Transcription
Have another career choice? What have you done?
I will be a gamer, a hip-hop dancer. I like math; I like music because in music, there is math. Actually, I am a person who is afraid of doing things. But every day, I just finish and then go up to answer the questions. After I finish playing, the teachers sit down. I see it; it's terrible for me.
Dear friends, welcome to have sa, Dark ers version. Only choose one character per month. To put up one time, the difference is instead of drinking tea and coffee during the day, in the evening, it is allowed to drink alcohol. So I also recommend the audience at home have a glass of wine in hand so that our story will be told tonight.
Today, I am very pleased to welcome another brother to the group. Welcome Slim and Ly. Which one is it? [music]
OK. What should I do next? I was going to ask how you feel now. What time is it now? I'm hungry; I haven't had dinner. This sentence is unexpected. Yes, now is the time we film D. Set it to 6 o'clock now, 6:25 minutes. I have a stomach full. I know how to drink alcohol. Besides hunger, I also feel something bigger than stomach.
First, I really thank Thuy Minh for inviting me to heers ship. I have also followed heip for a while, and I really like it because my stories on heip have a vibe that feels like we are sitting and talking to each other, and even the viewers feel like they are in that room. So today, I'm very honored because I'm the one sitting in this chair and talking to you.
Yeah, and actually, at this moment, besides chatting with each other, Vinh also felt that the moment we filmed was just after C's corner. Looking at his brother VT, looking at the way he felt, honestly, I'm not happy. Yes, because this program has many things that I think the crew and I can improve on and can do better. But everything I experience is everything that will be better with what happened then. Of course, it is over; I consider that as something for me to learn from and to be able to do better the next day.
I see there is a gap between professionals and people like us, the audience, right? Sometimes there are mistakes or things that are not done yet. If it goes as expected, most of the people doing it will feel it, but the audience is very excited. Everyone's spirit of going to see it is also very happy.
I want to ask, in Vietnam, according to your observation, how is this gap? Is it wide? From the fact that it is for professionals, I feel that everything will probably make us unsatisfied. And also, the audience's need for enjoyment, so this gap is too much?
Yes, actually, it depends on many factors. For example, the bad things are lower than the good things. If I expect it just a little bit, then my feelings will be different. However, I myself am a person who feels that everything can be much better, so I am very sorry because I should be.
Oh, the audience's experience must be even more amazing than that. It's a pity that the audience themselves won't know that when everything is perfect, what will it be like? So from the audience's perspective, I think this is very different.
Yeah, the distance depends on the depth because there are things that attract the audience. They feel good about everything, yes, but there are things that are different from what they thought when they came to that show. For example, yes, they will have those feelings.
Different like Hanoi, then those who have seen in Saigon, they know like, "OK, the show anh anh vn lan trong Gai concert will be like this." Then when you come, you will see a comparison that will be different from those who have not gone to see and will go there for the first time and experience it for the first time.
But Vinh also mentioned a very good idea that is love. Actually, when people are in love, they will feel that whatever it is that satisfies the love of the audience, the relative part. Does that work in making professional music play any role for you guys?
That is, do you guys allow yourself a space where I know the audience is quite fond of it so I can relax a little bit? Need to make it difficult for me to the extent you think that depends on the artist's personality. How about you?
For example, I think that because I work in the entertainment industry, my job will be to make music for everyone. I'm making pop popular music, so I have to study crowd psychology to understand what people want, what emotions I want to convey to people. That will be what the job that people like me, music producers, aim for.
And when I'm in the role of an artist and I want to show up the artistic elements in my works, for example, and it shows your ego, then that is another field. That is the professional music field; it is not popular music. Then I think that when I can clearly separate the two, then people won't be confused anymore.
Because sometimes there are people who come out of the professional music environment and study music that is a bit academic in terms of art, right? Well, that's what people are after. When people bring those things out, of course, they're not for the masses. So, it's important that you understand what you expect when you bring them to the audience.
Fake, and I have to understand what dish I'm bringing out and whether it's suitable for everyone. It's also a characteristic of SlimV. Actually, when reading articles about me, I probably also read some of the articles with me. People often say or say that I am almost one of the rare characters standing in the middle with the ability to move between two fields: academic and university.
Well, if I was a little picky about the last concert this year, which concert did you like the most that you did this year? Yes, I think it was the concert in Saigon. Yes, I really liked it.
And the difference then is besides the production or the things that are not as expected, the experience is how it happens to me. That is, emotionally, I like the things that I bring to live in Hanoi, but about the exec, the one in Saigon is better than in Saigon. Everything will end very happily because somewhere I also know that I will have, I will still have the process; it will still be long.
However, in Hanoi, I also know that the weather is different from here. I will have a concert in the middle. It was cold weather, and my wife wanted to bring everyone a warm atmosphere in that weather. So instead of the ending being me jumping up and down, I make a song for everyone to hug each other, hold hands, and share with each other the warmth of that moment.
I think it will be impressive to everyone because of the show anh anh. From until now, I think everyone knows about my brother because the program is very warm.
Oh, I said something very good, and I didn't notice that I often see music bring emotions. But what is the ability to create emotions? I don't know much yet. Well, this is it. Well, it's quite long-winded; I don't know either how to explain it in a concise and easy-to-understand way.
I can imagine that when these two notes collide, for example, there is a note. For example, this is a musical note; when it collides with each other, it will create a sound called an interval. These two intervals will have different tensions.
Well, with these, the more tense it is, the more it will make people feel tense and uncomfortable. So the way that Em does in music is that we will control that tension. That is, when will we make her tense and tense, where will I solve it?
