Transcription
Alright man, peace. So, the CBS Morning News had a couple of good segments to promote a biographical book that has been written by an author named Walter Isaacson. And written, this book that he's written is in regards to the great Renaissance painter and engineer, architect, all-around polymath known as Leonardo da Vinci. They want to talk about certain aspects of his life, and of course, I'm going to chime in.
Let me just say that this painting that is to the left of the screen is known as the Salvator Mundi, meaning the savior of the world. It is alleged to depict the entity known in the scriptures as Jesus Christ. But the entity that is, that it is actually depicting, is the god of the entertainment world, and also the god that Leonardo da Vinci worshipped during his time period of the Renaissance, known as the Bacchus. And he used as a model for this painting, the boy that he raised and also molested, known as Szalai. S-z-a-l-a-i. He was a pupil of Leonardo da Vinci, and he was also his, his lover, quote-unquote. Right? He was one of the boys that Leonardo da Vinci molested.
Anyway, they're gonna talk about Leonardo da Vinci, and of course, on what a time the painting by Leonardo da Vinci could fetch 100 million dollars at auction next month. Let me say this before Jane Pauley goes on, and I mentioned this in previous historical videos that I've made. I've only lightly touched on history. I am, if I am a fan of history, I am a student of history. Leonardo da Vinci is one of the great men of history. He was a brilliant man, even though he was, he was a degenerate, no doubt about that. But he was extremely talented.
Much of what you see in museums today is based off of the narrative that they want people to believe. Most of what you see in museums today is fabricated or forgeries, okay? Or remakes. They're not authentic. Yes, there are very few pieces of art or sculpture that, that is on the showroom floor that is actually real and legitimate. Most of the real artifacts are in the basements of these museums. Which often times, as fortresses. The Louvre, which houses most of Leonardo da Vinci's work, was a fortress and a castle for the old, with the old Capetian kings of France. For those who don't know, the Capetians, they were an offshoot of the Carolingian line. All right? Meaning Charlemagne started a dynasty known as the Carolingians in the late 700s, around 800 AD, and that line eventually ended in 928, and it started a line of French kings known as the Capetians, started by Hugh Capet. First name H-U-G-H, last name C-A-P-E-T. Anyway, that is when the Louvre first was known to be a, a castle that was used by the kings. I believe it was Louis the Fourteenth. Louis the Sixteenth is the one who decided to move the, you know, the castle where the kings would live from the Louvre to the new place that he lived, and then, skip in my mind right now, I believe it was Versailles. Yeah, it was Louis the Fourteenth or the Sixteenth. I believe it was the Fourteenth to move the palace from the Louvre to Versailles. But you brothers could look that up on your own.
Anyway, let's see what they have to say here. "Just one part of his rich legacy. Our cover story is from Dr. Jon LaPook. They packed this gallery at the Louvre in Paris, at least six million people a year for a glimpse at a superstar. But a select few, like author Walter Isaacson, actually appreciate the Mona Lisa as art." "It's the most famous painting in the world." "When you stand before the Louvre, you all of a sudden realize why it's the most emotional painting."
No, the reason why that painting is the most famous painting in the world is because that's a man in drag. For those of you who don't know, that is, depict, that is also depicting Leonardo da Vinci's lover and boy toy. It's Szalai, okay? That is who that is depicting. Most of his paintings were, he used Szalai as the model, or he used himself as the model. Now, there are some people who believe that, that this is Leonardo da Vinci himself in drag. I myself believe that it's Szalai looking at the facial features. But that's the reason why it is the most commemorated painting because, once again, the true god that is worshipped by the elite of this world, and this is going all the way back to even when blacks ruled and in the latter part of the medieval time period, they started to worship the Bacchus.
Now, Leonardo da Vinci, near the end of his life, he was under the stewardship of Francis the First of France, who was a black, who was a so-called black man and was King of France. And he also had a great rivalry with Charles V of the Holy Roman Empire, as well as Henry the Eighth. All three of those men were so-called black. Leonardo da Vinci was under the employ of Charles of, a part of me, Francis the First of France. But, you know, let him talk. I'll fill in as he goes.
