Transcription
So brothers, this basically is going to cement the correlation between E.T. and the "character" of Peter Pan, who himself was an allusion to the character of Pan or Pan-temen, per se, the "god" of man-boy love. There's a reason why Steven Spielberg had the mother read that story to Gertie over the course of this film, because they're trying to help you understand that that is who E.T. is. E.T. comes from "Neverland," i.e., Saturn. That is what Saturn is. Saturn has never learned. Saturn his eyes, whatever you want to call it, Wonderland, all those fantastical realms, they're speaking about the realm of the inner mind that you can travel to through your pineal gland once you open it up. The "zero-point energy" that is how Elliot was able to bring E.T. from Neverland into the corn hole physical world.
But the story of Peter Pan is also an MK Ultra programming tool, and I'll probably be expounding on this more in the epilogue. But the, but the actress, the actress Drew Barrymore is a Monarch child. She was raised up in the programming. She comes from an "acting family." So, and anyone can tell this, especially by the multitude of issues that that have basically befell her or befallen her over the course of a life, that she's someone who struggles with reality because, for the most part, she's never grown up in the real world. She's always growing up in pseudo-realities that have been implanted in her mind. That's why she's had so many troubles. But let's go through this scene here and let's see the connection that is made between the story of Peter Pan and the story of E.T. The Redskins were defeated, Wendy and the boys captured by the pirates. And J.M. Barrie, the writer of Peter Pan, was a Luciferian himself. Notice Steven Spielberg has E.T. listening very intently as the mother reads the story of Peter Pan to her child.
Now Elliot has hurt himself. He scratches his finger on that saw blade because they're trying to build a two-way radio, or really, the spell-casting mechanism that they're going to use to open up that portal so that E.T.'s, you know, his cohorts can come and assist. This is the first point in the movie where E.T. illuminates his magic wand, which he can use to heal.
Notice that Steven Spielberg has this, has this event occur as the mother is reading the story about Peter Pan. We know that Tinkerbell is a fairy. She has a magic wand as well. She has pixie dust that can be used to, you know, to assist anyone who believes hard enough that they can do anything, that they can heal themselves, that they can fly, so on and so forth. Notice right after E.T. has healed Elliot, now the mother is speaking about the fairy and the importance of "belief." The concept of the fairy is based on the only on the belief and what they call elementalism or elementals. The fairy is supposed to represent a certain prime element, of course, those being fire, air, water, earth, and the fifth element, that being the ether or "space." But just get back to the point, the fairy has the power to heal using her magic wand. She has the power to grant wishes. You just have to believe.
The mother in this scene is actually just reinforcing the programming that's already been embedded within Drew Barrymore. The mother here is a programmer, i.e., handler. The young girl says, "Can you read it to me again?" She wants the programming reinforced.
Once again, brothers, these films always have subliminal programming and superliminal programming. Superliminal programming, or superliminal message, is the overt message that they want you to grasp on a basic level. The subliminal program is what they're teaching you through the backdoor, what you're going to receive without you knowing it. Okay, so now we're going to pick up at really is the crux of this film, or the turning point in this film, that being Halloween night. Halloween is what's known as a "liminal holiday." As I've already addressed the concept of liminality, basically it's the concept of the threshold, the crossing over from one state of being into another state of being, or the crossing over from one dimension into another dimension. Halloween is known as a liminal holiday in the same way that the time of 3 a.m. to 4 a.m. is known as a liminal time period, as viewed as a day in which portals are opened, in which spirits can cross over into the physical world, and the reverse can occur as well. And this is what we're going to see within this film. As I've already stated, Elliot's mother, and Elliot's narrative, or Hippocrates, she plays by Bastet, or Sekhmet, the cat goddess. E.T. is Pata-men, the father of Nefertiti. That's why I state that E.T. is meant to replace the father that Elliot has lost. As we can see here, the mother chooses to dress up as a gigantic cat woman on Halloween. That's on purpose. The costumes of all the characters that we see on Halloween are on purpose. Not only is she dressed up as a cat in the leopard print, but she also has the magic wand as well to show you that she is the "goddess" of witchcraft. Remember, Bastet was just another aspect of Isis, or of Set, the mother goddess of witchcraft. So on Halloween, we're going to see Elliot is dressed up as a spirit, as a ghost. Why is that? Because this is going to be the night where E.T. is going to show him how to ascend to a higher level when it comes to his spiritual powers as a witch. So let's see what happens here.