Then, ah, na, that means I will manipulate everyone a little bit in this part, this part, prepare this place. This word is I pinched it like that, and then at that point, I had to reach the climax, and then I let go. Everyone gasped. Everyone gasped, and it was exactly that lyric and exactly that content.
Then I create that feeling, and then suddenly it touches. Yeah, it touches everyone. Wow, it's a bit like a science, right? The kind of science, actually, in science, in essence, people often feel comfortable with things that are familiar, and they feel uncomfortable with things that are unfamiliar.
Like when they were young, they didn't know anything. Ever eaten spicy food? Have you ever eaten spicy food? Oh, do you have a whole buffalo? If it's not spicy, don't come back?
Well, for example, like people who never ate spicy food when they were kids, for example, I ate spicy food. Oh, my parents. I'm so scared of it, but after eating it a few times, it starts to accumulate, accumulate, accumulate, and it gets worse day by day because I'm used to that feeling.
I know it's not dangerous, but even though it hurt me, it didn't make me feel safe with it. Then gradually, I liked that feeling. Now I get used to it.
In nature, it has these ranges. It's natural, sister. That means, for example, when I type here, the interval itself sounds first, then another interval. Half an interval, half an interval. Then when we learn that, we grasp those intervals in nature, then we will hear those first intervals a lot.
Then everyone will be very comfortable with the intervals. Then after that, this interval will be a little harder to hear. The higher it goes, the smaller it gets, and it happens below the consciousness. It happens at the level called the level; it's below the conscious part.
Mine always, sister, that is, I feel it down there, but the consciousness I don't know is that when I study, I know that everyone will like this, and everyone will feel tense. Straight in the sense that with this whole range, then from there, I will have a way to use all of those things to somehow control people's emotions.
Sounds like scoring in the movie, right? No one movie, the soundtrack is a kind of peak in pushing those emotions up there. Yeah, right, but how to quantify it? That is the level of difficulty that you feel; it comes down to a little bit of that kind of sound education, which is like, well, with her personality, how much of the familiarity she wants to use and how much of the quantification I will give you the feeling at that time.
It has a personal hand here; how much percentage I put in. So this familiarity represents comfort and discomfort. You like that, but it does not represent the familiarity in the music that I listen to, which means it's much smaller than that.
When I tap this glass and I tap that glass and I hear R is well, when these two are mixed together, it will make a pleasant sound. For example, tr phat. Oh, but this one sounds like this; it doesn't seem right. If you drink coffee, it will [sound] like that.
I will continue to ask about the artist's personality. Yes, OK, just do it because I immediately called comfort with discomfort. Yes, when I choose. Putting my personal personality into making music is not at an uncomfortable or unpleasant angle.
Yeah, I'll go from extremely uncomfortable, unbearable, to extremely comfortable, which means I'll push it right away. The thing is that I will cause emotion; that is, my hobby is to cause very strong emotion. Yes, it is to change emotions. Yes, changing emotions suddenly is my characteristic. I really like it.
I'm sorry; I wish you knew more about music so you could understand that, for example, in a song, I did something. Yes, I pushed something, and then I felt comfortable with something. For example, in the last corner, well, it didn't happen in the PH in the performances, but actually, in the performances, your music is always.
I also really like it, so it's very climax of something. And it has some pauses, and then it comes back. For example, in the song "I love you," for example, then it is before we enter the final song. Both children and the elderly join in singing; there is a regretful verse by Subin.
That part is when we push, push, push, push, push, push, and then the guest will be there. For life, then that's when it's like people will be indifferent, and then everything will come rushing in, and everything will start feeling it will.
Oh, so at that time, then that's the way I usually do, or we change the feeling of the thing. Like in the beginning, in the beginning, I don't know if it's changing the feeling or not, but I bring people into a space like it's like, what do you call it? Like meditation.
Yeah, because I take people into spaces where there are sounds that normally I would have to be extremely quiet to hear. Those are the things, sounds like this wind chime sound. Now is it the sound of the air conditioner, right? Yes, this wind chime sound, then this sound of falling rice.
Then that's me putting people into that kind of space. Then suddenly when people hear about it, suddenly people will have to be quiet. People have to be quiet; then people can hear those sounds. Then suddenly people were focused, focused, focused, focused.
Then suddenly A, then suddenly A was brought back to that moment of childhood. After that person was done, then suddenly everything changed the space to a very warm space. Before it was very lonely.
Oh, that means it was a sunny day, but when that moment when Mr. Bang, when Kieu sings, it's like a mother's arms hugging everyone. Then I will change the feeling like that; it keeps changing, changing. Everyone will be attracted to those points and the lyrics of the song that I see.
I can put the points where they fall. You said I fell into two feelings. One is I'm automatically I feel what you described when the breakdown comes out, but I feel another feeling is that I see you as a kind of Master who controls human emotions.
But what kind of space and emotion is the hardest for you to express? I don't know either. It must be fun. What makes a job fun is because everyone does it for fun, and it's easy to imagine the fun because everyone has a different fun.
Yeah, when it comes to each generation, there are different fun things. Happiness is different, so when I want to understand everyone, I have to understand everyone. Sadness is actually more neutral, right? Because you see the articles have always been for many years.
These things, sad songs, everyone will experience those emotions, and usually, they have similar things. But to make it happy is difficult; it's a happy house, but how to make people feel happy and it fits people? That thing is very, for me, it's not simple.