"We know a lot more about the celebrity artist who painted her than we do about the Mona Lisa herself, largely because her creator, Leonardo da Vinci, documented his life's work in painstaking detail." Look, let me say this. I've already stated this. Leonardo da Vinci was a genius. He was incessantly curious. He pursued information and knowledge in every field that he could. Engineering, aeronautics, botany, anatomy, you name it, architecture, art. He's what, you know, he is what is known as a polymath. P-O-L-Y-M-A-T-H. All right? Similar to Benjamin Franklin. All right? You know, and and brothers, especially the brothers that are in the knowledge, you should, you should have a similar mindset of being a polymath. You know, your mentality should be that you want to get as much understanding in as many fields as possible. All right? Don't just lean on this nonsense about the spirit and the spirit love, man. When the Most High dealing with you in the spirit of truth, that means that you pursue and you research. That's what that means. And you don't research and look things up for competition to say, "Look, I know more than this person," or "I know more than that person." You look it up for your own edification because the mind, even though, you know, your brain is an organ, it's like a muscle. It can be strengthened. So that, that has to be the mentality that brothers have to have. And that's another way that you can overcome and avoid the, you know, the low-level thinking process that many so-called pro-blacks have today, where they're just looking for somebody to bail them out. Point being is this, we should not be looking for the validation of the so-called Caucasian. That's not manhood. But let's get back to this feature.
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"Leonardo may have been the person with the greatest amount of curiosity of any human who existed. And he would make lists in his notebooks of things he wanted to know, like, 'How do they walk on ice?' and 'Holland,' or 'Describe the tongue of the woodpecker.'" Now, who in the world would wake up one morning and put on their to-do list, "Describe the tongue of the woodpecker"? It depends on what your mentality is. If you have an incessant yearning to learn and and to improve your mind, then that's where it will go. Once again, you should seek to be as proficient in as many fields as you can when it comes to sharpening your mind. Okay? Even when you read in Wisdom of Solomon, the seventh chapter, Solomon details all of the fields that he is an expert in, right? And he goes through ology and botany and meteorology, astronomy, things of that nature. Okay?
"Leonardo, Isaacson's curiosity has given us best-selling books about Albert Einstein and Apple's Steve Jobs. And his just-released biography of Leonardo da Vinci, published by CBS's Simon & Schuster, will also be a film starring another Leonardo." Well, did this good that they have this nutjob portraying the other nutjob? Okay? Because let me say this, Leonardo DiCaprio is a brilliant actor. Well, he's also a nut, and he's a pawn. He's a pawn of the elite pushing a lot of the, the environment stuff. He's being, he's a paid, they're paying him to do a lot of that stuff. But that's neither here nor there in regards to Leonardo da Vinci. As I've stated, he was an extremely bright person, but he was also a degenerate. And one of the main reasons why they commemorate him so heavily was not, is not only because of a lot of the things that he was able to discover and discern, but, um, he was a major, major part of a major part in history known as the Renaissance. Now, that's her means to rebirth. The Renaissance really came on the heels of something that I've spoken about previously, that being the so-called bubonic plague. All right? Which they aptly called the Black Plague or the Black Death. Why is that? Because when that scourge swept over Europe and wiped out a large portion of the nobility of Europe, right? The nobility of Europe means the landowners. The nobility of Europe were the so-called black people. Okay? This is why you see, right, in the aftermath of the so-called Black Plague of the Black Death that swept over Europe in the mid-1300s, you have what you call serf rebellions. In England, you had these serf rebellions in the late 1300s because the Caucasians, who were acting as serfs and peasants and were not landowners, once they saw how this plague was affecting the so-called black nobility, the black rulership, they tried to rise out of their vassalage, out of their, out of their state of servitude.
Now, they lie in history and tell you that the, that the bubonic plague was, so-called bubonic plague was spread by rats. No, I do not believe that at all. And there is very little data to prove that theory, very little. What really is more plausible and feasible when you understand true history is that a lot of the invading Caucasians from the East, who were being pushed eastward by the expansion of the Mongols and then the Turkish tribes, they were pushed, they were pushed from the East westward, I should say. And as they moved westward, many of the diseases that they brought with them, the black nobility did not have any antibodies for. And you see that once again in the 1400s and the 1500s when the Caucasians and the black nobility who were left, who had the antibodies for those, for those diseases, brought them over here to the Americas and wiped out a lot of the so-called black aboriginals who were here due to those diseases. Okay? Oh, no. When you look up a lot of the theories in regards to the Black Plague or the bubonic plague, they'll tell you that there really is no real basis for the belief that rats spread the disease because there are not any rat bones to coincide with the, with the bones and with the skeletons of the people who died in that plague. It's very clear that what really wiped out most of the blacks of Europe in the 1300s was the move westward of the Caucasians from the, from those mountainous regions in the Central Asian steppe. As they were pushed into Europe by the Mongols and a lot of the other Caucasian tribes who were moving out and expanding. I mean, it's a whole another topic for another day. But you had the Khazars, who inhabited most of East, Eastern Europe. You had the Turks, who came down into Southeastern Europe, down into the Mediterranean region, or what you call Turkey, and Northern Africa. And you had the Mongols, who moved eastward. All right? Those were all Caucasian, quote-unquote, Caucasian tribes. All right? And that caused a lot of instability in the, and the economic setup that the black nobility had where they had these serfs. A lot of the Caucasians were working on their land as peasants or what they call villains, spelled V-I-L-L-A-I-N-S. And they had no power whatsoever. They had to work the land just to have a right to live on the land of the so-called black nobility, or the people who are called in history, the, the Celts, the, the Franks, the Lombards, the Normans, the Anglo-Saxons, etc. Those were black people. All right? And I'll cover that in a whole other series once, you know, I have everything that I need to make those videos. But all those things spurred on the Renaissance because once a lot of the black nobility were no longer as strong as they were, that led to it, that led to a movement called humanism, where people started to look less on the scriptures and on spiritual understanding and more towards, quote-unquote, rationale and the scientific method. These were things that happened a lot in the 1300s, going into the fourteen, late 1300s, going into the 1400s, and led, and Leonardo da Vinci was at the vanguard of that. Okay? He worked in Florence under a family, under a noble family known as the Medicis, who were black, by the way. Okay? The Medicis were, so-called black, as were the Sforzas in Milan. Okay? The lords and the nobility of the medieval time period, all the way going, coming into the 1500s, 1600s, even in some places into the 1700s, were so-called black people. Okay?
