Transcription
We're gonna start with the bicep tile, then talk about the treaty style, and then we might get to the tricep tile. We'll see what happens today. All right, so starting, starting with the bicep tile here, 102 degree aspect, 102 degrees, 51 minutes, 25 seconds. We talked about the sceptile before and how odd that is, and how that can lead to critical forks in the road and needing to find our way without having an obvious map, and, um, what kind of character that can build and what kind of issues that can bring.
The bicep tile is, is the sceptile, but it is more geared toward the living it out, the exteriorization of it. Where some of us can, with just the sceptile, have those character-building moments, those forks on the road, those, uh, abilities to synthesize something and see the really big picture. Um, it's the good stuff we get out of it, um, that can often take place privately. It isn't necessarily going to be something that is, um, let's say, brought to bear on, on, on the world. It doesn't necessarily have an outward action. It can be something that deeply impacts us personally and sort of changes us, you know, more on the inside. Although the sceptile itself can absolutely involve, um, the outward action, exteriorization, it's not limited to experiences. It's that the bicep tile is specific towards exteriorization, towards doing something with this character-building problem that we have, and we may not know which way to go, and we have to really call upon an inner strength, an inner knowing, an inner voice. Sometimes we just have to take a step. So they can be, uh, self-trust building activities and problems that we get into with sceptiles. But with the bicep tiles, very specific to use it in the world, to do something with it, to take action upon it. Uh, we are still looking at how these minor, minor aspects work. It's still not completely known, but this is what we know so far. And, um, it does tend to be something where the two planets in a bicep tile, there is this urge to work with the energies or to come to some kind of harmonious, harmonious, you know, integration between these two things. We don't feel like we're torn. We don't feel like there's a problem. We don't feel like we're getting in our own way to solve it at the 102 degree aspect, in a way that is in the world somehow, as opposed to perhaps mulling it over, having it change us personally, distill upon us in a way that maybe isn't completely obvious to others. The 102 degree aspect is more obvious in that it's out in the world somehow. So that's what we know so far. And I think as we go along, we're going to find out more and be able to really talk about some specifics that we can't really talk about quite yet, uh, really specifically, like how does it work between the sun and the moon? What exactly do we get when it's between outer planets? That's all still being assessed. And there's some bits and pieces of information that people are sticking their neck out and giving in very specific ways. But, um, that's something I'm still looking at myself. Anybody have any questions about that?
Okay, so let's talk about the squine, which is 105 degree aspect. Um, I don't hear much about this one, and we know very, very little about it. But what we know so far is that it is between a square and it's between a trine. So we call it a squine. It's an obvious name. Um, it sounds like an animal, doesn't it? A squine. Something you want to run from or beat with a broom. Um, I actually had a rat run right across my path this morning. It just, I don't see rats around. What is up with that? It ran right across. Did you see one? Maybe it's the year of the rat along with the year of the rabbit. Yeah. And here dogs need to get after it. Geez. Well, you know, with the pandemic, it allowed so much wildlife in the suburban areas to proliferate that we've been having explosions of certain pockets of animals. So around here, it seems to be rats and squirrels, the ones that like to eat our wires. So the squine, it is between the square and the trine. So it's similar to a quintile in that it has some of the ease and laziness, the givens of a trine, but requires some amount of work. What it does not contain is unique sparkle or talent. So that's what quintiles contain, is this uniqueness or this, uh, specialness or our magic comes out in a quintile. It's our best show. It's our best joke. The squine is more like a tool that we can use that we need to sharpen. But it's not, it's not the best tool in the shed. So