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If the snacks are ready, bring them. This night is presented with happiness by İbrahim Selim. Bring happiness, Yeti. Ladies and gentlemen, welcome. What's up? Ebru Şahin is coming. >> I said, my love, I can't protect you. I'm a fan, you know. >> This and that, but I was already thinking it inside. >> Vampire, vampire, this is. How can you not know? >> I'd give two units of blood, for example. You'd like it that way. >> It's my wedding, I guess. >> The child wanted it so much. What was the question? Money doesn't come out of here, though. 3 2 1 With your applause, Ebru Şahin is coming. Welcome again. Now we're diving straight in. It's really not easy to find information about you. Because you're nowhere. >> Yes. Your first program, really. >> Really. So you were a naughty child. I mean, looking at you, it's a bit hard to believe. Generally, from what we follow of your life, you don't seem like a very naughty person, but can you share one or a few of the memories that scared your family the most with us? Let's believe it. Which one should I tell? >> So much. >> I mean, they weren't too worried because they didn't know. I generally always hid things because, you know, when it finally came out, even if others had done it, I would take the blame so that they wouldn't be marked and they wouldn't let me see them again. I would take all the burden. What haven't I done, should I say? I almost got run over by a car on roller skates. With my bicycle, where they are laying foundations, you know, the ones full of water, I would go under them, dragging myself. I had two near-drowning experiences. I've even burned my hair. A lot. >> It's already 7 in total so far. 2 left, calculating. I almost lost my eye, my right eye, my left eye. >> Why were you going to lose it? >> Well, that was a bit from being a show-off. My sibling was very young. We went to a park to play, and Grandma said, "Daughter, swing slowly." >> Okay, Grandma, don't worry. I'm swinging. As she laughed heartily, she was about 23 years old, and of course, she was clearly enjoying it, thinking nothing would happen. You know the old swings, maybe you know them, wooden ones with metal edges nailed down. As I swung one, two, and then I couldn't hold on anymore and >> It was like the screen went black. >> Oh, you hit your head. >> In my eye, right here. In fact, if you look closely, there are faint stitch marks. But I didn't understand anything in my shock. Everyone's faces looked horrified. Grandma was running. I said, "Nothing's wrong." When I looked in front of me, my whole upper body was covered in blood. Luckily, there was a clinic right across the street. >> We used to call them clinics, that's right. >> So much. >> I don't know why I switched to Ottoman Turkish. >> I think I got away with a few stitches there. >> Get well soon. I understand. You were a bit of a daredevil. You say you had to be responsible at a young age. Did this teach you anything at an early age? What did it teach you? >> It must have taught me a lot. It taught me the importance of standing on my own two feet, of being self-sufficient. First and foremost, it gave me a fighting spirit. I tend to take on a bit too much responsibility and get burdened by it. That's why, when I was such a good, obedient girl at home, I guess I let it all out outside. That's how it was. >> Are you still a daredevil outside? >> I like it. >> I like it among my close circle, but I guess courage diminishes a bit with age. >> And of course, being visible means you can't be a daredevil everywhere. Yes. As you can see on the table, this segment is brought to you with Getir. So, a big round of applause for Getir, please. Those who know, know. When we partner with a brand, we always do a quiz with the audience in that segment. And we give a prize to the winner. We'll have a quiz again. It's on a voluntary basis. Raise your hand if you want to participate in the quiz and get a prize. What do you do? >> I'm a Group Manager of Commercial Affairs at a private company. >> I assume you know Getir. >> Of course, I order food every day. >> Do you use it? >> Very often. >> Really. We've also embraced the screen enjoyment together. >> So, with Getir, when we have screen enjoyment, what do we focus on? But here too, there's something we need to do together. Of course, Elçin Hanım will know something, and when she knows it, we will applaud her enthusiastically. Let's try to see what we'll do with the correct answer. For the correct answer, we'll boo, if you want. Booing is a bit rude. Let's do this. >> Bravo. Are you ready? >> I'm ready. >> Our first question is: From which Getir category would you shop to enhance your screen enjoyment? A) Snacks B) Sexual Health C) Fit and Form D) Dairy Products. >> Snacks. >> The correct answer is >> Madam. Our second question is: Getir can help you with which of the following? A. Making the right decisions in life. B. Providing a personalized experience to meet your needs precisely. C. Stalking your ex with GPS assistance. D. Obtaining discounted flight tickets. >> B. >> The correct answer is >> I can't believe it. It's unbelievable. Madam, our third question is: Which of the following is included in the definition of screen enjoyment? A. A break and reward moment for oneself while watching something. B. The rush to finish work while watching something. C. The torment of a 2-hour commercial break in your favorite series. D. The joy of fighting over the remote. You forgot the options. Oh, you forgot? >> I forgot. >> It's not that you can't know. Please. >> C. >> Wrong answer. Unbelievable. Elçin Hanım, you really can't forget. >> I forgot. Our fourth question is: What is the popular term for moments considered personal time? A) Me time B) Day dam time C) Time time after time. >> What was option A? Me time. >> A is the correct answer. >> Oh, thank goodness. >> Thank goodness. >> Erçan, we were worried. >> Really. >> How could you forget the answer? You forgot the options, didn't you? >> Is it possible not to be worried when you're around? >> That's excitement. Why should I be worried? I'll just >> Great. Now, we have a gift, or rather, Getir's gift. Getir's gift is brought by Getir. Can you believe it? Let's welcome Getir with applause. Hello, Getir Bey. >> Hello. >> Welcome. >> Thank you. >> You're welcome. Getir is going to get it. We're sending Getir off with applause, madam. Congratulations. >> Thank you. >> You also have a 1000 lira gift voucher from Getir. >> Super. Thank you. >> I'm hungry. Thank you very much. It was very fun thanks to you. >> So, your sibling called you "little mother" instead of older sister for a while. >> Yes. What kind of role did you have at home at that age? >> We are children of divorced parents. So, during the time I was separated from him, when he came, perhaps out of longing for him, it coincided with my middle school years. Since I was very curious, I would cook his meals, do his homework together, and so on, providing an incredibly comfortable environment for my mother. So he couldn't get used to it either. Whenever they asked, he would say, "My little mother." And then, of course, when they entered adolescence, those things stopped. >> Things changed. Are you still on good terms? >> Yes. Yes. Of course, I love him very much. My son. >> He said nothing has changed. So, you spent a large part of your childhood with your grandmother, and we know you called her Ayşe Anne instead of Grandma. >> What kind of place does your grandmother have in your life? >> Yes. She had a very, very precious place for me. You all love your grandmothers, but since my mother worked out of town, I always called my grandmother "Anne." Then, when my mother came, when I said "Anne," both of them looked. So I had to differentiate. I turned it into "Ayşe Anne" and "Anne," like that. She taught me a lot about life. Because I was with her for a very, very long time. I know she carried me around like a bag. And she showed me that standing on your own two feet as a woman, fighting, and doing your job honestly, reliably, and ethically means that no job is shameful. She was a very hardworking woman who stood on her own two