Transcription
Right man, peace. So brothers, this will be my rather expansive review of Jordan Peele's outstanding film, Us. And it will contain spoilers. So if you have not seen the film and do not want any plot points revealed, please do not watch this video. Do not listen to any more of this video.
Let me first state that there are various interpretations and plot breakdowns for this movie, and that's understandable because Peele's films, they're heavily steeped in a lot of different components like esotericism, alchemy, and mythological tales from antiquity. So it's going to be pretty difficult for a layman or the average person to be able to ascertain exactly what the crux is of his films unless you know what you're looking at. And most people, they just don't know what they're looking at most of the time.
I've read many reviews for this film, and I found that many of these so-called movie critics, they had no idea what they were looking at. They had no idea what they were talking about. But sometimes people, and maybe they're just a genetic thing, even when you're without knowledge, there's just something that is that is pricking your your subconscious mind about a film or about an image where you have a feeling or a suspicion, but you're not quite sure how to quantify or qualify it.
But just to get back to the point, just like his other classic film, Get Out, Us is essentially about the alleged facade of duality. You'll notice that about many of Jordan Peele's productions, that he seems to be obsessed with duality. And he's someone who is certainly knowledgeable when it comes to the occultic or the esoteric perspective. And that's obviously the reason why Hollywood has advanced him. Because even though as a veneer, he likes to market himself as someone who is quote unquote conscious, for those of us who know what we're looking at, we know that Jordan Peele, even though he is a genius, he's another person whose job it is to dispense a lot of Luciferian principles and ideologies, themes, motifs, or what have you.
But um, when I saw the film Us, I saw a lot of duality themes. I saw MKUltra and cloning elements, of course. But they were all wrapped within an ancient Sumerian tale from the Middle East, particularly Sumer and Akkad, known as the Descent of Inanna. And I mentioned this entity in the past in many of my videos. Inanna is like one of the more ancient names for the mother goddess. After she was known as Anana by the Sumerians, she became known as Ishtar by the Akkadians and the Babylonians. And then, of course, she took on other titles and names like Selene or Luna or Isis or Cybele or what have you, Rhea, so on and so forth. But that's actually what this film was framed within. It was framed within the quote unquote mythological tale of the descent into the underworld of Inanna and her attempt to overthrow her darker self or her evil twin known as Ereshkigal. A very little doubt in my mind that this is where Jordan Peele got the inspiration for the film Us from. So we're just going to go through certain elements so that you brothers out there can have a greater understanding of my perspective on the film.
So brothers, first I want to touch on the quote unquote split personality or multiple personality disorder or dissociative identity disorder aspect of the film. And it descends directly from the director himself, that being Jordan Peele. A lot of cats out there might not know exactly where he comes from. We know him from the television show Key & Peele, where of course he shot to fame alongside of his partner. But who would have been able to surmise or guess that a comedian on a rather, you know, mid-level comedy sketch show on Comedy Central were going to become, you know, maybe the next Alfred Hitchcock? Clearly, Rolling Stone and the handlers of Jordan Peele, they knew that when you look at the cover of Rolling Stone here, you see that they depict him with the split going right down the center of his face to denote what that's meant to convey? Split personality.
Now we're going to see this theme over and over again as we go through certain pictorial evidence. But let's just look at the cover of this quote unquote Rolling Stone magazine. And as I mentioned in other videos, the term Rolling Stone, it's meant to be an allusion to the boy child, that being Bytos or the life-restoring stone, aka the life-restoring child. That stone got rolled across the sky. Why is that? Because it's meant to be synonymous with the sun. So that's what the name of this magazine is meant to allude to. And as usual, or at least in the case of Jordan Peele, they're using the color scheme of black, white, and red because they're letting you know that Jordan Peele here's a very high-level witch in Hollyweird.
And I'm going to be touching on that when I go to his film Get Out, because it's very essential that people grasp this. Even though there was an exterior storyline pertaining to that film, Get Out, that revolved around race, in actuality, that film was about alchemy and the veneration of the principles of the Baphomet. But once again, I'll cover that in the video that I do on Get Out, once I get around to that video, once I get the chance to go to that film and analyze all the components of the movie. But that's actually what that film was about on a deeper level. We get back to this magazine cover right here. We see that they're depicting Jordan Peele with the split right down the middle of his face to show you that he is an asset of the industry. He's a monarch asset. It says here, "The Terrifying Vision and Unlikely Triumph of Jordan Peele." Why would they say that? It's an unlikely triumph. I'm sure that they're going to go into certain aspects of his childhood and say, well, you know, he came from a home with no father in the home, so on and so forth. Believe me, they know where Jordan Peele came from, and they know what they're going to use him for. He's an asset of, I believe, Bluegrass Productions, which is the production company that makes most of these quote unquote horror films. And I don't consider Jordan Peele to be a director of horror films. I consider his films to be suspense-driven more than horror-driven. He's extremely talented, extremely gifted, but he has an asset.
Now brothers, right here is a photo of Miley Cyrus, who's another asset under Disney programming. We see the same theme with the tear or the line right down the middle of her face, which is meant to denote, once again, split personality. Let's look at what it states here. It says, "Miley Cyrus in red." And underneath where it says Miley Cyrus, it says, "Robot." You see that, brothers? Miley Cyrus, robot. What are they trying to convey with that term robot? That's letting you know that she is under the programming. That's why you see that term robot. They love to use the alter-ego theme in Hollyweird because that's the way of letting you know that these so-called celebrities are not who you think they are. They have various levels of programming. They have that facade programming that they convey to the masses, and then they have who they really are. And there are triggers that can be utilized to bring out various aspects of all of their different personas. I just wanted to show this photo to provide some context for what we just saw with Jordan Peele.