Anyway, she was at the... "See, there's a wonderful Annunciation there, looking at the painting." "He starts kicking DiCaprio's namesake was born out of wedlock in Florence in 1452." Yeah, once again, Florence was ran by the Medicis, who were so-called black. Okay? Yes, they were. And, you know, before I forget, before it skips in my mind, in addition to the serf rebellions that were happening in England in the late 1300s, you also have something called the Hundred Years' War. Okay? The Hundred Years' War was a major event that occurred in the reign of Edward the Third of England. Tell you, for you guys who are familiar with the movie Braveheart, you remember there was a king in there named Longshanks, who William Wallace was fighting against. He had a son who was a homosexual named Edward II. Edward II had a child with a French woman in the movie, Isabella of France, named Edward the Third. Edward the Third came into power when he was able to overcome his mother, who tried to seize that, who tried to seize the throne with a man named Roger Mortimer, who she fell in love with. Anyway, to make a long story short, Edward the Third overcame and took his throne back. And then he tried to claim the land in France that he felt like was his because there was a claim that he felt was legitimate in regards to the northern part of France. I believe the region was called Aquitaine because the Norman invasion had came from France, and they had a Duchy. Duchy, basically, is a region that is ruled over by a Duke. And the Duke of Normandy eventually became William, who was known as the Conqueror. He came over to England in 1066 AD and conquered the Anglo-Saxon king, I believe his name was Harold, that's the last name, in 1066 AD, and they established a monarchy in England. Anyway, Edward the Third was a descendant of William the Conqueror, and he felt like that that land in France should belong to him as well. That started a war with France known as the Hundred Years' War. This also did a lot to hurt the black nobility in, in Europe, destabilize it, and it led to a lot of the uprisings of the Caucasians who were in servitude at the time. Okay? The Caucasians in, in Europe at that time period, in the 1300s going into the early 1400s, they were known as serfs in the western part of Europe. They were also known in the eastern part as Slavs, S-L-A-V-S. That's where you get the term slave from. Okay? Not, not being racial or racist, none like that, it's just the truth. Okay? So a lot of the infighting amongst the black nobility is what led to their downfall. But one of the main things that affected them was the so-called Black Death or the Black Plague, which is why they call it that, because it affected these, it affected the so-called blacks more than it did the Caucasian. Okay? This is why you look at Europe and you think that you're, that Europe is a Caucasian land. It really is not. The Caucasian is not native to any land on the earth. Okay? The only place that they're native to is Mount Seir in the Middle East, and then also the Caucasus. No, they moved up into the Caucasus mountain region of the Central Steppe of Asia, and then they pushed outward and came out with many diseases. It's just a fact. Okay? They were having sex with goats and animals while they were up in that mountainous range. That's when you get many diseases from. Okay? Just telling you facts. We might not like it, it is what it is. You can read a book called "The Thirteenth Tribe" by Arthur Koestler. He tells you how they were living up in those caves, and he was a Caucasian Jewish man. It is what it is.