feet. I learned those things. That's why she has a very, very special place in my life. >> Wonderful. You were very lucky. You mentioned your mother worked out of town, and due to her civil service, you moved cities quite often. >> I guess you have quite a skill for adapting to new environments. >> Yes. It was out of necessity. Because we moved so much, I can adapt quickly in that sense, but I can't form deep connections quickly. >> That's what I'm going to ask. Do you have long-term friendships? >> Yes, but it's more like those friendships developed after I took my life into my own hands. Because otherwise, when you're being tossed around by your family, you can't stay in people's lives for long. So, perhaps as a reflex, I try to be careful. Because I might leave at any moment. I try to enter people's lives as much as they allow. But I can say I've broken that attachment barrier with myself now. >> Look me in the eye. >> What's the biggest thing you've done for someone's sake up to now? There are many things. Because I'm a bit of a "don't upset anyone" person. But my wedding, I can call that my wedding. >> For Cedi's sake? What does that mean? >> The child wanted it so much. >> I couldn't refuse, so I did it. >> No, no, it's not like that. But we were thinking of doing something smaller and sweeter among ourselves. Then we told Cedi's Balkan family about our idea. >> Right. Of course, of course. Yes. Yes. From the Balkan Turks. So, as you know, it's famous. We thought, "Should we do it here? Or here? A small gathering of 15-20 people?" How will that work? I've been waiting for years to do something like a wedding with my child. Of course, of course. Then, when I thought about it myself, they've been dreaming of something for years. My dream or Cedi's dream might be different, of course. But I didn't want to ignore that. So, we had a small wedding in Macedonia, and here, where all our friends and loved ones would be, we said, "Let it not be like a wedding, but like a festival where we can have fun and be happy together." And it was like that. It turns out you have to listen to elders. >> When have you found yourself rollerblading in the most absurd situation to date? I took a long break from rollerblading, of course, I started sports with rollerblading, but then life got busy, and they kind of went away. Then, when we went to Mardin, I felt like I should do something, and it came to me for some reason. My dear Oya and one of my actor friends at the time were interested in quad skating, and we were watching dance choreographies, and American ones on YouTube. Quad skating, the four-wheeled ones. >> The four-wheeled ones, like the old ones. >> I normally skated inline. >> You skated inline. >> The straight ones. Those straight ones do that. Yes. >> We decided to try it. We'd dance, and so on. We were planning to do this in Midyat. By the way, in the garden of the hotel where we were staying, with all eyes on us, we had a period of falling and getting up. Yes. >> I wish you had recorded it. >> There are recordings. I'll show them to you sometime. >> I'd be very happy, really. Can you share the most irritating natural phenomenon you've experienced with us? This is a question asked with absolute certainty. >> When you say "irritating," a set memory comes to mind. >> Really? >> Yes. I have many absurd set memories, but when we were in Midyat, we encountered a natural phenomenon unique to that year. It was very interesting. You look at the light, and black ladybugs are falling from the sky. That's why I said "irritating." The lady understood very well, and you can't stop them. How would you even deal with it? The set crews were collecting them with buckets, that's what I'm talking about. And while we were shooting scenes, they were falling on us, on our hair, inside us, and we were screaming. I had a scene with Macit Son, Macit abi, playing opposite each other. We were acting, and it was a very emotional scene. I was looking at him, and he has a mustache, you know, a mustache with a bug on it. >> For God's sake. >> It was really like that. The locals there say it's the first time this year, due to the rain and all, but I don't know anymore. >> Maybe they said that so we wouldn't run away. >> They really begged. A lot of black ladybugs rained down. >> Yes. Anyone who wants can check it out, but I don't recommend it. >> Do you know a movie called Magnolia? >> No, I don't know. It's a Tom Cruise movie, an old one. In the finale, frogs rain down. >> Oh, yes, I know that. I know that scene. I know it. That happens. That's real, by the way. We looked it up back then, it's real. This is real too. What was the biggest disappointment you've experienced to date? >> I can't say it was the biggest, but perhaps being betrayed by people I value. >> How does that happen? Lies, or something else? >> Not lies, but you know, I've already mentioned it. It's very difficult for me to trust someone. When the people you've opened up to, or who have entered your life, when you say something, and you realize that there's been a wall all along, not to lean on, but to be hit against, it's a big disappointment emotionally. So, perhaps I can say that. A specific example didn't come to mind, honestly. So, do you have a guilty pleasure program? >> Yes. Yes. >> Which one? >> I have many. Let me say which ones I do less of. >> Oh. >> So many? What are they, just say two, for God's sake? Then. >> One of them, because we'll definitely get it right, and the second one. >> Yes. Because I watch them like snacks to unwind, and I'm very curious about the relationships of the people there. >> Kısmetse Olur. >> Yes. >> Yes, abi. That one exists. There's nothing to be done. You open up Amazon and watch it. >> Not from the beginning, but I watch it in parts. In fact, Cedi, seeing all this, said, "You opened it up." I said, "No, no, these are old episodes. Open others." >> Of course, of course. >> Very good. But let's do it right away. Those who watch Kısmetse Olur, applaud. Come on, applaud. Don't reveal yourselves. >> Let's unite. Let's do Kısmetse Olur evenings. >> We can guess Kısmetse Olur more or less. >> Yes. I start it. I look at the couples and then, if it turns into a neighborhood brawl, I stop. >> The second one, then? >> The second one is a program called "90 Day Fiancé" on TLC, an American channel. There, people from other countries are engaged to Americans for 90 days in a live reality show. If they can continue, they get married, have their wedding, and so on. I don't know if anyone knows, but there was a man named Mürsel. Do you know him? Oh, it's terrible. I'm looking at Mürsel now. They have children, they're happy beekeepers. >> Wow, madam, you're giving such detailed addresses. >> Yes. >> Wow. >> Yes, there are others, like "Ultimatum," "Love Island," and so on, silly things. >> God forbid. It's a way to unwind. You're right. It's good. >> You describe yourself as having a traveler's soul. What's the most absurd thing that happened to you on a trip? >> It's probably happened many times, but let me tell you the ones that can be told here. >> We went to Africa with Cedi. >> Yes. >> To Tanzania. Then, we went on a safari, you know, to see wild animals. Then, on the way back, I really like tribes and ethnic things. >> So I asked the driver if there was a place we could go. >> Did you visit the Maasai? He thought about it, checked, and said, "You can't go to all of them. They're not very humane, but there's a place where tourists can go, where you can talk more." We went, and as soon as we got out of the car, there was a welcome ceremony with dances and so on. Then, a man from the tribe came down and ran towards us, screaming, and the men of the tribe ran towards me, playing with my hair, screaming in my face. It was an interesting tradition, I don't know. Then there was the tribal chief, who spoke English, by the way, and had received something from the state. They were explaining their homes. How can I describe it? They live in earth houses, not even 10 square meters. He said, "Here you go." We entered. It was pitch black. I had opened the video on my phone's flashlight. We entered, and the man, Cedi, and I sat like this. He was