where, let's, in, let's look at, let's think of a visual here, very simple visual. Um, ah, so when I go into my potting shed and I see my tools, the quintile is this really cool, sharp, um, tool I ordered from Japan. Actually, it's a tool I ordered from Japan, and it has this awesome, I can't remember its name, somebody's gonna remember it and call it out. It has this wonderful handle and a super sharp blade. So I just use it as a hand tool. I love this tool. It is the quintile. It's the star of my potting shed. That's the go-to one when I really want to create something beautiful. But the hoe, that would be the squine. And the hoe is blunt. So if I want my hoe to work well, because I mean, who celebrates a hoe, right? So how it hurts your back, you have to bend over it, it, it requires energy to operate this thing. This is how squine squares, hard aspects work. So if I want my hoe to work better, I have to sharpen it. And I recently did get a sharpener, thank God, because I had all these blunt tools that I'm still trying to use. So I have to take the energy to sharpen it, right? And which I discovered I actually like sharpening tools. I thought that I was going to find this to be super boring. I actually like sitting there in the twilight sharpening tools. It's really, really quite fun to do. And my mind goes in all these creative places. So when we apply energy to fixing our hoe, to fixing the, the issues that are happening between two planets in a scoring, then it produces this, or the reward we get is the ability to work with something about us. It's not terribly glamorous. It's not something that somebody's going to write stories about. But it is, it becomes operational. It becomes something that we can practically use. So these are not aspects to write home about, the squine, but, uh, you know, it's the hoe in our shed. But it's something that it can really work for us. We can learn to get our button gear with the actions between these two planets to, you know, get something reasonably good out of it. So that's what we know so far. I think this is an interesting aspect, and we're probably going to learn more about it. Um, I'm not sure what, what mystery is left, though. I mean, it seems pretty plain for me to understand, uh, what happens here. And it's kind of like, um, I don't know, a little bit like a sextile in we have to work for it a little bit to turn it on, but we have to work a little harder with the squine. We have to, you know, really apply some amount of energy because it does imply some square stuff going on there. But we could look at it like a quintile with no makeup. Any questions about that?
Oh, okay. Um, let's talk about the treaty style. We talked about this briefly in the last lesson. I think it was Bae who brought it up. Um, some people call it a sesquintile. It's 108 degree aspect. So it's in the quintile series. We have the decile, the quintile, the bi-quintile, the treaty style, and these are our sparkle aspects. This is the special tool in our shed. So the treaty style is, it's the bi-quintile more matured. So let's look at these things in succession here. If quintile, which is, well, no, no, let's start with the decile. Let's start right, we're at the very beginning. The decile, which is that first inkling of specialness. What can I do to set myself apart? What is my special gift that I can offer? It's extreme creativity that happens in a way that often has a consequence on what we end up doing with ourselves professionally or more in a long-term way, a way that we develop ourselves over the course of the long term. So then we get to the quintile, where we are really experiencing full personal magic, something that that we do, uh, because it feeds us, and it, uh, is something that we can even do more in the privacy and practice in the privacy, you know, of our own home, or it's not something that we're necessarily, um, doing for an audience, but we are doing it for the sake of our own creativity, and often for, for our amigo, depends on how we're using it. But then we look at the bi-quintile, and we have that magic, that ability to create something with the quintile, but with a bi-quintile, it's something that we want to share. It's, it's, uh, a gift that we have developed, and it's something that's ready to be brought to the public. So we have a confidence with it. We have an impulse to involve others. It has more of a social impact. And then we come to the tree decile, or the sesqui-quintile, depending on what you call it, and it has so