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"Yeah, most likely he was a pedophile victim himself." "I believe the person who took him under his wing was the name of Perico Chiyo." Yeah, very culture, over Akio, excuse me. "Florence was very tolerant of a guy like Leonardo. He was left-handed and gay and vegetarian." No, they went out of their way for Leonardo da Vinci because he was gay. That's Florence was controlled by the Medicis, and Leonardo da Vinci was actually going to be put on trial for sodomy with three other men who were caught engaging in sodomy with a male prostitute. Okay? But he was let off because one of the, one of the, one of the people who was involved with that act was came from a rich family. It might have, may have been a Medici. Okay? Once again, a lot of, a lot of what you know as the Renaissance, which means the rebirth, which is the, the implementation of humanism and the implementation of a lot of the Greco-Roman idealism of, you know, say, Iran, I did, right before the time of Christ. Right? A lot of those ideals were starting to be embraced by the, by the black nobility, and it started to creep into their rulership, and it started to be a cancer to their rulership, and it allowed the Caucasian to rise up. They, you know, a lot of, you know, when you are a landlord and you were the lord of the manor, that your servants, the peasants, would have to fight battles for you. A lot of times, the Caucasians who were peasants who lived on their manor, if they fought well in battle, um, they started to be given titles of nobility in the latter part of the black rulership. All right? And then you had Martin Luther, who came with the Reformation, the 95 Theses, and this was a major, major hit to the Catholic Church system, which was dominated by the so-called black European nobility at the time, because the Reformation was based a lot in humanism. Okay? But this, this is all, these are all videos for another day. I say all this to try to make brothers, or hope that brothers understand, this is why Leonardo da Vinci is so venerated, and this is why he was such an important part of the Renaissance, meaning rebirth, the rebirth of the Greco-Roman ideals. Okay? This is why they called the medieval time period the Dark Ages because during that time period, it was not, not only do they say that it was a lack of advancement and so on and so forth, but it's also a play on words. There's also why they used that term. This is also why the term Byzantine today is a metaphor for something that's backwards because the Byzantine Empire was also ruled over by so-called blacks. Okay? All those men in the Middle Ages, Richard the Lionheart and King John, and, you know, Charles V, and, you know, Louis the Pious, Charlemagne, Holy Roman Empire, the Frankish Empire, no, you know, Scotland. I think it's partly a self-portrait. I cover, you know, a self-portrait. It looks like that could be him. It could also be Szalai, but it could be him. It's most likely him.
"But perhaps most of all, Leonardo was stunningly inventive. He makes a portable bridge that you can just pop up in the middle of a battle if you have to cross a river." Leonardo da Vinci, he definitely made a major impact as a military designer and engineer. This is when he came under the employ of a man named Cesare Borgia. Cesare Borgia, a lot of you brothers are familiar with. See Borgia, Leonardo fell under his patronage, form, I believe it was the early 1500s, 1501 or 1502, one of those years. You brothers could look it up. And he was involved in the design of a lot of military equipment. And of course, also, Leonardo da Vinci decided to use Cesare Borgia as the muse for the image of Christ that we know today. Okay? In addition to his, his pedophile victim, his boy toy Szalai, who we also used to depict John the Baptist. So this also is what the Renaissance is also about, which is the defiling, the purposeful defiling of a lot of the historical biblical figures constantly to depict them as, you know, naked Caucasian men. You know, really to depict Bacchus. This is why you have, you know, David with a fig leaf over, you know, over his penis, and things of that nature. Moses, you know, with the horns, things of that nature.
"The nonprofit think tank Isaacson helped to shape for many years recently held a celebration of all things Leonardo on its Colorado campus." Glider. And he did it in Milan. "One sketches were transformed into three-dimensional models." "The famous helicopter that was first designed for the theater because he was doing all these amazing props, having people fly and descend and ascend on the stage." Yeah, look, Leonardo da Vinci is a very interesting character. I have, I bought a book many years ago showing all of his sketches. He definitely was extremely inquisitive and a polymath, no doubt about that. "Age in underwater diving apparatus." He said it would be a great way to sort of attack ships. In fact, he kept secret some of the details for fear that the enemies could figure it out. But it's laying out her sketches that may set him apart.
"This is the big moment now. So valuable that when curators at New York's Metropolitan Museum agreed to give us a piece, actually, they're all my goodness. At first thing, they would only show us copies until we promised to limit exposure to our television lines." Yeah, the copies they probably show you when they've been drawn by him. Because Leonardo should have did it the day they show is fake. You know, when I saw these for the first time, it's like, "Oh my goodness, there's a hand of the artist." And it's just as if he were making it in front of me. Every time you see it, there's a new layer. "You'll appreciate." "Here's the head of a man in profile." "This is a design for a stage setting." "A bear walking." "And the head of the version that's not, you know, had a, you know, Dan Verge." And that's the head of his boyfriend, Szalai. Okay? That's, that's exactly who the hell that is. "Something's happening here. Something's caught her eye. She has turned her head." "It's a study for many paintings he, but I do later." But you realize that he didn't just love objects. And this guy, Walter Isaacson, knows about all this already. But his job is to promote and push the narrative. Leonardo da Vinci's is heavily venerated because of the work that he did to push forward humanism and the Renaissance, once again, and the veneration of the god Bacchus.