Now, this right here is the cover of Esquire magazine. And once again, we see the same duality theme. This time with Ryan Gosling, another Disney asset. He came up through the Disney program at the same time of Justin Timberlake and Britney Spears and Christina Aguilera, so on and so forth, as well as, I believe, the other member of NSYNC, or one of the other members of NSYNC, JC Chasez, or whatever his name is. They all came up during the same time period on the same farm to become celebrities in Hollyweird. And we see the same doppelganger theme, which is once again meant to show you that they are dealing with multiple personality disorder. That's how they're kept under control in Hollyweird.
Now brothers, this is part of a photo shoot that was executed by a relatively famous photographer by the name of Derek Blanks, who's a so-called black man, by the way. And very obvious to me, he's an MK handler as well, because he had a photo shoot theme known as Alter Ego. And we're going to see that same theme of the good twin and the evil twin that we saw in quote unquote Us, which once again, all that is is a metaphor for the tale of Inanna and her evil twin, Ereshkigal. But let's go to this writer. This is the other MK asset, or another MK asset, that being Brandy. We see the good her has on white, about her has on black. And the one in black has a knife to the throat of the good, quote unquote, Brandy. What does that meant to convey? That's meant to convey self-destruct programming as a component of MKUltra.
This is the singer Amerie, who I believe has a military background through her father. She shot to fame in the early 2000s, like maybe around 2000, 2001. And, you know, her career kind of flamed out. But she was a part of this photo shoot, once again showing not only the not only the duality, the split personality, but also that she's a puppet. You noticed that as well as the dual theme of the twinning theme is also the control theme. You'll see that oftentimes the assets, they take pictures where they're behind bars or they're in a cage, or they're at the end of a string.
This is Ciara, or should I say, Charles. Oh boy, yes, this is Ciara. We can see that once the air is playing a male figure, the other one's playing a female figure. What is she trying to tell you? What is she trying to tell you guys? Or what are Derek Blanks and Ciara trying to tell you viewers out there about Ciara? That she split into an alter ego, and one of them is a man, and the other one is a female. Remember, I believe that it was Ciara who had that song called "Like a Boy" or something along those lines, where she was trying to basically let many of the people out there understand what her origins were, allegedly. Allegedly.
This is T.I., aka Tip Harris. I wonder who he's giving tips to. Could it be the local authorities? Who the hell knows. Either way, T.I. is a part of that photo shoot as well, or at least that theme of duality. The so-called street dude and the so-called clean-cut guy, letting you know that he has multiple faces.
This is Vivica Fox, once again showing the good twin and evil twin. The Queen of Heaven, as well as the clean-up underworld type theme. One side as the angel, the other side is dressed in all black and has the fangs and the claws.
So now brothers, that brings us to the film Us. And we see the penultimate struggle between the quote unquote good version, that being Adelaide, and the quote unquote bad version, that being Red. And notice that we still refer to each person, to each side of that quote unquote twin program, by the name that they have applied to themselves, as opposed to their real name. Because in all reality, that was Red who was actually Adelaide, and it was Adelaide who was actually Red. But what is Jordan Peele actually trying to tell you? He's trying to show you that as above, so below, and vice versa. The bringing together of opposites.
There were a lot of scenes in this film that were extremely revealing, extremely incisive, titillating, whatever terms, whatever term you want to use for vodka, Tori, so on and so forth, that make you think, or at least should it make you think. And as I've stated in other videos, the reason why Jordan Peele had many of the most important scenes occur inside of that house of mirrors is because the mirror represents that doorway into another realm, into another quote unquote reality or dimension, so on and so forth.
I stated this in the video that I did on Issa Rae. One of the key components of Luciferianism, or the esoteric aspect, the Babylonian mystery school system, especially in the veneration of the mother goddess, is the ability to practice divination while using a reflective surface. That's known as scrying. And when you use a mirror, there's known as catoptromancy, or something along those lines. I believe it's catoptromancy. As in Charlie, as in Apple, P as in Peter, T as in Thomas, R as in Roger, O as in Oscar, M as in Michael, A as in Apple, N as in Nancy, C as in Charlie, Y as in Yellow. I believe that that is a term for what witches or diviners utilize, or what they do when they're able to summon a spirit through a mirror. And that's what we saw when Adelaide went into that house of mirrors as a child. She met up with her doppelganger at the same time. Because what Jordan Peele was trying to convey is that on the other side of that mirror was an equivalent dimension, an underworld, with another you. In the same way, in the story of Inanna and Ereshkigal, they were twins on the opposite end of the spectrum. And in the film Us, that mirror was like a liminal portal, meaning that that's just a doorway. Outside of that doorway, you have an entire so-called reality. But you meet together at that doorway or at that portal, and that's the nexus point to crossover.
Okay, very similar to the film E.T. At the start of the film E.T., or near the start, Elliott first encounters E.T. in the tool shed. The tool shed was that liminal portal, that doorway. And according to the dictates of Luciferianism, Halloween, or quote unquote, Samhain, however you pronounce that, that Celtic holiday, that was a day of high resonance or importance because it created liminal portals where ghouls and goblins could come through. That's why they refer to E.T. as the goblin, because that was their way, or that was Steven Spielberg's way of communicating to the audience that it was a demonic spirit that Elliott was able to conjure after his quote unquote pineal gland was was illuminated or enlightened. That's why E.T. pointed to his quote unquote pineal gland right there on his forehead and said, or his third eye, and said, "I'll be right here." That was E.T.'s way of saying that you can speak to me whenever you want to do the third eye. Understand? So it's a very similar theme, my equivalent theme in this movie here of Us. It will it involved transdimensionality, the crossing over. And we're going to address the component of the Descent of Inanna and a little bit.