explaining, "Our traditions are like this and that." He said, "Traditionally, we drink cow's milk. We drink cow's blood." My mind was racing at this point. He said, "You can come as a guest for a day or two if you want to experience it." At that moment, I was thinking, I'm such a people-pleaser. I hope they don't offer anything, because I'll have to drink it, you know? What will I do if I don't drink it? It would be rude, wouldn't it? I don't know. We left somehow without anything happening to us, but it was a very interesting experience for me. Because afterwards, I always thought, what are they doing now, how are they living? He gave very strange information. >> You have a wish and dream journal. What is the biggest wish written in that journal that you can share with us? Can wishes be shared? A bit. >> Do you have any fulfilled wishes? >> Yes. Yes. To be an actress. >> Was that written in that journal? >> Yes, it was written. Working in Mardin was on it. Playing a warrior was on it. It was there. That's why I believe so much. I believe so much that imagining and writing can turn into power. I have another journal. It's called Cedi's Absurdities. >> What do you mean? >> Like, not absurdities, but the absurd words he says. For example, "Makedonkesi orsam burelı." Because he lived abroad for a long time, he makes some words incorrectly. For example, very recently, I did a photoshoot for "Ailem" magazine. And I was writing something, writing answers for the interview. He asked, "What are you doing it for?" He said, "Are you doing it for Amel magazine?" I said, "No, you're writing for the Amel journal." Oh my God. I wrote it down in my notes. He said, "Is this your mabad?" I said, "What are you saying? What are you saying?" >> But now, maybe. >> He's trying to say "mabet." >> "Mabet," yes. It's probably something related to that. Because I only take short notes, I don't write long things like "what he did." So, we have such things from time to time. >> If we asked you to describe a type of person you can't stand, what would be the three most prominent characteristics? >> Arrogant people. I really can't stand them. People who talk down to you, narcissists, I can't really deal with them. I'm going to say a lot now. >> You're going to say a lot, but arrogant and narcissistic are almost the same thing. >> Like what? Exactly. Right. >> Like, "Look, I got this, now I'm putting it here," people who constantly try to dominate everything. I don't like that type of person very much. Nothing else comes to mind right now. When you ask me. >> Like, I don't like unkempt people. >> Oh, of course, but no. I really value it. I value people who take care of themselves. >> For example, angry people. >> Aggressive. Aggressive, violent, quick-tempered people who make the atmosphere tense. I can't stand them. I distance myself immediately. I'm not someone who likes a lot of aggression. >> Have you ever lost yourself watching Cedi's matches and yelled at the referee? It's not just watching Cedi's matches; I'm a fan in general. Even if it doesn't seem like it, I watch everything very excitedly. Especially if it's something I love, I'm constantly gesturing with my hands and arms. You don't need to see the score; just watch me. I do big, absurd things like "Ooh" and "Ah." I get very carried away. I do this with all sports. Even in the most elite sports, I do this. >> When you say "most elite sport," name one. For example, in tennis, I do that too, but I restrain myself according to the environment, of course. I sometimes tell my friends to hold me back. >> I give a warning. >> So, do you really yell at the referee during a match? >> Yes. Do you support a team? >> I used to, but then, yes. When I entered university, I studied sports sciences. So, that part fell behind for me. The team spirit part. After Cedi got married, did you discover a habit of his that made you think, "Oh, this exists too"? >> Shall we talk about that? Come on. >> Well, I don't want to say too much about my husband here, but. >> Don't, don't, he's a grown man. Then. >> I'm a bit too timid. >> Who? >> Cedi. I mean, every evening, there have been times when he's been scared of himself. I'm a witness. Let me put it that way. For example, at night, when going to bed, he locks all the doors and windows, and drawers, as if he's going to find them. I say, "My love, I'm here, don't be scared." "Calm down." I really say that. He says, "No, no, it's not like that." He's not scared, but he seems scared. >> He's anxious. >> Yes. It's like that from childhood. He's not like that outside, but still, if you were stranded on a desert island, would you take three people? He asked me the other day. He said, "What would you take, my love?" I said, "This and that." He said, "And me?" I said, "My love, I can't protect you." >> If you found Cedi's diary, would you read it? >> It depends on the situation. It depends on the situation at that moment, on our communication at that moment. If I have a question mark in my mind, I might take a small look. But otherwise, I wouldn't search for it out of the blue, like, "Where is this diary?" No. >> Yes. Lately, there's been a debate about diaries versus phones. Diaries are rare now. Are you talking about phones? >> Phones, no. I don't look at them. I don't have anything like that. >> You don't have a phone? That really seems strange to everyone. >> Everyone's is out in the open. But I don't feel the need for it, honestly. >> Who opened up to whom? >> Uh, well, it wasn't like an opening up. Ours happened very much in the flow. But Cedi, let me say this about him too. >> Is there anything about marriage that you've discovered on your own, that you haven't heard from anyone else? >> Regarding marriage, I haven't heard anything from anyone in general. I didn't grow up in that kind of profile, so it wasn't something I was very curious about. I never thought I would get married. It was something that happened very much in fate, in the flow. After getting married, perhaps I discovered that while I preferred to be a refuge for everyone, with marriage, I felt like I found a refuge. I discovered that I could root myself more, connect more, and ask for help, share things more openly. Because perhaps that was the environment of trust I was looking for. It added those things to me. If you weren't acting, which sport would you be sweating in right now? >> I probably wouldn't be sweating. I'd be working behind the scenes, in administrative and organizational parts. Sports journalism, sports broadcasting, or something like that, or in clubs, in any back-office role, I'd be one of the people who get things done. >> If we opened your Instagram explore page right now, what videos would we see the most? >> Right now, my Instagram explore page is like a black hole, a garbage dump for the Reels I send to my girlfriends. But right now, you'd probably see Punch the most. Do you know Punch? >> I know. >> Yes, you'd see that. I want to adopt it. That's it. >> But when you say Punch, I thought you meant the stitch made by Punch. >> Oh, no. >> What is Punch? >> There's a monkey, you know. >> Is there a sentence or word you use instead of "I love you"? I was a person who couldn't even say "I love you" much. Everyone's love language is different. I show it through my actions. If I'm doing this for that reason, they'll understand I love them. But people need to hear it. My love language changed later, and as much as possible, I want everyone to hear that I love them, and I say it. But apart from that. >> You don't use anything instead. I say, "I'm glad you're here," or "My dear," and I act like I'm going to hug you, I say, "I'm here." I assume you're thinking of Punch while saying that with your previous voice. >> My dear. Yes. >> If you could change one habit of Cedi's, which one would you change? >> I'd say he's a bit too soft-hearted. Perhaps I'd change that. Because I become the bad cop. He's so soft, so sweet, that I become the bad cop. >> If you were married to yourself, what would be the reason for divorce? >> I guess what I said earlier. I wouldn't get divorced. We'd probably talk and resolve it. >> That's wise. What's the most romantic thing Cedi has