"Only one Leonardo painting is in the collection of an American museum. This portrait of Ginevra de' Benci at the National Gallery of Art in Washington." "How did it help change Renaissance painting?" Well, up until then, Renaissance painting had had sort of sharp lines. And Leonardo said, "That's not the blame. Nature works." So there's a smokiness to the lines. But the great thing about this picture is you see a young Leonardo who's on the path to painting the Mona Lisa." Yeah, you might literally be looking at a young Leonardo because, knowing him, that's probably, that's probably his face, and he's just there dressed up in drag. Once again, many of these, many of these paintings that are depicted in sketches are sketches that he did of himself in drag, or one of his male lovers in drag. He had a series of boy lovers, I should say, not male lovers, boy lovers. Szalai, Francesco Melzi. That he had quite a few.
"There's something else uniquely da Vinci about this portrait. Leonardo cared even about the parts I'm seeing. So he paints the back of Ginevra de' Benci." "We realize he still has more to teach us." Leonardo even taught himself anatomy with dozens of human dissections. He documented how the aortic valve in the heart works, something researchers only confirmed in recent years. And then there's his knowledge of the eye. He realized that the center, when you're staring at something, you see the detail. And if you're slightly off, it goes to a different part of the retina. Well, all great artists had understanding of, of that level of perspective in their art, or composition in their art. Something known as the golden ratio. The golden ratio is often used in art. Directly at the Mona Lisa's lips. The board looks like, let's turn down. But as your eyes wander, she starts smiling at you. Bang! Oh, damn. "Woman, you're so joyful." "I couldn't help thinking when you described that, did Leonardo da Vinci figure out a way to have a painting flirt with a viewer?" "Yes." "Tole, didn't you see how to take a lot of these people?" "You mean, a painting flirt with the viewer?" "Would you know how to try to have sex with the painting?" I see the combination of his sexuality. That's what I see. Okay? I said, "That's a man in drag. That is, that is Szalai." And once again, you have certain people who believe that it is Leonardo and drag. There was a, there was a woman who is that, one of the major visual art schools, I believe here in New York, stated that she did an experiment with Leonardo's, the measurements of his facial features and matched them to the Mona Lisa. I don't know how true that is. I don't see, I don't necessarily see Leonardo's face here. I see Szalai's face. But I mean, you never know. He was a, he was a gesture. He liked to mix a lot of the Bacchic and hermetic principles into his artwork, meaning what? A lot of hermaphroditic aspects into his artwork.
"Ultimate accomplishment, The Last Supper." That, well, I don't know if it's his ultimate accomplishment, or one of the great subliminal messages in any painting ever. Now, you see, right to the right of the figure who supposedly Jesus is, is the, is the figure who is holding his finger upward. That also is for the, "As above, so below." That's supposed to be Thomas. Okay? Now, to the left of the alleged Jesus figure is an entity that's clearly a woman. Now, people claim that that maybe Leonardo trying to sneak in Mary Magdalene. I believe that that is him sneaking in Szalai again. Okay? Once again, Szalai was his hermaphrodite boy toy, or I shouldn't say hermaphrodite, I should say transgender boy toy. Who also was an artist himself. Almost like a wave of emotion, spirituality, and drama make this fresco one of the world's most admired works of art. I know, Dan, spirituality in this art. Study down to the tiniest detail, which is how he discovered what may be the origin of one of our most familiar superstitions. A cause of bad luck is certainly one of the greatest good moments ever, which is Judas knocking over the salt. And that painting, I didn't really think that way. The superstition comes, oh yeah, for salt. Yeah, you can see the salt cellar, you can see everything. The artist knows. This is supposed to be, as I stated before, I believe I stated earlier in the video, Francis the First of France. He was a black man. Now, in this painting, they depict him as, you know, looking like a Puerto Rican. Now, no, but no, he was a black man in real life. And he did hold Leonardo da Vinci in his arms as he died, allegedly. As I stated, in the latter part of the so-called black rulership of Europe, many of them embraced humanism. Francis the First, Henry the Eighth. No, this is right during the time period of about Martin Luther, during the time period that was known as the Reformation, which, which spread. It was, you know, determined the overall fall of the black rulership of Europe. Many of the religious wars of the 1600s, the Thirty Years' War, a lot of the wars of succession, pardon me, like the Jacobite Rebellion in Britain, were predicated off of religion, but also race. But anyway, you see da Vinci there. And as Francis the First died in 1519, he was 67 and left no known children. He's gay as hell. Come on, man. Leonardo da Vinci died a poor man. But since Walter Isaacson, he left us. That's a probable self-portrait. I don't believe that Leonardo da Vinci drew that. I believe, just based on the art style, that that was Francesco Melzi. Leonardo Francesco Melzi. For those who don't know, was the boy that Leonardo da Vinci replaced Szalai with after Szalai got too old. Okay? Once Szalai got too old, Leonardo replaced him with Francesco Melzi. Oh, you know, in history, they call it, they call him a pupil. You know, he replaced him with a new pupil. No, he replaced him with a new lover. Okay? That's how you know he was a pedophile. He wasn't a homosexual. He's a pedophile. Oh, well. Well, I should just say, just a, just a damn degenerate.