Yes, maybe for me, just like that's personal. Yes, do you remember wanting to lead acting? It's said to be able to do many types of action movies and stuff, but comedy is the right thing to do at that time. Considering the point that it has to make everyone laugh, if not laughing, it's immediately cool.
I don't know that maybe in the model of living together about that joy, the most fearful thing is miscalculation. Not intending to be happy, but bad people see it as normal, right? That is the difficult thing.
Yes, for me, then probably because I often think and think about things and all that. So with me, I often get caught up in emotions that it's like somewhere. It has some points that touch the inside, but maybe it's about the past. Maybe it's because I'm old or something, so I have a lot of feelings about that.
And as for the happy things, maybe I'm not a happy person. Very little, so if you don't know how to make people happy, it's also more difficult. I want to peel back a comment that I read a long time ago.
Because, for example, if I compare, when comparing classical music, I find that famous classical pieces in a single passage bring about many different emotions. And I remember a friend of mine who built a house said it was pop music.
In Vietnam, the level of emotional change is very little. When you will feel either happy or sad. Yes, actually, I will rarely have examples. When I say sad, it is usually the sadness of a broken heart. She doesn't love me.
Yes, she doesn't love me, but rarely has the sadness of being, uh, the sadness is a bit manly of an afternoon that it's not clear what it is. It's just a bit of color; it's just a bit of the color C is purple and something, and people are sad in a way that is lighter than the sadness of a broken heart.
For example, I also read a book about classical music. They analyzed the version, for example, market 34. It will move this very terrible emotion, or is it a certain version? Then I don't know if the assessment is correct.
Vietnamese pop music, the emotion that brings to the listener, is not diverse. I don't think it is emotional. That's just in Vietnam; it's pop house, but just pop house. Then why do we expect people to feel emotions like something that is too deep?
Because it is intended for entertainment purposes, it will be directed towards the most general stories of people, the most general emotions. And when you are with me, so when you make art, make music that conveys great emotions, the difficulty is often greater.
Yeah, but to go through a pop song that conveys those emotions. Big emotions usually have big content, but to go from one emotion to another, it must at least be an epic poem. Yes, to have a song with a happy beginning and a sad ending.
If the next part is fun, it won't be a good song anymore. Really? But isn't that afraid that it will give the audience a little too few choices? No, that's why people are born to let go, sister.
It has a story from this song to that song. That means the way people tell stories. Each song will have a story, and it is connected together, not in one work. For example, in classical works, there are works that last from 30 minutes to an hour.
It's like we go see a series, for example. Yeah, the feeling is very different when I watch a two or three-hour movie and when I watch a series of n seasons. I see that in the series of n seasons, I feel that the character's mood changes are very smooth.
It's very reasonable, but when I put in two or three words saying this guy was like this and suddenly switched to [ __ ] a girl like that in just a short time, people feel rushed and can't understand that.
Well, I think for music, it's the same. Sometimes in a song, if you try to convey too much in that amount of time, people not enough feeling, not enough time for people to absorb that emotion.
Then it has been transferred instead. What I need is to build, and everything has its own rules to keep memory. Why do people repeat the chorus three times in a song? Because people have researched it all.
I know that there are formats that will be called as creating a limit for yourself, but do you have to? Are you a person who likes to break the rules? Or do you think that breaking the rules in a strict way means because you think that everything that happens has its own reason?
That is, the principles that when people give the rule that why this must be from this to this, from this to this, I will not go against that. And ask the question is to overturn the rules. I think I will learn all the techniques because actually, it has a lot of different types of rules.
Like in this genre, it will be like this; in this set, then the rule will be like this. Then I want to learn a lot of those things, then I will make something that is different from everyone else. But that means I still base on the things that I know.
R is, for example, the thing that we control people's emotions like that. It also applies to all of this. We can take it as a common denominator. Do you care if we have to slow down a bit or not? Or we just go, we just go, we develop to where we learn to where we go, we just go on our own path. What kind of person are you?
Yes, I also want to do what I like like that. I know that those are what I like are the things that are not the things that I will make music for the majority because those are almost the so-called works that I perform alone.
That is, for both entertainment music, you put up the tension, and then you resolve it, and then you release people's satisfaction with both music. But with music art, it's an example. I'm very upset. For example, I just want to express my discomfort.
When I convey that, people listening will feel uncomfortable. The problem is those people who can enjoy that unpleasantness will be your audience. But those who find the music unpleasant, the kind that makes them feel unhappy, for example, will be your audience.
We will, people will not enjoy that, and usually, that will be in some most people. And the people who enjoy that music will be very few, and those who usually study music professionally can enjoy music.
And so I will rewind. Of course, I can say many things about the future, but rewind. Do you remember any time? Because when I looked at your bio, people often talked about the 8 years you went from studying piano to composition theory?
Music, for example, but before that, when did I ever touch music? I was tricked by my dad to go to school, but if you ask me, actually, I just like listening to music. Yes, but tell me to study playing music and also study music, then I tell you the truth, I don't like it.
Why do I like to study math? I like science stuff. You must be talking to me; I don't see a little bit I don't like it.
Yeah, no wonder it's tense and tense. No, but that is the musical language. OK, OK, OK, I understand you. If you call it an interval diagram, it will have tense intervals and clusters of intervals. It will have a diagram from the Harmonic to the Discordant.
OK, and when the time comes, you will learn more about human psychology. Then I see, "Oh, why are these Thuan intervals the first intervals that sound in nature?"
Yeah, that's why I said, "Oh, but since I liked Math, it was after that." Is it good that you like music? Because in music, what percentage of Math has that?