much to do with what we are going to accomplish professionally and publicly. What we want to be. And often these are things that we do, that we are not things that we create or that we put out there, that we are not recognized for until after we have left the build, after our life is over. So these are posthumous aspects where we can receive recognition, um, after the fact. But it is still where we leave a great mark. So I look at these aspects of the, as the aspects of the artist. The, the quintile series, I represent the fifth house. And, um, the treaty style is that archetypal artist who, who creates and isn't recognized and is a starving artist. And we'll see, you know, Vincent van Gogh, and then after the fact, we celebrate them, and they become such a, and they have such an impact, and their work is worth so much, and they really become a part of all of us. So it's where we create, but we may not be recognized. And, um, where we may not understand how we will be recognized until after the fact. Something very simple to illustrate that would be like, well, here's a very simple story I could illustrate that with, um, my great-great-aunt Fern, who I never knew. She was about my size, and she lived through the '20s and the '30s. And, um, I'm very small, so I have a hard time finding clothes to fit. And when she died, my great-great-aunt Fern, she left my mother her clothes. And my mom didn't know what to do with them because they were like, just these really tiny clothes that she was never going to be fitting into. So she just put these boxes up in the attic. And when I became a teenager, I discovered these boxes and I opened them up and found all of these amazing vintage clothes. I mean, like four coats and, uh, beaded purses. And because Aunt Fern was kind of fancy, so I just fell in love with these clothes, and they fit. And I loved, you know, the rhinestones. I'm gonna fit my Leo personality so well. It was perfect. Um, and I still have those clothes. I still will pull out one of those dresses on a special occasion because they are beautiful. And I mean, this beautiful, you know, fake fur pee jacket that I still wear in the winter. And she has no idea. She had no idea at the time how much her clothes would please me and affect me, and how other people would be affected by seeing me in her clothes. So it's where we ourselves are creative because her clothing was very creative. I mean, when you see her in family photos, there's everybody, and then there's Aunt Fern, and she had the big fancy hair and makeup before she was ahead of her time when it came to the cosmetics. So, um, is she, even though I never knew her, she had an influence on me simply because I found those boxes. And, um, I'm sure she probably would have loved the idea of somebody as Leo as her wearing her May West clothes around. So it's archery designs are how we can affect other people, even the public, in a way that we just are not aware of. So I think that when we can look at those aspects that are in tree to style, it can give us a clue of where we might be creating something that, um, we could be appreciated for in the future. So, um, I think we're gonna find out more about these and find out actually more specifics about, you know, what actually happened and how these things have occurred in reality. We do have a bigger body of evidence when it comes to treaty styles than we do a lot of the other minor aspects, but it's still being put together. We really haven't been looking at these very minor aspects for more than 30 years or so, and in the annals of astrology, that's, you know, like two minutes. So we're still collecting a lot of, a lot of evidence here. So professional artistry, artistic talent that may not, uh, be recognized now, but it very well could be in the future. Dane Rudyard referred to the treaty style as a, um, an aspect that produces a creative introversion as well. So often it's where we will retreat or where we will more, uh, need to separate ourselves or to have that bit of space in order to have that creative leap or to have that inspiration. So a practical example would be like a writer who's experiencing writer's block, but they know that if they hit that Pacific Northwest trail, they're bound to have some kind of breakthrough, or they just happen to be on the trail that would probably be more likely, and then they have that breakthrough. So, um, and an inspired idea that often comes after we turn inward rather than, um, look for an answer outward. Any questions about that?