So brothers, in the film Us, one of the motifs is the song "The Itsy-Bitsy Spider." The character of Adelaide, as a child, she's whistling that to herself as she enters the Hall of Mirrors, which acts basically as a nexus point between the physical world and the underworld. That is where she first encounters her quote unquote doppelganger, the young Red, who eventually chokes her out and takes her place. But let's find out what was really the meaning behind the motif of the of the spider and the use of the song "Itsy-Bitsy Spider." Let's see what it says here. It says, "Common spider spirit animal meanings: The spider meaning represents mystery, growth, and power. Just like the seal spirit animal, it symbolizes the shadow of yourself or the dark aspect of your personality. What the spider symbolism wants you to know is that you weave your own destiny."
So once again, it's very clear. And this is why it is very difficult for me to take the big critique or the analysis of movies by average people seriously, because most people are not willing to do the research that it takes to get on the wavelength of a director as nuanced as a Jordan Peele. That's why I call him a genius, because every aspect of the films that he makes have a resonance, have a meaning. I saw so many reviews from people who claimed that there was quote unquote too much going on in the movie. No, there wasn't too much going on in the movie. There just was not enough going on in your brain. There's no need for Jordan Peele to dumb down the various components of his films to make dumb people feel comfortable. Though are things you must do if you go to see a Jordan Peele movie is be willing to investigate the various aspects of the film. Because if it goes over your head, it's probably because you're not well-versed enough or knowledgeable enough to pick up on many of the references. But the entire, the entire storyline or the entire arc of the film is predicated on a series of motifs and symbols that are consistently about duality and the uprising of the shade or the shadow or the darker aspect of of the characters in the film, particularly Red or / Adelaide, basically two sides of the same coin, Inanna and Ereshkigal.
Okay, so now brothers, what we also saw in the film Us was the theme of the rabbit or the hare. And certain people may have been confused by what the relevance of the rabbits were. The rabbit was symbolical, was known as a psychopomp. Psychopomp. And Peter, and Peter, and Sam, and Sam, and Charlie, and Harry, and Oscar, P as in Peter, O as in Oscar, M as in Michael, P as in Peter. I touched on this concept of the psychopomp in the video that I did on Nipsey Hussle, particularly with the quote unquote mother goddess figure of Epona or Rhiannon or Selene, the horse goddess, who acted as a harbinger of death and also a guide to the underworld. And this from Us, the hare or the rabbit represents a psychopomp. In the same way that we saw in the film Alice in Wonderland, the white rabbit represented a psychopomp. Remember, one of the names for the Alice in Wonderland book was "Through the Looking-Glass" or "Through the Mirror." The white rabbit led Alice through the mirror or through the looking-glass into another world, into an enlightened world.
Now I've seen some interviews with Jordan Peele when he tried to play coy on the meaning of the rabbit. He claimed, well, rabbits, they look nice. What they really mean, and blah, blah, blah. It's very obvious that his job is to speak in double-speak, which goes along with the theme of the film, that being that you don't reveal who you actually are. You wear a mask. Jordan Peele in real life is wearing a mask, but he has a brand directive, no doubt about it. But each rabbit in the film represented each one of the tethered. Every time that the rabbit was was locked in a cage, that meant the tethered were locked in a cage. When the rabbits were free, that means that the tethered were freed. So that was the meaning of the rabbit. That's why you noticed that near the end of the film, when numb, when Adelaide was about to journey down into the underworld or into hell to encounter her darker half and take back her son, who represented D'Muz or the D'Muz, when she was about to do that, when she first opened the door, there was a white rabbit there because it's supposed to be the psychopomp who let her to the underworld.
Now this is another photo with the same theme of the rabbits that are locked in cages. And we see Red, really Adelaide. And once again, meant to denote the interchangeability of clones or the concept of the sharing of a soul, which Red herself expounded on near the end of the film Us. It was revealed that there was a cloning program that was started by the United States. And that they, they were able to figure out how to clone a human person's body, but not how to clone the soul or how to create a soul. They couldn't do that. So that's what you got the concept of the program of the tethered. And do I believe that Jordan Peele threw that in there because he might have an understanding of an actual program of that nature? Absolutely. I believe that they load out of my mind. Why would they not be able to clone human beings? They can clone everything else. So this notion that they, they can't clone human beings, so they won't do that, that's nonsense. As a matter of fact, it is extremely feasible and expedient to create a cloning program because now you have beings with no soul. That means that they have no conscience. That means that you can utilize them for whatever. You can utilize them to execute certain assassinations all across the earth, so on and so forth. There are limitless possibilities to a cloning program. So I do believe that that was a part of the movie for a reason.
We've also seen a clone theme in the recent Jurassic Park films. And the last one, it was revealed that the granddaughter of one of the originators of the Jurassic Park program was a clone herself. And that's why she was so particle with the dinosaurs, because the dinosaurs were cloned. She realized that she was a clone, and she wanted to be free. So she sold, therefore, she liberated the dinosaurs as well. So there definitely was an element of cloning in this movie. And they've been, they've been making cloning films for many years now. I remember one that Sam Rockwell did called Moon, about a NASA astronaut who realized that he was a clone. Very interesting film. But as we can see here, the rabbits are in cages. I don't think that this was part of the film. This is probably a promotional photo, because by the time Adelaide descended down into the underworld and saw Red, all the cages were opened. So this is probably a promotional photo for the film. Either way, each rabbit represents the spirit of each one of the tethered.