Because actually, I'm a person who's really afraid of doing things. Sister, every time in the past, I really had fun. I finished my homework, and the teachers sat up. Oh my god, it was terrible for me. I was afraid; I was afraid of having to express myself, perform in front of everyone a lot.
Yeah. Until now, whenever I step up to the crowd to say something, I'm still scared and nervous. Then I act like I'm going to be an EDM DJ.
Yeah, before that, I stage butter. I'm very nervous. Let me prepare very carefully, prepare very carefully. There won't be any more mistakes. Then, OK, when I go up, then I know everything will be okay because reality DJing, when you prepare very carefully, the number of mistakes is small.
But for example, playing a song, it's a different story. What I'm afraid of in a crowd is that I'm afraid of making mistakes. I think it's a personality of mine since I was little. I don't know what happened in the past that made me like that, but it's annoying.
I'm standing in front of a crowd, and I don't know what to say. I don't know how to express everything. For example, that's why I like to do the example below. I do everything, and then I present it. I act myself; I watch myself again; I enjoy it like that.
But like performing, performing, performing, then getting stressed, stressed, and I'm not. I'm very scared.
Yeah, I think if you have research on psychology, then it's probably there must be some connection, right? There is something clear that it makes you or your fear. There it will be peeled off into very specific combinations.
For example, I guess there is also maybe because I'm very perfectionist. I will see the work behind; I will fix it. And when it comes to this, the patient also said that I'm very afraid of live.
Actually, I know, I know that there are some past events that made me like that in my childhood, but I don't want to share.
Okay, I can't share it here. It has nothing to do with family or you guys. It's events that happened to all of you in the past. When we were young, there were words that affected us.
Yeah, later, then all my confidence, it all flew away, and I felt scared. Yes, but when did I know that this was my right path? That is, making music? Yes, I'm in it.
Yes, but since the time I was forced to go to school, I have been going to school for more than ten years, and now I have that is something that is almost a skill that I have honed in a long time. It's been a long time.
Actually, at first, I didn't like studying, and I didn't like performing either. But when I started studying composition, I liked it.
Yeah, when I started studying composition, that was probably it. Start doing math. Yeah, I like it because it's actually a form of math where this collides with this, and then we, if you want to move from this scale to this scale, you go through chords like that.
K is like that; it's also like that. But is there ever a moment in the journey that you want to stop? The thing I've been doing since I was little, I had the thought that I would do something else.
For example, now imagine I have a choice to do something else. What would I do? I would do game Turkey because I like playing games. Cu B, I really like playing games. Now I still make game music that I still follow, and I really like games.
I will tell this to my son, or he will become a game player, or I become a music wizard and also a leader.
Yes, OK. Is there any similarity between making music and playing games? I don't know, but I like playing games because it's fun. But I see the game because everyone sees it when you practice.
That is, when you play the performance on stage, you see that everything is very beautiful. Everything is so awesome. I also like to go to school. I also like to study.
Dan Anh, do you teach? Can you teach me? OK, I'll teach you for about a week, sis. That thing is patience.
Yeah, sometimes it's to make a sound of the instrument resonate like a running stroke like that. People practice sometimes for several weeks, sometimes even months, to be able to play exactly that one section.
And to be able to play a piece, people take many years of practice to reach that skill level and start playing those pieces. It's not a simple process when every day, after about two hours, my hand feels weak and tired.
It doesn't have one. There's nothing fun about it unless you really love it. You love standing in front of people and performing, and you love the feeling of letting your soul go, and people love it, the sound I make.
If from the beginning I didn't love this kind of rewarding work, it would be very difficult. And because it requires a very, very high level of perseverance, one must really love playing with the piano keys, then everyone can go along with it like that.
When I just increase, increase, increase. Take, for example, do you have a red nipple? Do you leave it? OK, then what kept you?
What kept you then? At that time, I went to school from the hospital since I was in grade n. OK, then I didn't have a choice. Then N. Because at that time, I was uncultured and didn't study culture.
I didn't study at that time; I liked it then, but being told to transfer to another school at that time was a terrible story. I'm not a bit scared, both because I'm too far behind.
If I go back to that path, I'll have to drop all this stuff and focus again, and I don't know what it's like yet. So I'll say it in general; it is also something that I will have to think about.
But at that time, I was not mature enough or wise enough to change or make decisions. Big decision. At that time, my parents also made many decisions for me, but I also had to thank my parents because they also saw things that maybe I'm not sure about now.
I used to like Math and like playing games. But I'm not sure if I can do well in those things now. Maybe it's because my parents saw those things.
Yes, because of my parents. But I see that this is also a good thing because, well, generally speaking, for youth, those are the times when you like something, and you happily follow it. It's normal, but most of the time, it's simply not there.
Other choices just have to have to be patient with this one choice. Yes, then when will you feel like about what grade or how many years later will you feel like you are no longer in that position?
Passive, and it has become active since I started to switch to creative writing. Yes, but was it easy for me to jump to that back then? Is it a decision I decide, or is it everyone else too?
Is it a decision I decide? Yeah, I really am learning. I feel like I don't have the ability to continue with the Piano Performance. That's professional.
First of all, professional piano performance requires greater concentration and requires something. That is, for example, I think that those performers practice at home and get 5 points.
Then they go on stage; they have to get 10 points. For example, that means they have to play better than when they practice at home. As for me, I practice at home and get about 5 points, then about 2 points, then I give up.
I'm distracted by too many things. I worry about, "Oh, I'm holy; is this okay?" I'm like, I'm not really me.