Now brothers, I'm not quite sure if you can see it, but the older brother, Michael, is dressed up in fatigue pants. That's because he represents another aspect of Horus, or Harpocrates, the "god" of war. As a rule, he is the god of war. I did a video pretending to Isis, a lot of times, or the goddess with the divine milk, the milk of knowledge. And I believed that it was an issue of Newsweek and Time magazine, or Newsweek, where it showed a woman breastfeeding a young boy who represented Horus, or Horus, from the left breast. And he also had on army fatigue pants. The army fatigue pants are just meant to denote him as the "god" of war. And you brothers probably cannot see it, but the older brother is also carrying a bag with the white horse, the horse of death, on it.
So brothers, here's another still photo of Elliot and Michael and E.T. departing on their way to "celebrate" Halloween, really engaged in a witchcraft ritual to open up a portal so that E.T. can communicate with, you know, with his fellow spirits. But just pay very close attention. Look at the bag that Michael is carrying. He has the "white horse" or white unicorn on it. The psychic pump, or the spirit guide, the steed that helps you go from the natural realm, the physical realm, to the spiritual realm. When I did the video on Nipsey Hussle, "Who Killed Nipsey Hussle and Why," I showed you in that video that the mother goddess, whether you call her Selene, the moon goddess, or even Epona, the horse goddess, or Demeter, the mother goddess of the harvest, they would often be depicted riding on the so-called white horse because the white horse, once again, is the means of transportation to signify death, meaning going from the natural world, the physical world, to the spiritual world. On this night, Halloween, Elliot and E.T. are going to perform a ritual that opens up a portal from the physical world to the spiritual world.
Here's another still shot where you see the older brother, Michael, carrying the "bag" with the white horse on it. And as we can see, he has on the fatigue pants, and then the rest is all black. And the man has a damn knife through his head to show you what he's supposed to be, a "warrior." He is Horus, or Harpocrates, or really Horus as an adult, Horus as an adult, the "Falcon God," the god of war, with Elliot's hair done up as a spirit because he's about to take a trip or take a sneak peek into the spiritual realm that night.
Okay, so brothers, now we're up to the point in the film where Elliot and E.T. are entering the "forest" or the woods so that they can initiate their ritual. But of course, in the film, they can't do that directly because it's going to become too obvious what the movie is actually about. So in an analogy form, they're going to have E.T. create a piece of machinery so that he can "communicate" with his home planet, which actually is the spirit realm or the spirit world. But watch as E.T. instructs Elliot, because E.T. is Pan, he's going to instruct his lead witch on the powers of witchcraft. The bicycle, and we're going to see this later on in the film, the bicycle is just meant to be an analogy or metaphor for the witch's broomstick. That's why they fly on it on Halloween. So let's see what happens.
Once again, brothers, Halloween, there's a time period of great significance in witchcraft circles. This film is about witchcraft. Elliot is a witch. E.T. is Pan. Right now, on Halloween, they are flying on the "bicycle," which is supposed to be a metaphor for the broomstick. That's all this is. Elliot is experiencing the power of being fully illuminated for the first time. He's experiencing the power of witchcraft for the first time. As I tell you, brothers, incessantly on this channel, the "god" of the entertainment industry is Pan. Okay, so that's why they make these movies constantly about the entity, and have to, you know, they have to do it surreptitiously. They cannot do it overtly.
Another thing, Pan-temen, or Manes, or Menes, is another term for the moon-god. And we're going to hear E.T. referred to repeatedly over the course of this film as the "man in the moon." The concept of the man in the moon comes from the coming together of Pan and Selene, the moon goddess. Pan had an affair with Selene. He had intercourse with Selene. That's when you get the concept of the man in the moon. Selene's the moon. Pan is the male deity, the "deity" who inseminated her, who had intercourse with her. So whatever you hear that concept of the man in the moon, that's talking about Pan. And of course, Menes means the number, or the moon god. So that's all an allusion, once again, to the power of witchcraft, or Pata-men. That is who E.T. is in this film. Notice that he crashed. The reason, the reason why they crash, is because it's he's starting to get weak. He's getting weak at this point because he's losing his spiritual power. He has to get back to the spiritual realm. We see the bicycle here, down there, totaled. Once again, the bicycle is nothing but a witch's broomstick. That's it.