Now this is another film that has the theme of a hare or rabbit as the psychopomp, or the entity that will carry a person or soul from the so-called real world to the underworld or to another dimension. Waiting for any of you who have ever seen this film, you know that basically the lead character played by Jake Gyllenhaal believes that he might be hallucinating. And I think that this was probably a psychological trip for him in real life, because Jake Gyllenhaal, as well as his sister Maggie Gyllenhaal, I without a doubt, a couple of MK assets in Hollywood as well. And that's what they do. They put many of these children on the programming, and then they subject them to films that trigger certain components of their programming so that they give realistic performances. But this was the film Donnie Darko, with the demonic bunny, or the demonic rabbit, acting as an advisor or spirit guide.
Here's another still photo from the same film, and Jake Gyllenhaal is the only person who can see this demonic bunny, or this demonic rabbit.
Now here's a cartoon depiction of the quote unquote rabbit from the Alice in Wonderland film. And you brothers remember, he always had a watch on him, and he always thought that he was going to be late. And he led Alice Through the Looking-Glass, through the mirror, into Wonderland, or into another realm of endless possibility, so on and so forth. And there are many movies that have the same theme. I touched on this in the past when you see the film 8 Mile, starring Eminem. He plays the character, preferably speaking of the white rabbit. His job is to lead hip hop into a whole nother level of understanding. That's why they named him B-Rabbit, and he's a man by defeating all of the competition, he's able to lead the rap world into a new era. For those of us who remember right after that film came out, after that 8 Mile film came out, they started to call Eminem the greatest rapper alive, so on and so forth. That was a ritual. Also, also the Michael Jordan film Space Jam, where Bugs Bunny, the rabbit, pulled Jordan down the rabbit hole into a whole other realm, out into outer, into outer space, so that he could play basketball against some aliens somewhere.
What does all this come from? It comes from the concept of Azar, Azar, Cyrus. Who after he died, they believed that he went up into the heavens and became the constellation Orion. Orion is the hunter, and he's always in pursuit of the rabbit or the hare, the constellation known as Lepus. Lepus. L as in Larry, E as in Edward, P as in Peter, U as in Umbrella, S as in Sam. So that also goes into the concept of as above, so below. Everything that's occurring in the stars occurred here on this plane of existence, and it's also occurring in the netherworld. Okay? So that's why you'll always notice when I'm really speaking about the mother goddess, she has a celestial aspect, an earthly aspect, and an underworld aspect. That's how it always goes. And that's what they communicate through these films.
Once again, the character of Adelaide is supposed to be the quote unquote good version, or the good half of of an entity that is really the same. And that's what Jordan Peele was trying to communicate. Red, or the underworld version, was someone who had been robbed and who had been taken advantage of and left for dead. She played, she plays the alleged villain throughout the film, but nobody knows that she's actually the victim until the very end. That's part of the suspense aspect of the psychological aspect when Jordan Peele gets to manipulate your emotions and get you to think on a higher level, because you assumed the whole film, and also me myself, assumed the whole film, that Adelaide was the quote unquote hero, and Red was the villain. When in actuality, it was the opposite.
Okay, so now brothers, I just want to revisit the mirror theme yet again, and the concept of narrative nation, and the mirror being a portal from the physical world into the spiritual realm. This is something that Jordan Peele has utilized before. He certainly utilized it all throughout the Us film. Not just with the mirrors, but there was also a scene near the beginning of the initial altercation between Red and her family and Adelaide and her family, where Red pins Adelaide's head against a glass table, and the glass table starts to crack, which is representing the crack in the report or the relationship between the two. And Red has Adelaide's face pressed up against the glass table, and you can see not only Adelaide's reflection, but also Red's reflection as well, to let you understand the Gemini or the twinning programming. Also, remember that in the film, there was a couple of Caucasian teenage twins as well, the kids of the Caucasian family that were friends to the Wilsons, and they certainly met a very horrifying end. But yet again, Jordan Peele was trying to, he's trying to push that twin theme or that twin motif.
So brothers, this is a still shot that I found while doing some research to provide context for the film Us. This is from a video game called Underworld. And as you can see, they had a twin in the video game Underworld. Why is that? Because as above, so below. On on this plane of existence, in the so-called real world, you have a version, and then you also have a double, a spiritual double in the underworld. What the people of ancient Kemet called a Ka, or a spiritual double. They believed in ancient Sumer and in Kemet, a double in the underworld. And in the Sumerian myth, they believed that that your shade, or the underworld version of you, your shadow, would just eat dust while you were allowed to, you know, to eat healthy food here in the real world realm. That's also where where Jordan Peele gets part of his uh, part of his storyline for the film from.
Now brothers, just once again going to that mirror theme. We see the actress and comedian Monique, who I've already stated when I've touched on numerous points in other videos pertaining to her, she's someone who also suffers from multiple personality disorder because she was subjected to sexual abuse as a small child. We see here in the in the photo shoot for Alter Ego by Derek Blanks, yet again, in the mirror, there's a Monique that's smiling, but the Monique looking into the mirror is not smiling. What is that less trying to convey? Split personality or multiple personality disorder.
Now, some of you brothers who might go back far enough will remember that in Superman 3, there was also a cataclysmic battle between Superman and his doppelganger. The plot point of Superman 3 is that they hired a scientist played by played by Richard Pryor to try to formulate or concoct some type of Kryptonite because the Kryptonite sample that they had was not substantial enough. So what Richard Pryor did is he mixed it with other components, other elements, but instead of killing Superman, it turned him into a wicked version of himself. But then the good aspect of Superman was able to separate himself from the wicked one, and they had a fight that ended up coming to the death. As we see here, the quote unquote good Superman had to kill the wicked one. So this battle between twins is something that always gets played out in cinema because basically, it's a rehashing of ancient mythological stories.