ever done for you? >> The marriage proposal, perhaps. But he did something like this. When I was working in Mardin, he called me on video one day, a few days before he returned to America. He called and said, "Look where I am." I went to middle school in Edirne. He had gone to Edirne. He went to the school where I studied and called me from there on video. He said, "I wanted to see the place where you studied, where you lived." He had gone to Edirne just for that, for example. And it seemed very interesting, because I'm not a very romantic or suspicious person. I was touched. That's a very, very sweet thing. Oh, he says he's not romantic. The other day, I went to a play. Have you seen "Jine Hayd"? Hayko Cepkin and Pelin Nakil are acting in it now. I think you should see it on stage. Hayko Cepkin plays incredibly. Pelin is also very good. The production is beautiful. Their voices suit each other very well. Anyway, the cameras caught us as we were entering the play. By the way, I'm wearing something black. What should I call it? A coat? It's not. It's like a jacket. I usually cover my neck with it. Underneath, there's something like the pilgrims wear in Mecca. It looks very cool, but it really does look like that. It's very funny. Anyway, they asked Şeyma. They said, "İbrahim Bey is a romantic person. Give an answer." She said, "Until me." What does "until me" mean? It was very strange. What's your favorite curse word? I might have been entering. >> It felt like that for a moment. No, I was very funny, I couldn't even fight or curse, I'd just say "stupid" and leave the environment. My very close friend here. >> He knows. He's a witness. Then there was a period, and curses that had never seen the light of day started to emerge from me. To regulate myself, and at the same time, I was meditating. My friends told me, "Ebru, this won't do. You need to listen to this and get yourself together." There's a meditation like this: Breathe. I'm purifying myself of all the dirt in my life with a broken-handled cup. It's ridiculous. Should I continue? >> I have no idea. I'm always going to. >> Yes. >> There's a meditation like that. I'll send it. >> Okay, okay, send it. It's clearly working. >> It's a place where I can say it directly to someone and handle it internally. >> Exactly. No broken handle. Yes. But we'll make one if the topic comes up. I understand. Good. This continues. How long is this meditation? >> It's probably about 20 minutes. >> 20 minutes? >> 15. >> Brother, we'll get arrested. 20 minutes, can it be so easy? >> The whole episode would be rope. I understand. Yes. That's good. But now you can curse comfortably. >> I do. I still don't prefer it. If I curse, I get angry at myself for cursing and curse even more. So, I get angry at myself for cursing. >> Then, idiot, then more curses. >> Because I don't want to curse, but it's a necessity. >> Wonderful. >> Life's purpose. >> Do you think it was honest enough? When I asked myself, "What would I regret not doing in my life that would make me happy?" the only answer was acting. >> Yes. >> But before that, there were no signs. Sports, sports, sports, nothing else. Where did acting come from? Why? Where did it come to mind? >> It was my childhood dream. From the age when I started to understand things, I was very interested in theater, films, and so on. On Sundays, there used to be a Yeşilçam (Turkish cinema) block. I would wake up for that instead of cartoons. I knew all the scenes by heart. I remember when I was very young, watching something, I saw that scene and wanted to be there. There was a moment when I truly wanted to put my whole being into that scene. I don't remember the job itself. And after that, it remained like a childhood thing for me, and I couldn't make progress. Because I had to go towards more secure paths, because I had to support myself and my family as soon as possible. So I ran away. In my last year of university, everything was becoming more serious. If I entered something from now on, I would have to continue completely, and it would remain a hobby. I said, "Now, because I'm afraid of making mistakes, I'm afraid of doing nothing." So I took a step and registered with an advertising agency. I quit all my other jobs. I said, "I have to be forced, so I have no choice but to succeed." I sold my student house and so on. I rented rooms that were 5 square meters, 10 square meters, and went through a period like that. I went to an advertising agency, and that's how it started. I started with commercials, and it progressed somehow. Later, I received my education and so on, but if you quit your job, you can't get education. >> Yes, because if you continue working, they can't call you whenever they want, and you can't go. It was a difficult and arduous period. But I prefer to see these not as drama or burdens, but as strength, as fuel, as a source of motivation. That's how it started. Later, there was a period when I thought, "Nothing is happening anymore," and I was in a mood to pack my bags and leave. >> Wonderful, because it doesn't happen without taking that risk, as we can see. Even if you get an education, it doesn't happen, and if you don't, it doesn't happen. It's always done. After rollerblading, running, and basketball, were competitions your source of income for a while? >> Do you remember what you did with the first money you earned? I was in almost all the competitions from primary school to middle school. Then I saw that something was really happening. At that time, I thought I should earn my pocket money. I probably made school pocket money, but I always saved a part of my pocket money and went to the apothecary. >> The apothecary? >> Of course. Like mixing spices and things, and you don't even apply it. I'm not someone who likes medicine very much. I always spent it on oils, plants, and so on. They call me Lokman Hekim. Do you still deal with it? Is there a corner of your house like a witch's cauldron? >> For example, is there anything good for eczema? >> Yes. There are things that help. I always did that for my friends too. >> So, you came to Istanbul from Tekirdağ to study sports sciences, but your grandmother tried to convince Cedi to live in Tekirdağ for a while. >> Of course. >> How did you convince them to study in Istanbul? >> I first went from Tekirdağ to Ankara. At the end of the first year, I realized I was doing it, and then I came to Istanbul. Ankara. There, I realized I was in a place that didn't belong to me, and thankfully, I realized it. Then I came to Istanbul. I've always been very free-spirited, or rather, I didn't belong there either. I didn't belong to Tekirdağ either. When you look at it, internally, I always wanted to do something. So, even though they were sad, they accepted it with a heavy heart. But there's something else. When I was playing with Cedi, a season or so had ended, everything was going very well. I came to Tekirdağ. "How are you, Grandma?" I say "Ayşe Anne" a lot, it's coming. "Grandma, what have you been doing?" "Eating," and so on. "Daughter, I'm so sad. They make you cry so much. Wouldn't it be okay if you worked at the municipality? Shall we look into it?" she said. I said, "What?" Then, when we visited with Cedi in the summers, she was sitting opposite, looking. I saw in her eyes, she was looking. "Son, don't you have a team here where you can play?" she said. "Shall we get you a place here?" >> So, besides sports, you must have had something in music, writing, theater. Where did your connection with the stage begin? We saw how you write. Where did this inclination to write come from? Do you do it? >> Yes, I write. I love writing very much. It's an area where I regulate myself a bit. I've loved it since I was little. My mother started working at a library. Perhaps from there, by reading a lot of books, by writing, by composing them.