Here's Elliot's mother, Bastet, or Bast, the mother of Nefertiti, the "cat goddess." She's awaiting him on Halloween because she's concerned. Once again, the mother represents Bastet.
So brothers, we move ahead. E.T. and Elliot are there out in the woods, then the proverbial grove, and they're trying to utilize the powers of witchcraft to assist E.T. in communicating with his "home planet," aka the spiritual dimension, the spiritual realm. For those who read the scriptures or who have done even just rudimentary studies, especially in the veneration of the mother goddess or the "Horned God," those rituals always take place out in the woods. So this is just an analogy. This is a metaphor that they're using to make what is transpiring on film more palatable for regular people. But as I've stated, they've been trying to promote witchcraft in films and on television for a long time now.
Of course, it's working. E.T. is the master craftsman, the master builder. He is Osiris. Always an Oscar. G is in George. U is in umbrella. And S is in ANSI, aka Pata-men, or Patesi. Some people listening to this might say, "What are you talking about? How could it be all those different people?" What I'm talking about is, those are just different names for the same entity known as Pitar.
Listen, Tom, excited. Elliot is supposedly E.T.'s best friend, right? Allegedly. That's your best friend. But you're that excited that you were able to open up some type of communication with his home planet, which presumably is going to mean that he's going to leave you. So why would you be that excited? Unless what's actually occurring in the film, there's not just that he's communicating with wherever he's from, is that Elliot and E.T. have made contact. They've been able to open up another portal and, you know, gain greater insight, gain greater spiritual power. Elliot is a witch. He's a wizard in training. That's all he is.
Okay, so now that Elliot has realized the ramifications of the success of the spell that they cast, he realizes that soon his tether, aka E.T., his spirit guide or his psychic pump, is going to be leaving him. So now he's going to make a desperate attempt to try to prompt Pata-men, or Pan, or E.T. to stay with him. Let's see. Let's see how things go.
Now, brother, did you hear that? Elliot says, "We could grow up together," which is implying that E.T. is not fully grown. He's not an adult, at least according to his species. That's how you know, once again, he is "Peter Pan." He's the "entity," the deity who will never grow up. He's going to be young forever, and he's able to surround himself with a retinue of Lost Boys, aka witches, aka pederasty victims.
Okay, so brothers, we've reached the same, which is pretty much building up to the final conflict in the film. The mother is going to, of course, she's going upstairs now. She's going to approach her oldest son, and the oldest son understands that he must tell her about the Pata-men, or Pan, aka E.T. He must tell her because, due to the fact that Elliot and E.T., and you get it, Elliot, E.T., due to the fact that they're tethered, they have a spirit tie or soul tie, whatever it is that E.T. is going through, Elliot is also going through. So now he has E.T. laid out on the bathroom floor. He has to tell his mother about it so that hopefully she will assist them. He's going to try to get her to swear or pledge, in the same way that Elliot got him to swear or pledge. And let's pay very close attention to the difference between how she responds to that request as opposed to how he responded. We're also going to pay very close attention to what Drew Barrymore calls E.T.
The most excellent she can make. Remember when Elliot made Michael swear? He swore. Now, when Michael tries to make the mother swear, she will not swear. Why is that? Because she's an adult. The story of Peter Pan basically is that adults are not trustworthy. They're not capable of going to Neverland. They've lost the ability to imagine. They've lost the ability to tap into that zero-point energy or the third eye energy, unless they're fully committed.
Elliot states that we're sick. Once again, brothers, it's the same concept as the movie "Us." They're tethered. Remember in the film "Us," whatever the person above-ground would do, or in the physical realm would do, the tether was forced to do as well.
Well, as you heard, Drew Barrymore's character calls the character of E.T., or Pata-men, the "man from the moon." He is Menes, or Manes, aka Pata-men, the man from the moon, Pan, after he has been able to confirm his relationship with Selene. If you research the slogan or the phrase "the man in the moon," that is where it comes from. It comes from Pan making love to, or having intercourse with, Selene, the moon goddess.
So the mother, aka the intervention of the adult, is able to break the, the soul tie or the tether, or trying to break the tether between Elliot and E.T. He looked like he needed a man in his shower and he needs some lotion. Goddamn, he's ashy.