Okay, so now for those of you brothers who've seen the film Us, you'll know that this scene here is when the character of Adelaide, the young version of her, is about to enter into the house of mirrors and encounter her evil doppelganger, Red, who's going to switch places with her. You'll notice that she's wearing the Thriller t-shirt. Of course, Michael Jackson's renowned album from 1983. Supposedly, according to Jordan Peele, the Thriller t-shirt and Adelaide's infatuation with Michael Jackson and that being her last role memory of living in the in the real world above ground is what inspired her to not only wear the one glove on her right hand, but to also have her followers just wear one glove on their right hand. I'm not quite buying that, because if that was the case, then they all would have been wearing one glove with sparkles on it. You'll notice that they're wearing driving gloves, which to me is meant to convey or denote a certain level of control. It's meant to say that I'm the authority now. I'm driving this car. You're no longer controlling me. I'm going to control you. That's the reason why the doppelgangers, aka the tethered, wear that one driving glove on their right hand. And it's also to is also to try to convey Crowley principles, because that's why you have certain entertainers who just wear one glove. That's why Michael Jackson just wore one glove, because he was a follower of Aleister Crowley. But let's delve into that a little bit more.
So now, this of course is a renowned entertainer, Michael Jackson. Many people don't know that he also was a follower and acolyte of Aleister Crowley, as all the prominent musicians were certainly at that time, and even today. And that's the reason why he started to don the one glove. Whether it be on the right hand or the left hand, that one glove is meant to is meant to show that you're a follower of Aleister Crowley. Because as we can see, they're not wearing a glitter glove, they're wearing a driving glove. That's also why they have the scissors. The scissors represents empowerment. When you have the power to cut somebody off, what that actually means is that you're taking control over the situation. Hell, even when you cut somebody off in traffic, you're taking control of the situation. So the scissors always represent power. It also represents duality, as we can see here. It looks as at the top of the scissors are two heads, almost like Janus. And the quote unquote Roman god Janus is the goddess of the doorways. Janus has one face looking towards the past, another face looking towards the future.
Now, as those of you brothers who've seen the film Us should already know, there's a constant motif of 11:11. And many people might not be quite sure what that means. There was a character in the film Us who was carrying around a sign that said Jeremiah 11:11 on there, which is the scripture that's basically meant to denote that the Most High was going to bring evil upon the people of the earth that they would not be able to escape from. What's implied in that scripture is that the people are going to get what they deserve for their wickedness. Well, that millions of facade, in my view. I mean, I think that there's a component of that scripture that Jordan Peele wanted to have applied to his film. But that's not the first time that Jeremiah 11:11 has been a theme of a film. This movie right here, Jeremiah 11, was also used. This is a film called 11-11-11. "I will bring evil upon them." Jeremiah 11:11. This was a film about, once again, the underworld coming and attacking this present world, the physical world. So Jordan, Jordan Peele was not the first one to bring about this idea utilizing Jeremiah 11:11. That's how you know that it's a, it's pretty much a cloak for another concept that many of the directors in Hollyweird are trying to push, that being DNA activation or mind activation.
There's a reason why the character of Adelaide, who's actually the doppelganger, became so paranoid as they approached the Vino, the summer home they lived in, because she could feel that there was an energy that was going to come and meet her. She could feel that she was going to be forced to deal with the consequences of her actions. Please keep in mind that the film begins in 1986 and it goes from 1986 and jumps forward to 2019. That's a 33-year difference. We know that number 33 is from mind activation, right? Spinal column has 33 bones in it, 33 partitions. You get to the top, and that's mind activation, aka through the pineal gland, so on and so forth. But when you see that number 11:11, that is for DNA activation, or which is always analogized in the ancient world as the double helix, okay, all the twin serpents, quote unquote. So that's what the, that's what the term or the meaning is behind 11:11. Like, for example, if you were to go to the store and buy a new clock, all the clocks are always set to 10:10, because 10:10 represents inactivity. 11:11 represents full activity, because the mind is basically like a supercomputer. It comprehends what we call reality through binary code, meaning ones and zeros. When you have all ones, that's full activation. When you have one zero, one zero, that's the mind in an inert state, or anything in an inert state. Go ahead and check it out. Next time you walk by a store, you see a clock in the window, it's always going to say 10:10, because it's not activated yet. Once you have full activation, that is 11:11.
So Adelaide kept noticing strange things happening, and she could feel that foreboding energy. And when her and her son Jason looked at looked at the clock and it said 11:11, that's when the family popped up, because that is when the portal fully opened from the spirit world of the underworld to the quote unquote regular world that we live in, the physical world. That was the coming together of the two worlds.
So brothers, this right here is what the film Us was actually a modernized version of, that being the Descent of Inanna into the underworld. And Inanna was the ancient Sumerian version of the quote unquote Queen of Heaven. She became known as Ishtar and Juno, so on and so forth down the line. But initially, she was known as Inanna. Now, the name Inanna literally means "The Queen of Heaven." Now, she had a dark twin known as Ereshkigal, who lived in the underworld, who ruled in the underworld with her husband Nergal, the god of war, also known as Mars.