I grew up with that in my head. That's why, during school, I used to write sketches like that and perform them. I used to perform them myself. I would try writing song lyrics. Things like that, I was always in theaters, here and there, I was always present, you know, school. >> Are you doing these now? >> I'm writing now, but it's not like a play or anything, more like in a story style, I have small notes I've taken for myself. >> Do you have song lyrics or anything? >> I'm trying. Yes, I'm trying. Let's see. Is it this one or that one? Now, ladies and gentlemen, we're asking who you would skydive with. Now, the first names we'll ask are, would you want to jump with Duncan James or with Nick Cave? >> Well, when I was little, there was the group Blue, and I was very, very in love with him, but now I don't really like it. Now that I see him, new releases. I would jump with Nick Cave. I really adore him. >> You would jump with Nick Cave or with Cici Hadid? >> I would jump with Nick Cave. >> Exactly. We'll jump with Cici Hadid. Necessary. >> I like him a lot, by the way. Welcome. Yes. He likes it, of course, but of course, definitely. >> Would you jump with Nick Cave? With Defne Samyeli. >> I wonder what she would say to me? I thought about that, but I'll continue with Nick Cave. I think he will also see it as justified. >> Ms. Defne? Yes. He will see Nick Cave as justified. I mean, Nick isn't someone who's readily available to us. >> As far as I understand, Cici Hadid is readily available to us. >> Very nice. Yes. >> Would you jump with Nick Cave? Or with Kate Bl? >> Oh, maybe Nick has a heart condition or something. I want to continue with Kate. >> That's very rude. Thank goodness he doesn't know our language. We continue with Kate Bl. Would you jump with Kate Bl? Or with Binnur Kaya? >> Oh. >> It's so far behind. >> What happened to readily available? Ms. >> Oh, I would jump with Burkayla. It feels like we would have a lot of fun. I don't know, like, idea, idea. >> So, would you jump with Binnur Kaya? Or with Andrew Scott? >> Uh, with great apologies and respect, with Andrew Scott. Why? >> Because I like his acting. That's why. >> And I also like him very much, really. And I think our editors like him too. They usually put terrible photos, but Andrew Scott's photos are always sharp. >> Yes. This is a good photo, though. >> Really. The only problem with the man is that he's 1.5 meters tall. >> Yes. For me, it's a bit of a different difference. >> Yes. So, would you jump with Andrew Scott? Or with Birkan Sokullu? >> I would jump with Birkan. >> Why? >> I would jump. He's also very cool. With him, you know. Yes. We would even jump with him while eating, and so on. Like that. Are you jumping with Birkan? >> I would jump with Birkan. >> Would you jump with Birkan Sokullu? Is his name Cillian? Cillian Murphy. >> Cillian Murphy. >> Cillian sounds like perfume. >> Yes. But >> Mr. Murphy. >> I like him a lot, but he seemed a bit too much like a tough guy to me. Yes. Yes. Like, constantly cool looks and stuff. Parachuting and all. >> Okay. Just jump, damn it. >> He jumps with his hands in his pockets, with a parachute and all. Not me. >> Okay. >> Let's continue with Birkan then. Birkan. Birkan Sokullu? Meryl Streep? >> I'm jumping with Meryl. Yes. >> We're jumping with Meryl Streep anyway. So, Meryl Streep? Lucy Liu? >> Let's continue with Streep. Meryl. >> Uh, ladies and gentlemen, with Ms. Meryl Streep. Is this Meryl Streep? Who is she? Yan Somer. >> Vampire. She's a vampire. How do you not know her? >> Oh, Vampire Diaries. >> That's what it's called, but I don't know, like my boss's name. >> Oh, I would like this very much, really, but if she wanted the periods when she was a vampire, I could give her two units of blood, for example, you would like her like that. >> So, Yan Bey? Or Giray Altınok? >> Do you see these looks? >> Should I give him a syringe too? Are we going to give two units of blood? I don't understand why we gave blood. We're giving it. >> Giray. >> Giray's black and white photo too. God forbid. >> With Giray. I would jump with Giray. >> Giray Altınok? Matthew McFadyen. Oh, this guy is a great actor. >> Love and fate. >> So. >> And with whom? >> Giray? Matthew Bey? >> I mean, we'll learn two different things. I'm continuing with Matthew. >> I'm continuing with Matthew Bey. Matthew Bey? Burçin Terzioğlu. I would jump with Burçin. I like her a lot. I don't know, give her. >> Oh, last week, together, they're so sweet. >> Yes, I saw. She really is. >> So, would you jump with Burçin Terzioğlu? Or Tom Hardy? Look, look, friends, it shouldn't be this obvious, but I'm affected by Tom, and right now, and all. >> Of course. No. >> Let me put it there. Burçin, really. >> And >> I was going to choose you, but you see, there's intense pressure. So. >> Tom Hardy. >> Tom Hardy, yes. >> Yes. I would jump with him. I would jump from above. I would jump from below. I would do anything. Be like that. My love. >> Hopefully, you won't jump up first. >> And secondly, is this applause thing? What's cooked at the neighbor's falls to us. Once this limit is passed. >> Because when we watch Kısmetse Olur, we'll all gather and call him too, I thought. >> What do you say, Tom? Don't you think this fight is absurd? So, Tom Hardy? Jeddy Osman. Oh, there's no way out of this. I can't call him, I mean, in terms of fate. I mean, he can't jump because of Jed Boy anyway. There are limits, you know, weight and limits. My love. >> I mean, completely thinking about safety because he's also forbidden to ride a motorcycle, and things like that. My love, in my arms, in my arms, I couldn't speak. >> Because I don't want to put him in danger, I would like to jump with the very respectable Tom Hardy. He's jumping with Tom Hardy. At some point in your life, you thought about giving up your acting dream and going to Australia. First, what would you have done there? >> Secondly, if I had gone, I would probably have been very heartbroken, and my life would have been completely different. >> I entered the industry in 2015, starting with commercials. So to speak. I mean, at the end of one year, we were still struggling, of course, it's a very short time for this, but if something wasn't progressing, if it wasn't happening, I thought, at least I shouldn't expose myself to this, so I changed direction. A few months before that, my friends had come from Australia. While talking to them, I called my mother and said, I'm collecting documents. I'm graduating this year. I thought, let me go and build a different life there. If I can't do what I want, then let me open up to a different world. If I had gone, everything would have been very different, of course. I can't even imagine it now, but I guess people who haven't found their place carry a lifelong regret, right? I feel like I would carry that. Of course, there would be a way out there too. I'm very sure I would create an exit for myself there. You seem like that kind of person, you wouldn't leave that place alone. Where would you go in Australia? Sydney? >> Uh-huh. Melbourne. >> Melbourne. So, your professional acting journey begins with an independent film. >> Yes. >> I mean, it's very strange. It usually doesn't start like that. Blood money. >> Entan. That also started at the very moment I decided, I'm going now, as someone who loves Yeşilçam so much, it actually started with something very Yeşilçam-esque. >> At that time, I couldn't get into a continuous job. Uh-huh. >> Because I was doing stand-in jobs, saying I can't go, I can't do it. I was doing general jobs like being a playmate. >> One day, I had another playmate job. I went there, and they said, there's a birthday party tonight, the girl is sick, can you go? I said, okay, I'm happy to do it, I'm trying to save money, you know, to go. >> Uh-huh. >> Then I went, and we dressed up and everything. You just had to serve, stand at the stand, and do this for the guests. Then they said, tonight is a manager's birthday. The villa I went to was a management agency. All evening, directors, actors, this and that will be here. I was devastated. I was very upset because I had also started commercials. I could go to premieres. My circle was starting to form, more or less. I thought, am I going to serve someone I went to a premiere with a week ago? Then it was very short, I recovered quickly because nobody is paying my bill, after all. Exactly, I have to work. I continued to do my job in the same way. >> Then, that evening, someone came to the stand towards the end of the night and