Ideas or observations? Are you tempted not to search for treater cells in some ways because it's kind of, do you would you rather not look at treaty cells in your own natal chart, if you know what I mean? Because you might sort of, because you can't determine them, can you? It's just something that that is so. Is it tempting just not to, to even pay attention to them in some ways? Do you know what I mean? I wouldn't want to know mine. Oh, I think they're, they're interesting. Now, I guess there could be the occasional tree to style that points to, like, the discovery of someone's porn collection after their death. No, maybe we wouldn't want to know that. But we could call it the, the Sammy Davis Jr. to the aspect, I guess, if we all remember that particular story. So maybe there are certain, uh, certain things that that yes, will be discovered that, um, we may not want to be discovered, such as our hidden love letters or something like that. But, um, I think for the most part, what does it matter? Yeah, I guess. Yeah, what does it matter? We wouldn't, you don't know anyway. So I think it could be helpful because maybe it'll give you a clue that, oh, you know, if this is something that I might be known for, maybe I want to, you know, pay attention to this or be more on point or, uh, you'll be more conscious about it. So I think it could be helpful in that sense. But, um, you know, I think what happens with the tree decile is that our creativity for good or bad, because we could create, you know, the statue of David, or we could create a mess. Uh, there's all different things that we could create. It's, uh, how that creativity is discovered after the fact. So I can see why they can be aspects or who might be a little paranoid because we all do want to protect our reputation and to have privacy. But, um, I think this is where life just happens, and, uh, it is what it is, basically. It is what it is. And you don't care. So, and this one's the only thing we can relax. This one was 108 degrees, is that right? Is that one? Yes, 108 degrees. Thank you. Um, any other questions, ideas? You're in Fern was a saint. She, yeah, she was quite the character, right? Here. Um, yeah, my grandfather really took, really took care of her. My grandmother actually didn't like her because my grandfather liked her so much. So I think there was a little bit of a rivalry there. And he would go over and sit with her and we'll watch Wheel of Fortune and her shows and evenings and keep her company. And now, there were a lot of stories about eccentric Aunt Fern. Did she have cool outfits while she was watching Wheel of Fortune? I would imagine that she always did. That she is, she's probably sitting right in some kind of smoking jacket for her time. Herself was she, sorry, I don't think she was a Leo herself, was she? You know, I don't, I haven't ever looked at her chart. I'm, I'm sure that I could get her info from my aunt that loves genealogy. I should probably do that. I'm sure that we had a lot in common because our aesthetics were very similar. Although I don't wear her, her rhinestones around these days. They were a lot of fun in my younger years. Uh, any other questions or observations?
Okay, so let me see what time I'm at. Oh, wow. Okay, so let's go quickly over the, um, bi-quintile, where we talked about already very briefly, uh, creative talent that is more finished, but we're less obsessed with, um, coming up with it personally, practicing, or, um, using it, you could say, even for our own benefit. The quintile itself is more obsessive with how we, how we're going to function. So let's look at it like playing guitar. With a quintile, it's where we are just practicing, practicing, practicing. We want to get it right. Um, there's really this, it's more of a drive toward mastery. The bi-quintile will still have that drive towards mastery, but we want to share it. So rather than the quintile, we were in our room practicing, practicing, getting it right, wanting to become the best. The bi-quintile, maybe why we're still practicing, but we're, we're pretty far along, and we're doing it on the street corner so that we can bring this to others. It can be something that, uh, it contributes to the lives of others. Um, so I call it more of a finished quintile, or quintile that has more automatic social impact.
All right, the tricep tile, the 154 degree aspect. We ready for that? Okay. Um, all the subtitle aspects are weird in their calculation because they go on forever. So the tricep tile, 154 degrees, 51 minutes, 8.6 seconds. Um, it is a sceptile, but it is specifically involving other people. So the ask, the, the example I gave in the original sceptile series, uh, the original sceptile lesson, was that we have a hiker, and that they are hiking along, and they come to a fork of the road, and they discover that they don't have their map, and they have to call upon something deeper, a deeper knowledge. Sometimes we just have to take a step, and they can be aspects that actually build quite a lot of inner trust within ourselves, the ability to see things in a more whole, holistic way. Complex aspects. The triceptile is more specific to that fork in the road being something that involves people. Not pets, work, sexuality, food, objects, a relationship, material things. It is people, persons that are involved in this fork in the road or this crisis that we come to. So it's everything that the sceptile is, but more specific to a person or people being that motivating factor to solve that sceptile aspect, which is, uh, how do we take action between these two functions within ourselves when we may not know which way to go? What happens? How do we build trust within ourselves? Do we just stand there? Do we not? When it's a triceptile, do we not engage with the other person, or do we just engage the best that we can? So, uh, example, um, say we have a parent, and they have a child that has a terrible addiction, and they want to help. They want desperately to help this child, but the parent doesn't know what the hell to do. They don't know, should they do tough love, or should they do soft understanding, compassion? They just don't know what to do. So that fork in the road, what do we do, is specific to a person. So that's the tricep tile. Do you have any questions about that?
