trying to stop a much larger man with a mustache who is putting numerous things into a huge sandwich, eating. Stop eating all my cheese. Calango, can you please describe your character to me? Of course. Antônio Pontevedra, or Balu. No, you are not Balu. No, he is a young man. He is an old man. Almost an old man. He's in the middle, between young and old. He's the guy next to you who is short. That's right. He has his hair combed back with gel, so you can clearly see it's slicked with gel. His hair is back like that. He has a big mustache, all his charisma is in his mustache. He's quite large, about 1.90 meters tall. He's quite stocky. He wears a shirt similar to this green one, and it's quite tight on him because he's a bit strong. He wears jeans. He tucks his pants into his belt, so his belt is visible, and he has shiny, beautiful dress shoes. Stop eating all my cheese. It's going to be delicious. I already told you, trust me. But what am I going to eat tonight, for God's sake? Take mine, sir. Take mine. My cheese. What are you talking about? But it's my recipe. Hello. You literally took all my cheese and put it on two slices of bread. Trust me, sir, it will be delicious. Eat here. The woman who comes alongside, whom you know is called Terezinha Gominho, arrives. But darling, you have to be polite. The men are from the police. They're going to investigate the case here. But you're going to eat all my cheese now. I have to pay the police officer's salary. I'll get more cheese for you later. You can't wait to try my sandwich. Excuse me. You see this couple entering, a bit scared by the situation. Ah, I'm wearing a little apron. I took the apron. It says Terezinha, a little heart on the apron for cooking. Oh, you, you are... you are Balu? I'm Balu. Nice to meet you. And you? Karina Leoni. Nice to meet you, my dear. You pass by Terezinha then. Yes. I'm getting closer, a bit scared. I have the plate in my hand with the sandwich. I have the plate in my hand. She... you took it back. I took it back. The belt... it was like, wasn't it mine? It was. Sorry. Ah, then I point to my, to the guys, to Rubens and Karina. Nice to meet you. Rubens. Rubinho. Rubens. You're tiny, aren't you? Rubinho, you can call me Rubinho. Rubens. Do you want a sandwich? Take mine. No, thank you. The name of the sandwich is... yours is French. It just needs a little refinement, but it's okay. And I take it. Okay. What kind of police investigation is this, that you come to my house and eat all my cheese? You don't have to ask. What's happening? Calm down, love. Calm down. They must be police officers from out of town. I greet Mrs. Terezinha. Hello. Nice to meet you. Sorry, my husband is stressed today too. After what happened here with Elsa. Elsa? Who is Elsa? As in, the woman you came to see? Ah, I remember. The woman who died. Our neighbor. Yes. So, we were instructed to come here and talk to you about the case. Do you have time available now? Yes. I'm already here. What do you want to know? I'm telling you, I already posted on Facebook, I posted everywhere. Nobody believes it. The devil visits these areas. I saw it with my own eyes. Did anything else happen besides that? Besides the devil? Elsa is dead, but did anything happen afterward? You came to see, didn't you? The police officer is waiting for you there, especially because he wants to call the specialists. I don't understand. Can you indicate which house it happened in and what you saw that day? I can explain. I can explain. Sir, you have a... excuse me. Sir. What's his name? Cícero. I know his name. Ah, you know. His name is Cícero Gominho. You, now, pay a little more attention. Their house is very simple. She is very friendly. You have this dining room with a connected kitchen. There's a small wooden counter, some dirty dishes on the sink, and some pictures of Cícero fishing. I want all of you to make an investigation test with intellect, please. Okay. L, again. How much intellect do you have? Balu, zero. So you roll one D20 and tell me your investigation. Roll. You have... for everyone. How much did you get? Mine was nine. But how much investigation do you have? Zero. Zero. Ah, mine was 19. Investigation, you have... ah, ah, plus 10. So, wow, I have 14. At least someone is intelligent. You notice right away, Rubens. You glance at this picture, and anyone who rolled 10 or higher can notice it. It's a photoshopped fish so ridiculously that all the photos are of him holding a fish that's much smaller. He sent it to someone who knows nothing about Photoshop to greatly enlarge the fish in the photo. I get very close to the photo and say, "Mr. Cícero, is this a peacock bass? I fished this." "Yes, my boy. The size of this one. You did a good job." "It was a job. I like you, despite you eating all my cheese." Oh, sorry, sir. I just wanted to make a sandwich. I swore you would like it. But you put one or two slices of cheese at most, right? But it's not like we have infinite money, but this is precisely the touch of the sandwich. Balu is famous for having a lot of cheese. Are you the boss or the police? I'm a police officer, but I sometimes play the boss too. Do you have beer here? I'm going to the refrigerator. Okay. You see there are about two beers of the brand Miser Miser. Sir, do you want a beer? Yes. A cold beer. Then the sir tells us everything we need to know, and you drink the beer. Let's have one. Let's go. You gain. You gain. You have five more diplomacy with him now. I already pull up a chair at the table. I sit down too. Put the beer there. I walk over to Mrs. Terezinha. I pull up a chair for her to sit. What can I say? I sit here. You sit next to him. Ah, I sit. I sit at the end. And Balu sits here, right? Okay. What can I say? Terezinha comes, pulls up a chair. You see she's very shy. She turns to Karina. Do you want something to eat, dear? No, don't bother yourself. Thank you very much. There's cake. There's cake. If you want. What kind of cake? Chocolate. Ah, I'll accept it. I'll be right back then. She gets up and walks slowly to the other side of the kitchen. You already ate a sandwich, young man. You swallowed it. Ah, look at my size. It's true. It's like this: this Elsa, oh, didn't toast, Cícero, drink without toasting. Seven years without drinking. He likes it. You're right. This Elsa has always been a bit strange since we moved here 15 years ago. Not much interaction, very sad. We never understood her very well. We even invited her for dinner sometimes. We like to be good neighbors. Sometimes she came, just forced. She just stared down, quietly. You could see she had a lot of scars too. I guess it's because she does her work, sculpting, making things out of wood to sell at festivals. Ah, and then, from some time ago, in the last few weeks, you locked yourself in, didn't go out at all. We tried to talk to her, knocked on the door, shouted, told her to go away. We didn't understand anything. I said, "Okay, I'll take care of my work." Then, in the middle of the night, we started noticing her house light was on. She would make bonfires sometimes, leave the house just to make bonfires, burn a lot of paper, and go back inside. Strange. And then, in the middle of the night, I stayed awake to see what this woman would do. She didn't do anything. Actually, what happened is that I saw it with my own eyes: the devil walking in front of my house. And it wasn't just once. Terezinha? Terezinha, from the other side of the kitchen, cutting a slice of cake. Yes. Nobody believes anything I do, anything I say. But how? But I saw it, and it's recorded. I posted it on Facebook. Nobody said it was a montage. They said it was fake news. What did this man who looked like the devil look like? He was the devil of the guampa. He had horns. I couldn't see very well, because my eyesight wasn't the best either. But you could see. He was... the devil carrying the child. The child with him. I turn to Rubens. Guampa is horn. He makes... I do this. I listen. And you usually see a lot of things? I remember I met a guy once who had a farm like a fern. I saw a werewolf. I saw a werewolf when I was younger. I've seen monsters in the lake too when I went fishing. I've seen many things. I don't exist. You won't believe it. I believe you. I believe you. We are here to help. And we are here to help. Was there anyone else besides the devil? Besides the devil, the child, right? He must have kidnapped her. He must have taken a church or something. The devil likes to take children and put them in... It's true. It's true. Master, I want to get up and go to Terezinha, who is cutting the cake. Okay. When you get up, actually, she turns and is bringing a chocolate cake and a small slice for you. Ah, then I give up. I sit down again. Here, wounded. But it's true. She... she walks around you, sits in her chair. It's true. I also saw it. It really was the devil. There's no other way to call it. Before this happened, was there any strange movement from anyone besides her? Ah, there's Mr. Zeb, who lives across the street, but he's always been a bit simple. And Dona Elsa lived alone? Yes. Always alone. Always very alone. She only went out to sell her statues and came back. Those statues, have you seen them? Ah, she... she makes artisanal statues. She made statues of Our Lady sometimes. You could ask her. We never found them very beautiful, actually. I didn't spend all day out, but since you're asking, I can show you the video if you want to see it. Let's see this video. It's recorded. I finish the rest of the beer. I put it down. Just let me get you. He gets up, and as he starts to get up, I ask all of you to make a perception test again. With intellect. Intellect. Okay. Let's see if there's anything. Perception. The dice... all the dice. He has a lot of intellect, right? What is it? I rolled... 18. How much perception do you have? 18 in total. You have five perception in total. I rolled 14. Always tell me the die and the skill. So, I rolled 13. 14. I rolled 14. Plus 10. 8 plus 5. Everyone rolled above 10. So, it's okay. You hear screams coming from the distance, from the left, from the farthest house. Screams. Screams. I'll go to the nearest window in the kitchen and try to look to see which house the screams are coming from. You run here, and when you look, you clearly see on the other side, to the left, in that farthest wooden house, you see a man dressed as a police officer running out of the house with a pistol in his hand. Ah, ah. He runs out into the middle of the street, by the lamppost. I ask, "Mr. Cícero, who lives there? What's there?" It's almost 6 PM, and the atmosphere has started to darken a bit more. I'm leaning on the windowsill and say, "Who lives in that house? What's there?" That's the house of... The police officer is waiting for you there. He's not here anymore. I get up very quickly. I'll go to the middle of the room. Wait here. I'll take a quick look, silently. Be careful. Okay. On my side, where the living room is, there's an axe. I was near it. A big axe. You left a big axe leaning there. Let me pick it up to show you. Can you? Yes. It's a very ornate axe. It's a very beautiful axe. It has a handle with a panther's head at the end, and it's a handle... I don't know. Are you sure you can handle it? I ask Karina, "Keep an eye out." And I... I don't draw any weapon yet. I'll walk very quietly out of the house and analyze the view I have. Okay. When you leave the house, you can already see this police officer running desperately with the gun in his hand. He's in the middle, and you can see coming out of the house what appears to be a whole body, red with blood. And he is... he is very thin and twisted. His face is all deformed. It's a blood zombie. You've seen this before, but it's as if he's been completely devoured. His internal organs have all been removed, and he's running after this police officer. Okay. The first thing I do when I see this is I wave to the police officer and say, "Here, here." He's just running. Ah, I don't know what's happening. He turns and... pew, pew. He fires three shots and misses all of them in the direction of the creature, which starts to run faster towards him. It comes all crooked and strange. Okay. I want to signal to him to enter. How far is the creature from him? They are approaching. The creature is about... about 10 meters from him. And it's approaching. It runs faster than him. It's going to be a problem for Tonhão. You heard the gunshots coming from outside. I'll go a bit further. I'll turn to Tonhão and say, "I need help." And I leave the house. I turn to Mr. Cícero and say, "Mr. Cícero, lock the door and don't open it." And I leave. I leave through the door. What's happening? Karina, Cícero. I just ran away. He didn't answer. He just wants to... just get out. Come on. It's the devil. It's the devil. Terezinha, hide. And they run into the house after Balu. And what do you do, Karina? I'll go after Balu. So, the three of you go outside, right? Yes. So I'll go quietly outside. Let's put on... what formation are you in? Here in front. I, I run as fast as I can. I'm going with the intention of going forward. Okay. So I'll ask all of you to make an initiative test. Oh my god. I didn't expect this. The moment has arrived. Creature. Initiative is agility. Just roll agility and take the highest value. Okay. And agility plus one, right? Initiative is not a skill, right? No, it's just... [Applause] Agility. 14, 15, 11. So it's Rubens, Karina, and Balu. What a pain, man. In front. Balu, let's see. No, I'm not going to use your body as a shield. Hers. The police officer is still alive. He's going to... The police officer is going to... Before all of you, he comes running. Ah, you, you are... Order, for God's sake, help me. He comes running as fast as he can towards you. Ah, he just ran. Yes, he just ran. I want to put some distance. You see, just describing the police officer, he has very straight hair. He's very thin. He looks to be in his early twenties. Ah, he's holding a pistol, right? He has a standard police uniform, and he's completely in shock from what he saw. Ah, the three of us, we're not in formation. We're just trapped there, or we're... Trapped. You are on the porch, trapped. I can get out if I want. You can. You can jump over the porch if you want. Okay. What's the distance from the bang? It's long. This is medium. This is medium. Okay. I'll go to the side. It's not long. It's long. Long. So it's more complicated. It's far. Ah, there's a way to get... What's the medium distance? I can walk to the medium. You can walk to the medium. Just get off the porch and a little bit forward. I'll go a little bit forward then. So, give me an athletics test, please. Just to jump over the... if you want to pass, because Balu... Oh my god, how does he have less than 49 in athletics? Only I have zero in... So roll one die. 14. You can jump over. Wow. You jump over the porch. Like this. So, through here. You, Rubinho, you jump over. And what do you do? I'll go a bit. I'll advance a bit to where you want. Point to me. To the closest I can get to be at a medium distance. Like this. This is already medium. Here, this is already medium. Okay. I'll stay there. I'll draw my pistol. I can... I can draw it without spending. Quick draw. Quick draw. Ah, and I'll use... Elite Aim to aim with the silenced pistol. Let's roll 2 PE. Okay. You spend two effort points to turn... Just explaining a bit, now we have a completely new system that we wrote for Ordem, written together with the people from Skyfall and Tormento. We'll leave the... [Music] Bom bom bom. Okay, I'll leave it here for now. Then I have to do the aiming test, right? Okay. You don't... to aim, you have to do a shooting test. If you want. Aiming. Yes. Then one die. Aiming, agility, or intellect if you have power. It's agility. So it's agility. Let's go. It's a D20 plus your agility in dice. With agility. Agility. I have two. So it's three dice. I rolled the three. I got 20. Critical. Okay. So now I'll... it will end with... Calm down, calm down. My pistol is two D6. So critical plus... plus one D6. Then I have plus one D because it's critical. So it's three. I have the aim, and you aimed. So it's 26. It's... Oh my god. Let's go. Rubinho, roll. What? I'm kidding. 12. Ooh. 12, 16, 17. 17 damage. Okay. You hit it quite a bit in the shoulder. It tears off a piece. You see this silhouette, still approaching you from afar. I look back just to wait for them. Perfect. Now it's Karina's turn. I want to position myself between the police officer and the creature. Like, I want to throw myself. I want to stay close to the police officer, but... to get past the porch. Just athletics with agility, or agility in this case. Put the porch... it's like a fence. I can roll. I can roll an extra die of athletics because I have... How many athletics do you have? Five. So you just have to roll five. But I'll roll four. Who knows, right? It's 20. Passed. You can write if there's a mortal. Wow. I did it. I stuck to the porch and did a somersault. I landed beautifully on the ground and ran to the police officer. Okay. You can run to... You can pass him easily. And I want to... I just want to stay between him. Like, I want to stay glued to him, but put my body in front of his. Okay. And I'm going to... and I'm going to use quick draw to draw my pistol too. Okay. And I can press the button. You can do whatever you want. You... you've already taken the main action. So, go ahead. I'll press the button first. Ah, you can press the button. Already. You can press the button. Okay. I pull my collar up. I tie my hair very quickly, just visually. I draw my pistol and I'm going to shoot the creature. Aiming. Aiming with agility. I got 14 plus 10 of skill. 24. It's just two D4. Do all this. Your shot doesn't have much effect. You even aim correctly. If it were a normal thing, you would hit it, but the body of this thing is all... it's like empty. It heals. It's very thin because it's empty inside. So your shot passes through it while it continues to come towards you. Now it's Balu's turn. It's me. I have to jump the porch. No, you're at the door. Oh yes. You blocked everything. Okay. I'm not going to reach the creature, am I? No. How much... No, you can't reach the creature. You can spend two of your actions to reach the creature. I'm going to... to take a bite. I'm going to... You can react. You have one reaction per round. My... So I'm going to... I'm going to run to the creature. I'm going to run. I'm going to kick it. I'm going to run. Can I? I want to run to the middle, where they are, and I'll stop and say, "Wow, what a mess." And I'll run towards him. You spend your main action to move. You do an absurd kick and come towards the creature, kicking up dust from where I step. Okay. And now it's the creature's turn. It will simply throw itself at you and try to attack you. It will first try to grab you. Do you want to do anything? React. I can counterattack as a reaction if she misses, but I have to choose now, right? If you want to counter... you have to choose before. It's because if she has two attacks, for example, you can choose the second one to do something, or just the first one. It's one reaction per round. If you react, you can't do it anymore. So if there's another attack... If you get hurt, if not, you can't. You have medium armor, right? I have medium armor. You can't dodge. So you can only counterattack. You can block. I'll... I'll counter. I'll trust that she'll miss and I'll counter. You think she'll miss? How much defense do you have? 25 without blocking or without blocking. Ah, blocking is just a fight, right? It's 15, right? 15. 15. Let's see. Miss, for God's sake. Hum. Hit, right? It missed. Two and one. Good, good, good. Okay. You can counter. You wanted to counterattack, right? You can counterattack. What? I just roll fight. It's an attack. It's a blow. I'll need 4 fight with strength. 4. V20. How much... How much strength do you have? I have three. And I roll four D20 and take the highest. Oh my god. 12 plus 10 of fight. 22. Oh my god. It's... My damage is one D1. Oh my god. Plus your strength, right? Plus six. Eight. But since she's very... since she's very thin, you see that your attacks are resistant. It's harder to hit her with shots because she's super thin, but in close combat, you can break her. You rolled eight damage, right? Yes. Perfect. Now it's... She has another attack. She tried to hit you. You counterattacked. Now she's going to try to bite you. How much defense do you have? 15. She hit. Oh, love. Sorry. She... she tries to grab you. You miss. You hit her. When you hit her with the axe, she'll give you this much damage. 10 blood damage. Ah, it's blood damage. I danced, man. 10 damage, my friend. Yes. Ouch. Ouch. It was a blow. It was a blow. She hit you well. And you see when she eats... she bites your arm. She chews. You feel a piece... her face going into her and filling her appearance a bit. At the moment she bites me, I say, "You brute." Now it's... the police officer, he's nervous for you. I'll help you. I've never met an agent like this. In the house. In the house. I say to him, "No, I want to help. What can I do?" So, take cover. He comes up to the low wall. Here, behind it. And he takes cover. This round, he's scared. Now it's Rubens' turn. I'll advance a bit. Ah, but I can't... I can't reach him, right? You can't reach him. You can reach the lamppost here. I'll reach the lamppost. I have a clear shot to shoot again. You can, but you have... you have minus one die because Balu is in close combat with the creature. Minus one die. Yes. You aim. Ah, no. If I aim, you can aim. You lose the advantages. Yes. You don't have the aim. I have the aim. You can aim. Yes. Yes. So, since you've already moved, you can't aim anymore. I... you can only shoot with D. Or I use Elite Aim, then I can aim. Understood. I spend two effort points. Can be. I'll do that. I'll do that. Ah, then I'll do this here. Aiming with agility. It's just clicking twice on minus one. It also lowers the brightness of the screen. So, then. Ah, it's agility, right? Go for it. I got 13. And then plus aiming, right? You hit. Okay. You have 10 aiming, right? Uh-huh. You can shoot. Okay. I'll roll. That's 10. 13. 13 damage. Okay. You hit one of her eyes and tear off a piece of her head. Or you see something passing over your shoulder. You get startled, but it's okay. She's already starting to get badly injured. I do this. You. I'm far away. No, but I'll use my S to reload the revolver. I want to take advantage of the creature being distracted and enter stealth. Okay. You can try to hide. No, I... I want to move. Dark. Where do you want to move? I want to try to move, like, more or less up here, try to make a straight line between me and the creature. You can't hide in the open. Hum. I can get to about here, where these fences are. You can get here. You move nine. So, here, here you arrive. You can try to hide behind the fences. The fences. Okay. So that's it. I'll roll stealth. It's agility, right? No, it's... 18 plus 10. 28. Let's see if she notices you. 28. Uh-huh. You don't know if she noticed you or not. She knows. You would be... or not. Okay. I... [Music] I'll use a free action to hide. I haven't used my main action yet, right? You... and you tried to hide. That's it. Now, without another S. There are three and a few seconds. The fight is going on. Balu is in a brawl. What do you do? I'm sucking. I can't use quick draw again. So I'll just stay here. Okay. Ah, now it's Balu's turn. I'll give the bastard a good whack. Now you can. You see she's already badly injured. Okay. I mean, she's all red, covered in blood, but she's... 25. Bleeding. 25. It was 15 per round plus 10 of fight. She tried to block and couldn't. You can attack. Well done. You're screwed. You see her trying to put her arms in front. Your axe is very powerful. It was 12 damage. 12 damage. Wow. On the little arm. On the little arm. On the little arm. Hey, seriously, let me get close to the creature. You stick... one of her arms almost comes off. It's a bit crooked, and she has you. She'll give you two attacks now. When I hit her, she says, "I've already been bitten by a leopard." I hear this from afar. Let's go. Do you want to counterattack or block? You want to block, or do you want to wait to counterattack? This time, I'll...