Now this is a depiction of Inanna, the quorum for Queen of Heaven, or one of the depictions. And just pay very close attention to how she's shown. She has wings and she has the feet of an owl, and she's standing on top of two lions, which is always how the mother goddess is shown. She's being drawn in a chariot by two lions, or sitting in the throne flanked by two lions, or standing on top of two lions. But on either side of her, we see the owl. Right in the scriptures, the owl mother goddess is known as Lilith. Here, she's known as Inanna. Remember that when the character of Adelaide, as a small girl, first walks into the house of mirrors, what's the first thing that greets her? An owl that springs out and it frightens her. That's why I stayed when she walked into that room of mirrors, that was all about the mother goddess. We saw the white rabbit. The white rabbit is also not just a psychopomp, but a symbol of the mother goddess for fertility. We saw the owl for the mother goddess, and we also saw the mirrors, catoptromancy, or divination through the mirrors that allows your doppelganger to be brought forth. So that was all about Inanna.
And let me also say this, Inanna, or the Queen of Heaven, is also the inspiration behind the film Metropolis. And this, what we're looking at right here, is known as the Burney Relief. Burney. B as in boy, U as in umbrella, R as in Roger, N as in Nancy, E as in Edward, Y as in Yellow. Relief. Another term for the Burney Relief is "The Queen of the Night," because even though she was the Queen of Heaven, she was also the Queen of the Underworld, just two aspects of the same entity. Also, remember that the singer Whitney Houston had a song called "Queen of the Night," in which she dressed up in all of that armor and that metallic clothing, a lot like how Beyoncé or Madonna did when they played out the Metropolis ritual. So all these female singers, they're taught to believe that they're a modern-day version of the mother goddess.
Now this is the clone version of Adelaide commencing her descent into the underworld. A lot of people might not have understood that when they watched the film. Jordan Peele did a very good job of trying to throw people off the scent of what this film was actually about with the story about the tunnels, so on and so forth, that gave him an excuse to introduce the rabbits, who, as we all know, anyone who's watched National Geographic or seen anything about rabbits knows that the rabbit designs some of the most intricate tunnels of any animal in the animal kingdom, complete with trap doors and everything. And once again, the rabbit is a symbol of a psychopomp, meaning a divine guide into another dimension, particularly the underworld. So right before we see this person here, Adelaide, or Inanna, decided that she had to go down into the underworld to find her son, aka D'Muz, or the D'Muz. She saw the white rabbit. Now she's going downstairs, upon stairs, upon stairs, and eventually she's going to have to descend down the escalator to confront her quote unquote evil twin, Ereshkigal.
Okay, so now brothers, this photo right here depicts Adelaide's son, as well as his doppelganger, that being Jason and Pluto. Jason is on the left side, Pluto is on the right side. Also, let us understand that the term Pluto, or the name Pluto, is the Roman name for the quote unquote god of hell. As I've stated, the realm of the tethered is meant to be a metaphor for the underworld, or for quote unquote.
Okay, so brothers, I just wanted to delve a bit deeper pertaining to our character study on Jason / Pluto. We already know about the veneer of duality, which we've already addressed. The film Us is about duality, aka the light aspect and the dark aspect, in this case of the mother goddess Inanna, who was the quote unquote Queen of Heaven, and her quote unquote allegedly evil sister Ereshkigal, who was just a dark aspect of the same mother goddess. That is why Jordan Peele plays off of the notion of Adelaide and Red being doppelgangers of one another, or quote unquote twins who have to traverse the dimensions in order to interact with one another.
Well, another component that has seemingly mesmerized and also stupefied the audience is Jason and Pluto. And I think that this passage here, which is going to detail the lineage of Pluto, might shed some light on exactly what was going on over the course of the film. As I've stated, in Hollyweird, the Babylonian mystery school system is the spiritual force that galvanizes Hollyweird. So let's see what it says here. It says, "Myths about the Roman god Plutus. Plutus, the god of riches." Brothers, that's what we get the term plutocracy from when we talk about a society that's ruled by the rich, that's a plutocracy. And until those who are rich or who are affluent due to their wealth. Though Plutus was not an infernal god, yet as his name and office were similar to Pluto's, we shall hear distinguish them. Although both were gods of riches, Pluto was born of Saturn and Ops, or Rhea, and was brother of Jupiter and Neptune. For those your brothers who don't know, Saturn is Adam, and Rhea is Eve. That says Pluto was born of Saturn and Ops for Rhea, and was brother of Jupiter and Neptune. But Plutus, the god of whom we hear speak, was son of Jason, or J.C., on by Ceres.
So brothers, as we can see here, and as I've already stated, anyone who's read any of the quote unquote mythologies of ancient Babylon and Kemet can tell you, and they understand that there was an element of incest. Sometimes the dynamic between a quote unquote male god and female god would be brother and sister, sometimes it would be husband and wife, sometimes it would be mother and son, or sometimes it would be interchangeable. It might be all three. Like, for example, Isis and Osiris are described as brother and sister. They're described as husband and wife. Horus and Isis are described as son and mother, or sometimes husband and wife. And that's why I detailed that the energy between the four characters of Red, Adelaide, Pluto, and Jason, it seems to be vacillating between husband and wife, and also mother and son. And that is why there were many scenes over the course of the film, if we pay very close attention, where Jordan Peele was trying to communicate to us that there was a rapport that existed between young Jason and Red, as well as a rapport that existed between Adelaide and Pluto.