Um, yeah, I, uh, that seems like a more like, well, I immediately thought of like a love triangle for some reason, because I'm not very creative. But, um, I, uh, I also am thinking of like politics. Could this have anything to do with larger groups of people or more, like, affecting people on a grander scale, or is it really just, it can just be three people or just a group of people trying to decide what to do? I think all the aspects can be extrapolated into sociology. We can see all of these things operating in sociology at a larger scale. Um, it's not specific to when it's in our natal chart. It isn't specific to having to be large groups of people, though it, it can just be a person. But it is going to be through an individual that we experience this fork in the road issue. So you just, you just need to make a decision. You just have to just do some, take, just make one of those decisions. That's what we have to do, right? And we actually, we have to use what's inside of us, what we know, to the best of our ability, and we just have to make a move. So that example of that parent who has this child with a terrible addiction, no, maybe they don't have all the answers, and they don't know what to do, and they don't have a mental health degree, but they got to do something. And so they really just have to say, well, what is it within me? If I really weigh them, which one has the, the bigger weight? And sometimes we can't even answer that because we can have like, ah, I don't know, they're of equal weight. And then we just have to say, well, I'm going to choose. Can't make a decision, so I'm just going to choose. And we may be wrong, we may be right. We don't really know until we make that choice. But you have to make, jump into the pool. Okay. Could you say that? So it's basically, it's just always with the tricep tile, it's always about people and affecting people. It's not personal. It's, it's a, it's always, no, it is personal. It's just that a person or people are going to be the, um, conduit, the way that we act this out. So yes, it's personal to us. Yes, it is. But it has a social or an, uh, effect on others. It's not something that we just internalize and kind of keep to ourselves. Okay. So it's not like, it's not like with an opposition, like it's coming at you from someone else. It's something that's going on inside you, but it's always, I don't know, the content. It's all just, it's interpersonal, the way it, yes, absolutely, absolutely. Yeah, no, we don't see it exteriorized like an opposition. Yeah. Any other questions?
I also had a thought a while ago about the sceptile. Um, it reminded me of this, um, concept I came across years ago reading a book about physics. I don't usually read books about physics, but there's this, um, situation that this physicist, theoretical physicist, was describing that I can't say like what the, what people, what they know about it, but it's just the situation, hypothetical situation of a pencil, uh, balanced on its point. And there's no force outside of it that is making it unstable. It's just, it's like there's nothing that would stop it from tipping over, even though it's so, because it's not got a great base to it, like it just is there theoretically, if we can make it happen. And then, just there's study and observation about the weird laws of the universe that, you know, would make that either stay there or like, maybe fall. So like, I was just thinking, it maybe relates more to the sceptile, where there's nothing just it. That's it. It made me think of like the mystical quality of it, because like if a pencil is, is like that, but then it falls, like what does that say about how matter operates? Mystical is a word that we associate with the sceptile, absolutely. Yeah. Um, because I think we have to go into, uh, into a place within our own consciousness that may be misty. Let's look at the quality of mist. You can kind of see through it, but not completely. So I think it really represents that middle part of our brain. It's not completely unknown to us. It's not completely unconscious, not completely conscious. And to learn to, to trust, oftentimes what it is that we feel we know, but we don't super consciously know. So that looks like when we're standing at that fork in the road as a hiker, and we have to decide, do we go right or left? And we don't have a map. We don't consciously know, but we did look at that map before we left, and our brain took everything in, every single thing that was on that map, and we can't remember it all, but it is in there. And so we have to really abandon our, let me see, our sharp rational mind and consult what I know is in there. And it usually comes more through a feeling or an intuition that I think this is the way. I think it's left. Can't really explain why I know that. I think it's left. I'm going to trust myself. So sceptiles do have that mystical quality to them, where I think the information exists somewhere in the twilight of our brain. Any other questions?