said, put his card here. He said, do you want to act? I said, well, I'm doing commercials, but I don't have anything else before. >> Then he said, call me tomorrow. Then I couldn't trust that environment at all. I had watched so much Yeşilçam, I thought, would I fall for it? >> You're very right, of course. >> Then I said, okay. >> The next day or so, I didn't call. At that time, I had been approved for a commercial. There was a shoot in Bulgaria. Mehmet Günsur was there, and I was the assistant cast. We went there. On the way back, we went by car. On the way back, my phone rings. It's about two weeks later. I don't answer foreign numbers. It keeps calling insistently. >> By the way, I don't know if it's still like that, but my phone was prepaid. Now, international calls also charge you, right? >> That's why I couldn't answer, and we crossed the border. I returned like that. From the Bulgarian border. Then he said, yes, you didn't return, there's an offer like this. You didn't return. The caller was a woman, by the way, so that gave me some confidence. Wait, what? Was that real? I got it there. Then I went for a meeting, and it really started with an adventure of living in a Yörük village in a village in Çanakkale for about 2-3 months, filming this movie there. >> How beautiful. >> So. >> Ladies and gentlemen, Buse Çağlar, you. What a shame, what a shame, what a shame, I was like lost. It didn't remain for you, my complaint. Isn't there a way to pack up and leave? Shame, what a shame, I was like lost. It didn't remain for you, my complaint. Isn't there a way to pack up and leave? Nowadays, you are someone else again, clearly in love, your absence will not be forgotten, it will not be filled. I have no more words for you tonight. The two syllables are truly like a riddle. Worthless. If there was pride, you wouldn't be grateful. My last word for you tonight. The two syllables are truly like a riddle. Worthless. If there was pride, you wouldn't be grateful. Nowadays, you are someone else again, clearly in love, your absence will not be forgotten, it will not be filled. I have no more words for you tonight. The two syllables are truly like a riddle. Worthless. If there was pride, you wouldn't be grateful. My last word for you tonight. The two syllables are truly like a riddle. Worthless. Worthless. If there was pride, you wouldn't be grateful. Worthless. If there was pride, you wouldn't be grateful. When you first started in this industry, did people say, "You don't do it like this, you do it like that," and so on? Like, "Don't do it like that, do it like this"? I mean, maybe from the directors as direct instructions, but even though I received training, even though I was constantly trying to improve myself until that moment, TV is very different. I honestly didn't have much of a problem with independent films. You know the beginning and the end, and it happens in a much more trusting environment. Even though it was the first time, I felt that very much. But the rhythm of TV is very different. That's why I stumbled a lot. I ask questions. I don't really wait for someone to tell me. If they see it, of course, they should tell me, I'll be grateful, but I ask, what do you think, what should we do? Things like that happened, of course. >> So, "Istanbul Bride" is where you started to become most recognized, isn't it? >> It had a fantastic cast. >> How did you get into that job? >> Perfect. That was also one of my very lucky jobs. Because I had my first TV experience with a director like Zeynep Günaydin. And the cast was truly the Champions League. And I joined in the second season. It was a very daunting thing for me, of course. I went to its auditions. It was right around the time I was trying to establish myself. After this film, I went two or three times. Then, when I didn't hear back, I thought it didn't happen. One day, I went to bed very early, around 11:30 PM, my phone rang, and they said, you have a pickup tomorrow at 7 AM. You've been approved for "Istanbul Bride." What? I was like, how I jumped out of bed, what will I do, what will I do? >> All night, looking at the scripts, do this, do that. >> Güven Murat Akpınar, my partner at the time, thank goodness, he calmed me down. Like on set. Because it's difficult, zero, like a fish out of water. It's really hard to fall into Zeynep's lap, but I'm also very lucky in that regard. Of course, it was a wonderful cast for so many actors. So, a large part of "Hercai" was filmed in Midyat. How was working and living outside the city? Living in Midyat is an extra situation. >> Being disconnected from your normal life in the city and building another life for a certain period. >> I was in a period where I wanted to focus and escape. Ha. >> And also >> when a job like this came along, I told you I had Mardin in my wish list. A few months before that, or if I don't say the dates incorrectly, some time ago, I had a meeting for another job in Mardin. It was a film, and just as I was agreed to be accepted, I closed my house and everything in Istanbul and got into something like that, and then no news, nothing. That could really be one of my biggest disappointments. By the way, it was a director I had worked with before. >> And they didn't inform me. Someone else was approved. >> I was very sad because I believe Mardin has a very mystical charm, and I really wanted to go there, see it, and work there. After a while, I say, it's good that it didn't happen, it was better for me, because "Hercai" came later. I'm someone who loves to connect with, touch, live with those people, and exist. I go to someone's house, I learn to make içli köfte, you know, and so on. I have so many sweet memories. I still keep in touch. When a job starts, they write in Midyat Manav, "Reyan abla, congratulations, we're watching your new job," and so on. >> Of course, of course, I met very sweet people. They embraced me very well. It was difficult because we were working in a place about 3 hours away from Istanbul by car and plane. I mean, in Midyat, it was difficult to gather all the things, to calm yourself down when you are so far from everyone. But on the one hand, because I felt very lucky and because I was in something I really wanted, as an actor, I learned to absorb them, to tolerate them, I now have nerves of steel. >> More power to you. So, is it ending, Özlem? Are you returning to the screens? Is there a movie, a series, something? >> Yes, there is. I'm currently in talks, thinking about it, I really want it, but I'm truly looking for a complete charm in the jobs. Of course, it's very difficult to always find that, but with the team, with the cast, I'm not talking about something that ambitious, but in terms of communication, with the cast, everyone not to polish their own shell, but to create something collectively. I'm someone who is a bit concerned with that. That's why I want to get into something that is sincere and real. >> Let it stay with you. >> We will choose one audience member. I will now move the lantern, and you will choose. >> Madam, it seems. >> Hello. Who are you? >> I'm Duru. >> So, Ms. Duru, what do you do? >> I'm a student. >> What we'll do is, we'll try to tell you something. >> A place, and you will try to guess. >> I thought we would choose two people. >> Why are you choosing two? >> I don't know. >> Let's choose, let's choose one more for you. Who should we choose? >> No, I just wanted to say that. >> No, dear. Please, you are our guest. If you wanted a second one, we'll set it up. Who? >> I don't know. Someone who wants to would be good. >> Someone who wants to? You already chose him. Who are you, sir? Hello, I'm Alya. >> What do you do? >> I'm in the cinema industry. I work on screenplays. >> Ms. Ebru, you will describe Ms. Alya. I will describe Ms. Duru. Okay. >> We've developed the game. It will be in your hand while you describe, and then what will happen? >> It only makes a sound. Nothing happens. >> Are you ready? Let's start. >> Okay. >> Here you go. Hold this. >> Where do we go for writing? >> What do we do on vacation? >> We swim. >> We travel. >> We swim. Where else can we swim, for example? At the beach. >> No, I mean. >> By the sea. >> More