Okay, so brothers, in this scene, Steven Spielberg, as well as some of the actors, particularly the actor who plays the older brother of Elliot, that's going to delve into the concept of E.T. and Elliot being tethered together. Michael is going to be asked a question by one of the scientists. For those who don't know, who I'm not seeing the film at this point, E.T. has been captured by the "scientists" who seek to find out about him and about his world, and the family is being questioned. They're asking Michael about the connection between E.T. and Elliot. Let's pay very close attention to what's being said. He said that he communicates through Elliot.
Elliot feels the feelings of E.T., aka, they are tethered together. E.T. is just the spirit world aspect, or the spirit world entity, that was conjured into the physical world by Elliot through the illumination of his third eye, which was represented by one of the opening sequences of the film where he emerged out of the shed, which was a portal, as I've already illustrated. Now, the "scientists" or the doctor just stated that the EKG analysis shows complete synchronization and brainwave activity between both subjects. So, once again, they've been tethered, particularly according to the "third eye." It is based on the concept of Janus.
Now brothers, in this film, other than the mother of Elliot, there's only one adult of note who garners any level of respect, that being the "good scientist" played by Peter Coyote, who's also a Buddhist in real life, for those who don't know. This is a scene in which, once again, there seems to be some type of implication that when he was a child, he also was able to communicate with the entity known as E.T. or Pata-men as well. And there's no shot that we're looking at. E.T. turns and looks directly into the face of the "good scientist" played by Peter Coyote. And let's, let's listen very close to what Peter Coyote's character tells Elliot subsequent to him making direct eye contact with E.T.
"It could be sepsis. John, two sets of blood cultures. He needs broad-spectrum coverage. Above and gentle into the forest." In other words, he's been to the grove. He's been to the site of the ritual. Now, brothers, isn't that strange? The "good scientist," he asks Elliot about the machine that they have out in the woods and what does it do? And as opposed to Elliot just saying that it's a communicator, he says, "I really shouldn't tell." Why is that? Because it's very similar to the machine at the end of the film "Avengers." Remember the original "Avengers" film that came out in 2012? They had the scientist, I believe his name was Dr. Zellweger, something along those lines, and Loki put him under his control and had him create a machine that would open up a portal so that the aliens could come through and attack New York City. That's basically the machine that E.T. and Elliot built out there in the woods to open up a "Stargate."
Elliot, brothers, did you hear that? The adult here says that E.T. came to him as well. Obviously, he's talking about back when he was a child. Now he's an adult. That's why, that's why Steven Spielberg had that little brief scene where E.T. and this person here made eye contact with one another, and E.T. seemed to have recognized him because he was one of the "Lost Boys" of E.T. back when he was young, and he was able to open up his third eye, or his understanding, his zero-point energy, so that he could communicate with him as well. Obviously, once again, he was able to communicate with E.T. when he was 10 years old. And it's so strange, nobody else, I've never seen anyone else mention this, the fact that it's very obvious that this adult character here also had an interaction with E.T., which means what? He's not really a physical being. He's a spiritual being. He needs to go back to the spirit world. That's what he needs to do. That's why they have to open up that portal.
Okay, so brothers, now we're at the point in the film where the character of E.T., aka Pata-men, or Pan, or Osiris, whatever you want to call this entity, has expired. They were able to break the tether or break the link up between Elliot and E.T., and that caused the death of E.T., aka Pata-men. So now Elliot, also known as Nefertiti, is basically going to pray over his dead body and hope to bring him back to life, hope to revive him. So let's see what happens here.
Now Elliot, aka Nefertiti, has just stated that E.T., aka Pata-men, or Pan, must be dead because he does not know how to feel. So, in other words, once again, that link up between the two has been fractured. It's been broken. There's no longer the tether. There's no longer the "soul tie."
Hopefully for my life, everyday. Elliot, they say he will "believe" in E.T. all of his life, every day. Why would you have to believe in something that you saw in flesh? I left. This is meant to be a metaphor for something else. It's meant to be a metaphor for "spiritual belief," or, in all actuality, a mystery school belief, that being the veneration of the great Demiurge, Pata. That's what this is. What this is about.