H me and with the performance work, I see it's my performing qualities and the whole thing piano is that the people who can follow that have to be really excellent people. They have the performing qualities of a person.
Perform in person. Well, I feel like I don't have a swing because I don't feel comfortable with that job. I don't like that job, and then the hospital has many departments.
So why did I get in there? Actually, it is the composition department. Yeah, TC morning TC. Then actually, I also like to try to do something new because at that time I was like 10 years old and older.
I also started to like music. Like that music back then, like Linkin Park, then like admin name and stuff. I imagine like, "Oh, I'll go in; I'll write; I'll write rock music like that."
Then go in like the first day of school, I fell off my chair and went to school. Oh, or go to school and learn this. But the more I learn, the more I like it.
I also have to thank my teacher because he is a person, not just a teacher. Very good for classical music; he is very good, but besides that, he is very good at music.
I see he is very good at pop music, rock music, what you know. My teacher, besides teaching us the electric music, also guides us in other musical styles.
From there, he is the one who starts us to develop. The brothers in the space speaker room are also the classmates of the students in the room. They have also been together since childhood, next to the SS brothers in Space Speaker.
Well, those are the people who understand me very well, and everyone somewhere shares the same musical frequency as me.
Yeah, but the moment when I'm confident enough, I go in or I go in, I feel always or until the time when doing something, then I feel confident with music first.
Pursue music is to compete. Yes, so when I transferred to the composition department, then in class, then steal my studies are OK. My papers are written the same way, and my teachers also say that it's because I like to research many things and then do something about it.
Still the same thing, but I also have my own language. The teachers at school said, "Oh, I have my own musical language; that's very OK." And I'm also guided in the book.
The experts from abroad came to me; the experts themselves also said, "Take this one of yours and follow that one." Yes, it's quite special. That means you have a language.
Separately, just keep going with this. Of course, after that, if I continue with that, it will take many years to develop because that is also something I am very just in the beginning.
But somewhere I also grasped my own way. Until now, I still have that musical language to the public is when remember the public is probably from the beginning go play DJ, sis.
Yeah, c. How did you suddenly become a DJ? Well, in the past, when I was from classical to morning. Composition is that besides classical composition, I also know other houses.
So at the beginning, I also had that crossover. Why is it in EDM? It's not EDM yet. I haven't played ID since the beginning. I like that; I like to dance hip hop.
I like to dance hip hop, then H dance B-boy and stuff. Yeah, there is a Storm team; they came to Vietnam for cultural exchange.
Then you can't say it's rude. Mr. DJ, when the two sides were chatting, he played CDs and all. I looked at him and liked him. I liked him and said, "Oh, this DJ is also good."
Then, when I went back to that time, I liked Linkin Park, and the teacher also had a DJ named Mr. Han. I really like the CD and stuff. I just started looking to learn.
At first, I really liked hip hop. But when I learned, I learned house. Then, when I finished learning, I learned how to learn knowledge.
When I'm a little bit stable, then I start working right away. I've been working since I was in school, so from that moment, I was independent. I got about everything.
Yeah, my feeling when I played DJ, everyone was shy to appear and stuff, but I always went to fight big buffalo or at the dance hall or club and stuff.
The feeling at that time was what is it like? At first, I just focused on playing, but gradually I started to observe the emotions of the audience more because when I play at the club, it's different from when I play at home.
Festival, sister. Festival, maybe I know that I will play at that time frame, at that time frame, how the audience will feel, and I will SH people a set list like that in that time frame.
At that time, it might be hanging around there, but for the audience who come to the club to play, at that time, I will have to look at their reactions, and I will know that I didn't play this song well.
Then change quickly, but for example, I see people are enjoying, then I continue to play the same genre like that. For example, I'm playing; I noticed that when I play this artist, the other team sings along.
For example, I will play a few more songs for this group to sing along. I see another group comes, but this group likes this. Then I will just play cards for this team; I play cards for this team.
After a while, I get drunk, and I'm happy; I stop calling like that. The kind of work I do, conduct, those feelings, it also becomes me now, right?
Isn't it the same? Like the other one is I just hope everyone plays music, and this one is generally two things. It gives me two different roles.
Then the thing about playing DJ, it makes me start to gradually become more daring, and the whole thing of playing music for people every night, even though I'm still very stressed now, because I'm used to it.
Playing music for people every night and staying there for a while is quite a bit long. Then when I come, I stand in front of everyone; I just play. At first, I was scared, but if I play, it will pass.
But still, the songs I have already selected, so what? Everyone will enjoy it too. It's like that; it's not like sitting down, "Oh, what note is that? What scale is that? I play it, and it's off by a note.
Oh, then I have to keep the beat." The performance and playing is a very interesting story. Different.
Yeah, it's much harder. [music]
The Remix I consider it in my career because actually, in my biography, people always mention The Remix.
Yeah, remix is also a milestone of mine because that is the time when I stepped into the light the most. But actually, I stepped into the light, and people started to know me because of the music product.
Music produced V is the Ah that The song Thu Cuoi gi is the time of the breakup. Which part of that was it? That was the time when no one knew; there were a few, but no one knew.
Oh, that song, that song, right? The whole country sang it, right? But no one knew that the female producer behind it was actually. At that time, people were not used to having production people behind V, so I didn't feel uncomfortable or indifferent.
Feel strange about all that, but actually, everything started to change from the right theix. Then made people start to understand more about the work of the people behind and started to have a pay attention came more.
Then at the same time, the trend about EDM took over in 2013. It started to take over, and that's it. Everyone focused on that, and it became a thing that started everything new to music producer.