Blocking is a fight, right? Uh-huh. So it's 4 out of 20, but I rolled a critical. Even if I roll a critical, I don't defend? No, there's no defense. You don't roll defense. Ah, so your fight is in defense if you choose to block. Ah, so it's going to hunt your group. So let's see. Wow, it's 6, 7, 9. It was less on the critical than on the... but it's hurting me, man. She sinks her claws into you. Almost dying. Master, you can use your powers, right, buddy? You have powers for this. I have power. You have powers to reduce damage. You have power to do a lot of things. Physical damage? This is physical damage. Huh? This is physical damage. Ah, okay, okay. So how many did it do? Sorry, it was nine. Nine. So I'm at seven. Okay. And her second hit, which is the bite. How much defense do you have? 15. She hits too. Ouch, man. I'm going to die in the tutorial. Calm down, calm down, calm down. Two damage. Let's see. Two. Ah, six damage. Blood damage. Blood damage. It's hurting, man. And she recovers a little with this bite. Now it's the policeman. He's going to aim and shoot. My God in heaven. Our Lady. What danger. What danger, man. It's just not to roll a disaster. He hit. Look, the policeman. He's... they support each other. I'll help you. I, I, I believe in HP. He shoots, and he... wow. He did damage. Ah, no, man. The policeman is going to... you. The policeman kills. Okay. He does one damage, and the creature is already falling apart in front of you. You can see that she's very hurt. Rubin, it's you. I can. Ah, you can approach physically if you want, but I'll spend both. Or not, just movement. Just movement. Movement. Okay. I'll approach and try to hit with hammer blows. Hammer blows. And go for the hammer blows. Okay. You can do that. Yes. Yes. Ah, she gets right next to here. Yes. With the little hammer. It's... it's a D. If only. Ah, it's first. Fight with strength or agility. Fight with strength or agility. If you have the agility power, you come. The power is the hammer. It's a light weapon. It's a light weapon. So it's agility. You can use agility. Yes. I'll use agility. It's three dice. Let's see if it makes a difference. Okay. I rolled 19. You hit her. Don't try to block. Ah, go on. You have a hammer. You didn't critical the hammer. Ah, no, it's 20. Sad. Otherwise, God is good. Okay. It's a d6. Let's see what you're going to do. Five. Wow. That was a big hit, man. Rubens. She was killing her. She had exactly four, and she was... and she was negating one physical damage. So it's exactly that. I approach and say, "Take this." Look at her whole head shattered. Rubens arrives at the side. He looks at you. "Take this." And she just falls apart on the floor. Wow. I turn to Rubinho and say, "Good job, Rubinho." But I'm, like, really scared. I'm clearly scared. "Good job." I give him two pats like this. You guys look in the distance. The creature is hunched over like this, with a little knife, standing and ready to throw. Look. Ah, that one wasn't more disgusting than usual. Ah, I'm clearly... a bit disgusting. The thing is like this. I'll approach them. No. Look, it's already free to walk. Yes. Yes. We're in combat. It's in exploration now. What a good combat scene. And when you finish, you see Cicero coming out of the house. I said, I said the devil walks these lands. Look there. You said your Cicero, didn't you? It's true. It stained my shirt. Everything is here. Hi. It stained my shirt. It's full of blood. Full of blood. I look at the shirt and say, "Oh no, no." I'm like, everything is kind of disgusting. I'm... I'm approaching like this and say, "I can solve this for you." Really? How? Yes. I have some products that remove this blood. Don't worry. Oh, that's good. I point to you. He's hurt, right? Ah, you're hurt. You took some bites. Yes. And there's a lot. Like she grabbed you, and she was made of blood, something kind of gooey. Your clothes are all stained with blood. I say, "It hurts, it hurts." But like I told the beast, I've already been bitten by a leopard. This is nothing. I do this. I'm patting you a lot. Let's go see your Cicero. I think I'll take a look to see if another one is coming from where. Nothing is coming from there. No. You see that this zombie has a somewhat feminine form. His hair is somewhat long, and zombies normally lose their human form after a long time. So this zombie is very recent. He was wearing clothes. He wasn't wearing clothes. The clothes had already been consumed by the blood, but he was all skinny, as if the original body had been completely devoured. The door of the house they came from is open. It's open. I want to walk over there and just take a look at the door. I just say, "It's better to watch the video first." Ah, leaving this house open, I think it's a bit dangerous. Okay. I'll just go to the door. I won't go in. Okay. You start, continuing to the door, while Rubens closes the door, and I'll go talk to Cicero. And I'll walk back to the house. I'll wait. Okay. Karin goes to the door, and Balu goes back to talk to Cicero. Cicero is a bit nervous. I said the devil. He has his cell phone in his hand. It's all... I recorded you guys too. You recorded this recording? Here. He shows it. It's all dark, you can't see anything. He's filming his face. It's on, right? It's not going to be sent to the newspaper, is it? If C... we'll post it on Facebook later. On what? On Facebook. Front book. Front book. Yes. Yes. Front book. I know what that is. And are you guys okay? The devil is in front of you. Do you think I'm okay? The devil is in the house. Relax. It'll be fine. Relax. Look, look at you. You're all bloody. This is nothing. I'm used to it. Do you have a napkin, please? What napkin? You're going to a restaurant. Come to my house to eat my cheese now. You want a napkin? While he's grumbling, I walk towards the bathroom and get toilet paper. You go. I pull the paper like this, and take a bunch, and start wiping my axe to clean the axe. Okay. You go inside to the bathroom. Meanwhile, Carina, you reach the house with the door open, and you see a completely destroyed room. It's very dark. Ah, I'll turn on the flashlight for you. Here. You see a completely destroyed room, full of blood, scratches, furniture thrown everywhere, a broken TV on the floor. Clearly something horrible happened inside this room. The only thing I want to do is see if I can hear any strange sounds. A perception check, please. With intellect. Intellect is 17 plus 5, 22. You don't seem to hear anything coming from inside this house. No. Okay. So, is the door very destroyed, or is it okay? No, the door is normal. It was just opened. Okay. I'll lean it. So you close the door. Yes. And I... okay. I'll deal with this later. And I'll walk... I'll walk, not run, to Rubens. And Rubens, while this is happening, you see Cicero coming towards you. "It's dead. It's dead." That's right. "What is this demon, for God's sake? Why are you acting like it's normal? The devil is also involved with this. Don't come near. Don't come near." He backs away. "Let's go. Let's go to your house." Then I look back to see her. She's coming, coming. "I'm going to take a picture." No, no, better not. Better not. I have to delete the photo I took. You already took the photo. Let's go to the house. He turns. You start. You see that at the door is Terezinha and the policeman who was helping you. He's already a bit euphoric. He's like, "My God, he died, he died, he died, he died." I'm like this. Wait for you guys. Okay. Balu is coming back from cleaning himself. I'm coming back. There's a piece of paper stuck to my shoe. I've already put my axe on my back. So, let's see what's up with Cicero's video. Do you want to see the video I recorded of you guys killing the demon? It wasn't far away. It came from there. It came from there. But I warned her. Like, you guys see them arriving from afar, running. I say to her, "He took a picture." Just like, let's go inside. Okay. You all go inside. Uh-huh. You go back inside the house. Before I go in, I notice I have paper on my shoe and I take it off. I say, "I... Rubens was waiting." Policeman, calm down a bit. I was waiting for you. I'm the one who activated the order. I noticed there was something terrible, and when I saw her body, it started to... to lift up, and it turned all red. I was dying. Good thing you were already here. Really. Did you see anything else in the house? No. I was waiting for you. I know not to touch anything when it has to do with the order. Did you touch anything? No. Don't worry. We'll do a sweep of the house, and we'll resolve it. You can rest assured. But, but first, explain how it was. Her body, the woman's body, all mangled on the floor, all empty, kind of shriveled, and she started... and then she got up as soon as you arrived. You just arrived. I was waiting for you here all day. She died this morning. Any chance it was Dona Elena? Elsa? Elsa? It was her body. Ah, okay. I get up. I... I lean off the chair and start opening the cabinets to look for something to eat. Give me something. You notice there's very little food. You find some instant noodles. There's no... like, some... some toasted bread. Some rice. There are some donuts. No. Some little donuts. Ah, man. Okay. So I just close the cabinet, wanting to eat more of my things. You think this is a restaurant? Sorry, my God. But look what we did. The dead are coming back to life. The devil is among us. I just shouted. The video. The video. The video is here. Here. It's a dark video of you fighting. No, this is the devil. The devil. I'll show you here. He takes his cell phone and goes to the gallery and chooses a video recorded from a slightly shaky window, of what appears to be a hooded figure with two horns carrying a child in the middle of the street. Can you pull it up for us? Let's go. This is the video he shows. Recorded. You see this video on his cell phone, and the image is almost uncomfortable. A strange little child, and the footprints left by this hooded creature, blood-like steps, blood footprints on the ground. And then we hear a familiar voice. That's it. This is the video I told you about. It's basically a hooded thing, and there's a child with her. And now I'm going to ask, not you, but describe to me how Dante is now. Good afternoon, Dante. Dante. So Dante has a somewhat white cape on his body, a black t-shirt, with some wires on his waist, and no tattoos. His hair is somewhat tied back, very short. But along with Dante, we have Agatha, a 17-year-old occultist, and a much younger agent of the order. She wears black eyeshadow around her eyes. She's wearing a sleeveless jacket and a hood, and her hair comes down almost to her shoulders. Her arms are very muscular. She has a slight smile of admiration on her face, showing the video to Dante. Agatha, what video is this? This is the video of the... of the case that Cicero is going to talk to you about later. Do you have any more information, or just this video? Ah, I think Veríssimo will... we just have to wait for him to arrive. He's already here. He should be arriving any moment now. Actually, but in the meantime, she turns to the side. She takes a small notebook with some notes. She gets a little embarrassed. I wanted to ask you some things. I've been thinking about these last few months. Some things don't make sense. All this business with K and these relics, how... how does his plan make no sense at all? Have you ever thought about it? The guy has been alive for over 4,000 years, right? Yes. And then he tricked the order to become super powerful out of nowhere. Yes. All of us. And his supposed objective, she flips through the pages. His supposed objective is to destroy all the paranormal. And then he wants to kill a lot of people to end the paranormal because, who knows, maybe the paranormal is what brings the paranormal. And he wants to kill everyone who knows about the paranormal. That is, he wants to commit genocide, kill a lot of people. That doesn't make sense. If he kills a lot of people, it will weaken the membrane. It will become stronger. Then in the paranormal, no. And then, okay, let's say he manages to kill everyone somehow. And... and if the paranormal started once, if the paranormal emerged once, what prevents it from emerging again? It doesn't make any sense. The guy is 4,000 years old. He's an imbecile. At least, as far as I know him, he's been using deception all this time. Nothing can prevent him from deceiving us now. I feel like there's something we're not seeing. Agatha, there's something we really can't see about his plan. And why is it that after... after everything happened, I thought it would be chaos. Everyone would explode, blood, death, shots everywhere. Nothing happened. Those masks just watch us from the shadows. There's no sign of K. I think... I have no idea what he might be doing now, but he will act. I think he's ready. When he acts, well, I just hope we don't lose anyone else in the meantime. As she says this, you hear footsteps coming from the entrance to the occultists' room at the order's base. It's a familiar figure. It's Ivete, with her usual jacket, her hair tied back. Dante, Ivete, Arturo is arriving now with Aaron, and Verissimo must be waiting for you soon. He's letting us know. He's ready for the meeting. I think so. They're waiting for you in the room. Agatha, are you coming with us? No. I'm not going. I don't like to get involved with... with old people. You know. Are you sure? It could be very useful for us, hearing everything he has to say. She smiles before. She's very happy to hear this. Ah, if you want, I'll go. But I... and we'll go. But it's... but it's your mission. What do I want? I have to stay here taking care of... She looks back. She gets embarrassed. She sees that there's another occultist, one of the new agents recruited by the order. She's messing with something. What are you doing? And she runs to the other side. What are you doing? Shut up. She starts talking. She has a slightly French accent. This... this occultist is isolated. Meanwhile, on the other side of the base, two experienced agents arrive. One of them wears a gas mask and has a huge sniper rifle on his back. And the other... I'll ask Guachinim to describe him to me now. It's... [Music] Olá, how's Artur this season? Artur, he's got a lot of hair. He let his hair grow. He followed S. Verissimo's fashion. He put on a vest. He has his gear on his chest. He's carrying his guitar case as always. But he's... Ah, too much personality. I think we'll discover it little by little. But he's more or less the same, just more formal. You arrive together and walk through the entire order's base. There are many new agents. Many people have been recruited by Verissimo in the meantime. Agents all over the world. You separate from Aaron. They bow. I look at him, do this, and wave goodbye. And he just nods and goes to the other side. Ivete passes by you and gives you a kiss on the cheek. I give a discreet kiss too. For the meeting. It's discreet. And you arrive at the room, at the door of the occultists' room. Dante is waiting for you. Artur. Wow, you're getting better and better at this. So, how are you? I'm fine. I think Verissimo is waiting for us. Have you received any information about the mission? More or less. But it's better to talk to him because I'm still a bit lost in these things. Agatha showed me a video. Do you want to show it to Artur? Ah, it's... it's a dialogue with a horned figure and a child. Ah, it's a devil with a horn and a child. Okay, I understand. I think Agatha would be very useful with us in the meeting. Don't you think? Yes. Agatha, let's go. Okay. She says, "Let's go." And she points to Verissimo's room. Okay. You go to Mr. Verissimo's room, of course. Yes, sir. You follow the corridor and pass through the imposing door that always guards Mr. Verissimo's room. And you see the tired man, an exhausted look. He's wearing slightly messy clothes, like someone who hasn't slept for a week. His desk is full of things and torn pages, maps. He's nervous. You see him looking with a penetrating gaze. Ah, you've arrived. Agatha, they sent her. I think she can be very useful for this case. Mr. Verissimo. Ah, okay. You can sit down. The three of you. Ah, I'll sit. I'll sit too. Sit in the armchairs. The situation is as follows: you know our current situation. Since Quinho returned, the only thing we have is this grimoire. He points to the table. That grimoire of Arnaldo. A black and yellow cover. It's black with gold details. But we haven't been able to get practically anything out of it. All the important pages have been torn out. Everything related to the relics has been removed from the grimoire. Quinho is preparing for war. He's recruiting countless new scribes, and we can't fall behind. Arnaldo's research is our only hope of finding the relics before him. The fact that the masks aren't doing anything is practically a good sign. It means he's also not acting. Supposedly, according to Arnaldo himself, the masks only act if there's a presence, an imbalance. So K must not be using his powers. That is, he's not finding the relics either. This specific case of the devil video has some special details, and that's why I'm assembling a new team with you two, and you will lead it. This video was recorded about a week ago and posted on the social network Facebook by a man named Cicero Gomin. But this video was practically ignored. This man usually posts a lot of fake news. But in the same place, on the same street as this video, this morning, a woman was brutally murdered. She lived alone and had no registered family. There was... Cris, our Supernatural Irregularity Recognition Center, detected a connection with a very old file in the order's archives. A woman had been registered as dangerous in this same location. He pulls out a file and hands it to you. Our, our, our. Only this file is completely censored, except for some information and the woman's name. And the order doesn't have a complete document. [Laughter] Documents found like this were normally censored by Arnaldo himself, and he normally did this when children were involved. In that case, to be clear. Of course, I can read it. Please. Civil registry with involvement in paranormal incident, completed. Filing date: some date in '98. Civil name: Elsa Verlass. There's not much information about her, but the report says: eventually... everything is crossed out, as always. And a little further ahead: eventually transforming into an aberration with blood. More risky things. Elsa was possibly manipulated. The involved occultist was murdered. However, after this part, the second part I mentioned was also crossed out. I forgot to tell you. And then at the very end: "maintaining alert registered." That is, I didn't understand anything. What does that mean? It means that Arnaldo resolved a case more than 20 years ago in this