like in closed hotels. >> Indoor pool. >> Pool. What kind of pool? >> Swimming pool. I said swimming pool, but pool means swimming. After it exploded. >> Wonderful, you were truly terrible. First of all, I have to say that. >> I wasn't even aware of it at all. I played. >> Yes. I was unaware of what we were doing. >> It felt like you were just continuing as if I were asking questions. >> Exactly. Ms. Duru, they exploded. They didn't explode, by the way. She said swimming, she said pool. >> Exactly. >> Are you a bit of a loser? >> No, no, I'm not. Let's not be unfair. >> Exactly. Never unfair. I'm curious. >> Are you ready? >> Yes, I'm ready. Of course. Here you go. >> We're hungry. What do we do? >> Eat. Eat. >> It's not daytime. >> Breakfast, lunch, dinner. >> Dinner. Yes. >> Where do we take lessons? School. Yes. >> Give, give. Done. >> Give it to me. My car broke down. Where? >> Mechanic. Auto repair shop. >> No. First. >> Repair. Home repair. >> The place you go. >> Repair shop. >> Yes. >> Where is trekking done? >> Where is it done? Forest. >> Forest is higher. >> Mountain. >> Yes. >> I'm going on a trip. What do I have? >> Plane, suitcase, drum. >> Yes. >> I asked where we do trekking earlier. No. What did you say first? Yes. >> I got sick. Where did you go? Who did you go to? >> Doctor. Where do you get covered? Lofa. >> What was the question? >> Where do you get covered? >> Wonderful. Very good. It ends at 3 anyway. >> It ends at 3. Don't worry. It's not over yet. >> Ha. >> Here you go, you'll start. Where is the punch? >> I mentioned the monkey earlier, right? Where does it live? >> Africa. >> No, no. Like, closed, where people go and see. >> No, no, you visit. Like, you go to visit. >> He gave it to me. >> Did I press it back? I think I pressed it back. >> It doesn't close when you press it. >> How can that be? >> It can't end in such a short time. >> No, let me try. It doesn't work. >> No. Ms. Ebru, we'll wait until it explodes because of you. >> Let me explain. >> Oh, thank goodness. Of course, Ms. Ebru won. >> We awarded Ms. Duru and Ms. Alya two tickets each for the play "Son of the Sun." So, there were no losers in this competition, Ms. Ebru. That's why you didn't need to be so nasty. I can't believe what happened. So, you really describe your story with Jeddy as fate. >> Yes. >> Many people choose to describe relationships as coincidence. That's why yours seemed more interesting. What kind of fatefulness? >> The convergence of so many things. I won't explain it in detail here, but let me start from here. When I was 14-15 years old, I was doing folk dances, and we went abroad for a festival. For dancing. I fell in love with the place I went to. I mean, its nature, everything. I said, I fell in love with this place, and I will definitely come here. I mean, I will never go again. Then, the year we met, when we were talking about what you do, where you're from, where you were born, we immediately connected by hometowns, saying we're very good. >> Then he said, I was born in Ohrid, in Macedonia. The first place I went abroad, the first place I fell in love with, and the place I said I would return to is Ohrid. >> I had never been there before, and about 15 years, 14 years later, I went there to get married. I had never been able to go again. It's very interesting. I went and signed there. I don't know how I wished for it anymore. >> Her grandmother, and so on, would say while watching me, "I wish we had a daughter-in-law like this." >> Cihan didn't know about this. Yes. Her mother and so on told me later. Then, after we became a couple, I would call and ask, "Do you know who?" and so on. They are very sweet people. >> So, we have small coincidences. There are many more, but. Maşallah, you have a special thing for singing and playing instruments. These have a different place for you. >> Yes. I'm very fascinated by musicians, of course. The way the body and mind come out with a rhythm is very interesting and beautiful to me. I also used singing as a meditation method for myself. >> I sing. Yes. I sang most of the songs in the series I acted in. Yes. I love it. I used to play the bağlama myself. I quit a long time ago, and so on. I quit at very young ages, like during my adolescence. Now I have a hand drum. I mess around with it by myself. >> So, do you have a musical dream? >> Oh, yes, I would love to. >> I would love to. Because combining acting and music at the same time excites me a lot. The thought itself excites me. >> And you seem to like ensembles. That can be a very joyful thing for you. >> Yes. I hope it happens. >> So, can you blast out a song like "Laps"? If we say, sing one, can you? >> I can sing. Shall I sing? >> Shall I sing? Shall I sing? I told you, don't go to the shore of your heart. I told you, don't go to the shore of your heart. If the storm takes you, I can't bear your absence. If the storm takes you, I can't bear your absence. How beautiful my voice is. Maşallah. Will we have the chance to watch something you wrote on screen one day? Do you imagine something like that? >> I do. I mean, I would love to, but for that, I probably need to gather more strength and confidence. >> To see something I wrote on screen, or rather, I take notes for myself, but there are things that can be integrated very beautifully. There are things that can turn out very well in the hands of a good screenwriter. >> So, I hope it happens. >> Toxic Masculinity. >> Who are you, sir? I'm Yunus. >> Mr. Yunus, what do you do? >> I was a contractor. >> You are no longer a contractor. >> What do you do now? >> I'm not doing anything right now. >> Now, Mr. Yunus, that lady is your friend. >> Yes, my friend. >> From where? >> From high school. >> From high school. >> Yes. >> Like a never-ending friendship. >> Mr. Yunus, there are 15 statements. I will take 5 numbers from you. I will read them to you. You will say whether you agree or disagree. >> 7. If I get a no from my partner on any matter, I can't help but say, "Come on, don't exaggerate, just do it." >> I disagree. >> One more number, please. >> 9. >> I warn my girlfriend about choosing her friends correctly. >> I agree. >> I would warn. I really would. >> Well, like, >> Do you have a girlfriend right now? >> No, I don't. >> Exactly. >> I sit with a person. >> Give me 5 minutes. When I talk to a person, I can do a full analysis of that person. I can. Anyway. >> Ms. Kardelen, to this. >> Generally, you can analyze men, right? >> Can you analyze women too? >> It's clearer with men, but you wouldn't dare with women. But I can say it clearly about men too. >> I understand. One more number. 3. Therapy, meditation, and similar things are for women. Men don't have weak points, so they need such things. >> I disagree. >> You disagree. >> You disagree. >> Would you do it? >> Would you do it? >> Meditation? I wouldn't, but I've gone to family constellation therapy. >> Meditation is different things. >> Different things. >> Did it help? >> It helped. >> Really. >> I didn't believe it at all. There's a series called Olive Branch, and I was influenced by it. Olive tree is so irrelevant, olive branch. >> Olive branch. >> So interested. Not even the branch. >> I'm interested in the whole tree. I went to family constellation therapy and it helped. Incredible. 