And do I think that that entails that they were quote unquote switched at birth? No, not necessarily. I think that what Jordan Peele was trying to communicate to the audience in a furtive way is, once again, he is an initiate to the Babylonian mystery school system. So quote unquote sex magic plays a heavy part in the mystery school system. So therefore, your mother could also be a wife. In that sense, that's why, as I've already stated, in the Descent of Inanna, or in the story of the Descent of Inanna into the underworld, she had to confront her quote unquote twin sister Ereshkigal, who actually was just her dark aspect, or her shade. And eventually, her quote unquote husband, D'Muz, the shepherd, who came to be known as D'Muz, took her place in the underworld. That's why I've stated that when you saw the character of Adelaide go down into the into the realm of the quote unquote tethered, she actually was playing out the role of Inanna, trying to retrieve D'Muz, her husband / son, played by Jason. And as we can see here, in the ancient quote unquote Greco-Roman mythology, Jason is actually the father of Pluto by Ceres, or Siri, who is the mother goddess, the goddess of the grain. And of course, one of the Greek versions of this story is actually Ceres, who loses her daughter to the quote unquote god of the underworld, Hades. She loses her daughter for a certain period of time, and that's when the crops no longer grow. Her daughter, or at least in the Greek version, is Persephone, the queen of the underworld. I've touched on Persephone in the video that I did on Alia. Alia played Persephone in the music industry, or the entertainment industry, the young girl who was taken into the realm of Hades by Pluto, or by Hades, played by R. Kelly. All of that was a ritual that they played out. That's why Alia played the role of the quote unquote Queen of the Damned. She played Persephone.
But once again, that's why I try to explain to you brothers that Lucifer is the amalgamation of three entities: the Horned God, the Mother Goddess, and their son, who's known colloquially as the quote unquote Divine Child. That is who Jason / Pluto played. He played the Divine Child. And that's why you noticed that when Pluto started to back himself into the fire, Adelaide tried to save him. She was upset by the potential of his death. You'll also notice that when Red kidnapped Jason and took them to the underworld, she never once hurt him. He actually hid in the locker. At first, I thought that she put him in there. But if you remember, over the course of the film, Jordan Peele established that Jason likes to hide in cupboards and in in closets and things of that nature.
So he chose to hide in the locker for whatever reason. Certain people might say or try to maintain once again that they were switched. I'm just trying to help brothers understand that the inspiration for the characterization of those entities in the film comes from the "quote unquote" Greco-Roman mythology, which itself comes from the Sumerian myths or the comedic mythos. And as we're going to see later on in this video, Abraham, the "quote unquote" husband of Red, played the Horned God, and which is very difficult to notice in the film, but he does have horns on his forehead.
So let's see what else it says here. Plutus, there's the Greek god of wealth. He is either the son of Demeter and Jason, with whom she lay in a thrice-ploughed field, or the child of Pluto and Persephone. You see that, brothers? So in this version, it's telling us that Plutus is either a child of Jason or the child of Pluto. I'm going to read it again. Plutus is the Greek god of wealth. He is either the son of Demeter and Jason, with whom she lay in a thrice-ploughed field, or the child of Pluto and Persephone. In the theology of the Eleusinian mysteries, he is regarded as the divine child. I mentioned the Eleusinian mysteries before. That's the version of the Greco-Roman aspect of the Babylonian mystery school system that centers around the mother goddess and her daughter, that being Demeter or Ceres and Persephone. Persephone was also named or also called Proserpina. So that's why I go through these various aspects for your brothers diligently, because they're just retelling ancient mythological tales so that they can honor the mother goddess, the Horned God, and the divine child, who all three come together from "quote unquote" Lucifer.
Also, please understand that there's an obfuscation there, a purposeful obfuscation between the son above, Adelaide, and Red, and the husband. Okay? Because Jason, or Two Moons, was kidnapped and taken into the underworld. Now, Two Moons, or Demus, it is actually supposed to be the husband of Abanana, but in the film, they make him the son. And you'll see that often times in Roman or Greek mythology, or the stories of Kemet or Sumer, that sometimes the story will say that he's the son, sometimes they'll say that he's the husband. Why is that? Because it's both. Remember that Asar was both the husband and the son of Aset, or Isis. But pay very close attention to the bond that we see in the film between Adelaide and Jason, and between Red and Pluto, and also between Red and Jason. There were many hints throughout the film that showed that there was a bond between Red and Jason as well. That's the rib. That's the reason why Jason gave his actual mother, Adelaide, so many strange looks after she was able to save him, because it's very clear that Red gave him the 411 on what the issue actually is and who his mother actually is, and it confounded him. And notice that what he did, pretty much the last scene of the film, or the second-to-last scene of the film, is him lowering his mask because he knew that that was a secret that everybody was gonna have to take to their grave. That Adelaide was one of the tethered. The mask represents another alter, another persona, an alter-ego, per se. And that's a constant theme all throughout the film, that nobody really is who they say they are.
Now, just to continue on in the theme that we see in the film, us of the character of Pluto having a mask and also being silent but deadly, it's very clear to me that Jordan Peele got inspiration for the character of Pluto from a myriad of sources. Certain characters that we've seen in the film's past, like Michael Myers, for one, who had a mask on and didn't speak and also was deadly. But also in the ancient culture, you have the character or the percentage of Hippocrates, who's the boy version of Horus, and who also did not speak. He was known as the god of silence. He was also known as the "quote unquote" god of mischief. And anyone who knows anything about Horus, or Horus, know that he also was the "quote unquote" god of fire as well. So once again, it's very clear to me that Jordan Peele was a lot about the "quote unquote" mythos, or the mythological stories of the ancient world, and he wraps them into certain aspects of his films. We also saw the mask represents that character archetype of someone who's silent but deadly. With Jason Voorhees, we have Akon, an MKULTRA asset, or a Monarch mind-control asset, who has the character of the Pied Piper, and all he does is put on a mask. Katy Perry, another Monarch asset, was also known as Kitty Purry in her cat alter, or her beta programming alter, where she wears the mask as well. Please understand that when many of these characters, these people, they put on these masks, it triggers another alter or another personality type that's programmed within their subconscious.