Then when what product you do, you have to during the exam, you always see that the job is the title is music director, music producer. It's a shirt just about me.
Oh, I haven't thought about that. Actually, I really want to try it because I always want to try to do things before. Then I will only produce in one thing, one post.
Okay, but I haven't had the experience of leading people through a flow from one post to another. Actually, I do that a lot while I'm a DJ.
Yeah, well, that's actually true. Actually, those skills are very out of the blue. But then, at some point, they suddenly come to me.
Going back, it supplements me with knowledge because when I play a set of music, I understand that when I calculate the time, how much time, how much time, how much time is enough for people to listen.
And I let people sing enough, let people dance enough, then suddenly it gives me an idea of the musical flow for the whole program. Then I also want to try.
Well, luckily this year, I have the opportunity to try many festivals, and everything is also a hands-on thing. But in my opinion, next is my destination.
Actually, the thing that conduct is the director of music of feeling a show that is both a TV show and a corner show like this. What could be bigger than this?
What is your dream now in terms of music? Music, I also don't know if it's a fetus or something. Is it important or not?
Actually, we just do what we like, but actually, whether it's a music director or what, I also don't know. But that's because I have a period of time I do the job of arranging songs for people to listen to.
So I'm somewhere right now, besides the job arrange, I also do those songs. I will, with V and my whole team, I make the song; I create that flow.
It is not just from the songs that everyone has done, the original mics or the remixes or the ones that me and my team will create. I want to experience that, but maybe if there's one that I don't, I don't count.
It's not the title; I think it's just a product that I'm aiming for. I want to try my hand at both film music and musicals.
Yeah, those are two things. I want to die. Yes, no. Has anyone invited me yet? I don't know which movie is suitable for my family.
My family has a high level of tension. I think it will be suitable for movies like this. It's a bit sci-fi, or it has to be an action movie or something, but I'm not sure if I can do romance movies well or comedy movies.
I don't think I can do it well. Do you have any questions? An experience was going to see in New York a movie that I still remember was Phantom Thread that had an orchestra in England.
They played live this soundtrack. Yeah, the experience. It's like, normally when I watch a movie, the music is mixed in, but the moment when the presence of people is there, oh, the logo comes out and uses me up because it's like they start.
I pulled the guitar and saw it and said, "Oh, to put a logo on it, normally it requires strings like this." What is the impact of the live performance at the stadium?
That stage. Why is it that when I listen to an audio track, it's always cleaner? Because everything's been processed, but the connection between a...
When I sit, I see the sound; it's playing from this sadness directly from D. My feelings are different because there is a connection; there is a connection.
Yes, musical, musical. I love doing musicals. I love doing... I hope that I can make a show about a historical cultural story or a mythological story.
Yes, I really like it. I also go to the theater a lot. Yes, and I just saw that, for example, the latest one in New York is about the life of Michael Jackson.
For example, Michael Jackson, then with the play that everyone also likes very much is Hamilton. Hip hop, hip hop, and again classical.
That many years ago, it was also a talk about the innovation and combination are also one of her specialties, right? So I was also inspired by the theater houses.
That is, the ones that represent on stage, they wear costumes, they sing, and it serves a story. For example, in the show, that's what you and the owner Thu also direct to the theater.
Because all the performances have a story, and everyone is in costume. Rather be a character and act out a story. We don't say it out loud; V just on the outside, but V performed a public performance.
It's a public performance that Em Đ picked up. Yeah, so I'll go back to the question that I think we're a bit out of step with. In that tense and overlapping story, I see that when I care close and start to control that emotion with music, are you in a state of tension or tension?
Yeah, personally, when I observed and started to do that, I had the feeling that I was at a certain level. The waves are also very quiet, so I can coordinate those things.
Or I don't know, but then you say it feels uncomfortable. Then I don't know is when I make music, and I start to coordinate the unpleasant and pleasant.
I'm usually in a comfortable state, and I'll go with the flow. That means I have to take myself out. Oh really? I'm going to be difficult. I can't stand it; you have to be upset.
Then we have to test ourselves. So when we hear ourselves pretending to see if it has enough emotion or not, we will observe; we will observe those sounds.
And I see what emotion it's causing; I'm the first person to experience that emotion.
Yeah, but can it be simulated? I've been given an example. I clearly want this part to be annoying, but I'm comfortable. For example, I'll push you up to be uncomfortable.
Can you simulate it? So, it means that if you want that part to be like that, it will have a formula, which means it will have a formula for yes.
But of course, the formula only serves a part of it. That is, for example, to serve a deadline. OK, the formula is it; it will help you in that.
When I run the line, yeah, but to really make a song that I feel satisfied with, I have to throw myself into it.
Actually, for all the people that making music professionally, I think the inspiration I find is not when I sit in one place or go somewhere or do something, but it will be born in the moment when I work.
That means I intend; I am the type of person who will intend to get to work. Yes, that means fixed and not wait like that.
People also say inspiration is for amateurs. Then, for example, when I sit down, I say I need to do an assignment like this today.
For example, oh, I can start with a whole formula and say, "OK, today I'm slow at doing my assignment, and this friend is very broad."
This friend. I will do it in the wide range; I will do it in this range and at that tempo. I will have the ABC genres.
OK, can I try one? Or change to something else? This is a good start. OK, let's start. Gradually, gradually, that's usually the process.
It will come like that, but it means we have to start first. Yes, I have to start first, and start I will feel more and more interested in it.