So now we see that Elliot has closed the casket. But as he's closing the casket, right after he says to E.T. that he loves him, that is when the "heart" inside of E.T.'s chest starts to beat again. We know that, as I've stated in the past, the heart was of the utmost significance in the Chaldean Babylonian mystery school system. The heart represents the son.
So now, as Elliot walks out, he notices that the vegetation in the room, the flower, the chrysanthemums, and the geraniums are starting to bloom again, which symbolizes E.T.'s rebirth, or him being brought back to the land of the living.
Yes, oh man. You sound like Young Jeezy. Yeah, oh man. This movie is such a trip. So now, of course, Elliot is going to greet his brother with the news that "E.T. has risen from the grave." He's alive. And in all actuality, E.T. exists within the subconscious of Elliot. Once again, E.T. is the "god" of vegetation. Two moves, or Pan. Pan is a woodland god. As far as I've already mentioned, there's definitely a theme in the film of being gentle to animals. I mean, as you should anyway. You should have a respect for nature. But Pata venerates the animals, and that's why you see such a conservative push in this society, in this time period that we're living in today, for veganism. If you pay attention, it's everywhere. They're saying stay away from meat, stay away from fish, so stay away from doing anything even remotely harmful to animals. It's not just because of our respect for nature, "quote unquote." It's really to show a veneration of the animals because they venerate the "god" of the animals, that being Shiva, aka Pata, Pata-men, or Pan. And as I've already stated, we're going to go through it after this video. The organization known as PETA is just meant to be an allusion to the "nature god," Pata.
Okay, so brothers, we're near the portion of the film that pretty much is going to be the crescendo. But the build-up to the crescendo will be Elliot's mother attempting to head him off at the pass as he attempts to rendezvous at the Stargate or the portal with E.T., aka Pata-men, in tow, and the rest of the witch coven, aka his older brother and their friends. Well, the wealthy "good adult male" in the film, played by Peter Coyote, is going to inquire of the mother where she is going because she has been told by the young daughter that Elliot, as well as Michael, her older brother, have taken E.T. back to the forest so that once again he can go back through the portal, through the Stargate, to the spirit world. Just pay very close attention to what Gertie, or Drew Barrymore's character Gertie, states about E.T. and where he's from, what she calls him. Once again, remember previously in the film, Gertie refers to E.T. as the "man in the moon." Now she's saying that he's going to take the "spaceship" to the moon. Why is that? Because, as per Pata-men, he's the "moon god." He's also the woodland god, as Pan. As I already stated, the term "man in the moon" comes from the consummation in the relationship between Pan and Selene, the moon goddess.
"Do sit. Oh my god, I'm about to lose E.T. again. I'm about to lose him. But time and again, he was supposed to help me with my witchcraft."
Okay, so now brothers, at this point, E.T. and Elliot and Michael, basically they have escaped. They rendezvous with the rest of the witch coven, aka E.T.'s disciples, aka the Lost Boys. And let's just pay very close attention to the imagery that is used here for E.T. to reinforce the "Christ complex" or the martyr complex that is imbued upon E.T., the reinvigorated or the reborn "god," aka Pata-men, or Asar, or what-have-you.
Now brothers, do you see this? It appears as if E.T. is emerging out of the cave, reborn, like Christ. This is clearly what Steven Spielberg was trying to allude to, that E.T. was a "Christ figure." Now, when you study the "deity" Pan, he was one of the top deities of the ancient world until the rise of Christianity in the 1st century AD. As a matter of fact, there was a statement made by a historian during that time period that Pan died in the 1st century AD because of the popularity of the growing movement to worship or venerate Christ, at least in the 1st century AD, which was the time period where you had the actual, the real church, not the "Catholic Church" that it existed after the time of Constantine. Which is to get back to the point, it's very obvious here that how they're depicting E.T. is meant to be a mockery of and also in alignment with Christ. They're trying to project E.T. as a Christ figure. You see, he has the white linen garment on, and he's emerging out of the cave to show that he's been reborn.
Hey brothers, remember this dude from "Soul Man" in the mid-80s? There was a movie in the mid-80s called "Soul Man" with this person here. I can't quite remember his name. He basically plays a Caucasian dude who he starts to dress up like a black dude. I mean, it's so bugged out. They would never make this movie today, or that movie today. But then again, you never know. I just remember that as a kid, "Soul Man," starring this guy here.