place, and the woman found dead was exactly this woman who was registered. Besides a video of a diabolical figure, in Arnaldo's grimoire, we have some information about his research relating the devil to the origin of the paranormal. This mission could be our only clue to find any relevant information about the relics or about Arnaldo's research. Do you think Elsa could have been a victim because of a relic? We have no way of knowing until we investigate. That's why I'm putting into your hands three extremely capable agents. Okay. The first is called Rubens Nalut. He's an extremely intelligent agent, but he's working for the first time in a team that isn't a duo. A man named Ant Pontevedra, known as Balu. He's one of the most competent agents the order has, but he retired 5 years ago and returned to fight because I personally asked him. And Karina Leone, from the Leone family in Italy. They are a kind of mafia of Italian paranormal investigators. And Karina was especially praised and revered by her father, the leader of the Leones. She just arrived in Brazil and has already been assimilated into your team. I trust you with this team and this mission. Good luck. Thank you, sir. [Screen fades] And we leave this flashback. And at this moment, Artur and Dante arrive. Shortly after you deal with the zombies on the dirt road, and you see them. You observe these silhouettes entering the house. You arrived at a distance. You just arrived. What do you do now? It's around 7 PM. Me. Where was I? I was inside the house. We were talking inside the house, watching the video. Okay. We arrived in a van, a car. You arrived in a van together. And the... it's already gone. And the door is already open. The house's door is open. And you saw... you saw the commotion. You heard shots when you arrived. And you saw them entering the house from afar. Okay. Close your eyes. Then again. The sound. I had my eyes open at that moment. Artur says, "I think everything is fine now. Let's go find the agents. I think they're already around, given the noises we heard. We only got a red signal coming here. It took a while, I noticed. We're not very lucky, Jor. So let's hurry up and finish this. Okay. Let's go then. You walk to the house. Okay. You reach the house, and you hear everyone's conversation. You just saw the video. That video of the devil in the window. The supposed devil. It looks like a devil. It's the devil. And there are more devils now. This group is going to kill another devil. It could be true. No, I trust you, sir, to be clear. But it's going to be a lot of work. I want... the door is open, just so you know. It's open. Everything is open. We're going in then. Okay. So I'll approach. I want to signal Dona Terezinha to see if she sees me. I want to signal her to come to a corner with me. I wanted to chat with her. She was kind. She'll come to you without a problem. Is it possible we can go to the laundry room? I need to wash some clothes that got a little dirty. Ah, okay. Okay. And then I... I'll follow her. Yes, I'll accompany her. While she's going, I turn back. I notice them arriving. They're very scared. I got very scared. I turn back. Gentlemen. The moment I see them arriving, I say, "Hey, the other two arrived." You know how I know, Rubinho? They're strange. And then I'm Balu. And she's still sitting. Who are these? Sir, you are Balu. I'll go straight like this, walking, and extend my hand to him like this, because Cicero spoke highly of him. So I'm already flattering him. And your name is Artur, champion. Can I call you champion? I blush a little. Yes, yes. Just kidding. Artur. The first one closest is the old man, right? Yes. He's by the door. Good evening, sir. What's your name? Sorry. Pleasure, Dante. I'm part of the team in charge of dealing with all this. Don't worry about it. Uh, let me greet everyone else first. I approach Artur. That guy is cute with the eye. Terol? No, he's really cute. I just turn. And, hey, man. I turn to Rubens. You're Rubens, right? Yes. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. I'm Rubens. 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From the others, I, I perceive this somehow. He started to read for you. He found this page and started reading aloud out of nowhere. But I, I understand it's something I know somehow. Ah, it's not a page from. I look in the dresser, what do I do? This, man, while he's reading this, I'll take a look in the dresser. Do an investigation for me, please. With intel. I feel the purchase, right? It's 24, 24. You find a diary page. Let me just grab the right page. Did you look at the little thing next to the sofa? I moved it. It's that thing there. And now I'm going to call you. You find it. Be prepared. This page. Be prepared. From the diary, man. The guy brought this one. Wow, cool. Arthur, I found a page here. Ah, from the Pr. I'll go get it. Ah, can I read it? Man, how does he, he can feel things? Ah, I, I think you want me to read it? No, I'll read it. I'll speak louder. You can read it. You can read it, champ. I didn't throw it to you. Now, now he keeps calling me. No, he keeps calling me that way. The same way, every time. "Why do you call me mother?" "Because I'm not your mother." "It's impossible. Leave me alone." "Where is all this blood coming from?" "What happened, man?" "It continues. Why is this happening now?" "God is punishing me." "It's over. It's over." Wow, I'm at the door. M. Okay, the door is closed in front of you. I try to open it normally. I return to Ur. [Music] Someone, someone wants to stay with Car. Upon opening, upon opening the door, you see only a corridor ahead with three other doors, one on the left, one in front, and one on the right. Okay, I look at a small rug on the floor here. All the blood ends as if only in the living room there was a big mess, and suddenly here it's normal. It's a bit dirty. I'm going to enter here, but it seems clean. And then I enter. Wait, guys, it seems clean. Tinga, what's going on? Do you want me to go with you? Okay, wait. Ah, Dante, what do you want to do? I'll go with her. Okay. Okay, I'll just, just let it come. Okay, I'll go. They are. It's a door here where there's the rug. There's a door on the rug. Left, one in front, and one on the right. I'll go to the rug. Hey, hey, Rafa, did you turn off the flashlight? Because I notice she's already using it. Ah, okay. No problem. Do you need me to hold it for her? I'm behind. N. I, I turn. Upon opening the white door on the left, you find yourself in a simple, common bathroom with a toilet, a shower, and it's clean like this. It's clean. It's relatively clean. It's not dirty. There's a door on the right. There's a door on the right and another in front. I'll open the one on the right. So you try to open it. It's locked. I hear the sound, and I say, "Wait, I'll help you with that." I go to him, and I crouch down, and I want to use lockpicking. Okay, pre-digitization with agility. Eh, okay, 14 plus 5 is 19. You can't. I'll take advantage and do some occultism while she's at this, just to see if there's any creature here. 27. You feel that this house doesn't have. You don't feel any paranormal creature around you now, but you feel that there is a paranormal presence, or heavy, strange, around you. Strange. I couldn't open this door even with my kit. Probably there's a key around here. I'll look in the other room. I'll try to open the door upstairs. The one upstairs. Yes. Upon opening, you find a room, but the back door is completely blocked by several mattresses and and and and a part of the room, as if the room itself had been turned against this door so that nothing could enter through it. You also see a table nearby with some papers on it and a dresser further ahead. I'll check this little closet in front of me now. Okay. Do an investigation, please. Meanwhile, you guys in the living room, what do you do? Eh, is there anything else, like, is there anything else available to investigate in the living room? Ah, that's what I wanted to see. You don't know. It's, it's what you, you, you come to your mind. You're not, because, look, it was here, here, here. I want you to be able to do more than one thing with each thing if you want. Okay. I want to look around more to see if there's more. You feel that there's nothing else very relevant. There's a broken TV on the floor. Ah, there's a huge pool of blood on the floor, several marks of broken planks, of claws, of something. Ah, team, I'm going to go with the people there. Pr. And there's a door here on the right. What is it? There's a door on the right. There's Ah, so I'll go there. Here. You go to this door. Upon opening this door, you find yourself. My God, cover the screen. I committed a crime. A crime. You can go back. You can go back. You can go back. I didn't see the crime. All right. Neither did I. We didn't commit a crime. You see a kitchen with a dining table, a stove, a small refrigerator, some cabinets on the other side. Ah, kitchen. I'll just say that when I open the p. I get close like this, just to be with the photo in my hand. Stove, the table. I'll, I'll, I'll go with them too. I'll walk behind them. This table. Are there drawers or not? This table on the left. No. Ah, on the left here. There are. So, do an investigation there. You can investigate. And it's clean, right? Yes, it's all relatively clean. It's a bit dusty, as if the woman who lived here hadn't cleaned much in recent times. It's intellect and investigation, right? It's intellect, investigation. Yes. 25. You see several broken plates, and something catches your attention among these dishes that are stored in this dresser. There's a knife all stained with blood. Okay, I'll pick it up. So I want to analyze it. I want to pick it up by the handle and take a look. It's a knife all stained with blood. There's no symbol on the handle, nothing. A kitchen knife or one of those barbecue knives? It was a barbecue knife, sort of. That's all that's relevant that I found. You enter the kitchen. What do you do? Okay. Besides this shelf, there's no other place like drawers and stuff. There's this dresser here in front, but I'll, I'll see it. I'll go straight to it. What do you do? I'll investigate. There are some cabinets on the upper part too. Okay, I'll open them. See the cabinets. They're locked. And they're a bit stuck, actually. Okay, I'll try to force it. Give me a strength test, Rubens. Strong. Ah, six. You, you try to open it. It's wrong. Balu, you see he's having trouble opening the cabinet. You can try to help with this skill. Okay, I'll walk over and hum. "When the scoundrels see us pass by, we'll close the deal." And I'll help him. I'll just startle you like this. You're coming with force. Lock. One more die because he was already rolling one die. This is five. Oh, wow. You, you rip off a border by accident from the cabinet. B. It broke. My bad. My bad, Rubinho. Rubão. Rubão. Rubens. Rubens. You see. Ah, sorry. You see some dusty plates, as if it hadn't been opened for a long time. And behind them, you see some baby bottles in the back. And then, is there anything there? Only if you want to nurse. Rão. I'm kidding. What are the bottles here? Ah, ah, okay. I look at Arthur. No, I'm looking at you guys. With a big smile, as if I've already broken the cabinet. I liked the joke I made. You can see the baby bottles in the back too. Okay. I put the flashlight. Are there any suspicious baby bottles? All three seem to have dried blood stains inside them. They are three baby bottles. Only three baby bottles. All of them have dried blood droplets. To your left, there's another door. Carina and Rubens. Carina, how much did you roll? 25. 20 plus 25. On this shelf. When you roll 20, nothing changes, right? No. On the p. No. So, 25. You see the drawers. They're normal clothes. Nothing suspicious. On top of this dresser, you see a photo frame of what appears to be a circus facade, but this photo frame is broken, as if there's a crack in it. I understand. I can't see what's inside the photo frame, but I know there's a broken photo frame. Ah, you feel what I said. You don't see it because you close your eyes. You feel all of this, but calmly. I pick up this photo frame and say, "Carina, oops." I lift it up where I was trying to open the door and go towards him. Is there any photo inside this? I don't feel anything inside. Inside, you see the facade of a circus. It looks like a circus, but it's an old photo, and you can't see it clearly because the glass is broken, but this is very old. And wow, it's strange. It's broken, right? Because everything in here seems okay. Yes, it's very strange. Did you find anything in the bathroom that was there? Ah, I didn't look at the bathroom, but I think I'll look at the cabinets under the sink. You're going to investigate the bathroom. Give me an investigation test there too, please. Hum. Meanwhile, do you want to do something, Dante? I'll check the table too. Okay. Investigation. Investigation with intellect. Investigation. Twenty again. 25. You instantly find another diary page. That's this one. If I run my hand over it, I can feel the elevation. No, you can open your eyes without anyone seeing. Okay, Carinho. No one sees. So to read. Thanks. We're in first person now, and Dante can see. Do you want me to read it? I'm kidding. You find this page here, which I'll put in front. D. Don't read aloud, but I can read it aloud. Please read it aloud. What are you reading? It doesn't matter how many I do, it's no use. They keep coming. I know I deserve this, but I don't want this. I wish I hadn't done what I did. How could I have thought that my desperately passionate actions as a young person would have no consequences? Now, after everything I've done with my little Lucio. And Carina, how much did you roll? I rolled 13. 13. You see. You open it. You see only some medicines, aspirin, toothbrush, toothpaste. You don't see anything too special. There's nothing else to open, right? Besides that, you believe not. The kitchen people, Rubens, Arthur, and Balu, what do you do? I found a knife. Calm down. I already found a bloody knife here. Ah, it was already like that. Ah, I found baby bottles. I pick up the baby bottles with blood in my hand. Is there a door there or not? There's a door next to you. All of them have the same amount of blood. Ah, no, like, they're stained with dried blood and seem very old. These baby bottles. Okay. Ah, if you find anything, like, let's gather all the documents together, and then we'll have someone in charge. So the person will be in charge of the documents, right, champ? I'm heading towards the door. Just towards it to see if it's open. Ah, it's closed. I can't open it. Ah, you open it. You try to open it. You can a little bit. Okay. I, I look. You see what appears to be a storage room. There are several, a stock of food with various cheap foods, instant ones, bags of rice, flour. Careful. I get behind you. Careful. Leave it to me, I'll go first. Then I'll go first, champ. I give him two pats like this. No, you. Ah, it hurts a little, but I disguise it and go. What do you do in here, Arthur? Good question. What is there? What is there? There are two shelves. They are just three shelves with a lot, like, it's like a. They are three shelves with flour, salt. You see, in general, if you want to investigate, you can do one, right? Ah, on all three. It can be the whole room. Ah, so I'll do that. It's okay. Intellect with investigation for me. I should have let Rubin go. You can let him if you want. No, I won't. Ah, this air of superiority. It makes me more observant. 24. You're passing by. There are several. It seems she only stores food to cook here, but something catches your attention. There's a can in the back, very rusty. Okay, I'll get close to it then. If it catches my attention, let's go. You pick up the can, and you see it's a spoiled baby formula. The expiration date is 1997. A formula. And when you pass by this, you see that on the floor, on the rug in front of you, there's another diary page. This is it, everyone. I think I found something. Do you want me to read it? Absolutely. I already do this. Man, I don't even look at the paper. I do this. I found something. I put it here for you. You know? Thanks. Blow, man. For the horror stuff for the film. My bad. I like to read, man. That's it. This can't be happening. After all this time, the room remained locked. I never opened it. I did what the man told me. I never tried to open it, and yet he appeared. After so long, I never thought this day would come. And now, every night, he knocks on my door. They knock on my door. Ah, give me the paper again so I can keep it with the other documents. Okay. I already know what might be in this pantry. I walk forward, past Arthur. I pull the rug up. You pull the rug up, and when you pull the rug up, you find a handle. I knew it. I knew it. I saw this on a soap opera once. I'll put my hand on his shoulder. Good, man. Makes sense. Thanks. I do this for Arthur. B. Like this. Wow. I, I'm like, at the moment he does this, I'm like, a bit downcast, but I do this. I'm embarrassed. Carina and Dante. Okay. I leave the bathroom, and I'm going to Dante, but I don't tell him I'm going. I'm just going. He was reading the thing. I'm done. Ah, okay. And you don't see anything special. You see Dante. He looks. He doesn't look at you. He just has his eyes closed. Is there anywhere else that hasn't been seen yet? Dante. Did you see anything? Hum. No. Do you notice any place I haven't reached in this room yet? Ah, you only see this bed turned over, this dresser that you checked, and this table that you checked with Rubens. You know there's a bathroom in the house. He imagines there is. He looks for this bathroom. He finds it. He can go to the bathroom. Yes. He runs and locks himself in the bathroom. Can I go to the bathroom? In the bathroom. Certainly. We'll take a break here for about 10, 20 minutes if you want to hold it. Inside the. Then go. Then go, Carina. Carina, you leave and find Rubens entering the bathroom and slam the door. When, when it calls, it's better to go, right? Arturão. Everything is better not to hold it. Ah, with Rubens. Yes. He ran all the way here. Ah, I think he went to pee. I'll be quiet to see if I hear any sound coming from the bathroom. Do you want to do a perception check? No perception check. He's in the bathroom. Yes. He's there. Hopefully, it won't take too long. But did you find it? Give me a perception check with intellect, please. Ah, man, I'm going to see if he's pooping or peeing, man. No, no, it's not for him. It's for something else. Hey, Felp, you're in the bathroom. And he's listening to us from the bathroom. True. I rolled two 20s in two different dice, man. You instantly notice. As you look around, you try to concentrate to see if you notice anything special. You notice that behind this door, there seems to be