"Lessons do you now find yourself looking at the world differently?" "I walked over here to the Metropolitan Museum through Central Park, and that took a little bit of extra time because he loved the way light hit leaves and formed shadows." "He's somebody who says, 'Pause for a moment and look at the way the water is falling into the pond.'" "Those are the type of things he noticed." "And I try to push myself to notice things that Leonardo would have noticed." Look, you should always notice things. But, you know, there are reasons why a lot of these people, I'll get promoted. I'll leave it at that.
All right. So another CBS Morning News with Gayle and Charlie Rose and Norah O'Donnell, they also covered the promotion of the Leonardo da Vinci book. Let's see what they have to say. "Great minds like Albert Einstein, Benjamin Franklin, and Steve Jobs." "Isaacson is here with his new book. It's called Leonardo da Vinci." "As you know by now, it's published by Simon & Schuster, which, by the way, is a division of CBS. Walter Isaacson, welcome." "Thank you." "Oh boy, it is so great. Welcome." "It's so great to see the history of Leonardo da Vinci that crosses all genres." "But let's talk about Leonardo because you described him as a man of eye-catching beauty." "I like that phrase." "Of course, you do." "Which old thirsty ass." Yeah, let's talk about Leonardo. You know, polymath, rampant homosexual, and pedophile, massive degenerate, worshipper of the Bacchus. That's Leonardo da Vinci in a nutshell. "It's flowing golden curls, muscular build, good physical strength, and a genius." "But a different kind of genius. You soar above the truly." "In that wonderful drawing, I think you have that one. I think that is a self-portrait of him. It did fit his description totally." "And is an icon of connecting art and science." "This is a drawing image." "Yes, he was at the vanguard of the humanist period and the scientific method." Okay, look, good. And I cannot stress this enough. The humanist period is what the, the abolitionist period is to the so-called black men in the early 1800s here in America. Okay? The humanist period is what got them out of their deep dark slavery because what the humanist period did was it got the black nobility to start looking at them as just peasants to work on their land. It got them to embrace the quote-unquote scientific method and to disavow a lot of the spiritual aspect of, of their belief system. Now, don't get me wrong, these, so-called black rulership of Europe, they were strict adherents to the Catholic Church, which was just a, a contorted version of the Babylonian mystery school system. So it was fated to not work anyway. But the humanist aspect of the humanist philosophical ideologies that arose in the 1300s and 1400s, that was a major factor in the downfall of the black rulership of Europe. Oh, and what you get?" "30 measurements together, right?" "But he also does something of unnecessary beauty." "As he's standing, then they get in the earth and in the universe, figuring how do we fit in?" "How is this genius different from other geniuses?" "Though we have some people like Mozart, a great genius, but in a particular field." Now, Mozart was also a so-called black man, by the way. As was Franz Joseph Haydn, right? And Beethoven. All those men were so-called black. To me, what's interesting is when you can cross fields. He thought of himself as an engineer, a scientist, an anatomist, somebody who loved geology. His notebooks are filled with all of his love of math and science and nature. Italy, Italy was the, the center of the Caucasian rise out of, out of servitude. Okay? It was the, it was the center of that rise. Italy was viewed as the epicenter for humanism and for, of course, for the Renaissance. You had a Renaissance prior to the Renaissance. It was known as the Italian Renaissance. You had something called the Carolingian Renaissance, which occurred during the time of Charlemagne and his progeny, and known like the 800, 900 AD. They were the first ones to, you know, start to embrace humanism to a degree. But, uh, it, like I stated before, it wasn't until a lot of these other factors that emerged in the 1300s, that being a so-called Black Plague, the Hundred Years' War, the serf rebellions, things of that nature, that really gave the Caucasian the impetus that was necessary for them to rise out of that, you know, of that deep dark hole that they were in. All right? Which started all the way back from the latter part of the Roman Empire to that time. And so I think real creativity comes when you can see the cross currents of nature. Was supposed to get an old silo? He was an expert in so many things, and yet he had no formal education. Well, most of your great geniuses are self-taught. That's normally how the goals. Miss O'Donnell, the college system is set up to religious initiate the debt system. They credit bait, the credit-based debt system that hangs over the head of most so-called educated people here in America. But if you, if you were to read up on most geniuses, most of them are self-taught. Became what he called a self-taught person. And that also, no, was heavily why he was, he basically was an atheist. I won't even say an atheist. He was a believer in the hermetic principles, the hermetic philosophies, the veneration of Bacchus. Had he, had he been forced to engage in any formal education, he would have been indoctrinated into the Catholic Church belief system. Became a disciple of experiment and barians. And this is the beginning of the scientific method in a way where people say, "Well, let me test the wisdom I've been given." Oh, before I forget, since he brought the scientific method, one of the main tricks that Leonardo da Vinci played on people was the Shroud of Turin. For those of you who don't know, the Shroud of Turin was a hoax that was perpetrated by Leonardo da Vinci. Supposedly, it was to replace a previous shroud that allegedly depicted the image of Christ for the House of Savoy, allegedly. This is the backstory that is alleged. But, um, Leonardo da Vinci is the one who, those who are in the know, he perpetrated