10. >> Okay, 10. You didn't even make me ask. I would be uncomfortable with a baby changing room in the men's restroom. >> I disagree. It doesn't concern me. >> What does that have to do with anything? >> He says it doesn't concern me. He didn't understand. >> 15. >> 15. In my life, even when I'm wrong, I've said, "You've already made up your mind, girl." >> I agree. I agree. >> You agree. >> You've already made it up, yes. >> Yes. Well, you got 40 out of 100. You didn't turn out toxic, Mr. Yunus, but you are toxic like a snake, I'm telling you. >> But we couldn't prove it. Therefore. >> The questions were very weak. >> The questions were weak. >> The questions were weak. >> Yes. Meditation and so on. >> Of course, of course, the questions were weak. I'm aware of that too. The editors wanted to ask new questions. Otherwise, I like things like, "A man wearing a speedo is my brother." >> I agree. I know. Look at the questions here. I would be uncomfortable if my girlfriend cut her hair short. >> I disagree. >> I mean. What does it matter to anyone? Yes. That's why you're right. The questions were weak, and we all know you're toxic, but we couldn't prove it. Therefore, you won a game ticket from us. From "Son of the Sun." Let's applaud Mr. Yunus. There's a topic that's being discussed a lot lately. Regarding women actors in the industry. When women actors reach a certain age, they are crowned with mother roles. Male actors don't have that at any age. I mean, after a certain age, they're not met with a "we'll evaluate you with father roles." First, how does that make you feel as a woman? Second, how does it look? Is there anything you want to say about this? >> Uh, yes, unfortunately, there is such a situation, but it's not just in our industry, I think it's a situation related to the constant identification of women in all industries in the world. You become a mother, you're placed in a different position. You get married, you're placed in a different position, and your previous individuality is erased. Instead of that, of course, independently of labor, effort, gender, and age, the long color spectrum that women have, a large color spectrum, should appeal to people at every age and in every way, and I think it should be supported. >> Therefore, I am not in favor of it, but it's a topic that requires much longer and deeper discussion. I don't feel like we're alone in this or that it's only happening to us. Unfortunately, it's a big problem for women in every industry. I'm not saying it's something that only happens to female actors or only in Turkey. >> But >> it's an interesting thing. Now, you've also said something else. You said, "I really can't stand people who give advice without being asked, who say things like, 'Did you do this, did you do that?' and then, 'What did you do? Who did you pave the way for?'" This is quite a direct jab. Who are you saying this to? >> I think you said it to someone. >> No, this. This is from an interview from 2019-2020, or even older. >> I mean, I probably didn't insult someone right after entering the industry. You understand? >> From that, I infer. No, I didn't say it to anyone, but generally, people who give advice without being asked, like, "Did you do this, did you do that?" and then, "What did you do? Who did you pave the way for?" I probably witnessed or experienced situations with people who don't have answers. Now, it's very old, so I really don't know. It's not a direct jab, but. >> It's earlier than 2019. Yes. Yes. >> Because I remember it was from one of my first magazine shoots. When I had just entered, I don't know. It was my youthful days. >> I forgive. Youthful. >> I apologize. Whoever I said it to, I'm saying it. No, no. If you said it to someone, we're really curious. Because. >> You described it well. >> Well, a person immediately comes to our minds. So, you've struggled in many periods of your life and paved your own way. We, as a team, think so too. When we read your story and access information about you. >> So, looking at all of that, from the part we've discussed so far. What will you say, "I'm glad I didn't give up there"? >> Well, actually, I can say that I'm grateful for not giving up at every point I've described. That small, scattered girl who grew up with struggles, but as I said, I don't like to dwell on these dramas. Back then, when we fell, we used to say, "We didn't die, we didn't get hurt," and get up. I'm grateful for each of the points where I didn't give up. I can't say just one thing. >> Wonderful. I congratulate you. I really think you didn't give up. There were 50 points in the story you told where you could have given up. Truly. >> I hope it continues like this. >> Lastly, Ms. Ebru, let me tell you the penalties. Hot sauce, saltwater, vinegar, something with lemon. This is detergent, but organic. Now, I can't drink these. I have a hiatal hernia. Can you drink them? >> I probably won't be able to drink them either. >> I'll volunteer. I want to volunteer too. We need one person to drink one for you, a lady, and one for me. Let's applaud her. >> Please don't get up. Who were you? >> Büşra. >> Ms. Büşra, what do you do? >> I'm a mechanical engineer. >> You're a mechanical engineer. >> Hello, who are you, sir? >> I'm Ayşe. >> What do you do? >> I'm a student. >> Hello, who are you? Hello, I'm Alev. >> Here you go, you'll hum a song for us now. I know. >> Is this "Fırtına"? No, it's not. >> Do it again. >> It's not that easy. >> But you have to sing it, don't you, madam? It wasn't right for you to sing it. >> You hummed it beautifully. You hummed it wonderfully. >> Unfortunately, I should have sung it. I couldn't even say "Fikrimin ince gülü." Ms. Ebru won. >> I said "tik" and "mik," I couldn't say anything. >> We understood "tik" and "mik," but what happened became clear. Madam, thank you very much. Let's applaud her. Which one should she drink? Yes. >> This one, this one. >> Hello. >> Who are you, sir? >> I'm Irmak. Ayşe's friend. >> Ms. Irmak, what do you do? >> Student. >> Here you go. You'll hum a song for us. >> Yes, I'll hum. >> Without sniffing. >> What? >> I can do it a bit louder. Okay. Ok. >> Isyan. >> Oh, damn. >> You knew, right? >> Yes, of course, you knew. Why are you sad? What did I do to you? >> No, it's a song we talked about a lot, I did it on purpose, I understood. >> You said it with your eyes anyway. >> He can't know. I will know. >> Ah, you're messing with your friend. >> A small detail. >> Right now. Incredible. Which one? This one. >> Vinegar. >> Vinegar. Yes. >> Who are you, sir? >> Hello. I'm Alparslan. >> I'm also a student. >> Alps. So, here you go, a song for us? Of course. Hm, hm, h. >> We don't have this. >> Mor ve Ötesi. >> It's very, very sweet, but it didn't come out of me. >> Yes. The words don't come. Shall I say it? >> Do you want me to say it? >> Oh, okay. >> Don't make me cry. >> Very good. Thank you very much. Let's applaud him, please. >> Who knew? We didn't know. >> Applaud the man. >> You sing well. >> More power to you. Truly. Sir. >> Who are you? >> My name is Orhan. >> Mr. Orhan, what do you do? >> I do online advertising. >> So, here you go. >> My mother, my beautiful mother. She looks a lot like me, but she's getting old. She tries to avoid it so she doesn't eat it. It comes around and around. No one. I've been saying it since morning. İbrahim knew. >> I knew, right? I >> knew. It's okay. >> What was it? >> It comes around and around. Exactly. Very good. I'm acting, what else is he saying? >> You're absolutely right. Despite your acting, I can't believe it. I've seen very little uglier in my life. Which one? You can choose. >> Bravo. We applaud madam. Thank you very much. What was your name? Excuse me. >> Serra. Ms. Serra. >> Ms. Serra, now you'll hum a song for us. >> Before you, after you. >> I cheated. I heard. >> But I was humming it inside anyway. >> You can never stand losing. Ms. Serra, we apologize. Cheating was given here. Therefore, I can't count this. Please hum something else. H, h. >> Manifest. >> If I start creating here with "laf laf laf," won't we laugh a lot? I'm burning up. Ms. Serra, thank you very much. Let's applaud Ms. Serra. Yes. >> What happened, happened. If it's going to be too much, you don't have to drink it. >> No, but opposite. >> I'll say it. Promise. >> Oh, bravo. Of course, Ms. Ebru won. Ebru is done. >> Ah. >> Well, the program is over. Is there anything we haven't talked about? Like, "I wish I had said this"? >> No, not about myself, but I want to celebrate women's day for women. I forgot that because it was yesterday. So, you are all here. That's it. >> You're so sweet. Thank you for coming. We've been dreaming of meeting you for a long time, but having the opportunity to do so made us very happy. I think we had a very good conversation. Ladies and gentlemen, thank you all for coming. You were truly a very sweet audience group. Hopefully, we'll meet again somewhere. We are here on Mondays and on YouTube on Sundays. Until we meet again, good night. >> Getir İbrahim Selim presented this night with happiness. May the night bring happiness.