a small tent, a little cabin, further to the left. Hum. Outside the house, there seems to be a sort of tent out there. Ah, there's a window, something like that. Yes. Okay. I'll peek. You see this tent, a wooden tent with a closed door, and it's dark. It's all dark outside. You think there might be something there. I can check, for sure. Let's call the others. No need to risk it. Okay, okay. I'm going towards you. Do you want me to dominate for you? Since we don't control the miniatures anymore, each one separately, the space of the miniatures where you are is irrelevant if we're not in combat. If you say, "I'm going to the living room," "I'm going to the kitchen to find the people." Ah, here. I give you the documents. I found this. You want me to read it? No, it's okay. Ah, okay. I'll leave. I knock on the door. Rubens, are you okay? He's probably there. Doing something. He can shout. [Laughter] Bathroom. While we're there, they're arriving. Showing the little can I saw earlier. It's okay. A. And points. And you, you notice a trapdoor inside the storage room. Seriously? So it could be. Ah, outside there's like a tent, a little tent, a place. Oops, Rubens. I leave. Rubens returns from the bathroom, clearly relieved. I'm small. The bladder too. Yes. But there's a tent outside that could be interesting too. At least, will this not give l? Hum. It's not a bad guess. Although, everyone thinks we should go together. We have a sheet. Ah, yes. Do you want to keep it? Do you want to keep the documents? No. Do you want to read it? I do this. We'll read it later. We'll read it later, people. I have a photo. I was talking to Balu and Rubens. Someone. I think it's good for someone to be in charge of the documents. I don't like carrying too much weight, but ah, I can carry it. Because only to get it out quickly. I can carry it if you want. I'm not carrying much. I can carry it for you. All right. It can be with me too. But then, okay. I hand it over. I hand over the photo. Well, I can carry it too. Master. I picked it up. I picked it up too. When Dante gave me that photo of the tent. From the photo frame. Ah, the photo from the photo frame. Ah, it's a photo. It's a rather old photo, poorly taken, of a circus facade. You can't read it very well. It caught my attention because the photo frame was broken. So I'll put it together. Okay, let's go. What do you want to do first? Apparently, we have. You saw something. In that corridor, there's a tent outside. That's all. A tent. But we can go to the trapdoor first. We're already here. But did you find any room or anything like that? No, everything we found is here. Apparently, there was a woman who lived here. She raised. Calm down. In front, there's a locked door too. In front of the bathroom. You want me to try it? Look, I tried to open it the easiest way, trying to break it down, but it didn't work. That's the easiest way. The easiest way is to break the door. If you're shy, it's okay. We can. Ah, I, I can try. Well, we found a paper here that says there's a locked room and that he didn't try to open it because the man told him not to open it. Maybe that's it. The man. So I won't open it. Hum. Could the locked room be this one, or the trapdoor, or that thing outside? Well, we'll have to see. Let's make a plan. Let's open this one first. I pull the trapdoor. When you go to grab the handle to pull the trapdoor, you notice that there's a large, decorated black padlock on the trapdoor, and there's no keyhole. It looks more like a line, and there's no way to shoot it, right? It has a line, like a hole, like a straight, very thin line. I do this to know what's there. You went ahead. Okay. I stay. No, it won't open, I think, people. There's a padlock. Padlock. I can. I mean, I look. I look at Balu, Dante. At the cabinet. You notice that there's something hidden about this padlock from your occultism roll earlier. Ah, roll again, right, man? I already considered it before. This padlock is paranormal. Yes. I understand. I give it a kick. I'm talking about breaking it. I don't think anything physical will work with this padlock. We need to find something. Maybe I'll mess with the padlock and see the scratch. Yes, it has a sort of slot, as if something could be put inside it, but it's very thin. I'm sure we have to find whatever fits here, and something paranormal. You felt that coming from that door I tried to open too. I felt that coming from the door too. No. So, so it can be broken. Go. You guys don't want to go outside. Let's go to the tent then. The tent outside, or next to the bathroom? Not next to the bathroom. In front of the bathroom, there's a door in front of the bathroom. Master, before, before coming on the mission, before coming on the mission, Veríssimo said that Aria was in charge of you. Yes. You all know that Arthur was the leader of this team. What are we going to do, champ? I look at Arthur. Apparently, we have a locked door, a locked trapdoor, right? And the tent outside. For now, let's go to what we don't know if it's locked or not, which is the tent. If it's locked, then we'll talk better. Agreed? You notice that all the windows have their shutters closed. You only felt it because you didn't. You felt it. You didn't see through it. Then when he spoke, you went and saw it, and Abu complemented it. I'll go now. Arthur gave the command. You all then leave the house and head towards the cabin outside. Perfect. You walk without major complications and arrive outside. Let me just adjust the. Man, it's like, it's like another house, or is it a cabin? Like a small cabin with some closed windows, but it seems to be part of the same property. It seems to be part of the same property. I, I want to go around the cabin to see if I find any window, anything to see. You can go around. You see some closed windows, all shutters closed too. You can do a perception check for me, please. Perception is with intellect. I wanted to go to the door while this is happening. Okay. Ah, 19 plus 10 is 29. You. Okay. You can see perfectly inside the house. When you stick the flashlight in, you find a small crack, and you see what appears to be several statuettes. Wow. I can even do something here. Almost. Ah, look, look. Good. You see several small wooden statuettes and a workshop with some wood carving tools and a cabinet and a shelf on the other side. Then I just say, while I look, "Statue?" "I think he has a statue in there." "Let's go. There are a lot of dangerous statuettes." "Statues." I even hear it and say, "No, no, it's not Harley." I get close to him and say, "Is it not, not, not the sound of the engine?" It sounded like. I do this. But it wasn't. Ah, okay. I'm already starting. I'm opening the door. You open the door without problems. I enter with Karina. Cara, in this one, you enter. You instantly notice that there are several devil statuettes. Then I say, "Karina, I'm looking at her." A figure with a thin face and little wooden horns. I ignore the statues. I look at Rubens. By jel. You can do occultism, for sure. Yes. Occultism to see if I feel the same thing as the padlock and something. Some of them are stained with dried blood. 20. 10 plus 10. Ah, you don't feel that any of them are paranormal. Hum. Okay. I crouch down to pick up one of these on the floor that's dirty with blood. Okay. You pick up a small wooden statuette with this little devil shape that you're seeing. They are all the same, but in different sizes. There are some devils here. They have blood. Hum. Was there more blood in that house? No, for sure. I, I enter. I want to enter too. You can smell the blood very strongly here. I'll enter too. So, what did Mrs. Elmira work on? I'll go to the counter. Okay. Elsa. I've also made some carpentry bits, but these instruments are a bit bad, or are they? Ah, they are a bit old. Yes. They seem to have been used a lot and are old. Okay, this is a bit bad to use. This shelf, she might have made these shelves. There might be something there too. Do you want to search? Investigate, please. I'll search. Meanwhile, I hand over the little statue I picked up from the floor to Bateu. Bateu, the statue falls. I hand it to Arthur. I say, "Did you find anything about this in the pages you had about statues?" I open the pages for her too, so she can see. Statue. Devil. Blood. Pass it to her. Pass it. I open it like this and say, "Look, we found this." Wow. So much stuff. It seems she was making a kind of tribute object to a deity. This is very common. How much did you roll? 24. 24. Yes. Yes. You see in this. There are some other wooden statuettes of different shapes, some older, and it seems that's where she kept some. But you find a piece of a diary, a torn piece of a diary. Oh, I had a flashback here. Like, looking at Arthur, like, giving a door to the people. I started to remember the mission and went straight to the tent. Slightly happy. I'm like this. I'm with my back to you, messing with the carpentry stuff. You notice that Karina is right next to you. Dante is right next to you. Karina is by your side. Karina is. So Balu is looking at the tools and stuff. And Carina is free. Carina is free. And she's already flipping through the papers. Carina is free. Arthur is at the door, doing nothing. Arthur is at the door, doing nothing. Call Arthur. Balu. I don't, I don't read Portuguese. Does anyone who reads Portuguese know? Carina. I don't read Portuguese very well. And Rubin is there, next to Arthur. Anyone, please. But the tools are very. These tools. Wow, this tool here. This saw. Let me write a horror diary here. They are coming. Calm down. I read. These statuettes are all I know how to do. Please, leave me alone. Please, I beg you. I've made so many statuettes. Ju always told me that he loved his own image, that recreating his image would please him. I'm trying so hard, and he doesn't stop. Always bringing this damned book. Always this book. I don't want to read anymore. I'll burn them all. You found a book in the house. I look to my side. To my side, there's a. I look at Balu. Have you seen that video of the horse, Juan? The video of the horse. The one that spins and says "horse"? Or not? I want to see if. The cabinet. You open it. Do an investigation test for me too, please. Very investigative, right? I want to look at the counter too. Right away, you can see there's a rusty key right away. You opened a rusty key. Okay, I'll just search here to see if I find. 18 plus 10 is 28. Is there anything else? Ah, you find another smaller knife now, maybe it was one of the tools. Right next to you, also with blood. Okay, I pick up both. Key. Key. It must be for the door. Door. Ah, I don't know. Ah, Carina, see if you can open the door. Okay. Let's keep this key then. What is this in your hand? You can have it. A little knife, but but I think it's the same as the other one, but it's smaller. Smaller, but it has blood. I'll leave it on top. I turn to Arthur. Arthur, she's talking about making statuettes here, and in this one, she says, "No matter how many I make, it's no use." Could she be talking about statuettes on this page too? There are a lot here. I should have a microphone here. In front of you, apparently. There's this man who made them do things. It seems she made the statues out of obligation, and she couldn't stand making statues anymore. And there's a door they were told not to open under any circumstances, which is probably what this key leads us to. Can I open it? I'll take it. Okay, master. I want to look at the counter to see if there's anything inside, or not. It's just a large workbench. You've already noticed that the tools were a bit old, and some of them have blood. You see several parts with dried blood. Okay, I think we should try to open that door now. You couldn't before. Ah, let's go then. Well, apparently there's nothing else to see here. Let's go then. I'm the pusher. You all go back inside the house. Okay. The noisy troop. We're in front. I want to go to the room that was next door that I didn't go to, just to see. Okay. You. Okay. You can continue investigating the house, and you arrive in front of this door in the corridor. What do you do? I want to see if the key fits. The key fits perfectly. Hum. This was the door that wasn't supposed to be opened. So, okay. I turn it. It turned, and I open it. You open it and find an extremely common dining room. A large square table, a broken mirror to the left, and some portraits on the other side. A small plant in the corner of the room. And then I think the demon forbade her to dine. Just. All right. It's just the dining room. Dante and I have already seen a dining room that was a bit ominous in a previous mission. So it's better to be careful. Sometimes this can be camouflaged. You notice, upon investigating the room better with a flashlight, that there seems to be a paper on the table. Okay, I'll go to the paper. You pick up the paper. I pick it up. It's a large paper. And the paper is this, everyone. There's a big paper here. A very old flyer. Is that a heater, master? Ah, on the left is a door. Ah, okay. This is the paper you find. Paper. Dante, we had found a photo of a circus. This is a circus flyer. What does it say? The famous. Do you want me to? Ah, let me. Let me let you read the announcement. The most famous show of the day. The Devil is Back. The stories of the famous forbidden circus of the Devil Brothers were all true, and Juan Davo, the true devil, finally returns with his diabolical circus after more than 30 years. Read this. Read this. He's the son of the devil. No, please don't come see the festival of cursed creatures that shocked so many in the 60s. It's a unique opportunity, an experience you will remember even after the year 2000. The year 2000. That's what we're in. Let me see this. It's very old. Take this. This is what he was talking about. So she was visited by this person. So he was the devil himself. Your Cicero was right. So it shouldn't be the devil, but it's good to have a name at least. I'll note it down. Meanwhile, I'll pull this notebook like this. I put it on the table and start writing. I'll also write in the notepad. Juan. Ju. You. I'll put everything together, and then we'll separate who will keep the documents. Apparently, this was a circus. What do we know about this Elsa? She was old, alone. She played. She made statues with those horrible tools. She died. She died. Yes. And we killed her. We killed her back there. And I don't understand about this Elsa. This case was a case from 1998, which was supposedly solved by Arnaldo and his team. So why is it back? It doesn't make sense. Something was solved. How? We don't know. Arnaldo, who solved it. Bomb. So he left a loose end. Arnaldo Fritz, himself. He, he's here. Supposedly murdered the Buddhist involved in this. So why is everything happening here again? Something is revisiting all of this. Everything here seems very old. We have to remember that our purpose with this case is not just to solve what happened to her, but also to understand where this fits in with all these relics of calamity. We believe that in this mission, we will finally have something in these last three months that had nothing. Wait, relics. What are you talking about exactly? The relics. Calamity. Did Mr. Veríssimo not tell you anything about it? He didn't mention much about it. He didn't say anything to anyone. Not just them. They know. You don't know. This is good for the public who doesn't know yet. Relic. Well, explain to them. Dante, now that we're a team, it's good for them to be aware of the situation. They are basically relics capable of shaping the paranormal itself, pillars in the paranormal, and the Order is after them. And who is K? The occultist didn't say anything about who. For you, it's not. What you know is that there's a very powerful occultist who emerged, who wants to kill everyone. So, okay. We were. I, I was activated by an emergency state. I came from Italy here because you needed more people to solve something very big. But no, I don't have information. I thought we were going to. This is Harley to solve this. No, no. B. Tom. Okay. He's down. But he only knows that the situation is very serious. We've been working in the dark for three months because, to be clear, this is the first time they've made us travel this far to help with the paranormal. Yes. So you must realize the situation, right? It's very serious, very critical. Exactly. But anyway, a very serious situation, and we have to understand why a case from '98, which was supposedly resolved, is resurfacing. Also, like, Juan is basically the guy we want. He's the boss that Veríssimo mentioned. That's it. But if you know this occultist, his name, what he does, where he is. Where is he? We don't know. He disappeared three months ago. He just disappeared. And he wants to scare Elquia. Is that it? Well, I think his plan is a bit bigger than that. I don't know. We know his plan, but we don't know. I'm sure there's something more. He's not stupid. The foundation of his going is stupid, but he's not a stupid person. But what's his plan? He wants to end the supernatural by killing everyone who knows about the paranormal. So you, you, you, all of you. Well, then even your Cicero will be caught. Yes. That's a problem. That doesn't make any sense. Exactly. But try to talk to him. You see. With your Cicero. There's no way to dialogue with him. But wait. You've seen him then? Yes. And you, you didn't finish him off? It's not that easy. I turn my back when he says that. Like, I just turn my back and keep analyzing. There's a door. I'll keep looking at the door. And I'll go try to open it. But, guys, this body you saw outside, it's definitely not Elsa's. It's not Elsa's. If this case was from 1998, there's no way that body could have. Unless the devil has resurrected her. Juan, or someone reviving the story, just like the stories we've lived. The devil is called Juan. I believe that, returning to the idea of the paranormal. The paranormal is truly strengthened by people's fear, and a figure like the devil. I, I want, master. I want to walk around the house. It's more than a devil. It's a country house, like a very rural area. Is there a heater or a fireplace in this house? Ah, no, no fireplace in this house. Okay. No, you give me a. For real, I'll let this pass. Outside, on the right, you saw what appeared to be a small stone fire pit next to the house. Okay. I want to go there. Perfect. You see that Balu says something. You leave. I just leave. You see he walked away. He crosses Arthur, who appears to open the door. Ah, we'll be right back. You open the door. You arrive at this small fire pit. You clearly see several burned books. There's a pile of very burned books. You rummage around them and find a piece of a book that is still a bit legible. What luck. I just wanted to warm myself up a bit. The guy doesn't like the cold. Ai, no.