Now, just to get back to the character of Jason, many people say that he was acting very strangely throughout the film, and he was. He loved to hide in enclosed spaces. He loved to dig tunnels, which obviously is an allusion to and possibly being one of the tethered who loved to be underground. He also did not have rhythm. "Quote unquote." I don't think that he was the only person in the film who was strange. I think that the daughter was strange as well, and Jordan Peele tried to show you that. I don't think that it was because either one of them was switched. I think that is because the DNA of the mother was spliced with the father. So of course, now the children are going to have components or aspects of the tethered that, you know, that other people are not going to have because they have no relation to the tethered. So yes, the character of Jason wears the mask and he's extremely strange and seems to have issues with rhythm, but the daughter has issues as well, and Jordan Peele's going to show us that. Look at her shirt. She has two white rabbits on her shirt. So he's letting us know, to how he has her dressed in her attire, that she is partly or is mixed with the tethered, right in the same way that Jason is strange or off. So the daughter, because we know that the white rabbit is a symbol of what the tethered people who live underground, or the "quote unquote" shades in the underworld. In the Sumerian mythology, the underworld was known as Kur, or Kigal. And those that dwell there had to do whatever their counterparts who were in the living world were doing. That is why Zora's tethered was named Umbra, or Umbra, meaning shade or shadow. That was a direct allusion to "quote unquote" Greek mythology, where the where your counterpart in the afterlife was called a shade or shadow. Once again, the realm where the tether lived is just a metaphor for the underworld or hell, per se.
So now, brothers, we're going to end it with this photograph right here. Really not this photograph, the next photograph. We're going to end it, but the reason why this photograph is so essential to understand the concept of the film. Once again, Jordan Peele is showing us that our doppelganger, or our evil twin, is not so much evil. They're just another component of us. That's why the film is called Us. Because when you watch the film for its entirety, you're told to believe, or you're meant to believe, or you're led to believe, according to your own understanding, that there's a bad and a good. When in all reality, what we saw was a "quote unquote" slave revolt. That's what the tether were doing. They were executing a slave revolt. That's why much of the film was spent demonizing more of the material aspect of the people that live in this realm. The daughter was infatuated with her phone. Their white friends were, you know, we're totally caught up in the trappings of life. Their Caucasian wife spent the entire film trying to demean her husband. But notice that when the Caucasian doppelgangers killed the Caucasian family, almost the last minute that the wife was doing, she was crawling towards her husband because she loved him but never knew how to express it while they were both alive. But he was the last person that she was crawling towards, because now that it's all over, now she understands what matters. You understand? Also, remember that, and it was so funny when I watched the film, it took me a hot second to realize this, that the character of Adelaide was the only person who they did not want to kill outright. And very clearly, this is because Red, who led the revolt or the rebellion, told the rest of the tethered to leave her to me. Remember, whenever they would catch Adelaide, they would not kill her. They would just tie her to a table or something like that. There was even a portion in the film where the doppelganger of the Caucasian wife was so tempted to stab her with the scissors that she went into the bathroom and slashed herself because she wanted to stab Adelaide so bad, because Red had told all the other doppelgangers, obviously, that this person, Adelaide, was probably the ringleader of everyone above-ground. So every time that they caught Adelaide, whether it was Red herself or the Caucasian family doppelganger, they would not kill her. They just wanted to trap her to the table and save her for last, and probably also because they understood that there was a thread between their leader, Red, and Adelaide. They had to be cut only by Red. As we can see here, this photo is meant to convey that Adelaide is the mask, and Red is the real person. They were showing you what the film was going to be about through this poster right here, through this artwork. They were conveying that Adelaide is not the good person, she's just a mask. The real person is actually Red.
Now, brothers, I want to touch on the "quote unquote" husband of Adelaide and Red very quickly, because I barely mentioned him thus far. The husband of Adelaide, or the version of the twin that lived above ground, his name was Gabriel. And we know the name Gabriel, of course, is the name of a particular Archangel, and it means the mighty of God, or the warrior of God. The name of the husband of the doppelganger, Red, from the underworld, his name is Abraham. Now, those of us who read descriptions know that the name Abraham means father of a multitude. So who was the multitude that Abraham was the father of? He was the father of the tethered, meaning he was the leader of the tethered, of course, under the authority of his wife, Ereshkigal. And that's how you know that this story goes back to the Sumerian mythology, because the Sumerian mythology is the only version of the telling of the deities of the underworld where the female deity is supreme over the male. And in the other versions, it's always the male, whether it be Pluto or Hades over Persephone or Proserpina, per se. But it's in Sumer where you have Ereshkigal, and she is the queen of the night, she's the queen of the demons, and her husband is not gone. But just to show you, and I'm sure that many people did not notice this, this character of Abraham has two horns on his head. You see that? They just pronounced bumps. It's very difficult to see because Jordan Peele did not want to make it too obvious who the tethered actually were. They are the shades of the underworld. So this character, Abraham, is basically the movie version of Nergal.
So now, brothers, I wanted to end this video with this photo here, once again, of Monique, who, as I state repeatedly, is an asset and Hollyweird, someone who's completely mentally fragile because of what she was subjected to as a child. Notice the synchronicity between the photo that we saw of the character of Red and Adelaide, the promotional poster for the film Us, and this photo right here, which, once again, was taken by Derek Blank, the MK handler photographer who handled the photo shoot for alter egos. It's pretty much the same exact thing. The mask has the smile, but the face underneath is very serious. Same thing. But anyway, peace.