that, that hoax by utilizing a technique called camera obscura, which is an old ancient technique to use light to embed an image on fabric. If you overlay it with, I believe it's silver sulfate, but I remember which element it is that he, or which compound it is that he overlaid on the fabric to make it, to make it get embedded on there. But it's a tactic or technique called camera obscura. C-A-M-E-R-A, just like the word camera. Last, and the second word is always O-B-S-C-U-R-A. S is in Sam, C is in Charlie, U is in umbrella, R is in Roger, A is in apple. So the so-called Shroud of Turin is, did not depict Christ at all. That is Leonardo da Vinci. Okay? Once again, and he's a person in history who wanted to know the most about everything you could possibly know. Mr. Chilean method in some ways. But, and you've read it. Oh, yeah. Aristotle, he was a so-called black man. Alexander the Greek was a Caucasian. But Aristotle was black. I think I mentioned this already. Plato and Socrates, those men were all black, believe it or not. Brag about his to-do list sometimes. My husband makes fun of my to-do list. But were they? We can learn from Leonardo. Megan, then you say, "But to-do list." He just wrote about, "What is this? Figure this out. What is the sky blue? What is the tongue of a woodpecker look like?" Every day we get a lift from him of the things he wants to learn. And it's sort of inspiring. And the book is based on more than 7,000 pages of notebooks. Yeah. What, what do we learn? What did you learn? And of course, what the whole thing? No, before. Well, the cool thing about the notebooks is that after 500 years, we can still flip through them and see day by day what he was doing. And fortunately, paper was slightly expensive, so on any particular pages, maybe drawn the sketch, we know day by day what he was doing. He was molesting little boys. But then he's doing a little math experiment, then doing mountains, and then doing the swirls and curls until you see how his mind leaps. It's jam-packed. I love the Mona Lisa story. I mean, look what you have on screen. The fetus in the womb is like, yeah, it's very agile. His drawings are very interesting. That's why I will recommend them that, uh, brothers purchase that book with his sketches in there. Very interesting work. When you talk about the Mona Lisa smile, you said that he used to bring in musicians to make her smile. I'm glad you believe that. Dumb. You believe in Santa Claus too. Just as he would go to the morgue and look at cadavers. He'll back to see the formation of a smile. Right? When you ask, you know, what do you find in the notebook? We have page after page of him sketching a human face, showing every muscle, every nerve, whether the nerve comes in the brain or the spinal cord. And then after a few pages of it, the first slight sketch of Mona Lisa's smile. So we look, this guy, this guy did all this research on Leonardo da Vinci, so he knows everything that I'm saying. He knows that all of these paintings that Leonardo did, the vast majority of them were based off of either himself or his boyfriends, Szalai, or Cesare Borgia. And with the sole intent of really just trying to deface the, what was recognized as the normal image of the entities of the Bible. The normal images of the entities of the Bible. When you go to the Holy Roman Empire and you look at the real relics, they were always depicted as black men. All right? Then you had a man named Thomas Cromwell, who I believe was the grand-uncle or somewhere along the line, he was related to Oliver Cromwell, who helped lead the Parliamentarians in overthrowing the line of King James in the, in the mid-1600s. You had a man named Thomas Cromwell, who was the Lord Privy Seal for Henry the Eighth. His job was to destroy all the relics in England at the time. Those were the Catholic relics, but those were all the relics that depicted the original, you know, the original black images, not only of the kings and the queens of, of the British Isles, but also the depictions of the saints. As I stated, they were Catholic, so they were into relic worship. So we see how the science connects of the art and it's inspired passionate curiosity for curiosity's sake. And so he's doing anatomy dissections, but he realizes that the beauty of the human body is connected. Losing. Where did that drive come from? It was just innate for him. It is. No, I don't think. I mean, I think there's certain innate genius. Einstein is one of them where, you know, whoa, you got some processing power. But I think with outside, I mean, with Leonardo da Vinci, she pushes himself, right? But that's also a form of genius to push yourself to actually want to learn. Look, I don't deny that the man was a genius. He was just a degenerate. Dig more curious. As Nora said, you read those lists of things he wants to learn. And so that's why he's a more accessible genius than some of the others are written about because we can do that too. We can, like he would just say, "Why is the sky blue?" And being his notebook, and he doing. You compared him to Steve Jobs. We've been saying all morning, you're gonna tell us why the, you know, whatever Steve Jobs would launch a great product. I'm gonna say, "All of us products all over your table and in my pocket." And he, "In the end, he would show the intersection of two streets, liberal arts and technology." They'd say, "If you can stand at the intersection of the humanities and science, of arts and engineering, that's what creativity occurs." To me, that's what, which should be a man is all about. And Leonardo's adventures all about. All right, well, today playing the music. It's time to wrap it up. All right, we already know your book is gonna sell like hotcakes. I might even get it because I would like to get some insight into a topic like this. Burning. But brothers, point being is, they're promoting a lot of this. I just wanted to use this as a backdrop to, you know, lay out a little information on the Renaissance and the atmosphere around it. I'll be covering this topic a lot more in depth in future, in future videos, Lord willing. But anyway, peace.