Give me an investigation test please. Intellect 11. You don't see anything else. Mirror. Hey, it's already stuck, right? Look at this guy, he's done. No one else can. There's like, embers still in the bonfire. It's completely out. No, for real, no. Yes, because I'm the one who asked for a test for him. It's only if he was... Okay. It's completely out. Only because there's like some embers. It's out. It's out. It is. I look. There's a window where I can see the dining room they're in. You can see that it's not connected to the room you're in. Ugh. I look at the page. I look at the house. I look at dad. Will wait. Meanwhile, I crouch by the bonfire. Like this. Meanwhile, Artur, you went to open this door. And when you open it, it opens. When you open it, you're faced with a very bizarre room. You see a circle full of blood, as if a huge ritual symbol had been drawn. And numerous statuettes, those wooden devil ones, are placed in a circular shape on top of this huge circle. And on the walls of this completely dark wooden room, with clothes thrown around, furniture all tossed everywhere. You see words written in blood on the wall. They read: "The devil, please leave me alone. I didn't want him. He returned." And this is where we'll pause for a 10-minute break. We'll go to the fanarts now, and we'll be right back. Come on, it's already in the first episode. That's it. 10 minutes. We're back. Don't go anywhere. Kisses. We're back from the break. Everyone ready to have that, have that, that little water? Are you ready? Yes, yes, sir. Let's go. Thank you. By the way, to everyone who's on #calamity, everyone was watching the memes. Ah, during this break, until now, we stopped when Artur had just opened a door and found himself in a very bizarre room with a large symbol drawn in blood on the floor and several devilish wooden statuettes around this symbol. There's a dresser right in front of the door, as if it had been placed to block the door before, but it was moved. And lots of clothes and burned papers scattered around. You smell smoke, the smell of burned paper, as if several papers had been burned in here too. Several traces of books have been burned in this room. And who's in the room with me? Everyone, really. Balu. Balu is outside. He crouches in front of the bonfire. I say, "Guys, I think I found something interesting here." I'm heading towards... I'm going right with you too. Dante, seriously, come here. I'm going. You all enter. Yes. I illuminate the room for everyone. I'll put you here. I want to see if passing in front of the mirror, if you can see anything. The mirror is broken. Ah, it's broken. Besides me, you can't. Can you see anything in it? It's just a mirror, like it's been hit a few times. I'll already roll for Paranormal Occultism. Okay, I'm ready, you know? 23. 23. You don't feel. You feel that this symbol is a... You realize from its pattern that it's indeed a symbol. From the other side, you don't recognize this symbol. It's kind of poorly made with blood, it's even hard to recognize, but you've never seen this symbol before. Ah, you don't feel anything paranormal specifically. You know that this symbol is from the other side, and it's... Artur, I just remembered. I was mistaken. Elsa had survived. In Arnaldo's case, it was really Elsa who just died. I'll take my notebook, put it like this. Then I'll go to dead Elsa and cross out "dead" that I had heard. No, I notice that he crossed something out. No, no, because in the timeline, she was killed later. As soon as I arrive, I want to see if there's anything, any instance, anything like that. There is. This dresser is right in front of you, straight ahead. It's quite messy. I can. I'll give all of you an investigation test. Yay! It's my favorite. With Intellect. With intellect. Look at this 20 here, plus two. While they roll, Balu, you're crouched by the bonfire. What's going through your mind? Hmm. I'll say, I wanted to speak when someone arrived. So we wait. You realize that Balu didn't come in with you. Ah, I rolled a 14 in investigation. Do you want us to roll a 20? Okay. You two things. Near the center of the symbol, you find a page from the same diary you found several ripped pages from. Oh my god, Balu won't be able to read it, man. Ah, if you scream at me, I'll hear you. Life is good. Who finds it? And you also find another one. Among all these burned books, you find another legible piece of this book. Ah, whoever wants it. Balu can't. It's right when I find the paper. I'm so happy. Right when I find the paper, I go, "Balu, Balu!" I look at you like, "But did you see?" Balu, he went outside. It seems he left. Is it possible? He left. I'll go see. Okay. Artur starts heading towards Balu. Meanwhile, I'm looking for him. I don't know where he went. You know he left the house. I'll stay with them here. Okay. Anything, scream. Ah, so you can read the documents first. The diary. Ah, let's go then. I can't take it anymore. Today is the last day. I've done so much. [Music] And I offered, I offered. Ah, and I offered so much of my blood. I tried to open the trapdoor to the storage room one more time, but that lock simply won't break. That man, Arnaldo, made sure I could never open it again. The only one who was with him when he put that damn lock on was Eusébio. And since the day everything happened, since I calmed down, he's never been the same. It's no use anymore. I can't take it anymore. Today I'll open the door. The door. I think the door we were talking about was the trapdoor itself, wasn't it? Not this one. We need something to see that lock. Then you found anything else in the pantry? There's this house. I found one more thing. Mommy. Door. Legend. God. Wait, let me get the document. Crucifix. Ah. Wow. It doesn't give you a shock. Ah. Wow. It's too big. I thought it was real. No, it was... Rubens. I hand it to the side. Seriously, only I will read here. I would help you. You're with Rubens and Dante, you know? Like, you have both. There's no way to help your side. I barely know how to speak Portuguese. Wow, screwed. Look at the predicament you're in. I'm outside. So, Mommy. It's the only word that seems to understand. A single simulated word capable of opening so many doors. Doors he could never open. Some ancient legends tell that only those who were loved, permitted by God, can open doors. That's why solitary vampires could only be invited and hated crucifixes. That's what I said. I think that door, I think that door probably opens with some kind of crucifix. But about this last document, did you find anything in the pantry of this house? Any object, anything? Only things with very old blood. What, what did you find? I had seen a baby bottle. I don't even know. Blood. The statuettes. She said she fed a being with her own blood. Maybe she was creating some kind of demon in the form of a baby. She was giving a baby bottle of blood to the child. Is it possible? We saw in documents that it's not her child. We heard Tonão, Tonão, Tonão. Balu, Balu, I'm confused. We saw Balu reading this. So, whatever she's creating wasn't her child. Or maybe it was a possessed child. But calm down. Do you have the file from when Arnaldo did the mission? Because it says here that the man Arnaldo made sure she could never open it again. So he came here, he put the lock, he locked the thing, and he left. He didn't resolve this. This is not typical of Arnaldo. He liked to put an end to things. From what little I knew of him, he wouldn't leave this behind. I'm looking on the table. That table over there. While I think about what she said. Okay. Meanwhile, Artur, you notice that Balu is crouched in front of this bonfire in the middle of the dark. You can see it. It's dim. It's not dark. You can still see. I want to get closer and try to be in the same position as him, by his side, crouched. Are you crouched or sitting? I'm sitting on the floor. So I'll sit too. I arrive. I put my guitar thing down. I sit like this and say, "Hey man, what's up?" Do you play viola? I do, but not much now. Is that a viola? Ah, I point to the guitar case. Do you want to see what's in it? It's not a viola. What's in it? I want to see. Okay. I can show it only to him, like, and not say what it is. Okay. So I open it like this. And then I show it to you like this. I'll send it to your WhatsApp. What's in it? I'll open it slowly. I'll be looking at you like this. I put it on the floor. I'll pull the little strings, looking. Don't blink. Don't blink. The moment you open it, I see it. I look at you like this. I just say, "Awesome." I close it. Then I turn. I look at the bonfire like this. Do you like the heat coming from the fire? I like it. I like it. It gives me some memories. Yeah, me too. Ah, let's grab the paper. Maternal love transcends physical barriers. I found this inside. You found it inside? Yes. I came here. Actually, I found it here. I found it here. You need to talk, right? Definitely. Yes. Let me warn you. We found a rather bizarre little room in there with circles and blood and a bunch of dolls. If you want to see, there's someone evil there. I left there. I hope not. Now. Ah, okay. So, do you want me to read it better? Read it for everyone, right? I'll go in there. I just wanted... Ah, if you read here, I think they can hear from there. Maternal love. They can hear from the back. Ah, no. Let's go. [Laughter] Inside. I get up. I extend my hand to help you up. I pull here. I put it on my shoulder and lift. And we go there. Perfect. You go in there. You see. So, while Artur and Balu arrive, Dante, at that dresser you searched, how much investigation did you roll earlier? I didn't even roll. Then roll. Not that investigation. Total. Roll now. Okay. Oh, misery. I rolled an 18. 18. 18. You notice some blood-stained clothes. The closet is quite messy. And that's it. It's polished and closed. And on the floor, there are scratch marks, as if it was blocking the door and someone pulled it to get out of the room. They dragged it a lot. The little devil statues, they look old, ancient. They all look like they were made recently. Me and Balu just arrived. Yes, guys. I found another piece of paper by the bonfire outside. I heard someone. Who wants to read? I'll read. Maternal love transcends barriers. Every time he reads, I'm like, smiling. He scared them. The feelings are so intense, so complex. A mother's love for her child can arise even before he is born. This is true. A slight movement within the womb is capable of changing a mother's composition. Some parents, even in rare situations, also manage to love that which has not yet finished forming. The purest, most intense love. It was all he needed to feel. Love, at least once. How beautiful, if it weren't so terrifying. I felt him getting sad in his speech. I don't know if you felt it. Can I roll intuition? Yes. You seemed sad in your speech. You interpret it well. I rolled a 22 for deception. Calango. You seemed... I got sad. Damn it. I'm Calango. You guys have to... It doesn't work. It seemed like he got sad talking about it. Mother's love, these things. I did a... Ah, I'll just hand it to Carina. Here. Thank you. Well. Oh, why wouldn't I? Carina, if you want to try to find some meaning in everything at once. Here. Why? Ah, just for you to look. It's yours. Because I saw you already looking at the papers. If you want, if you want, I'll look too. No problem. Actually, since everyone is together, and this paper we found here in the middle says she did so many... I think these statuettes here, there are a lot of them. And these look new. Yes, quite a few. She said she offered so much of her blood. I think it has to do with what Dante said about the baby bottles of blood. The knives too. Knives. There's a knife here, by the way. Pull. Wow. On this side of him. I'm like, okay, but the point that draws the most attention is that Arnaldo came here, put a lock on the trapdoor, and left. So she wouldn't open the trapdoor again. But why didn't he resolve this? If he didn't resolve it, it's because something happened for them to need to leave. He definitely resolved it. But she, or he thought he had resolved it. He thought this would... But she said that when the only person who was with Arnaldo when the lock was placed was a guy named Eusébio. And since the day all this happened, he's never been the same. Who is Eusébio? I know who Eusébio is. I don't know if you know. Ugh, I'll send a Zap to Verissimo. I'll grab my phone. Is there cell signal here? I'll let it roll. Intellect. Pure intellect. 15. 15. CD. They said the neighbor in front of them was called Zé. Wow, that's true. Okay. New. And you wrote it down? I wrote it down. I even wrote it down. I even wrote it down, man. I wrote it down with a bunch of question marks next to it, old man. Ah, guys, the neighbor in front of Mr. and Mrs. I think we have to talk to him now. And for sure, I think it's the best idea. Balu. 20. I'll say on Elsa's sheet that someone was killed. An occultist was murdered. Guys, this is just... just as an additional point that you were talking about. But one more thing, if it was Arnaldo who put the lock, we should know how to remove it, right? We should have some information that helps remove it. Verissimo? I don't know. Well, I think Arnaldo acted very much on his own, and Verissimo trusted him. So sometimes he didn't pass all the information to him. Let's go talk to Seu Zé. We have nothing else. We just have a trapdoor here, and that's it, right? In this house. I look around more in this room. If there's any... There are only these macabre writings on the wall and this bizarre ritual with the statues. I think there's nothing else. Rafa, I was with them when he said that. I think I wasn't with them. I don't believe that. So I don't remember that. But then the other side, I was stupid. It was like this. You... He wrote it down. I wrote it down. Eusébio. Wow. So you were there later. When you arrived at the house, he said, "Ah, it's okay. Let's go then." But I think I wrote it down because I thought we would talk later. I already left it. But it's no use now. The information is gone. Continue the game. Leave it to me. If he gives me soup, I'll make it. Then let's go. Hopefully, he has cheese. I'll go ahead. You then return to the front of the Gominho house. You see this other house that seems much simpler, further ahead. There's a large orange garage door on the right and a rusty metal door on the left. The door is here, where Carina is pointing. 30 in occultism. You feel nothing. 30 in occultism. Wow. There's something strange. That's it. You create something strange. You created. There's something strange you've never seen before. Ah, perception. Everyone. Perception. Intellect. Intellect. Perception. Wow, very high. 12. 12. Ah, 19 plus perception. 10. 21. 29. I rolled a 6. Plus, no one rolled 30. So it continues. Man, I don't even have a way. I don't even have a way to roll 30. It's impossible. He couldn't if he had 20. So, space. How much per... I have calm. Ah, no. 10 perception. I rolled 20. It's 30. It's 30. You hear. Along with you, you feel something strange. You've never felt it before. You concentrate. You try to feel it even more. And you hear a hiss, like a radio on the wrong frequency. You hear a man with a gruff voice. "Qu, TRS, Qu, TRS." Guys, I think... I've never felt what I'm feeling in this house before. For sure, whoever lives there is affected by the paranormal. I'm hearing him making sounds. Be careful. Things are going to break in here. So I think we're not going to communicate with him normally. What kind of sounds is he making? Counting. Hearing a radio frequency that's not coming through. It's a hiss. Hmm. In any case, be alert. If you have anything... Then we'll see this thing next to the house. What is this? Ah, this is a latrine. A closed one. A little bathroom with a wooden door. You... half a hole. Half a moon. Dante, do you think you can identify which room he's in if we walk around the outside of the house? He's in the main room. Here. He's in the main room. Sitting. Is he sitting? You don't know. Wait. I want to see if there's anything open, any window, like I did in the other one. You can go around. I want to go around. You go around, and you see a window. It's open like this, here on the left. Do you want to look inside? I want to look. You see an old man with a cane. He's bald, but he has long hair in the back. He has a long beard. He has a large scar on his face. He's holding a screwdriver and he's like, with his ear glued to a rather old radio. Just an old man with a scar. You tell him this? No, I... I want to talk. The window is open. No, it's not. It's slightly ajar. It's not wide open. I say this, and something happens. Do stealth for me, please. Like a stealth test with intellect, because you're talking. I want to see. It can't be agility this time. Wow, what a scoundrel, this boy. Ah, okay. I rolled a 20. Plus, what's the stealth? Ah, plus 10. So 30. You are not heard. Wow. In this little window here on the left. I just say, "Truth, old man with a scar." Then I look at you guys like this. Ah, and the light, the light in his house is on. I'll go to the light. I say, "I'm not that old." You... We need to try to extract some information. Can I see anything else? You see a little green sofa behind him and an old TV that's on and it's static. So I want to go back to them to talk. So, perfect. Dante, let's knock on the door. I'll walk ahead for him to knock on the door. Wait, wait, wait. Considering what you felt, Dante, is it worth knocking on the door? He was listening to a radio. And it's static, and there's a TV on, static too. What can we... There's still a possibility that things will get ugly. I kick the door. Guys, stay there. I'll go in quietly first. It's better. There's still a possibility that he's just a victim of something paranormal here. We would be killing an innocent person if we... or scaring an innocent person. We think about something here, and there might be more. We just have to... We should only enter carefully. I don't think it's worth hurting an old man. But there's a high chance that something extremely hostile is in this house. Can we enter somewhere else? As soon as we enter, you'll know we're here. So our objective now is to enter and try to discover. We won't try to hurt him until... if something happens. Do you want me to talk to him? Try to immobilize him? I think that's a good idea. Let's first see how he reacts. Depending on it, you won't even need to. But if you need to, you do it. I'll keep looking at Balu. Okay. If needed, I'll look for a more hidden entrance to see if I can enter the house from another place. I want to walk around the house. You notice, walking around the house, you pass here. There's a garage door here. This is a garage door. And as you walk around, you won't find any other doors. So I'll go to this garage door. But you're still going. The rest of the group. I'll go ahead and knock on the front door. Okay. Knock like this. [Applause] You knock on the door. Mr. Eusébio. You hear a wooden sound. He walks to the door and opens it. I'm with open arms, smiling. Mr. Eusébio, my name is Antônio. What do you want? There seems to be a report of wild animals around here. We have to do a sweep of the houses. Do you mind, sir? Do you have some free time now? You can come in. He goes like this. Come in, sister. Be welcome. Mr. Eusébio, excuse me, but what a show of decoration. It's kind of retro, right? I liked it. Very chic. An uncle of mine had one very similar. The floor was similar. His house... It gives a nostalgic feeling. The radios tell the truth. What? What did he say? He's looking at me. Uh-huh. What is it, sir? I'm going further into the house. Make yourself at home. You can sit. He sits on the sofa and looks at the TV with static. I look at the group like this. I do this to the group like this. Yes. I look at Artur, at Dante, very scared. No, I'm not going in. I'm not even... You enter. Okay. Sir, excuse me. Hey, Mr. João. Let's go. You want to do it? Then let's take a look to see if there are... He... He... He... He gets up from the sofa. He goes to the TV. He puts his ear to the TV. What did you say? What's on? The truth. The radios tell the truth. The noises tell the truth. Noise. I get closer. Come here. Come here. And he quickly goes to you and grabs your hand. Come here. Okay. Okay. I'll go with him. He goes to the radio. He puts your head... Take this head. You see that he now has a large claw scar, and part of his ear is missing. Old man. Listen. Listen. And then he turns on the radio, and it's just static. Pay attention. Listen. The radios tell the truth. You're right, Eusébio. Oh, you guys can take a look around the house while he... He's messing with the frequency, and accidentally, he's going through it, and then a melody of a song starts. He hits. No, no. These damn songs. No. It doesn't matter about the songs. It matters about the true voice of the radios. I think I can hear it. Guys, take a look around the house. I'm hearing the truth. Can we search here, sir? To see if there are any animals? What animals? Of course there are animals. Why do you want to kill the animals? Why do you want to kill the animals? No, no. We'll just see if there are any dangerous ones that could risk your life. Deception. Please. Why couldn't I? Couldn't. Deception. Yay. But Ah, but then you won't tell him. You won't. Yes, I will. Tell the group. Anyone can follow him. He's believing you more. Presence. Yes. Presence. With deception. Maybe he's believing me more. It was just another advantage. I'm not saying anything. I'll roll too. Or not? You don't need to. Just roll a 2. 18. Plus, let me tell you, Master. I have this expertise. So I can... I can re-roll. Or deception, because I have it within this. Because you're a specialist. If you're not satisfied with the result, you can re-roll. But then I have to say that I'm going to spend it before knowing the result. No, you can see the result. You don't say it. And you spend the effort points and roll again. Ah, I have something called Silver Tongue. Whenever I use deception or diplomacy, I get one more attribute involved in the test. So it gives one more die. Tell me, my dear. Oh, I'm sure it will be worse. This is... I trust you, potential, man. Three 18s. I rolled a 6. Now 20. I have a 20. He looks at you. Don't kill the little animals. Never. Wait. Listen. And he points to the radio. Listen too. What do you hear? He points to you. Near the radio. It's true, isn't it? I say to Mr. José, "It's true. What are you hearing?" I look at him. The truth. And what is your truth? Different from yours, probably. Or maybe the same. But I think I'll see. So the animals. What did you hear? I want to. Meanwhile, I'll try to enter. Hello. I turn like this. I'm hearing numbers. Numbers. I go like this. Numbers. Sending. Cell phone off. It's three, five, eight. Are you hearing this too? These aren't the numbers. I open the door. While talking. I want to try to enter. Do you want stealth? Stealth. I'll also say, I'll roll stealth. Stealth is agility. Or intelligence. Stealth in this case can be either. Amen. I rolled a 20 on the die. An earthquake. 6 plus 10. You both pass stealth easily. You pass. Where do I want to enter? This first one. First, along with R. You enter a small room. It has a simple, messy bed and a dresser with some very old black and white portraits of a woman. She looks old. Like from the 60s, 50s. The portraits. I'll just... Only one woman. Only one woman. The photos. These are the same photos of a woman. I'll search this place to see if there's any. Do an investigation with intellect, please. Only one of you. There are two things. Only one of them. Only the dresser. You can look at the bed too. So, do you want me to look at the bed? Ah, look at the bed. Okay. Look here again. The guy is a machine, man. It doesn't make sense. The game is taking too long. I'm not lying, man. I swear. It's falling 20 all the time. It's ridiculous. It doesn't make sense. I learned to play dice. Amen. God blessed. It was 15 plus 10. 15 plus 10. And 25. 20 plus 5. Ah, you. And you see that he has several crumpled clothes in these drawers of his. And the photos of the woman. It says Mrs. Genia. Probably his mother. Ah, Rubens, you see that under his bed there's a lot of junk. But one thing catches your attention. There's a small leather diary. How cute. My God. My God. It's a leather diary. It's a leather diary. It's a leather diary. I don't want to talk much. Diary. Diary. You heard numbers too. He spoke with co. I had grabbed my phone. Just to look around the room. That's it. Ah, you grabbed your phone. Like, the moment he said it. The moment you grabbed your phone, he snatched it. He slapped your phone. Can I do a reflex test? Yes. I grab the diary from your hand. Rubens, go with them. Reflex in agility, right? Wow, agility. I have... Pass it to me. V. Okay. I'll go back because I gave the diary to him. I'll go back to him. Hold the diary. 25. 25. You pass. He rolled a 20, but he only has five. Ah, he gives you a tap. You take the phone out. Right away. Sometimes even laughs. I held on. Artur, what is it? Sorry. I was trying to see here. I do this. Bar. You heard. You're hearing the truth on the radios. The numbers. Which numbers? Which numbers are you hearing? I want to know from you. But why do I need to know if you're hearing the truth or if you're lying to me? I need to know. I need to know why. I'll do another deception test for me. Both of you. Oh, this old man is going to be a problem. It's just to remember. Presence. Presence, right? While they're talking, I left. Wow, I rolled a 2. I opened my eyes. You rolled a 2. 1 and 1. I rolled a 2. I want to go to the other room, please. No, I'll do the thing. Dante stayed, right? I opened my eyes. I'm reading. Ah, you're reading. You opened your eyes. Wait. Ruben left, right? He left. So, he's in front here. 25 again. I rolled a 20. Exactly. There are several pages of the diary. Yes. I've already read it. I've already read it aloud. First, you. 20 on the die. So you pass again stealthily. While they're arguing, you reach a small kitchen. It has a refrigerator, a table. There doesn't seem to be any cabinets. Okay. Dante, can you read the diary, please? All the pages? Yes. The first ones. The ones you're reading. It says on the radio that a new circus is coming to Barigüara. I've already told Elsa to prepare the materials for sale. I don't know if I'll go because I need to fix some things in the garage. But I'll ask her to tell me later. Another page. Ever since Elsa got pregnant by that circus man, she's not the same. She's always saying strange things, saying that the man promised that her son will be the chosen one. The Antichrist. These big-city guys are always full of nonsense. They got the girls pregnant, they disappear. I was watching a movie last night and started hearing strange noises. I thought it was the movie, but then I realized it was coming from Elsa's house. Exclamation mark. Exclamation mark. That circus man had returned to visit his son now that he was born. But at night, they just kept shouting strange words. Red lights kept coming out of her house. Today, when I woke up, the man had already left, and only Elsa and the boy remained. And the boy. She's acting all strange, full of marks. Wow. It said on the radio again that that circus was coming back to town. What does that mean? That man will visit Elsa again tonight. I'll see what they do with these children. It can't be anything good. Blood. Full of devil's blood. They wanted to turn a child into the devil. He saved my hero. He killed the demon. He saved me from the television and defended me. I saw it all in front of me. He locked the devil's trapdoor. I bled, but he saved me. My own Eric Tufan, my hero. I saw the secret of the lock. I'll keep Eric's secret in my garage. Hum. It's Eric Tufan. I'm in the garage. She's in the garage. You entered the garage, right? Now, while all this was happening, the garage. You can open the door. It was unlocked the whole time, Karina. Because when you open the garage, you're faced with numerous radios. Many, many radios of all models, mostly older ones, thrown around. Pieces of open radios, batteries, everywhere. There's a workshop further ahead. A metal cabinet on your right, and another metal cabinet on your left. Wow. I'll go straight. It's a table over there at the end. It's a workshop table. I'll go straight to this workshop table first. Okay. Do an investigation test for me, please, with intellect. Wow. 13. You don't. You see tools. It seems there are several small screws, springs, little radio chip things. Nothing electronic. Nothing that draws much attention. Clearly part of the radio scenario. Here. The cabinets. Is any of them locked? Anything? Which one do you want to open? The one next to the table. Okay. Do an investigation test on it too. 15. Okay. You notice. You're opening it. There are several tools, screws. One is locked. There's a lock. I'll break it. Precipitation. Do you have a kit? No. You have a kit. So you have an extra die. So it's agility plus one die. [Applause] So 13. I want to use... Wait. I put my expertise. Wow, I didn't put deception. So I rolled a 13 plus perception. Plus prediction. Five. And I have... The die already had advantage. So 18. 18. You manage to unlock it. 15. Open. Pull this drawer. And inside this drawer, you see a completely crumpled sheet of paper under some screws and some small locks. The sheet is this one. Woohoo. Wait. The sheet is this one. Thank you. You recognize this drawing of the lock. It's exactly the same as the lock that was blocking the trapdoor. Okay. I'll take a look at the other two shelves that are left. There's only one more. So I'll look at it. Investigation. Intellect. 16. You just see several tools. You don't find anything special. Perfect. So I'll leave and I'll go near the door and I'll just listen to how the movement is inside. In the meantime, it was about the same time that everything that was happening inside happened. Now, back. How much was your deception? 25. Hmm. How much did I roll? 9. I rolled a 2, 1, and 9. He starts to get... You feel that he got a little tense. He's not... What are you doing here in my house? We came to do a sweep. My floor. I sweep my floor. Not that kind of sweep, sir. Leave it to us. Everything is under control. Get out of my house. You... What are you doing in my room? Calm down, sir. Calm down. Get out of my house. He picks up the screwdriver. Get out of my house. We need to do something here first. For God's sake. Get out of my house. I leave the room and say, "We already... I don't have money. I only have the truth. We can leave now, guys. Let's leave him in peace." Okay. He turns. He turns to the TV. "Eric, help me. I need you. I need you again." Eric. Come on, guys. Let's leave him in peace. Bye, Mr. Eusébio. You don't want... Eric. Who is Eric? Guys, let's go. I leave. Let's go. Eric is... My hero. He's going to kill you all like he killed that demon. The devil. He killed the devil. Okay. I leave and go to the door. Devil. I'm leaving. I can say something to him. Of course. You can. Of course. And with this, I want to do... Can I do that occultism roll I have to comfort someone? Therapy. You can use therapy. My occultism therapy. You can give him therapy. Yes. How cute. Let me roll. Therapy. I don't think I went crazy from having... Dante. 29. Okay. He's nervous. You approach with a calm and subtle presence. And he lets you approach, but he's still nervous. Sir, we apologize. And would you like to say that just as Eric is a hero, he is also mine? And you remind me of him. I don't know why. You know, we're going now. Good rest, sir. Sorry for disturbing you. I leave. Good night. Eric. He says to you as you leave. What is it? Eric. It's Eric. He only got like this because he didn't eat a sandwich. When you guys leave, I'm like, "Guys, guys." I heard the guy shouting about an Eric. And apparently, Eric was the one who killed the demon from the trapdoor. So there must be a dead demon here. Diary. Our diary. Wow. Everything here. What is this? What did you find, Karina? Ah, it's the secret of the lock. We can open it. We just need a knife. I pull out the knife. It's in the blood. One to the right, two to the left. One to the right, one to the left. One to the right. That's it. How do you fit the knife? Right, left, left, right. Let's start singing. I'll ask all of you to give me an current affairs test, please. Current affairs. Intellect. 14. Look at this 20 here. Or 18. 17. 15. You rolled these two dice in the last roll. 14. 15. 18. 18 plus 5. 23. The name Eric Tufan is very familiar to you. You've heard it before. Yes. Just familiar. Yes. You've heard this name before. Without a doubt. Eric Tufan. Eric Tufan. It's written here. It's strange. Tufan. I think I've seen this name in a telenovela. Eric Tufan. But there was an Eric Tufan Carmen too. You... You've heard of it? Eric Tufan. I pull out my phone.