Okay, so Katie, oh, yeah. Um, I was, I was wondering if I could ask a, well, a question using an example of myself and someone I know about the quintile and the bi-quintile. Um, I, I have the bi-quintile from Pluto to the Ascendant, and someone I know who I used to work for has the quintile from Pluto to the Ascendant. Um, so I, I don't know, I was wondering if I could ask how that would play out because to me, I think I, I had asked you actually a while ago, but sort of like when talked to me and sent it, and you'd said that it could actually be kind of, you can use it kind of deviously to just kind of put your weight on people and influence them to kind of do what you want them to do. And I know that, um, like I can, I can see that in myself. And then also my former boss is very like, I, I see him as being like kind of a platonic controlling kind of guy, where people just kind of like put his weight on you and try to get you to do what he wants you to do that way. But maybe it's, I don't know, I'm wondering if maybe he's just not as good at hiding it, and so he's like annoys more people through it. The quintile? Yeah, he's the quintile. Uh, well, they both mean the same thing, in that Pluto, which is relating to the Ascendant, Pluto could be something that the, the behaviors of Pluto, yes, our ability to get people to go along, to manipulate, to sometimes influence, often to heal, we could also use it that way. It is a talent related to our persona. It's something that people will see that, uh, we wield well, you could say. Um, we can get away with a lot more as well when it comes to that platonic behavior with the bi-quintile or quintile, particularly with the quintile. Quintiles, I, I think are louder. We play the guitar louder, more obsessively. Less so with the bi-quintile. Um, so I'd say that there's both, both have a talent for using the things of Pluto to their advantage. But, uh, with the buy quintile, it's more specific to wanting to bring that to relate to other people, where with the quintile, um, there isn't such a draw to, I want to say, have a, have a beneficial social impact. We just want to often use our magic for our own sake. So let's look at the story of Rapunzel as an example. So in the story of Rapunzel, there was the wife, the mother of Rapunzel, who was married to the husband, and they were very, very poor. And as the story goes, they were barren for decades, but eventually they conceived. So the mother of Rapunzel lived next door to a witch, and she would look down upon the witch's garden and see this amazing food, and in particular, she would look down and see the rampion. She was a type of lettuce, and she lusted after this rampant. She wanted it so much. She had such a pregnancy craving for this vegetable that she begged her husband to go into the garden and get some. So he did, and then we know the rest of the story. He got into trouble, and the child was promised as to the witch as, uh, payment for taking the rampion. So the witch is representing someone who has an incredible talent and magic touch for gardening. She had a beautiful garden, but she kept it to herself. It didn't necessarily have a positive impact on other people. Let's look at the bi-quintile. Where across town here in Vancouver, we have a community botanical garden. It's very small. I don't think many people know much about it. It's just over on the middle of Clark County. You just go into this little garden. It's a run, run by the county. It's a community effort. Volunteers run it and clean it up, and it's like five or six little garden rooms. There's the woodland room, and the bird room, and the tropical room, and they're just little outdoor rooms. You just walk through. So beautiful, very simple little project. So which represents the efforts of really several people that are doing it, that are displaying this talent and making this magical little place for the benefit of other people. So it has more of a, a social impact. We want to involve others with the biquintile and, um, we extend ourselves to some kind of creative group activity rather than exclusively personal creative activity. Um, so I don't know if I can get much more specific when it comes to describing the quintile and bi-quintile to the Ascendant. I think I would have to really sit down and find the right language for that. But, um, more of an obsession with the quintile. This is, I think, what I can encapsulate it with, more of an obsession with the quintile to the Ascendant to use our power for, uh, or our magic, what we can create, um, specifically, you know, more for our own, our own benefit. But with, uh, Pluto and that bi-quintile, using