All right, so now this is the person that I've been mentioning in the video on Leonardo da Vinci, named Szalai. This was a young boy who moved in with Leonardo da Vinci when he was 10 years old, an artist's apprenticeship, or what they call a pupil. But he also was taken as Leonardo da Vinci's boy lover, which was very common during that time, especially in Renaissance Italy. They would take boy lovers as apprentices, and they would make them pupils, and then when they got a certain age, they would cast them to the side, and they would bring in another young boy. Once again, that is part of the belief in the Bacchus. Remember, Pan is engaged in pederasty, which is man-boy love. Anyway, this is Szalai. This is the person that I stated stood as the inspiration and the model for most of Leonardo da Vinci's, most of his paintings, most of his famous paintings that people try to act like they don't know who they were. No, no, that's a lie. You playing games. All right? Anyway, this is Szalai as John the Baptist. So-called John the Baptist. Look very closely at the face. You can see that's also Mona Lisa. Okay? This person is Szalai. Leonardo da Vinci's boy lover. This is the original sketch that Leonardo da Vinci did of Szalai that he was going to use to play, that he was going to use as the model for John the Baptist. This is a drawing known as the Angel Incarnate, because this is how he looked at that boy, Szalai, as an angel. He was, quote-unquote, in love with him and in a quote-unquote relationship, all right, starting from the age of 10 years old. Yeah. Once again, you could see he has breasts and he has an erect phallus, and the right finger is pointing upward, the same way that I mentioned in the drawing for the Last Supper when Thomas had the finger pointing upward. That is for the Bacchus, or as we know him today, the Baphomet. As above, so below. The worship of the hermetic principles. Okay? Let's go back one more time. That is Szalai as the John the Baptist. This is a drawing of Szalai that Leonardo da Vinci did in preparation for his John the Baptist painting. This drawing is known as Angel Incarnate. You could look it up. You see he has the erect phallus there and he has the finger up in the air. Also, in Leonardo da Vinci's sketches, in his sketchbook, he has a drawing of Szalai's anus being pursued by penises on that half-feet running towards his anus. So that's how they get down. That's how they got down in the Renaissance and during the day and in the worship of the Bacchus.
This is also Szalai as the Bacchus itself. This is a painting that you could look up by Leonardo da Vinci called Bacchus. He uses Szalai as the model. Once again, you see the fingers, right finger pointing one way, and then they let the left finger pointing downward. As above, so below. The legs crossed. He plays the Bacchus, the hermaphroditic god. Remember, Bacchus is a hermaphrodite. This is another painting of Szalai known as Mona Vanna. You could look it up. And as it M-I-C-H-A-E-L, or as it M-O-N-A, V-A-N-N-A. This is depicting him as a, as a hermaphrodite, having both male and female parts. Once again, just like the drawing Angel Incarnate that I showed you. And you look at the face, that is clearly the same person who studied at the model for the Mona Lisa, then goes the Mona Lisa. Same person. All right? Same person. Then goes the so-called famous Mona Lisa painting or depiction that they try to act like they don't know who that is. At one time, I thought it was Leonardo. But, you know, it's very obvious to me after I have to research that that was his boy lover, Szalai. Szalai was eventually replaced by another boy named Francesco Melzi. Now, who was with Leonardo until he died in 1519, in the court of Francis the First of France. They, oh, and by the way, the name Szalai means a little devil or unclean one. So that was the person that Leonardo da Vinci, Leonardo da Vinci was, quote-unquote, in love with for all those years until he was replaced by another little boy. So this, these are the type of people that they venerate. But the reason why they venerate them is because they were key in pushing and promoting the worship of the Bacchus. All right? It was also known in other cultures as, as Osiris, or, you know, as we know him in the scriptures as Nimrod, the son of Cush. But anyway, peace.