I open a search site and type Eric typhoon, a catalog of various action films starring Arnaldo Fritz appears. I knew Eric Tufan, a deafening explosion, a detonating infusion, three, the explosive explosion. The four was canceled, unfortunately, due to a lack of explosion. I was expecting it to explode. Damn it, that explains a lot. I kind of showed it like this, the 90s. So I didn't know this movie. You got 18, he got 22, but it wasn't current. Now that you've heard it, you, ah, you watched it. Ah, I saw this movie. Good, good, but wait. So he was just talking about Arnaldo. Arnaldo killed the demon that was in the hatch. Ah, so we can go there. Yes, we can, but we won't know what's there. We'll know now, right? Because we're going now, right? He's the hatch, right? He kind of didn't want to, but then, but then, will he have sealed it to seal what's inside and the thing that's there not to get out, not to evoke anymore, or for no one to enter? In any case, we'll have to go in. We don't have to do anything. We don't have Arnaldo here to ask that, but let's remember that Elsa was supposed to open this hatch. And you, how did she end up? I think it would have gone wrong. Okay, but then she couldn't because she doesn't have the code. Exactly, she didn't have the code. We don't know. It was hidden in a locked drawer in his garage. But what did Arnaldo do to leave Eusébio like this? Sometimes he, what he did, he left him, what he did, like, he made sure he didn't get worse than this. Understood? He saw something very R. Sometimes he saved him, but he ended up with sequelae. Okay, sometimes we can even try, but the result isn't always ideal. Let's go. Okay, let's go. You go back then. You head towards the house. You walk. It's already late, around 9:30, almost 10. You walk. Oops. You walk towards the house. Here, the cursed house, starring Eric. You arrive in front. You finally arrive in front of the hatch with the decorated padlock. Okay, you want me to open it. And I crouch in front of the padlock. Where's the knife? Here. I give you the knife. Okay. I take the knife. It's okay. Someone hold the little paper for me. And then I ask you to hold it. I keep holding it because I'm short. I'm short. You stick the knife in the lock. It fits in very finely. It fits in. You stick it in. I go right, left, left, right, right, down, up. Horary. Okay, clockwise, counterclockwise, counterclockwise, clockwise, counterclockwise, clockwise. Be careful not to cut the padlock. It opened. It didn't cut. No. Be careful not to cut Rubin's finger. Half his body. I do this. I do this. This guy is really, he's small. [Laughter] Let's go. I'll go back. I just come back and do. Hmm. I'll be. Thank you. I had a face. I had a face. Okay. I take off the padlock and leave only the hatch closed. And I take a look at Antônio to see if he opens it. What? I'm looking at you. Looking at the hatch. Okay, it's unlocked. I'm looking at you. I crouch. I'm close. I crouch and lift. So there's no problem. Before you go down, I say, leave it to me. Leave it to me. And then I say, just this once. And you say, thank you. And I pass it to him. And pull the hatch. It's very heavy. Do it for me. Can you do it alone? The ogre, the most monstrous, athletics with strength, athletics with strength, athletics, 15, 15. My armor takes away my five that I have in athletics. Okay, no, you can do it. You can do it. Ah, your armor, just to clarify, is a vest that you wear underneath. Like, it's very light, but it protects you well. You wear it under your shirt, which is why it's not, which is why you have a normal shirt like this that you're wearing now, a beautiful shirt, by the way. Exactly. You put it on. If we didn't have this, those bites would hurt much more. Okay. Ah, you open the hatch and there's a ladder going down to a kind of dark cellar. Who's going first? Hmm. Carba. I'll go. I'll go. And I'll go with my hand, like, I'll go with you. It's about 2 meters high. Ah, he doesn't pass. You can go down the ladder and you see yourself. Let me put you down there. Ah, no, you enter an extremely dark cellar with a closed metal door. But can I have a perception roll? Ah, you can roll perception. Certainly. Standard. Everything is perfect for me, right? Okay. Now another one, Dad. Just shit. 23. What are you trying to do? You're trying to listen for something. You're trying to listen for something to see if there's anything moving. You only hear the echo. This place is very muffled. When you stood up, you felt some dust. This place has been closed for years, many years. Wow. When you step on the ground, you make footprints. Are you feeling something? I'll have to roll. Ah, no, I won't roll. It seems like they haven't opened since that mission you talked about, right? 20 years. Yes, the dust here is very thick. No, my rhinitis is already acting up. When we shine the flashlight around, what do we see? Ah, the wall is made of earth, really, a somewhat wet earth. The snow here is a bit deeper, and the environment is a bit warm. Is everyone here? Is everyone here? I go down last. Last. Yes. Then I close the hatch. You close the hatch. Ah, light is coming in from it, no? Then close it. It will be, it will be difficult to open later. Ah, but look how strong I am. I question that. Why did you close it? What if someone sees it's open and decides to come in? Who's going to come to this house? The problem is that the house door is open, right? I agree with Balu. I think the fewer people who can access this place, the better. Me too. When Dante agrees with you, I change my opinion immediately. It's true. Okay, what's in front? A door. There's a door. A closed door. Bal, the door is very tight, man. It's small. You don't want to come with me? I think we're both the strongest here, and that's that. Thanks. I'm looking at Rubin. I just ignore it. Okay, then this way. Captain. Ah, we have to see what's here. I'm already opening it. Meanwhile, you open the door. You open the door. It makes a very loud noise. It's super rusty. And when you open it, you get a fright. At first, I did. You get a fright. At first, because you believe for a moment that you find the Devil in front of you. But it was just a large wooden statue. FR C. So, like, I go back. As it seems to be a blood bath. It's full of blood. Further back in the darkness, you can see what looks like a workbench with some tools on it. Ah, honestly, these things, man. There's a statue there, and well, let's go in. I think I'll try to enter from the right corner, letting them pass. Okay, you go right. You see that in the middle of the blood bath, you see something floating that looks like a page, but it's not bathed in blood. I'll get closer and see. Curious. I'll go. I'll enter and stay in the corner, going along with Artur, by his side. I was right behind Artur. Don't worry, Dad. He's weak. You're going to check this page. Okay. This is the page you check. Back there, you also see a photo frame with what looks like a photo in it. This is the page you receive. Not yet. If anyone wants to check this photo, I'll turn on the flashlight. Okay. You turn on the flashlight. Yes. I want to see it. Here in the back, there's a table with some tools, several knives, all covered in blood. I'll go very carefully. You pass this large statue. Yes, the devil. I pass, a little scared. I was very scared, but I want to go towards what you see. I don't even need to make a roll for this. You see a photo frame on top. This photo. And wait, let me just pull out the photo here. It's on the right. Here, everyone. I found this in the bathtub. Apparently, there are some things written on it, but it's very difficult to see. Photo. When you pick up the frame, you see something written on the back. Ah, I'll show it. I see it like this. Photo. What an idiot. I'm looking. I see that Artur found something. I'm looking at him. Actually, if you want to see, you can. You can read it. I'll read mine. This is very difficult to read. Let me read. He's going to Lou. But I'll read it. Okay, this time I believe you, my love. It's difficult to read like this. We will use our son to invoke the devil once more. Hurry up. It's decent. And from Jere, Jere, Jere. He will offer, he will offer you a deal. I'll cut with Artur, like this. You will return to the greatness you once had. Then I look at Antônio. Like, I was like this. Then I wake up. I wake up. Then I look at Rubin. He's looking at me. He says, okay. Mine is written more or less like this, but he will never be loved. Let me put the page here. And much less permitted by God. Permitted by God. I think that's it. This is the page he's holding. Wait. Let me put it here. He is the eye of the devil, hatred incarnate. He doesn't want to be invited. He doesn't want to be presaged. I think that's it. I'm trying my best here. He just seeks to devour something. Love. The love of the one who could have armed him unconditionally. And he just needs you to open the door, right? And underneath, it's written something that I think is easier. Those who kill my son will be rewarded. When you say this, you hear footsteps coming from above. Eusébio is the police officer. We recognize that it's the police officer. You know Felipe's voice. I'll go see. I give him the page. Damn, we have to get him out now. If you see him, he says, just tell him to go away. I'll go to the hatch. Try to open it. Please. No one moved. Nothing else. You can open it. You open it with everything. You're already here. Order. You're in front. You're in front. You give a fright. Felipe, in your direction. Let me put him here. How much defense do you have? 15. He stole. Thank God. Sorry. What is this, Felipe? You gave me a fright. Sorry. You, the elderly couple. You haven't heard anything for a long time. I was worried. I don't know what's down there. Everything is fine. Felipe, stay home. It's all good. See, guys, you have to get out of here now. Why? It's not safe for you here. Mom. Ah, ah. That's why, guys. That's why. This is happening. The front door. Where did it come from? I hit you. Did you see that? I was very scared. You see the couple looking at each other, scared. Don't answer the door. Stay behind me. I'll go. I'll go in front of the occult roll before something bad happens. Okay. You see them coming from the front door. 27. 27. There's something here. Ah, the F. I'll go in front of the elderly. Guys. Mom. I'll go with you. Protect the elderly. Go to the front. I'll go with you. What's happening? What's happening? I open the door. I ask you. No, don't open that door. Where are you now? Where do you want to be? I want to go right behind Balu, but a little behind the table. You're all here. Don't interrupt. I'll stay as far as possible. The front door of the house. No, I'm a little behind. Just behind this table. Where Rubin is. I'm with him. I'm not in front. No, man. Or stay with all of this together. Mom, I think it's better not to answer. I'll stay in front of the room with an axe in my hand. Balu, from what I saw in the diary, he doesn't want to be invited. So don't open it. And the name of this boy is Lucio. The name of the devil is Juan, it seems. He sealed it. I open my eyes. You open your eyes. Do you want to change now? I open my eyes. You open your eyes. And you want to describe yourself with your eyes open. That's Dante. Nice. My eyes are completely black. I'm covered in tattoos. I have a black line that goes from my right eye to my chin, and a black line that goes up from the left side of my mouth to my ear. And all the tattoos appear when he opens his eyes. You're seeing now, Dante? I grab my knife and use sensory strengthening. It takes time. You can spend effort points. When you do this, you all observe Dante with this fright. You see Cicero running past. And he runs towards the door. Cicero! No, Cicero! You can make a reflex roll to see if you catch him. But the thing is, I'm behind. Agility. No, it can't be strength. Not even. He was right next to me. I could have tried to hold him. You can try too. I'm too far behind. Reflex. 16. Reflex with agility. Mom. 16. 16. Wait. Wow. 21. 21. Hmm. He got 25. Oh my God. An old man. Man, he got a 20. Wow. He runs past and stops by the door. He puts his hand on the doorknob, trembling. I don't know if Terezinha, she comes. Dear, are you sure? Don't open. Sir, come back here now. You're all there in the kitchen. You go to the living room. I follow. I follow him. I follow him. Please. The point where you are. I'm a little further back. There by the door. I'm right behind him. The old man. I'll go to the front of the corridor. Oh, boy. There's a lot of Carina. I want to stay a little behind him. The old man. Can I stay behind the old man's sofa? Okay. He came running, passed, and put his hand on the doorknob. And Terezinha came. Are you sure? I don't know if we should do this. It's the only way to pay the bills. Terezinha, it's the only way. We have to accept the deal. Deal? No, don't do that. Don't accept the deal. I'm telling you, he made a deal. He knew you were coming. Wait, you didn't tell us anything. He, Mom, don't do that. If you open the door, but he's deceiving you. He's using you like he used the lady who lived here. He's the devil. He'll try to deceive everyone. If you, if you want to help him, you'll end up dead. We're here to help you. Diplomacy. Everyone. I'm good at this. Diplomacy also uses intellect, right? Intellect. I'm 18. 12. That's 22. Okay. 20. 15. Artur and Carina, you have a chance to try to convince him not to open the door. You need to talk about something that will convince him. We need to, Terezinha, we have no choice. We can try even without a roll. You can, but you won't succeed. Mom. Wow. She put a lot of pressure on him. Now, Cicero, he's the devil. He'll deceive you. We found the information about him. We found information about Eric Tufan, who locked the hatch and saved Eusébio. We know everything. But if you open this door, he'll deceive you, and he'll kill everyone here. Artur. Wow. Rafa, can I use intimidation in my speech with him? Wait. Artur. Old man. TR. 2. Look, we came. We came to help. A long time ago, a guy came to try to help too and ended up screwing himself over. He thought he had helped, but he couldn't. And now we came to try to help. And you saw what happened to the woman. What happened to her? She trusted him too. We went to the neighbor. What do you think? If I'm willing to make a deal with the devil, I don't know about all this, but I'd rather risk it than live this shitty life I'm living. Damn it. Dante, you get a fright. What you see is the silhouette of a small child, no more than 8 years old. Ah, these things. Her spine is completely crooked and curved to the right, as if she suffered from severe scoliosis. His hair is short and brown. He wears a blue t-shirt with a childish print of a family of bears. But where his face should be, there's just emptiness with various openings that resembled cuts. You can see the flesh inside these wounds moving as if it were alive. This child is Denis Pimenta. It's that child you tried to save. And suddenly you see something crawling out of these wounds. Monstrous demonic claws, much larger than the small body from which they are emerging. And in an explosion of blood, he reveals his true form. Everything went well, production. Now, this is the child you're seeing. This is the boy you tried to save. You performed the ritual. He starts to transform in front of you. He has a terrifying form, over 3 meters tall, with pale, contorted skin. You've just encountered. [Music] Carente. My God. Look at this. It's very big. My friend, what is it? It looks like I don't know what I did, my friend. It looks like a kind of enormous monstrous insect with a huge stinger coming out of its mouth, a face of a kind of demonic face on top, swinging with a kind of disturbing bait hanging from the hook. The child's body connected to a kind of tentacles with claws. Sanity. All of you. Wow. What are we doing? Music for you. Willpower with perception. Wow. I have willpower with presence. Willpower with presence. Ah, the father is with this one. Ah, the mother is off. Wow. 27. 11. Sense. There. For us to kill. Ah, man, I'm really kicked. No one rolled 25. I rolled 27. Okay, you suffer half this damage. Balu, you were right in front of him. You suffer 3d6 sanity damage. The rest suffer 1d6. I'm going to die, guys. Oh my God. We hold on. We hold on. You're okay, Dad. You, wow, you took 13 sanity damage. Mental damage resistance applies. The rest took three, so I only took one. And if you have resistance, you don't take it, right? I have resistance two. And now, initiative test. But I'm shaken, man. Dante is shaken. Dante is shaken. Initiative is agility, right? Agility, please. 18. Let's go. Everyone rolled these three. Wait, I haven't rolled yet. Man, look at this. 3, 2, 7. I rolled 3. Okay. Ah, wow, man, how many did you take? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? Three. Okay. Ah, wow, man, you took how many? 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Adding up, if I roll a critical hit on my Sniper, it's 2 D8 normally. If I roll a critical hit, it's plus 2 D8, then aiming plus one, and then plus the six from the other. So that's 11, 16. It's a critical hit for you. Why? Because I have something that helps me. No, lie, it's because I have a paranormal pod, an ability that even lets me see what it's called, "Lucky Strike," which doubles my threat range, which is the critical hit. So, 18 and up for you, 16 and up for you, you get a critical hit with the sniper. Exactly. So, how much is that? 11 dice. 11 dice of... of you. Jesus, man. 15, 20, 25, 33, 39. Let me write it down for you. Three more dice. 39, 44, 46, 48. 48. 