So now, of course, after the rest of the witch coven, after the disciples see the re-emergence of the Christ figure, aka E.T., they're in awe. So now comes the emergence of Elliot, who is his top disciple, aka his top apostle, aka Nefertiti, is his "spiritual son." Oh boy. Once again, brothers, you know, you see so much in these movies. At least I do since I've become an adult. You know, these were like childhood classics, childhood favorites for me. But then I go back and I watch a lot of these movies over again, and you see so many things that you've missed out on because you just never knew.
So brothers, now we're at one of the more momentous moments in the film, the moment at which Pan, aka E.T., sprinkles the pixie dust on the Lost Boys and gives them the ability to fly. Once again, their bicycles are supposed to be representations of the broomsticks of the witches. So let's see what happens here.
That's a hell of a close-up, isn't it? I mean, goddamn, that's a face only a mother could love. Brothers, once again, the flight of these young boys is supposed to be, it's really a dual representation. Number one, Peter Pan and the Lost Boys, and it's also of the flight of witches. The bicycles are broomsticks. I could not repeat that enough. This basically was a vehicle that was used to promote witchcraft, a very early vehicle to promote witchcraft amongst children. Remember the last time that they flew, the moon was out. Now the sun is out. Brothers, look, I've always stated that I've always stated that the sequence of shots showing the facial expressions on the Lost Boys was meant to intimate some level of an amorous interaction, as if it was almost the first sexual experience that they had. If you look at them sequentially, as his home was like a young boy losing his virginity. As I've stated already, Pan was also the god of pederasty, or man-boy love. The spaceship is the proverbial merkaba, or the spirit vehicle, how you transport from the physical world to the spiritual world using your third eye. Another example of that was in the film "Black Panther." If you remember, the leader of the Dora Milaje, she was flying the spacecraft that the Black Panther rolled in, and she was in, and she was seated in the lotus position, forming the mudra with both of her hands.
Okay, so now brothers, we're pretty much at the crescendo of the film now, and we have the final salutation between Elliot and E.T. They're going to bid each other adieu, and E.T. is also going to go about revealing who he actually is, how he was able to become manifested in the physical world, and how Elliot can communicate with him if he so chooses. So let's pay very close attention here.
Now E.T. is actually inviting Elliot to come to his planet. "Planet." Now we know that it's not literal, it must be figurative, because how are we to assume that the atmosphere on E.T.'s planet would be a place or a realm where Elliot could survive? It's very clear that E.T. is talking about the other dimension, the other side of the mirror, aka Neverland, or Wonderland, or Oz.
My brothers, you see this? As they're bidding one another farewell, they do the same hand signal of Hippocrates, putting the index finger over the mouth.
Now brothers, do you see how he illuminated his index finger and he put it right in between Elliot's eyebrows? He's trying to convey to him, "This is how you contacted me last time. You contacted me through your third eye. That's how you open up the portal." The last time, it just goes to show you that this entire film was just a metaphor for Elliot being able to make contact into the spirit world and conjure up the spirit, or the "goblin," as he's called in the film, who was actually Pan, or Pata-men.
As you just heard, E.T. tells him, "I'll be right here." So, I mean, what else, what else could this film be about other than "zero-point energy"? Which is the same plot of the film "Alice in Wonderland." It's the same plot of the film "The Wizard of Oz." Remember, in order for Dorothy to go from Kansas, or Middle-earth, to Oz, she has to travel through the whirlwind. The whirlwind is basically an analogy for the zero point, which are basically two triangles, one of them upside down, and they both meet at their epicenter. That point at which they meet is the zero point. That's the reason why Kemet, or Kemet, has the symbol of the X across his chest. It represents transformation. Once you meet at that zero point, which is the nexus of those lines, that intersection, you transform because you go from one realm to another. You go from one person to another. You're a liminal being, and you pass through a liminal portal, a threshold. Well, I have to give Steven Spielberg credit for being able to very craftily design a film where, you know, they could bring forth a lot of the spiritual beliefs of Hollyweird, pretending to the Babylonian Chaldean mystery school system, and just couch it as a children's film. Very interesting.
Okay, so brothers, we're at the very end of this film, and E.T. is going to traverse the physical plane back into the spiritual plane, be the "Rainbow Bridge," or the serpent bridge. Once again, brothers, it's the same concept as in the film "Thor," the "Rainbow Bridge," or the Bifrost.