our power, um, involving others, and with the aim to have involvement and benefit to others. I think that's as close as I could get. Um, and what about Sun bi-quintile Moon in the natal chart? Would that be someone, cooperative, extroverted with others? Then that is an interesting aspect. It does, first of all, represent a very complex relationship between the mother and the father, and, um, even some quirky stuff going on with the father as well. Um, the parents had a, a complex relationship. Either with the quintile or the bi-quintile, and the person who has the moon and sun in a bi-quintile are learning how to combine the mother and father principle, or are inclined to combine the mother and father principle in a way that has, uh, creativity, artistry. So we see the quintile and the bi-quintile between the sun and the moon in people that have an intensely creative life. They can't work in a cubicle. Oftentimes, they're going to be, uh, songwriters or people that do work in the artistic fields. There's a draw to seek, I say, seek an inner unity, or the, the way that we combine our feelings and our actions has a very uniquely creative consequence to it. So, um, there are drawn to fashion industries, industries where we are going to be inventing, creating. And it could be simple, like somebody who say, works for a fast food chain and comes up with very different spins on the menu items that have always been there. You know, how Taco Bell is always coming up with some kind of weird taco or something that nobody's ever heard of and trying to sell is Mexican, and I'm sure they don't know what the hell that is in Mexico. So it's, uh, something where our personal creativity does have a, yes, that's true. Katie Prince works there. Remember from another lesson. So there is a way that we sparkle with either the vi-quintile or the quintile. The sense of humor tends to be very sharp with the bi-quintile or the quintile. But we're still looking at, I think we know more about the quintile between the sun and the moon. But I think we're still looking at the biquin tile. They're essentially the same, but the biquin tile is less obsessed about me and more willing to participate with we. Thank you for explaining that. I actually have that aspect, and that explains a lot why I can't live normally. No, it has to be a self-made life. Absolutely. It is the difference between buying a hotel art and creating your own. Any other questions or comments?
Questions? Uh, what was the name of the garden? That's the local botanical garden in Vancouver. I don't remember. I think it's, you know, I can look it up. I can even ask my mom. She would remember. Let me see here. Yeah, it's really just the cutest little thing. It sounds adorable. I want to go and see it. Yeah, I want to go over there with a plastic bag and a pair of scissors because I don't think they would mind if I took cuttings. I really don't think they would mind. Wildlife Botanical Garden. Okay. Um, it's in Brush Prairie. Yeah. Wildlife. It's very easy to get to. Ten separate but neighboring specialty gardens spread over three acres. Fun. This is really cute. And, um, more of an astrology-based question. What's it like when the North Node is quintile the Ascendant? So the destiny. Come on. What's up with destiny? The, let me take that back. My destiny, the dharma, the good work that we will do, what we're driven to develop through, that's the North Node. It's in a creative relationship with the Ascendant. So we gobble things up at the North Node. We can be quite greedy for experience. It's where we're participating, driven towards to participation. So the sign that the North Node is in, so the, the sign that is indicated in the North Node, that's the behavior. That's what we're gobbling up. That's the dharma. So those things, and the, the ingesting of those things in relationship to the Ascendant, which is how we put ourselves out there. We can get away with a lot more consumption at the North Node because how it's appearing, how those behaviors, how the dharma is appearing when it comes to the Ascendant, which is our first layer of skin, is very charming. So we can, um, uh, have the behaviors that are going on at the North Node be something that we can uniquely, um, become known for, but more specifically get away with. So we tend to be interpreted as charming, cute, unique. Ah, that's just ACV and Stacy. So let's say we have the North Node, for instance, in Aries, and we're going after doing for ourselves, self-development, selfishness, self-involvement, what is it to win, self-supremacy, the development of the ego. And then that is not having a problem for