But if I just sit, "Oh, thank you, come on. Oh, I can't think of anything, just go out and play." Maybe I can't do anything; just start, and everything will come.
You understand; you also understand this feeling. It's true that you are a writer, so you have to hold a pen and paper and write anything down first.
Yes, then later on, there's nothing that can't be used, but my flow started. I think that's a way for...
If sometimes someone sits and calls it a mystery, they have to start. Even in my industry. So I don't know if there's anything similar about music, but there's a writer who wrote a book about how to write a book.
That book is to put a picture frame in front of you and just write with words that are as thick as the picture frame, family photo or something. Just write up to there.
Then suddenly the part after starting it gets into the flow, but usually, everyone has a blank page, right? I'm not sure if music is the same, right?
Yes, you have to follow some rules and formulas, but I want to ask a little more about the matter. Usually, I describe my feelings into music, or I do it the other way around.
What you just asked was, "Oh, luckily, if I describe my feelings into music, it's almost like the music itself." Of course, there are people who write songs about their experiences, but because I'm the kind of person who's like, I don't know that song.
I just like to convey emotions because it's been a long time. That for me, the wordless music puts people in their own stories instead of putting people in your own stories.
I describe the feelings for both. That thing, but it's my feelings. Actually, it's much more difficult, right?
Yes, it's not simple to describe. For example, when I do an essay about my mother, I have to think about my mother. Of course, I'm not a robot; I can sit and calculate by myself.
I will do this; you will be moved. I will also have to put myself in there, and those emotions that I convey and those are real feelings.
But will I ever? I will I do a show that is all my own compositions and creations? Yes, I want to come back to do those things, but of course, not now.
First of all, my ability now is regressed compared to before. Why mom said that? Yes, that is because I haven't been active in the negative side for a long time.
Music, I will be lost in the imagination. And of course, I game more about the young things in my human life. It will now be different from the past.
I know my family will be very naughty. In the past, my family was hard of hearing. I knew I would write in serial style.
It's a genre of music that is called atonal. I think it's normal for everyone to find sounds that are easy to listen to. If I let people listen, I will find a sound that is opposite to that so that I can express my personality and discomfort to the whole world.
But now I am more comfortable. Then now I will have a different perspective on life. It may mean that the unpleasant things will be somewhere in a section of an entire work, but the way we deal with them will be different than before.
I will make it so annoying that it will kill me until the end of the work. For example, if it is getting more and more annoying now, for example, I will make it to a certain level that I feel is.
It fits with all my experiences now. Life is not that terrible. Life is still beautiful, and I will have ways to bring messages to people.
Because for a long time, music has something that people listen to; I bring meaning to people. I can choose, and I can choose to bring people emotions.
Negative, but I can also do the opposite. I give, I give people something that can be an outlet for negative emotions. So the idea that life is very beautiful, it comes to the time nothing has changed in my life.
That comes from meditating. I don't have much research, but I also have an experience of locking money. Like when, but when I go there, people take me into a space called extremely lonely.
And when I am lonely and I have no communication, and then suddenly because of human nature, when separated, when we leave the community, the first thing people think about is death.
So when we think about death, the most important things to us suddenly appear. When we face death, facing death is like there are people who live their whole life.
They just rush to do something, Vic something, but when they are about to die, then they start, "Oh me, why didn't I take the time doing these things? Is my luck?"
When I realize what is more important and what is really important in this life, then gradually it becomes a needle. For me, since after I came back from meditation, I always tried to make the most of all the time I had left.
And I also looked at the people around me and knew that, ah, all of those people around me are just like me. Their time for all the good things in life is also limited.
So if I can do something to make people realize that, just that alone is enough to do a lot of good things. I also started to change my perspective.
My life became less extreme. I also started to be myself. Understand what is really important and not that I have to show that I am this, I am that, I am terrible and all that.
At that time, let me ask you a little more specifically. When you say important things, important, it appeared at that time. What was important to me? What appeared?
The people around me are like me; we will not live forever. Mother, when meditating, then people teach me a way to perceive the truth.
The truth is, yes, that's the truth. Sometimes not actually everyone knows, but people forget. People forget. Luckily, I have a tool that I can touch the emotion of everyone.
Yeah, yeah, then I try; I use it to make everyone realize.
Yeah, thank you so much. I also think it's true that there must be something. It happened, but at that time, are you single?
Yes, you are not married? At that time, you were prepared. You were ready. Now that you have children, yes, everything will be even more like, right?
It becomes more and more a form of purpose in life. And what music do kids listen to? B kids listen to brother when I was little. My kid liked it.
Then after a few years, suddenly one day it said, "I don't like Eo Saa anymore." Like Peppa p.
OK, like Peppa p. After a beautiful day, Duong suddenly likes Baby Shar. And now, now, all day long, he opens his brother's house.
I think it's been a long time. That's in the music that I've released recently. It's C, my feelings; it's also what I feel.
If everyone understands, if everyone accepts it together, those things will be better than I think people feel because it really comes from what I feel.
I think everyone somewhere will feel it too. Yeah, then I see just said that maybe there is always a gap between the musician and the music listener, but I feel like love is what makes up for it.
That distance is, of course, people like you also said there are emotional levels. People everywhere, people do not mean by knowledge; it may not touch, but by heart, it will touch the soul.
The last show was also a journey that I think everyone felt that a lot. I think, are you proud of yourself? Have you shared?
Have you ever shared that you are proud of? Because I and a song together with everyone, I saved the lives of many children. That's what I'm proud of.
C It's not that I'm proud. B I did something by myself. Yes, the important thing is what I can do to bring again.