48 damage. How much of that is energy? None. I haven't used anything yet. There's no energy. Okay, so 48 damage just from the bullet. Describe to me how that bullet happened, please. It's a bullet. Ah, no, the moment Dante spoke, man, I was already super focused. I went behind Rubens, got the position. I was like, man, I can do a little move with the strap I have from the sniper. Like, the moment I put the strap on the ground, I grab the strap like this, with the rope, and then I spin like this, you know? I pass like this, here. I do this, you know, with my foot, and then I lower myself, hold it, rest the sniper on my knee like this, and then that's it, you know? Then that's it. You see the bullet passing through your collarbone like this. It explodes one of the arms of the needy. You guys roar. You hear that sound. It comes out of this upper part of the tentacle, here, which is the child's head. I hurt him. Do I have another move or not? No, you don't, because I didn't move. I just shot. You have movement. So reload. You reload. With this... Wow, he's very... I love him. He's a fucking... old man. Now it was him. Oops, he got pissed. Wow, the night is too much. He lunges forward. He comes back in mid-air. Like, he's with you. He throws himself into the middle of this corridor, and he wouldn't fit at this size. He turns back into a child in mid-air, spinning, and turns back into the needy in front of you. He's going to use an attack called "You are my mommy." Shut up. He's just going to ask. Calm down. Speak. No, the child, she spins in mid-air, opens her arms to give you a hug. The needy emerges from behind her. She's going to hug you. The child's body. Make a reflex test with agility. My God in heaven. Damn creature. It's going to be talked about. Hey, Arthur, go to detention. This child. It's a reflex, right? Uh-huh. 28. No, how? He screamed. No, no, he dodged. He dodged. Wow. Mom is the old man. He got sad. He got sad. I spent my whole turn for this. The child comes. It's difficulty 25. The child comes, and you jump back like this. She hugs the air, and he's kind of pressed like this in the middle of the corridor. Ah, that was his turn. Now it's Karina's. Hum. I'm not going to bother you. No, man, feel free, old man. You won't bother anyone. No. So I'm going to go to her and flank her and give another stealth attack. Perfect. It won't bother anyone. And that's it. The more hits, the better. I rolled. I rolled 24. If it were you... If it were me... She's talking. It's 19 plus 5 for combat. You got it. You got it. Yes. I tried. I tried not to attack to see if I would attack you back. Ah, okay, okay. So I'm going to give 1 plus 1 plus 4, that's six. Six dice. You can give it. Six dice. There are 19 here already in the count. 6, 9, 11, 14, 15, 16 damage to the Nun Chaco. 16 damage to the Nun Chaco. Narrate to me how it happened again. Same thing. I arrived, shaking, here, bang, bang, bang. I gave six hits and still finished it in a beautiful pose. And I have this thing under my armpit, and I'm waiting because I can't do anything else now. It's Balu's turn. Bilu has two in the corridor. Okay. So you can, well, Rubens is here in front, so you can't, you won't be able to go after him. The moment the creature leaves me, I say, "Come back here, you mouth." I'll go after him. You can push me if you want. No, you can't. But he can push Rubens aside if he wants. Why would I do that? Asking because you can't, you can't get past. You have to push me. Ah, my bad, man. I'll push. Okay. It's an action. It's a main action. Push him aside. Ah, man, but then I won't do anything. Protect Rubens. Let the university students see if you can't do it, man. Rubens is our best. He's the only one who killed someone so far. Rubens is at 1/0. He's at 1/0, but he's zero. Okay. Pushing Rubens is a maneuver, right? A maneuver. That's it. So I'm going to spend my... You have the maneuver. I'm going to spend my... to push him. He pushed you with a free action. Do you want to resist? No, I won't resist. Make a test. Okay. So I pass by Rubens, push him with a free action. Sorry, Rho. And I... [Music] ...and I'm going to hit him with a standard blow. Okay. Push. You have... You have minus five in defense because of... It was just a 20, huh? With all due respect. 20 was a critical hit. It was a critical hit. Damn it. Are they going to my Bach? So from critical, it will be three D plus... For you, three. It's 12. Send it in the physical, right? Oh, I was staring at her intently. So she... Division. Real. You don't have division anymore. But I'm on the sofa. This damage doesn't count anymore. Ah, okay, okay. I rolled 10. Karina's also doesn't count. 11 plus 17 damage. That's right. I forgot about the line of sight. Remove Karina's dice. It was just because she... when she entered the corridor... Line of sight. That's right. 11, not 17. 17 damage. It's okay, man. Relax. Perfect. It was supposed to be 22. Ah, you cut off one of the claws with your axe. It's Felipe. He's going to... he's going to walk here. He's going to point. I shoot or not? No, no. Protect the old man. The guy almost killed me when I opened the trapdoor. Old man, you don't know how to shoot, old man. Ah, okay, now it's Dante. Here he comes. Now I reposition myself to be close to Felipe. I look at the creature. You don't... You close it first. You close it before repositioning. The roll ended when you... when he left... line of sight. Okay. So I'll go and close my hand with the creature's image. I deal 13 D8 damage. 13. Wait, now explain. Explain your... For each damage die it suffers, I deal 1 D8 damage plus two because I did the upgrade. Normally, one D. How many force points did you spend for that? Three. Just three. We updated this ritual, you know? It became like this. It became like this. Okay, fine. Do you want me to see? Because, because in reality, Arthur dealt a lot of damage. Arthur dealt a lot of damage. That helped me. Okay, 9, 10, 11, 14. Okay, wait. Now there are five more. It's the rolls. Go ahead. Do well. Okay, 6, 9, 17. Whatever. And it reduces by half, right? 21, 28. No, it's reduced by half. Yes. 28. And now three more dice. He's happy there. Ah, he's happy. Ah, man. 36 plus 29, 65. What's the DT for your... 25. 25. It's death. Ah, death. Hum. Ah, it dealt... The guy is rooting for the creature. You think? Me with my son. I'm your son too. I'm his mommy. What? Still have an action? Yes. This was... this was the previous ritual that ended. How much damage did that deal in total? 65 damage. 65. 32. And Balu dealt 11 damage. Ah, Balu, you know, but Balu... anyone who had taken that would have died. And man, I took a hit. Something again. What happens narratively with a creature? Do you want me to say it? No, I prefer to say it. I like it. At the same moment I snap like this, all the impacts it suffered, you know, arm that... In reality, it was much more the shot. You guys see. I'll describe the sniper shot. You see Artur's bullet replicated in time, hitting another part. It was all black. Almost explodes another piece. It's like it hit the creature practically twice. I go and blow again. What happens now? It's Rubens' turn. I want to get... I'm close to Antônio. You're with Antônio. With Balu. Ah, okay. He becomes immobile. He becomes immobile. I wanted to see if I could heal something with a paramedic, but you have to stay still for one round for us to heal. I can use my secret technique and use it as a maneuver to stay still. Ah, no, so unfortunately, you have to stay... do nothing for your turn. Okay. Ah, you decide. No, but it's like... he won't be able to block, counter-attack, nothing. Ah, no, in reality, immobile means all forms of character displacement. You can't move. But you can still... Ah, no action. No, but it's... two conditions. Immobile and something else. Immobile and defenseless. That means you can't... you become immobile and then defenseless, which means you suffer minus 10 and become vulnerable. So, I think now is not the time. [Music] So this will be a lot of work. No, I think it's a bit complicated. I don't cover. No. Okay, you do it. Ah, I'm going to... I'm going to get a little further back and shoot again. Okay. You can aim, right? I'm going to aim. Okay, I'll get it. Aim. It's agility. Agility. [Applause] It was 25. You hit. You can deal the damage. It's three. You can deal three. I'm going to use... I'm going to use two. Two effort points to aim. Aim. What's it called? Just say aim. Elite aim. The size of the master. Of the master. It's the size of... It's 1.82. The size of the master. The creature's size. It's about 3 meters. 3 meters. Wow. It's going to be a lot of work to take him down. I'm not even going to try. It was eight. Eight damage. But again, you feel like you didn't hurt him much. But he's gushing blood everywhere. Basically, the blood that was in the room before looks like a small amount compared to the blood coming out of him now. Ah, now it's his turn. Everyone around him will be attacked. I thought he was... after me. He attacks twice. No, he's... Ah, you. Sorry, Artur. Then needy. Highlander. Okay. I imagine that my sniper... it stayed there, right? Because he attacked me, I jumped back. Yes. Okay, okay. You're face-to-face with him. I have a door behind me. That's right. Ah, yes. But it's open. So I want to... so going backward, I can gain some distance and use quick draw to draw my pistol. Okay. Okay. Ah, which is a... quick draw is a free action. And then now I'm going to use... I'm going to spend two PE to aim with a free action. Okay. Okay. So let me reduce the strength. And then I want to shoot the sniper shot. The sniper is on the ground. Sniper is sniper. Long range. I'd have disadvantage. It's on the ground. It stayed here on the ground. I imagine that to dodge him, it's heavy too. To attack. The shot. Can attack. Ai. Ah, 23. You dodged, right? With a free action. I spent... Okay. Okay. So you hit. I hit. When I shoot, it's like... it's only on the die that it's a critical hit, right? It's not adding up. It's only on the die. Otherwise, it would be too overpowered. Okay. It wasn't. It wasn't a critical hit. Can you give the damage from the pistol? From the pistol, it's three D6 because when I aim, it adds one more. It's not stealthy. It's not stealthy. That's right. It's not stealthy. It's two D6. But then the one because I aimed. Uh. 6, 7, 8, 10, 13. 13 damage. She seems relatively resistant to firearms. Okay. Ai. Here she comes. Tomina. You take two attacks. Balu takes one. God. I'm going to try to dodge both. It's not one. It's one reaction. You're going to block. You're going to dodge the first one. The second one. She's going to try to grab with her... She'll attack with her claws and then with her stinger. Which one do you want to dodge? I want to dodge the stinger. Okay. Ah, so the first attack missed, and the second one you dodged. Congratulations. It was... She died in your... I'm going to roll. It's difficult here. Ai, you bit me. Wow. No, you didn't. You bit me. Shut up. It's you. Come see. Come see. Tell me the value that's here. No, come. Tell me the value that's here, man. She... I died. I died. While I'm rolling the dice, I died on the first one. Oh, I have 45. It's 1, right? Idiot. Critical hit. It's okay. On the first one. On the first one. So that's it. 20. How much do you have? 45. You had... If she rolls more than half in one hit, you die. Exactly. So shut up, uncle. Now what do you create? The first episode is a tutorial. To dive right now. I don't want to... The maximum is 45. 57. So if she rolls more than 28, 28, 28 and up, you fall, dying. I love 25. But it's okay. 18, 21. 21. Wow, wait. 21. I took 21. 21 damage. Ai, that hurts. And she has one more attack. Wow. I'm going to try to dodge. I have 20 to dodge. Hum. She hit. Make a test. Make a test of combat with strength. She's going to try to knock you down. Combat with strength. In all combat tests, I have one more die. Okay. So combat with strength. So she's going to knock you down with this... with this blow she made with her claws. I'll have to prepare this guy, man. Rolled a five. Five. She hit you. Plus five for combat. 10. Okay. She knocks you down. Just to get rid of it. But she knocks you down. He's... These guys. You fall to the ground, and now she's going to stick the stinger inside you. Oh my god. In your... like, trying to pass your lower back through your stomach. I can't dodge. No, because you fell. I can't do anything. Ah, you have minus five in defense. You can dodge. I'm far away, right? I can't grab. My action. I have 15. So it goes down to 20. Minus five for falling. Because of the distance. I can't run and try to jump in front, right? Ah, no. You're far away. She's on the other side of him. He's blocking the door. Let's go. I'll just risk it so I don't get a pin here. Okay. No, it's just damage. You'll take this much damage. Death damage. You take 10 more death damage. But don't consider it in that first hit. You're not dying. And you have to make a test now. Make a fortitude test for me. Because she's using mortal suction on you, man. Fortitude with vigor. Fortitude with rigor. Mortal suction. She's going to try to suck your bodily fluids and try to rot your organs. 14. 14. You... but this one. But yes, you don't pass. You're nauseous. You can only take one movement action or one standard action per round. Wow. She took all the... Old man. I'll scream. Karina. You guys see. You hear Karina vomiting inside her mask. And I... Yes, I'm wearing a mask. Yes. I'm vomiting inside the mask. Karina, get out of here. Does this count as a disease? Ah, no. Nauseous is just a condition. Balu, you're going to take an attack. I'll block. Okay. [Music] 35. 25. Of course. 19 is a critical hit. No. Let's go. You're going to take this much blood. Take blood. Wow. Yes. 15 damage. Blood. 15. I don't know how to do the subtraction here. Click minus 15 times on your life. And that was the round. She stuck two arms. One of them is one that was cut off by Balu. But she just knocked you down and stuck the other one... with the other arm inside your shoulders and stuck the stinger and tried to suck your stomach. You vomited. You felt horrible. And meanwhile, with one of the upper arms, she cut Balu's chest. Now it's... now it's Karina's turn. I can try to stealthily drag myself behind this sofa here and hide with a free action. You have half. You have half of your movement. Falling. I... I can. You can move slowly. Like, come here. You're fallen. You're fallen here. You can come here. That's the most you can do. And I can become stealthy behind the wall. You have to hide. Free action. You can try. I have. Okay. So I'll try to do that. Look at this creature, man. My God in heaven. It's 18 plus 10, 28. Okay. You get out. You pull yourself around the corner and pull yourself, leaving a trail of blood behind you. But try to hide behind the wall. You hid. Okay. Now it's the policeman's turn. He aims at the creature now that there's no one else and shoots. Felipe, how do you want to kill him? He missed. He missed. But since he was aiming, it's no problem. How did he miss? He rolled a six. Okay. Now it's... we can enter the order. F. That we are. Like this. Dante. It wasn't me. It's him. I think it was me. Ah, it was me. I jumped over Balu. I think Balu had already rolled because I attacked. You can go, Balu. Goodbye, Balu. Ah, I'm going to hit the beast with a powerful attack. Powerful attack. I'm going to spend two PE and just one... This gives attack. Send a 20 for us. Ah, 19. 19 plus this is not a critical hit. 19. 19 is a double axe. 20. Ah, it's 19 plus 10, 29 plus 5, 30. You hit. You hit. Okay. How much damage? You hit. Even though we... 12 plus 6. Say that. 12. 12. Not even... one plus six. Seven damage. You graze the creature. At least you managed to get Karina's attention. That's why she managed to drag herself out. Okay. What do you say? Obada. Esa. I haven't moved yet. No. I can pass by him. No. To the other side. No. He's blocking the passage. He's too big. Son of a bitch. Artur's sniper is not within my reach. Huh? Artur's sniper is not within my reach. It's on the other side of him. You can do a maneuver to knock him down. Ah, man, I'm not an idiot. The beast is 4 meters. The beast is 4 meters. A little maneuver to knock him down. Man, wait. Let me just confirm something. What are you going to do now? 3, 2, 1. Roll. The beast is in front of you. He's killing everyone. What does he do? So I'm going to... I'm going to try to knock him down. I'm going to use my secret technique. Spend two more PE and try to knock him down. Let's go, Balu. Balu's secret technique. Man, he's... cheese. That's what I have to do. Roll attack against me. Combat. Roll higher than 29. My God. Also, 27. I rolled 28, man. Uh. Yes. You go up. You hit him, and he goes back and stays in place. You son of a bitch. You hear an almost thin, high-pitched noise coming from the head of the tentacle. Now it's Dante's turn. I hit again. Palm strike. Let's see. My God. 2, 6, 25, 27, man. He rolled 28. Old man. I dealt eight and a seven. Fortitude plus 15 plus one, 16. Plus 27. Fortitude. But the damage is death. 43. Yes. 60 damage. My God. What's the DT? Death. 25. DT. How much was the damage? 60. Okay. You... How many attacks did he suffer? Three dice. Three dice. One die. Seven dice. Okay. You guys see, once again, all these repeated attacks in time. These blows. You dealt good damage to this creature. But she's not dead. So now it's turn three, right? Because this was from the last turn. I use my ritual extension to turn a short... and I use improved healing on her. Okay. Make a healing roll. And 38. My ritual too. Okay. I see she's in bad shape. I feel very bad because my creation made her like this. And I just blow in her direction. Black nerve that's in her direction. You see this nerve coming in a spiral, closing, greatly accelerating the healing process of your wounds. 16 plus 9 plus 9, 25. Healing points. Wow. Now it's Rubens' turn. It's me, I think. Rubens, then you, right? Okay. The creature is still in the corridor. Still in the corridor. Yes. I can get there. You can. It's in front of you. I wanted to see if I could hit it with a hammer. Do it. Do it. Let's go. Let's see. Take it, man. He's going to finish the creature with a hammer blow again. Let's go. I need to roll what? Combat. Agility. Because... Mal agility. You have six agility. Three agility. Wow. 10 dice. Ah, it's 18. 18. But combat is... You don't hit. She blocks your attack, son. So it didn't work. But how much strength do you have? Zero strength. So let's... You don't take damage. You try to attack. And she blocks. With two arms. You have a little hammer. Like a little hammer. Hammer. A miniature of the hammer. I imagined if it was like a hammer. Artur. Now the tests. It's Brazil. It seems the situation has gotten complicated for us. The situation is terrible. Ah, I'll have to shoot again with the pistol. If that's all there is for today. Do well. Ah, let me see if there's anything to do. Ah, no. I'm going to spend two more PE to aim. Okay. It's impossible. Is she stealthy now? Like, she notices us. Like, she knows you're there. You didn't hide. Okay. So I'm going to spend two effort points to aim and take it. Take it. Shoot. Kill. Dice. Ai, that hurts. 19 here. 19. 29. 29. You hit. You hit. Okay. And it's a critical hit. So it's a critical hit. Okay. She's still alive, man. Okay. Okay. It's a critical hit with the pistol. Yes. It's my critical pistol plus one. It's 36, in fact. Unfortunately. Because of the critical hit and plus the aiming when I aim. Sorry. Okay. 6, 11, 14, 16. 