us at the Ascendant. We're like, oh, it's so narcissistic. It's just so cute. Did you see how she told that guy off and gave him the middle finger? Who else would do that but her? It's adorable. So there's no consequence. There's no negative consequence in how we're interpreted for doing the things at the North Node. Um, yeah, North, quintile aspects to the Ascendant are very interesting. Oh, that's funny. Tanya, maybe so. Quintile aspects to the, the Ascendant are very interesting in that we just push, push, push the envelope, and we don't have the same kinds of consequences that other people do because of our delivery, because of how it comes off, and how it's cute instead of offensive. Interest. Okay. Um, one other question. So this is me, but, um, my North Node is in Virgo and my Ascendant and my sentence in Gemini. So because those are square signs, does that diminish my quintile, which sounds so lovely? No, no, no. They're frequently the 72 degree aspect is going to be in discordant signs, which is showing that, you know, we have that because quintiles have that essential harmony, but also are kind of squarey, which is where that can come from, that relationship, the differences in signs. So, no, it's not better or worse. It's just quintessentially quintile because they happen to be in square signs. And what do Virgos get away with? It just seems so, like I get away with helping, criticizing, oh, micromanaging, offering, um, opinions, or just a better way of doing something. Um, so the way that we can present criticism and perfection is, you know, more unique to us and not, uh, not as scary as other people. Okay, that's good. It's good to know. [Laughter] Some elasticity there with what I can get away with. Hmm. Do we have any other questions?
Um, Joel, um, I'm going to be doing a lot of counting today with, uh, degrees because I've found the triceptal quite interesting. Do you know if there's any, any actual, um, websites or apps that actually calculate those tiny, um, sort of smaller, uh, aspects? Otherwise, that's probably just kind of fine. Um, I'm, I think Astro Gold does. Okay, I think so. That's an app you can download. Um, I'm just trying to count. That's just, I just, what if there's one that doesn't? Well, I usually look at these things on harmonic charts. I'll look at the harmonic chart, and then we look at, um, oh, Katie, astrocharts.com. Yeah, they do actually include a lot of minor aspects. I'm not sure if they include all the minor aspects, but, um, yeah, it seems like there was one, one website years and years ago that I plugged my information into, and I got a complete nerd list of every minor aspect that exists, but I can't remember what it was. Okay, let's have a little bit of a search. But I'm going to be looking at some, um, people. Well, it sounds kind of a bit hard, but some pop deceased celebrities, just to see the, you know, what their legacy has been, you know, just really. Yeah, yeah, very interesting. Absolutely. Um, yeah, I would start with astrocharts.com because it, it, I have been there a few times, and they have a really great website, and I'm, I'm not sure they're going to give you every aspect, but it'll probably give you a lot. And then I would look at, let me see, maybe I could look. Do I have that on here? You do. Oh, but I have to update it. That's going to take a while. So, yeah, I would think about Astro Gold, um, and then if you pull up harmonic charts, and then look for the conjunctions and the oppositions in those harmonic charts, that'll show you what are in those specific minor aspects. And then go back and count. Okay, that's another way to find it. Okay, thank you.
Okay, so we wrap it up for today. Okay, so we will be back next week with the trying. And, uh, okay, Stacy. Okay, um, this is not on topic, but well, kind of, but I am so interested in learning more about, um, fashion related to astrological signs. Is like, uh, is Aquarius at all interested in your Aunt Fern's outfits, or would they be like, more, no, I just want to wear a gray shirt or a black outfit? Yes, it's, it's much more streamlined and less, um, glamorous. So that would be like the polarity there. Okay. Yes. Yeah. Um, yeah, Aquarius stuff is often more, um, uh, dress down, or we can even have an angular, angular, futuristic look. The looks of the '80s are very much Aquarian looks. Everybody had the angular hair and the, you know, the big shoulder pads and stuff. Think of Star Trek as well. Okay, those outfits, very Aquarian, in that they were well-fitting, but they were not overly showy. We go overly showy in Leo. And yeah, Katie, kind of asexual. Yeah, actually, very much so.