What if there is something in the future, some plan that you think if you can do, you will be very proud? Then what could it be that you think is the thing that makes you proud?
What makes me even more proud is how I was able to bring my music to the world of Vietnam because Vietnam's culture is very diverse, and the language is very Vietnamese.
Music also has its own unique features. I'm not a Hao person, but those are Western cultures or whatever. Of course, I listen to them; I absorb them; I learn from them like me.
Em, I don't like the type of, "Oh, this is American; this is Korean." No, I want it to be Vietnamese. Then if I work there, I will probably ship.
Yes, if not, people like me, then who will like me? I am very respectful of the things that the quintessence of other nations can do, but I believe that our Vietnamese nation still has quintessence.
And actually, I don't know if everyone has it. Realize that no, but everything is moving here.
Yeah, yeah, everything is. Vietnam is getting a lot of attention, a lot of things are very l because our culture is very diverse and unique.
And Vietnamese people, we lack one thing. I think it's confidence. People always think that they are other nations; they have developed and so on.
We are the nation. Poor, then the thing. Actually, I have the potential to be able to compete, and I have the potential to have my own place.
I don't have to follow to do the same thing. This side's house is like the house on the other side. We will be able to have a place to dream about guy or something.
I don't know; I also actually don't pay much attention to those awards. What's important is the achievements I leave behind are the works.
For example, I can make a play that people have to come here to see, like people go to Broadway to see Lion, for example, for economic.
Then those are the things that I want, and I have the fairy tale is very good. I can give a story about my culture. I make it with music that is attractive to the whole world, and it also brings out the national identity of Vietnam.
If we can do the first thing, I think, why not divide the profit and then make a 100, 100 real?
[music] Just ask one last idea. Who? A good story. I really like technology.
Yeah, I think it's like when it also starts to understand it, grasps the pleasant and unpleasant things that come out. There is a way to it; it lets anyone do what can convince people that sometimes we are too arrogant to realize that there is a species smarter than us about to appear.
It is a species that can be many times smarter than us. If we do not realize it and we try to forget it and we wash it away, then it is not good.
If we follow you, then I think we have to combine technologies. We have to become sa boox, like a human-machine road. Serious, I'm serious.
Yes, that will be the future of humans for humans. If that, if you want to evolve, that's the fastest way.
Yes, because machines can evolve very quickly, while human evolution is probably slower. A million times I can't compete with it.
I think it definitely practices piano a hundred times more than everyone else combined. It doesn't need to practice; I'll just go in.
But if you have a question about how to do it, but if there is something about you that no one can replace, then what is it? You think is the smarter species, and if it is smart enough, it can manipulate emotions.
Because you see, actually, people don't admit it. But for example, people look at their phones and surf the internet; they know that.
I want to show you this for a long time, but I just see you sitting and surfing for a few hours in it can do that because of language and the things that we see are the things that manipulate our brains.
Actually, right now, we are being manipulated by it, but the thing is, we are... I don't admit it because I'm too proud.
But if we combine AI and technology, how far do you think music will develop? I think the world will change a lot.
Yes, for the art of music, art with its high level of difficulty and complexity for human thinking, I think it will still have a place.
But for entertainment products, because all of my emotions are just chemical reactions that happen in my body. For example, it can completely trick those chemical reactions through images, through things that make me feel that way.
Then it can be done. So the answer is I don't know how far it goes, right or wrong.
R Because actually, it's too smart and evolves so fast. But if I had to work with a robot, what would this project be like?
I think at the moment it would help support me with the projects that are industrial style. Gradually, it will replace us.
Yes, it will replace those because now those generate their things. It can generate... industrial style. Gradually, it will replace, replace, replace, replace, replace, replace.
Actually, there was one time, I don't know if you remember or not. The two of us sat on the buffalo. We downloaded an app and then said, "Let's try to get an English poem and throw it in and say to put a little char, a little pop, a little style in, see how it is."
But sitting listening, I feel almost hunchbacked. But at first, because it is a new examination tool, but you know it has only appeared for a few years.
10 years from now, I don't know it will get smarter, and maybe in 10 years or 20 years, there will be songs on bbot that generate.
That is the future. So what will we do? We will. But I think the future of humanity will be different because...
Why did you guys go to the owner? You guys said you went to the owner. The story went too far. You guys went to the owner.
X went to destruction. Two sisters sat and talked. It was too much for you. [music]
Thank you. I don't know. The story goes nowhere like that. I stop you, sister. Told me tube 100.
This sister. [music]
Can you imagine what your next year will be like? Next year, Subin and I plan to do a concert for Subin first, and second, I will continue to accompany my brother.
For now, I will continue to accompany my brother in here, dad. Yeah, I don't know if there are more. I don't know where it is.
Maybe it's something like every two months, once a month. OK, then steal some pumpkins whenever there's something to do.
Yeah, that's fine. I've only read one analysis. It's a bit like a concert day, but it even has the ability to change the economy of Vietnam.
Because it is how many billions of dong about buying and selling tickets. Everyone is excited; everyone is happy. Advertising, and actually, it also helps all the brothers, right?
The challenges in the show have jobs. It has the nature of changing macroeconomic factors. V is not normal, so I think so.
OK, I wish you all the best. Yes, thank you. Thank you, Vinh. You have worked very hard for a year.
Thank you for bringing a lot of emotions to everyone. I think thank you because I believe you will have a day very proud of yourself.
Yes, thank you. Thank everyone for following.
Good night, everyone. Good night, and see you again.
Hello m [music]