16 damage. Okay. It's her turn. You see some of her lives recovering. Ah, go to hell. And now she just invented a healing power. No. It's called blood regeneration. The first time the needy gets hurt, he heals accelerated. He just got hurt now. Wow. I even spit. That's it. Reaction only serves for things that are... mid-way or can be anything. Reaction when it's not your turn, you're reacting to things, but only when... when it acts with you. Ah, yes, only with me. No. Depends. You can spend your reaction. And another thing. What do you... What do you want? Like, my ritual, for example, has reaction. Uh. And if something happens, if something happens to someone, I can use that reaction. You can use your reaction to do the ritual. Okay. Okay. Just so I know. The creature is going to jump between Rubens and Balu, turning into a child again, spinning. She's going to grow in front of you. Wow, this is going to be... You like it. She's going to grow in the middle of all of you. Everyone around here will take an attack. No, when you are... You can dodge. Block. I'll dodge. Okay. Let's go. I don't have any benefit for... Stealth. No. Defense. Plus, you have minus five. You're fallen. You have 35. You're at 35. Let's see. Critical. Wait. Why are you at 35? Each cone is plus five. Plus 10. And plus 10 reflex. My God. It's true. So you already jumped out. So one of your cones will go with this. She hits one of your cones. It goes out. What about the rest, guys? I... First, she'll attack you twice. So on the second one, she won't... You don't have this advantage anymore. Okay. So the second one, I have 20. 20 defense. Just two cones. And I don't have... I have two tests. The dodge was already on the first one. Ah, so there's the 20 now. 20. Let's see. She's going to hit you with a stinger. She hits the stinger. So you take death damage. I have resistance to that, right? You have resistance. What's going to happen? Just a moment. Calm down. This guy, man. Fortitude is my worst. Cara. It's really fortitude. You... Wow. You took 19 death damage. It's a divine comedy, indeed. Not really. And now you have to make a fortitude test, otherwise you'll become nauseous. It's good. Doesn't use it. She hits the blur. Hits the stinger. It passes by you. And she tries to suck your organs. Man, mortal suction. I have advantage on this, right? I have advantage. Because I'm death. You have advantage. Plus 19 plus 5, 24. You succeed. Lord. Now let's go. I want to use reaction to do what? Ah, the ritual. Ghostly form. Phantasmagorical. It was almost difficult to say. To dodge. Dodge and take Antônio along, spending more PE. Ah, how many PE do you spend for that? Ah, the cost of the ritual is three. Three PE. And then I can use two more. Ah, to change to reaction. Okay. Yes. And one more to take someone with me. Okay. You can do that. So I take you. You spend six effort points and roll the ruão. Accept me. I saw... My body becomes a bit crackly. Uh-huh. As I touch someone. In this case, Antônio. Also Balu. Balu. Bilu. I can go somewhere. 1.5 M from where I am. Yes. In this case, I want to... I don't need line of sight to the location. I can just imagine it if I already know it. And I went to the bathroom earlier. So I want to... You went to the bathroom earlier? Cac. The guy is a genius. I'd like to go with him to the bathroom. Paul. You look to the side. Allows you. You look to the side. You see Rubens. A ghost-like form. Now, almost like a pink, purple, gray, gray, not cyan, green television noise. He grabs you. You see your body transforming into this. And you cross almost a bizarre dimension. And you see yourself inside the bathroom with Rubens. Rubinho. You're all injured. What's up? You're not going to fall here. Calm down. Calm down. I imagined him in the bathroom. Like, 1.5 meters. If it goes wrong, I think I can turn. It's all calculated. I lost a D20. I'll get another one. Wait. That's why he went to the bathroom. To measure. You know? Karina, how much defense do you have? Fallen. I have 10 normal defense. But 10 reflex. Ah, it's 15. So she hits you. You hit the ground. She attacked. Twice. You attacked everyone. She attacks with a free action. Everyone around her. Because she has too many arms. Ah, because she has too many arms. So it's okay. So it wasn't worth it. The name of the skill. Too many arms. She's... Wow, man. She's dying. Wait. Arms are not here. Idiot. Written. Your more arms. Now she hit you. With... [Music] Claws. Don't stop appearing. Ah, okay. You took five damage. From what? Ah, no. I can't take this anymore, old man. I can't. Not anymore. And Felipe. Felipinho. Ai. Oh my god. Wow. Don't kill Felipe. Don't kill F. It's a critical hit. It's not a critical hit. I rolled. I rolled 19. 19. Now give Felipe's counter-attack so you can see if he... I have one more die. No. I didn't see. Ah, let's see. Felipinho. This one can take Felipinho. He. No, no. Hum. This hum. It's not just rolling higher than six. Oh, and the old men. I don't take damage. The old men take a grab in the belly. He rips off a piece. Blood morphs. And Felipinho is dying next to you. No, no. It's not going to... He's not dead. But he's dying. It's my turn. He didn't go to the side. It was everyone around. Now it's Karina's turn. Ah, I'm going to use a free action because I'm trained in athletics to get up quickly. You can do it. I can. With agility or strength. Ah, to get up. Agility. Okay. Wait. Agility. And I have one more die for all my tests. I already rolled. I rolled... Puts. Wait, I can't see. It's a 14 plus five, 19. DT is 20. No. DT is 20. You didn't succeed. So I'm going to... What? How close? To the beast. He's stuck to me, right? He's stuck to me. I'm going to use... I'm going to use rogue. Because I can move the same amount I would move. And I'm going to move away from her. Where? Further back. I'm going to try to enter. Like, the kitchen here. It's that I don't see the... But I'm going to drag myself back. And I'm going to use quick draw. I'm going to draw a throwing knife and throw it. You already spent your standard action for your movement action to get up to walk. You would have to spend a standard to get out of this place. Or you stay there and attack. Or you leave and don't attack. Ah, because I'm fallen, right? You were fallen and got up. Okay. So I'll just stay there. Okay. And then you're going to attack. No, I'm going to go far away and just draw. I'm just going to draw the knife and stay. Balu runs back. Go, Balu. You teleported to Rubinho. Rubens, where are they? I'm going to try to run away. I don't know why Rubens sent me here. You can run back here. Rubens. I arrive in the room. You arrived at the creature again. If you want. I arrived at the creature again. So let's go. I'm going to use a secret technique to try to steal the scoundrel again. Secret technique. Secret technique. Secret technique. Sec. It's my combat against yours, right? Uh-huh. 29 again. You fake. Look at this 32 from my friend. 37. I couldn't knock him down again. Wow, man. It's impossible. But it's the secret technique. I spend my free action. Okay. Now you can attack. So I'm going to attack. And he's flanked. So you gain. He gains minus. He has minus five in defense. So you have to... You have to hit 10. 10. 10. Roll to hit. 18. No. 10. 10. Ah, 18. 7 plus 6, 13. It passed. One round of Felipe dying hasn't passed yet. Hasn't passed. But it's his turn. It hasn't arrived yet. Yes. But it's his turn. When his turn arrives. It's one round. But I didn't act. It's like, between his turn and another. The needy's turn, actually, that will count. So, so let's go. Ah, but anyway, when it's the needy's turn again, it's one round. He has three rounds. You really want to kill our friend, right? Old man. No, I'm just warning you what's happening. He did it. You dragging him. What kind of action is that? A main action. A maneuver. I just need to... I need to spend the whole action. So yes. To drag him away. Because a main action is movement. What the hell, man. Man. Oh my God. I can't see what's happening. What went up, old man? So, okay. Yes. I can drag him. How far? Half of your movement. I can drag him to the door. How much movement do you have? Nine. You can drag him close to the door, but not to the door. Okay. I want to drag him close to the door. Man, I can just heal him too. Man, but then he's going to die. Damn it. He's close. He has two more rounds. He has... Actually, he dies next. He dies next. I heal him. At a distance. I'll go back a little and heal him at a distance. Okay. You drag him. You drag him. And heal. You have... You can heal him. Your healing heals... dying? I don't know. I just accelerate wound healing. I think you heal. I think so. Let's check. See there. See there. What do I have to look for? Dying. In chapter two. It says here that when Dante wants... The monster dies instantly. Choose. I think you have to heal the condition of dying. This is a medical thing. So I'll have to drag him out. Away from the beast. I'll try to drag him and shout. Guys, close to Felipe. Is it Felipe? Yes. I dragged him away. To die in a condition. If there's no healing. Condition: dying. You don't heal the condition of dying. He's bringing you back. You bring him back. But what you can do. Yes. Ah, and now it's Rubens. It's me. Ah, no. Every time. I do this every time. Dying with zero health. A dying character dies at the beginning of their fourth consecutive round. If they are dying. Actually, we updated it to vigor. We have to change this destiny. Okay. It's vigor points. How many vigor points do you have? Per round. You have free. If I'm not mistaken. I have to check that later. Actually, it's three rounds. Just to help our friend Felipe. Our great friend. I'm in the bathroom. In the bathroom. Then I saw you running. I leave the bathroom. Okay. No, continue. Continue. The round is happening. You ran. What to see. I'll arrive. I won't get close. I'll stay in the corridor. And I'll shoot. Even though it's not working very well. You can shoot. Okay. I'm not using... 26. It's theoretically... I don't know, right? The shot doesn't... The shot doesn't do that much damage. But I don't know that. Like, you just said. You noticed. I noticed. Ah, damn it. Damn it. It depends on the shot. Like, he has the same resistance, actually. But your shots are bad. Ah, okay. I rolled 12. 17. You shoot one of the arms. Right where it was quite injured. The arm falls off. The beast sort of... it comes back out into the child and comes back out again. It's very injured. Wow. It was fine a moment ago. True. No, I look at the weapon. Ah, and it didn't hurt then. I just forgot. He had this ability to heal himself later. No, relax. But you would use it. I think I think. No, I don't. Like, he should have healed more before. But I forgot. I started healing from that. Okay. Rubens. Artur. Kill Rubens. Rubens is in front of me. No, right? Rubens is a little in front of you. In the way. But but no. You can. It's in your line of sight. It's okay. Okay. That's good. You can. Ah, no. Just turn like this. I'm aiming. Or my... Like, because I don't... No, you can aim if you go to F. You can aim the sniper, for example. So I'll... He's on the ground next to Rubens. So I'll arrive. I want to arrive sliding. Grab the sniper. Quick draw. Okay. Spend... No, no. Spend. Because the sniper already has the aim. The free aim. I'm not stealthy, right? Because Rubens just... You have to hide. With a free action. I have to hide. It's not a free action. Okay. I'll shoot the sniper. So no problem. You can shoot. Ah, no problem. I'll take a sniper shot. The sniper shot already uses all the dice. I don't know. I don't know what this is. Because it fell on the... Ah, no. Okay. Roll again. Okay. 22. You hit. You can deal damage. Ah, 3 D8. What did you roll? Eight. 12, 18. 18. It didn't kill. The situation is very difficult. He recovers some of his life. Ah, no way, old man. And now he's going to attack Balu. Of course. I'll block. It's two attacks. Block the first. Second. The second stinger. The first with the claws. He's very injured. He's very wounded. Block. So first, you're going to take damage. Which is... Ah, 15. 15 defense. Let's see. The guy's going to roll some dice. Okay. He hits. And then the second one, the stinger. I block. 25. 25. He hits too. Wow. Ai. Let's go. Wow.

Not again, people. I think, unfortunately, I will have to say goodbye. Will I? No. First attack. These, these Balum. Come on, man. Already exhausted. The first attack dealt five blood damage. Okay. And the second attack is a bit stronger, but you blocked. So you take your strength from the attack. 10. How much strength do you have? Three. That's it. Minus three. Eight. 10. Seven. Okay. How much life does Calora have? He has a little bit of life. He has a little bit. That's why I dragged him. And he will try to knock you down because of, because he hit with his claws. Oh, wow. The guy has 95 action. If he hits with his claws, he can knock you down. Ah, he hit with his claws. Make a body check. Fight, fight me. Let's see if he knocks you down. You have to roll something higher than 24. 25, I think I have something. Uh, I want to spend, and I will use an ability that costs 110%. I will spend my. I can do this. Spend my two P to receive. Look, when you make a skill test using physical or agility, you can use two P to receive plus five. Okay. If you receive plus five, then I will spend two P. It becomes more than 25. Okay. More than 25 to withstand this hit. 18 plus 10 from fighting. 28. You hold the creature back from knocking you down. And this time, you are the one holding on. How do you hold on to his blow? It comes at you to try to knock you down. Say today is not the day. And now it's Karina's turn. Karina, go. Okay, let's go. I'm lying on the ground, right? I'll try to do a maneuver to get up. Again. No, no, you're hidden. Ah, I'm hidden. You went out and hid. Yes, went out and hid. Lost. But you're nauseous. I'm nauseous. You can only do one thing at a time. The truth is, is there a way for me to recover from the game? Is there a way to recover? Not at the end of the scene, by taking a Dramamine. So I'll use quick draw. I'm stealthy. I'll throw the throwing knife at the creature with a stealth attack. You can try. You're stealthy. I'm stealthy. Okay. You're stealthy. With the throwing knife, from the start, I'll aim. It's aimed, right? To block the child. The child isn't there. Not a child. Trying to block by swinging like this. No, no, I won't do that. Let it be. It's aimed. 18. 28. You hit. Okay. So my knife is a d6. Plus try to kill. Plus four and plus one. That's six damage. Now it's now. She rolled a one on all of them. 5, 7. I don't know. Existence. 12, 13, 14, 15, 16, 17, 18, 19, 20. You dealt 10 damage to him. You didn't kill him. Ah, no. Hammer of R. Oh, there are two options. But you, you see the knife. It embeds itself in the middle of the child's head. There's a knife now. Oh, you see that he lets out a high-pitched squeak. Now it's Balu's turn. Let's go. For God's sake. The creature is using a secret technique. Secret technique. Two P. I'll try to knock him down. Paul, Paul. Let's go. Let's see if it works now. Go, Balu, go. Will it work now, my God? Okay. Yes. Ah, 22. 22. It didn't work. It didn't work. Ah, it still worked. So I attack. You can still attack. If you kill him, I'll let you knock him down. Okay. Just to narrate. Just to narrate. He has no reaction. Okay. I'll attack. You can roll. I'll use. I'll use the powerful attack too, just to increase it by five to be sure, right? Never. Let's see. Let's guarantee it. Go, Baru. 20. 12 plus 10. 22 plus 5. 27. You hit. Damage, damage, damage. Now kill him. Kill him. 12. Six plus six. 12 damage. I managed to kill him. Knock him down. Knock him down. Knock him down. I can knock him down. Man, I can knock him down. I hold my axe with both hands. I'll let go. I'll let go of one hand of the axe and use my arm. This part of the arm to knock him down, like that move from the Naruto guy. Do it. I want to knock him down like this. And I'll grab my axe with both hands and give one to the child's head. To the child's head. Des, cut. Force. Cut. Force. The child's head. The child's head. Violent. Violent. You, man. You cut the child's tentacle body and freeze. All of it. It's like the whole brain. The rest of the body seems to lose its sense. It starts to try some bizarre form of blood. And you see just the child's body falling. A mortal remnant of a bizarre creature coming out of the child's head in front of you. You killed him, old man. It was a job, huh? I'm panting. I say, "Oh, disgusting creature." The guy has five health points in his hand. The iconic phrase. It can be embroidered. We're in a normal environment. Oh, let me stabilize Felipe, for God's sake, man. Okay. You can try. Come on, man. I want to know where the old man is. Where are the old men? Four D. The old men are in shock in the corner. And the other one, the woman, is also in shock. Night master. Ah, yes, yes. You stabilized him. You stabilized him. I use my healing on him immediately. Okay. Narrate how you do it while healing. Man, I'm trying to stop his wound. I stop it. I tear off a bit of my cape to wrap around his wound in the stomach, like to push it, you know, so it doesn't bleed as much. You see that he's stable. I heal him. Okay. You do that. And while you're bandaging and trying to treat him, he vomits a lot of blood. And you see in the middle of the blood, a rolled-up paper. Ah. I grab it. I grab the paper. I'm doing all this and healing him. First, before anything else, because no. Yes, you can heal, but you, you stabilized him. What do you need to do? Heal him. He has like 10 out of 15 life. 10 life. 10 life. Okay. He gains wings. He gained black wings. You see that he vomits a scroll, rolled up. In the middle. The scroll is clean. There's nothing on it. Look, scroll. I want this guy to be okay. Old man Felipe, are you okay? He's okay. He's okay, but he's nauseous. I look around, you know, seeing all the destruction. I pick up the scroll to see what he vomited and open it. Man, when you open the scroll, you recognize that this is one of the pages from Arnaldo's grimoire. And this is where we will end this. We continue next Saturday at 6 PM with another episode of Em Paranormal Calamidade Vora. Let's go. I'm very happy. Wow, this is so cool to play in person. Crazy. I almost died, man. The first episode, man. Almost. Five health points. I have 78 from the hotel in the Secret of the Forest. He was a mother. He was a mother. Ah, you. That door. Yes, yes, yes. Damn, man. It could have happened, but he didn't appear at the hotel. He didn't appear. It was just a throwback. This creature. I'll say why. Whatever. This creature. This book is the story of Daniel Hartman, son of the Tales of a Needy Creature. He was bought in the first season. Wow, man. Everything that goes around comes around, right? That's it. Thank you very much for watching. See you next Saturday at 6 PM. A kiss and until the next episode. Bye-bye, bye-bye. [Music] Tau h [Music]

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Episódio 0 - Ordem Paranormal: Calamidade

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